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Translation as Transhumance by Mireille Gansel Pdf
Mireille Gansel grew up in the traumatic aftermath of her family losing everything—including their native languages—to Nazi Germany. In the 1960s and 70s, she translated poets from East Berlin and Vietnam. Gansel’s debut conveys the estrangement every translator experiences by moving between tongues, and muses on how translation becomes an exercise of empathy between those in exile.
Translation as Transhumance by Mireille Gansel Pdf
Mireille Gansel grew up in the traumatic aftermath of her family losing everything - including their native language - to Nazi Germany. In the 1960s and '70s, she translated poets from East Berlin and Vietnam to help broadcast their defiance to the rest of the world. Winner of a French Voices Award and an English PEN Award, this half memoir, half philosophical treatise is a humanist meditation on the art of translation. Gansel considers estrangement as her price paid for the privilege of moving between tongues, and muses on how translation becomes an exercise of empathy among those in exile.
This book by words and photographs illustrates and explains the central role of the ballad Miorița in Romanian culture. By combining the insights of an American and a Romanian scholar with a vision of Romanian pastoral life developed by a leading American photographer, the reader is introduced to one of the most complicated and elusive cultural icons in European civilization. It is, however, one that continues to permeate Romanian culture and offers, to those who take the time to study it, an approach to life which will resonate closely with modern experience and understanding. This album benefits from two introductions, one by an American specialist in Romanian studies and one by a Romanian professor of Romanian literature, providing different perspectives on the Miorița, to ensure that the reader will understand why the ballad is central to Romanian consciousness and why its message is of great seriousness and insight for humanity in general. The photographer, Laurence Salzmann, made the photographs in 1981 while on a fellowship in Poiana Sibiului, a small village of transhumance shepherds in the Carpathian Mountains of Romania. Dr. Ernest Latham, who conceived of the exhibit as American cultural attaché in Bucharest in the 1980s, contributes an introduction which recounts his personal involvement with the Miorița, the exhibit, and the new English translation developed to caption the photographs. Alexandru Husar was a distinguished professor of Romanian literature at the University of Iași. He provides an introduction that guides the reader into the deeper meaning and importance of the Miorița. This book by words and photographs illustrates and explains the central role of the ballad Miorița in Romanian culture. By combining the insights of an American and a Romanian scholar with a vision of Romanian pastoral life developed by a leading American photographer, the reader is introduced to one of the most complicated and elusive cultural icons in European civilization. It is, however, one that continues to permeate Romanian culture and offers, to those who take the time to study it, an approach to life which will resonate closely with modern experience and understanding. This album benefits from two introductions, one by an American specialist in Romanian studies and one by a Romanian professor of Romanian literature, providing different perspectives on the Miorița, to ensure that the reader will understand why the ballad is central to Romanian consciousness and why its message is of great seriousness and insight for humanity in general. The photographer, Laurence Salzmann, made the photographs in 1981 while on a fellowship in Poiana Sibiului, a small village of transhumance shepherds in the Carpathian Mountains of Romania. Dr. Ernest Latham, who conceived of the exhibit as American cultural attaché in Bucharest in the 1980s, contributes an introduction which recounts his personal involvement with the Miorița, the exhibit, and the new English translation developed to caption the photographs. Alexandru Husar was a distinguished professor of Romanian literature at the University of Iași. He provides an introduction that guides the reader into the deeper meaning and importance of the Miorița.
Historical Archaeologies of Transhumance across Europe by Eugene Costello,Eva Svensson Pdf
Transhumance is a form of pastoralism that has been practised around the world since animals were first domesticated. Such seasonal movements have formed an important aspect of many European farming systems for several thousand years, although they have declined markedly since the nineteenth century. Ethnographers and geographers have long been involved in recording transhumant practices, and in the last two decades archaeologists have started to add a new material dimension to the subject. This volume brings together recent advances in the study of European transhumance during historical times, from Sweden to Spain, Romania to Ireland, and beyond that even Newfoundland. While the focus is on the archaeology of seasonal sites used by shepherds and cowherds, the contributions exhibit a high degree of interdisciplinarity. Documentary, cartographic, ethnographic and palaeoecological evidence all play a part in the examination of seasonal movement and settlement in medieval and post-medieval landscapes. Notwithstanding the obvious diversity across Europe in terms of livestock, distances travelled and socio-economic context, an extended introduction to the volume shows that cross-cutting themes are now emerging, including mobility, gendered herding, collective land-use, the agency of non-elite people and competition for grazing and markets. The book will appeal not only to archaeologists, but to historians, geographers, ethnographers, palaeoecologists and anyone interested in rural lifeways across Europe.
