Transnational Mobilities In Early Modern Theater

Author : Robert Henke,Eric Nicholson
Publisher : Routledge
Page : 320 pages
File Size : 52,6 Mb
Release : 2016-02-24
Category : Performing Arts
ISBN : 9781317006763

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Transnational Mobilities in Early Modern Theater by Robert Henke,Eric Nicholson Pdf

The essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramatic' approaches (e.g., genre, plot, action, and the dramatic text) and 'theatrical' perspectives (e.g., costume, the body and gender of the actor). Following recent work in 'mobility studies,' mobility is examined from both material and symbolic angles, revealing both ample transnational movement and periodic resistance to border-crossing. Four final essays attend to the practical and theoretical dimensions of theatrical translation and adaptation, and contribute to the book’s overall inquiry into the ways in which values, properties, and identities are lost, transformed, or gained in movement across geo-linguistic borders.

Author : Robert Henke,Eric Nicholson
Publisher : Unknown
Page : 128 pages
File Size : 53,7 Mb
Release : 2016
Category : Electronic books
ISBN : 1315549816

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Transnational Mobilities in Early Modern Theater by Robert Henke,Eric Nicholson Pdf

Author : Robert Henke,Eric Nicholson
Publisher : Lund Humphries Publishers
Page : 320 pages
File Size : 44,9 Mb
Release : 2014-08-01
Category : PERFORMING ARTS
ISBN : 1409468305

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Transnational Mobilities in Early Modern Theater by Robert Henke,Eric Nicholson Pdf

The essays in this volume investigate English, Italian, Spanish, German, and Czech early modern theatre, placing Shakespeare and his English contemporaries in the theatrical contexts of early modern Europe. Contributors examine the movement of theatrical units, genres, performance practices and dramatic texts across geo-linguistic borders. Mobility is examined from both material and symbolic angles, revealing a tension between transnational movement and resistance to border-crossing. .

Author : Eric Nicholson
Publisher : Routledge
Page : 455 pages
File Size : 51,7 Mb
Release : 2016-09-17
Category : Literary Criticism
ISBN : 9781317006961

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Transnational Exchange in Early Modern Theater by Eric Nicholson Pdf

Emphasizing a performative and stage-centered approach, this book considers early modern European theater as an international phenomenon. Early modern theater was remarkable both in the ways that it represented material and symbolic exchanges across political, linguistic, and cultural borders (both "national" and "regional") but also in the ways that it enacted them. Contributors study various modalities of exchange, including the material and causal influence of one theater upon another, as in the case of actors traveling beyond their own regional boundaries; generalized and systemic influence, such as the diffused effect of Italian comedy on English drama; the transmission of theoretical and ethical ideas about the theater by humanist vehicles; the implicit dialogue and exchange generated by actors playing "foreign" roles; and polyglot linguistic resonances that evoke circum-Mediterranean "cultural geographies." In analyzing theater as a medium of dialogic communication, the volume emphasizes cultural relationships of exchange and reciprocity more than unilateral encounters of hegemony and domination.

Author : Robert Henke
Publisher : University of Iowa Press
Page : 217 pages
File Size : 47,9 Mb
Release : 2015-08
Category : Performing Arts
ISBN : 9781609383619

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Poverty and Charity in Early Modern Theater and Performance by Robert Henke Pdf

Whereas previous studies of poverty and early modern theatre have concentrated on England and the criminal rogue, Poverty and Charity in Early Modern Theatre and Performance takes a transnational approach, which reveals a greater range of attitudes and charitable practices regarding the poor than state poor laws and rogue books suggest. Close study of German and Latin beggar catalogues, popular songs performed in Italian piazzas, the Paduan actor-playwright Ruzante, the commedia dell’arte in both Italy and France, and Shakespeare demonstrate how early modern theatre and performance could reveal the gap between official policy and actual practices regarding the poor. The actor-based theatre and performance traditions examined in this study, which persistently explore felt connections between the itinerant actor and the vagabond beggar, evoke the poor through complex and variegated forms of imagination, thought, and feeling. Early modern theatre does not simply reflect the social ills of hunger, poverty, and degradation, but works them through the forms of poverty, involving displacement, condensation, exaggeration, projection, fictionalization, and marginalization. As the critical mass of medieval charity was put into question, the beggar-almsgiver encounter became more like a performance. But it was not a performance whose script was prewritten as the inevitable exposure of the dissembling beggar. Just as people’s attitudes toward the poor could rapidly change from skepticism to sympathy during famines and times of acute need, fictions of performance such as Edgar’s dazzling impersonation of a mad beggar in Shakespeare’s King Lear could prompt responses of sympathy and even radical calls for economic redistribution.

