Transnational Horror Cinema

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Transnational Horror Cinema

Author : Sophia Siddique,Raphael Raphael
Publisher : Springer
Page : 250 pages
File Size : 44,9 Mb
Release : 2017-02-24
Category : Performing Arts
ISBN : 9781137584175

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Transnational Horror Cinema by Sophia Siddique,Raphael Raphael Pdf

This book broadens the frameworks by which horror is generally addressed. Rather than being constrained by psychoanalytical models of repression and castration, the volume embraces M.M. Bakhtin’s theory of the grotesque body. For Bakhtin, the grotesque body is always a political body, one that exceeds the boundaries and borders that seek to contain it, to make it behave and conform. This vital theoretical intervention allows Transnational Horror Cinema to widen its scope to the social and cultural work of these global bodies of excess and the economy of their grotesque exchanges. With this in mind, the authors consider these bodies’ potentials to explore and perhaps to explode rigid cultural scripts of embodiment, including gender, race, and ability.

The Uncanny Child in Transnational Cinema

Author : Jessica Balanzategui
Publisher : Amsterdam University Press
Page : 341 pages
File Size : 45,6 Mb
Release : 2018-12-11
Category : Art
ISBN : 9789048537792

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The Uncanny Child in Transnational Cinema by Jessica Balanzategui Pdf

This book illustrates how global horror film images of children re-conceptualised childhood at the beginning of the twenty-first century, unravelling the child's long entrenched binding to ideologies of growth, futurity, and progress. The Uncanny Child in Transnational Cinema analyses an influential body of horror films featuring subversive depictions of children that emerged at the beginning of the twenty-first century, and considers the cultural conditions surrounding their emergence. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in potent cinematic renegotiations of the concept of childhood. In these transnational films-largely stemming from Spain, Japan, and America-the child resists embodying growth and futurity, concepts to which the child's symbolic function is typically bound. By demonstrating both the culturally specific and globally resonant properties of these frightening visions of children who refuse to grow up, the book outlines the conceptual and aesthetic mechanisms by which long entrenched ideologies of futurity, national progress, and teleological history started to waver at the turn of the twenty-first century.

Transnational Horror Across Visual Media

Author : Dana Och,Kirsten Strayer
Publisher : Routledge
Page : 256 pages
File Size : 50,9 Mb
Release : 2013-10-15
Category : Social Science
ISBN : 9781136744846

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Transnational Horror Across Visual Media by Dana Och,Kirsten Strayer Pdf

This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and post-Soviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders.

Japanese Horror and the Transnational Cinema of Sensations

Author : Steven T. Brown
Publisher : Springer
Page : 330 pages
File Size : 45,5 Mb
Release : 2018-02-05
Category : Performing Arts
ISBN : 9783319706290

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Japanese Horror and the Transnational Cinema of Sensations by Steven T. Brown Pdf

Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror’s slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.

International Horror Film Directors

Author : Danny Shipka,Ralph Beliveau
Publisher : Intellect (UK)
Page : 0 pages
File Size : 52,7 Mb
Release : 2017
Category : Horror films
ISBN : 1783206535

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International Horror Film Directors by Danny Shipka,Ralph Beliveau Pdf

Horror films have for decades commanded major global audiences, tapping into deep-rooted fears that cross national and cultural boundaries in their ability to spark terror. This book brings together a group of scholars to explore the ways that this fear is utilized and played upon by a wide range of filmmakers. Contributors take up such major figures as Guillermo del Toro, Lars Von Trier, and David Cronenberg, and they also offer introductions to lesser-known talents such as Richard Franklin, Kiyoshi Kurosawa, Juan López Moctezuma, and Alexandre Aja. Scholars and fans alike dipping into this collection will discover plenty of insight into what chills us.

Transnationalism and Genre Hybridity in New British Horror Cinema

Author : Lindsey Decker
Publisher : University of Wales Press
Page : 272 pages
File Size : 44,8 Mb
Release : 2021-03
Category : Fiction
ISBN : 9781786836991

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Transnationalism and Genre Hybridity in New British Horror Cinema by Lindsey Decker Pdf

This book takes British horror films of the 2000s as a case study to theorise transnational genre hybridity, which combines genres from different national cinemas.

Korean Horror Cinema

Author : Alison Peirse
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 53,7 Mb
Release : 2013-03-14
Category : Performing Arts
ISBN : 9780748677658

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Korean Horror Cinema by Alison Peirse Pdf

As the first detailed English-language book on the subject, Korean Horror Cinema introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox), to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s with The Housemaid, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and introducing readers to films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Thirst, A Tale of Two Sisters, and Phone, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway, Woman's Wail and The Fox With Nine Tails. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.

Contemporary Gothic and Horror Film

Author : Keith McDonald,Wayne Johnson
Publisher : Anthem Press
Page : 224 pages
File Size : 53,9 Mb
Release : 2021-06-15
Category : Art
ISBN : 9781785277757

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Contemporary Gothic and Horror Film by Keith McDonald,Wayne Johnson Pdf

This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself.