Tribal Pastoralists in Transition by Frank Hole,Sekandar Amanolahi Pdf
In the spring of 1973, the Baharvand tribe from the Luristan province of central western Iran prepared to migrate from their winter pastures to their summer camp in the mountains. Seasonal migration in spring and fall had been their way of life for as long as anyone in the camp could remember. They moved their camp and their animals—sheep, goats, horses, donkeys, and chickens—in order to find green pastures and suitable temperatures. That year, one migrating family in the tribe allowed an outsider to make the trip with them. Anthropology professor Frank Hole, accompanied by his graduate student, Sekandar Amanolahi-Baharvand, traveled with the family of Morad Khan as they migrated into the mountains. In this volume, Hole describes the journey, the modern and prehistoric sites along the way, and the people he traveled with. It is a portrait of people in transition—even as the family follows the ancient migration path, there are signs of economic and social change everywhere. Illustrated. Supplementary videos (on the migration, weaving, harvesting, and the bazaars) can be found on Fulcrum (fulcrum.org/UMMAA).
A young woman suffers a mental breakdown because of her repressive and religious mother. A group of children is fascinated by the sudden death of a friend. A drug trafficking couple visits Paris at the same time as a psychopathic cannibal. A mysterious wave travels through a university campus, driving students to suicide. A photographer witnesses a family’s surface composure shatter during a portrait session. A worker on Mars sees ghostly animals in the desert and longs for an impossible return to Earth. A plastic surgeon botches an operation and hides on a sugar cane plantation where indigenous slavery is practiced. Horror and the fantastic mark the unstable realism of Our Dead World, in which altered states of consciousness, marginalized peoples, animal bodies, and tensions between tradition and modernity are recurring themes. Liliana Colanzi’s stories explore those moments when the civilized voice of the ego gives way to the buzzing of the subconscious, and repressed indigenous history destabilizes the colonial legacy still present in contemporary Latin America. Colanzi is considered by critics to be one of the most promising voices of the new Latin American narrative, and this book is an ambitious formal and thematic leap.
In Joyce Carol Oates’s story “The Translation,” a traveler to an Eastern European country falls in love with a woman he gets to know through an interpreter. In Lydia Davis’s “French Lesson I: Le Meurtre,” what begins as a lesson in beginner’s French takes a sinister turn. In the essay “On Translating and Being Translated,” Primo Levi addresses the joys and difficulties awaiting the translator. Lynne Sharon Schwartz’s Crossing Borders: Stories and Essays About Translation gathers together thirteen stories and five essays that explore the compromises, misunderstandings, traumas, and reconciliations we act out and embody through the art of translation. Guiding her selection is Schwartz’s marvelous eye for finding hidden gems, bringing together Levi, Davis, and Oates with the likes of Michael Scammell, Harry Mathews, Chana Bloch, and so many other fine and intriguing voices.
Author : Charles G. Häberl,James F. McGrath Publisher : Walter de Gruyter GmbH & Co KG Page : 474 pages File Size : 41,6 Mb Release : 2019-11-18 Category : Religion ISBN : 9783110487862
The Mandaean Book of John by Charles G. Häberl,James F. McGrath Pdf
Given the degree of popular fascination with Gnostic religions, it is surprising how few pay attention to the one such religion that has survived from antiquity until the present day: Mandaism. Mandaeans, who esteem John the Baptist as the most famous adherent to their religion, have in our time found themselves driven from their historic homelands by war and oppression. Today, they are a community in crisis, but they provide us with unparalleled access to a library of ancient Gnostic scriptures, as part of the living tradition that has sustained them across the centuries. Gnostic texts such as these have caught popular interest in recent times, as traditional assumptions about the original forms and cultural contexts of related religious traditions, such as Judaism, Christianity, and Islam, have been called into question. However, we can learn only so much from texts in isolation from their own contexts. Mandaean literature uniquely allows us not only to increase our knowledge about Gnosticism, and by extension all these other religions, but also to observe the relationship between Gnostic texts, rituals, beliefs, and living practices, both historically and in the present day.
The celebrated Greek poet Phoebe Giannisi explores connections between language, life, and the natural world By one of Greece’s foremost contemporary poets, Cicada is Phoebe Giannisi’s second collection in English. The cicada signifies metamorphosis in this breathtaking, lyrical book, which evokes the spirits of Archilochus, Plato, Empedocles, and Heraclitus. As the translator Brian Sneeden remarks: “The ‘I’ in Giannisi’s poetry is never static, never a fixed point, but part of a process of rebodying the ambient.” Yet, despite the fluid, mythic nature of Giannisi’s poems, they are also exquisitely rooted in the everyday: the sea heard through a window, the murmur of a distant mechanical crane, a damp wind, a photo of John and Yoko. Giannisi is a poet internationally known for her idiosyncratic eco-poetics, as well as her poetic multimedia works and performances, and most of all for her brilliant vision glowing at the borders of language, voice, place, and memory.