Author : M. A. Katritzky,Pavel Drábek
Publisher : Unknown
Page : 0 pages
File Size : 46,6 Mb
Release : 2020
Category : Literary Criticism
ISBN : 1526139170

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Transnational Connections in Early Modern Theatre by M. A. Katritzky,Pavel Drábek Pdf

Pushing the complexities of theatrical connections beyond questions of national boundaries, Transnational connections in early modern theatre studies performance as a connective medium, to engage with the complex encounters, exchanges and interactions among texts, performers and communities, in a time of vastly increasing interchange and mobility.

Author : Robert Henke,Eric Nicholson
Publisher : Unknown
Page : 264 pages
File Size : 41,7 Mb
Release : 2008
Category : European drama
ISBN : 0754690172

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Transnational Exchange in Early Modern Theater by Robert Henke,Eric Nicholson Pdf

Author : Alexandra Coller
Publisher : Routledge
Page : 282 pages
File Size : 43,7 Mb
Release : 2017-07-06
Category : Literary Criticism
ISBN : 9781134780174

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Women, Rhetoric, and Drama in Early Modern Italy by Alexandra Coller Pdf

Sixteenth-century Italy witnessed the rebirth of comedy, tragedy, and tragicomedy in the pastoral mode. Traditionally, we think of comedy and tragedy as remakes? of ancient models, and tragicomedy alone as the invention of the moderns. Women, Rhetoric, and Drama in Early Modern Italy suggests that all three genres were, in fact, remarkably new, if dramatists’ intriguingly sympathetic portrayals of and sustained investment in women as vibrant and dynamic characters of the early modern stage are taken into account. This study examines the role of rhetoric and gender in early modern Italian drama, in itself and in order to explore its complex interrelationship with the rise of women writers and the role women played in Italian culture and society, while at the same time demonstrating just how closely intertwined history, culture, and dramatic writing are. Author Alexandra Coller focuses on the scripted/erudite plays of the sixteenth and first half of the seventeenth centuries, which, she argues, are indispensable for a balanced view of the history of drama and its place within contemporary literary and women’s studies. As this book reveals, the ascendancy of comedy, tragedy, and tragicomedy in the vernacular seems to have been not only inextricably linked to but also dependent on the rise of women as prominent stage characters and, eventually, as authors in their own right.

Author : Harry R. McCarthy
Publisher : Cambridge University Press
Page : 263 pages
File Size : 43,7 Mb
Release : 2022-09
Category : Literary Criticism
ISBN : 9781009098953

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Boy Actors in Early Modern England by Harry R. McCarthy Pdf

This innovative study draws on theatre history and present-day performance to re-appraise the remarkable skills of early modern boy actors.

Author : Michelle M. Dowd,Tom Rutter
Publisher : Bloomsbury Publishing
Page : 409 pages
File Size : 40,9 Mb
Release : 2022-12-15
Category : Literary Criticism
ISBN : 9781350161863

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The Arden Handbook of Shakespeare and Early Modern Drama by Michelle M. Dowd,Tom Rutter Pdf

How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways? Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical narratives about early modern drama. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in disability and trans studies, as well as contemporary performance. Running through the collection is a shared focus on contemporary concerns, with contributors exploring how race, religion, environment, gender and sexuality animate 16th- and 17th-century drama and, crucially, the questions we bring to our study, teaching and research of it. The volume includes a ground-breaking assessment of the chronology of early modern drama, a survey of resources and an annotated bibliography to assist researchers as they pursue their own avenues of inquiry. Combining original research with an account of the current state of play, The Arden Handbook of Shakespeare and Early Modern Drama will be an invaluable resource both for experienced scholars and for those beginning work in the field.