Global Horror

Author : Samirah Alkassim,Ziad El-Bayoumi Foty
Publisher : Cognella Academic Publishing
Page : 0 pages
File Size : 49,7 Mb
Release : 2022-07-28
Category : Electronic
ISBN : 1793552894

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Global Horror by Samirah Alkassim,Ziad El-Bayoumi Foty Pdf

Global Horror: Hybridity and Alterity in Transnational Horror Film is an anthology textbook that challenges students to reconsider horror films through the lenses of transnational cinema, evolving technologies, and decolonial approaches to the genre. As such, the book aims to increase our awareness of horror film histories across vast geographies while examining existential questions about difference, war, and the future of life on this planet. This textbook is divided into two parts, organized by theme and geographic range. Part One includes six reprinted essays speaking on established subjects--German Expressionism, vampires, zombies, science fiction, and more--from established modes of horror film scholarship, including feminist scholarship and critique of Blaxploitation horror. Part Two includes two reprinted essays on J-horror and Korean horror film and six chapters of original writing that explore understudied areas of the genre, including Middle Eastern horror film, Indian horror film, Latin American horror film, and Indigenous (North American) horror film. A timely and complex exploration of the genre through the lens of contemporary social issues, Global Horror is an ideal textbook for courses and programs in film and cinema studies.

A Companion to the Horror Film

Author : Harry M. Benshoff
Publisher : John Wiley & Sons
Page : 613 pages
File Size : 49,7 Mb
Release : 2017-01-17
Category : Performing Arts
ISBN : 9781119335016

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A Companion to the Horror Film by Harry M. Benshoff Pdf

This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike

Global Horror Cinema Today

Author : Jon Towlson
Publisher : McFarland
Page : 226 pages
File Size : 55,8 Mb
Release : 2021-07-22
Category : Performing Arts
ISBN : 9781476643526

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Global Horror Cinema Today by Jon Towlson Pdf

The horror film is thriving worldwide. Filmmakers in countries as diverse as the USA, Australia, Israel, Spain, France, Great Britain, Iran, and South Korea are using the horror genre to address the emerging fears and anxieties of their cultures. This book investigates horror cinema around the globe with an emphasis on how the genre has developed in the past ten years. It closely examines 28 international films, including It Follows (2014), Grave (Raw, 2016), Busanhaeng (Train to Busan, 2016), and Get Out (2016), with discussions of dozens more. Each chapter focuses on a different country, analyzing what frightens the people of these various nations and the ways in which horror crosses over to international audiences.

Transnational Cinema

Author : Steven Rawle
Publisher : Bloomsbury Publishing
Page : 405 pages
File Size : 40,5 Mb
Release : 2018-01-24
Category : Performing Arts
ISBN : 9781350306677

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Transnational Cinema by Steven Rawle Pdf

This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing films about migrant, cross-cultural and cross-border experience, Steven Rawle demonstrates how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel. This comprehensive introduction brings together the key concepts and theories of transnational cinema, including genre, remakes, diasporic and exilic cinema, and the limits of thinking about cinema as a particularly national cultural artefact. It is an excellent course companion for undergraduate students of film, cinema, media and cultural studies studying transnational and global cinema, and provides both students and lovers of film alike with a strong grounding in this timely field of film studies.

Transnational Film Remakes

Author : Iain Robert Smith
Publisher : Edinburgh University Press
Page : 248 pages
File Size : 47,6 Mb
Release : 2017-03-08
Category : Social Science
ISBN : 9781474407250

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Transnational Film Remakes by Iain Robert Smith Pdf

What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La Bete Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings.

Horror International

Author : Steven Jay Schneider,Tony Williams
Publisher : Wayne State University Press
Page : 404 pages
File Size : 40,9 Mb
Release : 2005
Category : Performing Arts
ISBN : 0814331017

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Horror International by Steven Jay Schneider,Tony Williams Pdf

As global cinema becomes increasingly difficult to distinguish, characterizations of horror films from various geographical and cultural locations seem more fluid and transitional than ever before. However, this does not mean denying the existence of national features that affect and are reflected in horror films, whether from an artistic or a reception standpoint. Horror is one of the most studied genres in cinema, yet none of the many books on the subject focus on films or traditions outside the United States or the United Kingdom. While Italian, Japanese, Mexican, German, and Hong Kong horror films have received a modicum of critical recognition, the areas of Egyptian, Romanian, Belgian, Dutch, New Zealand, and Thai horror all still need-in fact, demand-some attention. Horror International seeks to rectify this by giving the global perspectives and cross-cultural dynamics of world horror cinema its due. This groundbreaking collection of eighteen original essays examine a myriad of films, showing how each draws from Hollywood horror conventions and also local cinematic traditions, local folklore, and national historical and cultural concerns. The production, marketing, and reception of various national cinemas are also addressed, demonstrating how these films are understood by different audiences worldwide. This in turn sheds new light on the original cultural production of many works and their subsequent "translations" and meanings in different national contexts. The diverse and highly informative essays in Horror International will engross both scholars and fans of horror films and finally illuminate the distinct multicultural factors of this exciting cinematic genre.

American Horror Film

Author : Steffen Hantke
Publisher : Univ. Press of Mississippi
Page : 275 pages
File Size : 54,6 Mb
Release : 2010-06-01
Category : Performing Arts
ISBN : 160473454X

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American Horror Film by Steffen Hantke Pdf

Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self-or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone's muchmaligned Feardotcom in the light of the torture debate at the end of President George W. Bush's administration. Other essays look at the economic, social, and formal aspects of the genre; the globalization of the U.S. film industry; the alleged escalation of cinematic violence; and the massive commercial popularity of the remake. Some essays examine specific subgenres-from the teenage horror flick to the serial killer film and the spiritual horror film-as well as the continuing relevance of classic directors such as George A. Romero, David Cronenberg, John Landis, and Stuart Gordon. Essays deliberate on the marketing of nostalgia and its concomitant aesthetic, and the curiously schizophrenic perspective of fans who happen to be scholars as well. Taken together, the contributors to this collection make a compelling case that American horror cinema is as vital, creative, and thought-provoking as it ever was.