What Ever Happened to Modernism? by Gabriel Josipovici Pdf
The quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.
Brief in the way a razor’s slice is brief, remarkable essays by a peerless stylist New Directions is proud to present Fleur Jaeggy’s strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey’s early nineteenth-century world we hear of the habits of writers: Charles Lamb “spoke of ‘Lilliputian rabbits’ when eating frog fricassse”; Henry Fuseli “ate a diet of raw meat in order to obtain splendid dreams”; “Hazlitt was perceptive about musculature and boxers”; and “Wordsworth used a buttery knife to cut the pages of a first-edition Burke.” In a book of “blue devils” and night visions, the Keats essay opens: “In 1803, the guillotine was a common child’s toy.” And poor Schwob’s end comes as he feels “like a ‘dog cut open alive’”: “His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief.” Fleur Jaeggy’s essays—or are they prose poems?—smoke of necessity: the pages are on fire.
An epic tale of a Mexican-American girl's journey into womanhood and independence on both sides of the border. The sole novel of beloved Chicana author Estela Portillo Trambley is an important rediscovery. This classic Mexican-American coming-of-age story was written in the 1980s during the rich burgeoning of Latino literature that also brought us such writers as Sandra Cisneros and Denise Chavez. The novel is the captivating story of Trini, a girl born in the rural Tarahumaran region of Mexico, who loses her mother at an early age and shares her family's struggle to squeeze a living out of her beautiful but inhospitable land. Trini is a vital novel of the Mexican-American experience, appropriate for young adults as well as adult readers.
From wicked queens, beautiful princesses, elves, monsters, and goblins to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over a long writing life, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich hoard of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. Her book makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.
In this revelatory volume, Roberto Calasso, whom the Paris Review has called 'a literary institution', explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, ruins. They created no empires. Even the hallucinogenic plant, the soma, which appears at the centre of some of their rituals, has not been identified with any certainty. Only a 'Parthenon of words' remains: verses and formulations suggesting a daring understanding of life. 'If the Vedic people had been asked why they did not build cities,' writes Calasso, 'they could have replied: we did not seek power, but rapture.' This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that define the Vedas. Often at odds with modern thought, he shows how these texts illuminate the nature of consciousness more than neuroscientists have been able to offer us up to now. Following the 'hundred paths' of the Satapatha Brahmana, an impressive exegesis of Vedic ritual, Ardor indicates that it may be possible to reach what is closest by passing through that which is most remote, as 'the whole of Vedic India was an attempt to think further'.
A RADIO FRANCE-CULTURE/TÉLÉRAMA BEST WORK OF FICTION BY THE WINNER OF THE 2013 CAMÕES PRIZE AND THE WINNER OF THE 2014 NEUSTADT PRIZE “Quite unlike anything else I have read from Africa.""—Doris Lessing “By meshing the richness of African beliefs . . . into the Western framework of the novel, he creates a mysterious and surreal epic.”—Henning Mankell Mwanito was eleven when he saw a woman for the first time, and the sight so surprised him he burst into tears. Mwanito has been living in a former big-game park for eight years. The only people he knows are his father, his brother, an uncle, and a servant. He’s been told that the rest of the world is dead, that all roads are sad, that they wait for an apology from God. In the place his father calls Jezoosalem, Mwanito has been told that crying and praying are the same thing. Both, it seems, are forbidden. The eighth novel by the internationally bestselling Mia Couto, The Tuner of Silences is the story of Mwanito’s struggle to reconstruct a family history that his father is unable to discuss. With the young woman’s arrival in Jezoosalem, however, the silence of the past quickly breaks down, and both his father’s story and the world are heard once more. The Tuner of Silences has been published to acclaim in more than half a dozen countries. Now in its first English translation, this story of an African boy's quest for the truth endures as a magical, humanizing confrontation between one child and the legacy of war. PRAISE FOR MIA COUTO “On almost every page … we sense Couto’s delight in those places where language slips officialdom’s asphyxiating grasp.”—The New York Times "Even in translation, his prose is suffused with striking images.”—The Washington Post PRAISE FOR DAVID BROOKSHAW "David Brookshaw dexterously renders the novel's often colloquial, pithy Portuguese into lively English. Brookshaw's task is made more exacting by the particular quality of Couto's brilliance.”—The New York Times