Author : Robert Henke
Publisher : Bloomsbury Publishing
Page : 280 pages
File Size : 40,7 Mb
Release : 2019-08-08
Category : History
ISBN : 9781350135383

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A Cultural History of Theatre in the Early Modern Age by Robert Henke Pdf

For both producers and consumers of theatre in the early modern era, art was viewed as a social rather than an individual activity. Emerging in the context of new capitalistic modes of production, the birth of the nation state and the rise of absolute monarchies, theatre also proved a highly mobile medium across geolinguistic boundaries. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1400 to 1650, and examines the socioeconomically heterodox nature of theatre and performance during this period. Highly illustrated with 48 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

Author : Michele Marrapodi
Publisher : Routledge
Page : 679 pages
File Size : 43,7 Mb
Release : 2019-03-05
Category : Literary Collections
ISBN : 9781317044161

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The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture by Michele Marrapodi Pdf

The aim of this Companion volume is to provide scholars and advanced graduate students with a comprehensive and authoritative state-of-the-art review of current research work on Anglo-Italian Renaissance studies. Written by a team of international scholars and experts in the field, the chapters are grouped into two large areas of influence and intertextuality, corresponding to the dual way in which early modern England looked upon the Italian world from the English perspective – Part 1: "Italian literature and culture" and Part 2: "Appropriations and ideologies". In the first part, prominent Italian authors, artists, and thinkers are examined as a direct source of inspiration, imitation, and divergence. The variegated English response to the cultural, ideological, and political implications of pervasive Italian intertextuality, in interrelated aspects of artistic and generic production, is dealt with in the second part. Constructed on the basis of a largely interdisciplinary approach, the volume offers an in-depth and wide-ranging treatment of the multifaceted ways in which Italy’s material world and its iconologies are represented, appropriated, and exploited in the literary and cultural domain of early modern England. For this reason, contributors were asked to write essays that not only reflect current thinking but also point to directions for future research and scholarship, while a purposefully conceived bibliography of primary and secondary sources and a detailed index round off the volume.

Author : Serena Laiena
Publisher : Rutgers University Press
Page : 165 pages
File Size : 53,6 Mb
Release : 2023-12-15
Category : History
ISBN : 9781644533178

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The Theatre Couple in Early Modern Italy by Serena Laiena Pdf

Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell’Arte, a system that continues to shape celebrity today.

Author : George Oppitz-Trotman
Publisher : Oxford University Press
Page : 320 pages
File Size : 42,7 Mb
Release : 2020-07-28
Category : Literary Criticism
ISBN : 9780192602442

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Stages of Loss by George Oppitz-Trotman Pdf

Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected owing to the pre-eminence of national theatre histories and the difficulty of researching an inherently evanescent phenomenon across large distances. These contributions are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers.

Author : Pamela Allen Brown
Publisher : Oxford University Press
Page : 308 pages
File Size : 40,5 Mb
Release : 2021-11-25
Category : Literary Criticism
ISBN : 9780192638083

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The Diva's Gift to the Shakespearean Stage by Pamela Allen Brown Pdf

The Diva's Gift traces the far-reaching impact of the first female stars on the playwrights and players of the all-male stage. When Shakespeare entered the scene, women had been acting in Italian troupes for two decades, traveling in Italy and beyond and performing in all genres, including tragedy. The ambitious actress reinvented the innamorata, making her more charismatic and autonomous, thrilling audiences with her skills. Despite fervent attacks, some actresses became the first international stars, winning royal and noble patrons and literary admirers in France and Spain. After Elizabeth and her court caught wind of their success in Paris, Italian troupes with actresses crossed the Channel to perform. The Italians' repeat visits and growing fame posed a radical challenge to English professionals just as they were building their first paying theaters. Some writers treated the actress as a whorish threat to their stage, which had long minimized female roles. Others saw a vital new model full of promise. Lyly, Marlowe, and Kyd endowed innamorata parts with hot-blooded, racialized passions, but made them self-aware agents, not counters traded between men. Shakespeare, Jonson, Webster and others followed, ringing changes on the new type in comedy, tragedy, and romance. Like the comici they recycled actress-linked theatergrams and star scenes, such as cross-dressing, the mad scene, and the sung lament. In this way, the diva's prodigious virtuosity and stardom altered the horizons of playmaking even on the womanless stage. Capitalizing on the talents of boy players, the best playwrights created bold new roles endowed with her alien glamour, such as Lyly's Sapho and Pandora, Marlowe's Dido, Kyd's Bel-Imperia, Webster's Vittoria, and Shakespeare's Beatrice, Viola, Portia, Juliet, and Ophelia. Cleopatra is not alone in her superb theatricality and dazzling strangeness. As this book demonstrates, the diva's gifts mark them all.