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It is only in childhood that books have any deep influence on our lives--Graham Greene The luminous books of our childhood will remain the luminous books of our lives.--Joyce Carol Oates Writers, as they often attest, are deeply influenced by their childhood reading. Salman Rushdie, for example, has said that The Wizard of Oz made a writer of me. Twice-Told Tales is a collection of essays on the way the works of adult writers have been influenced by their childhood reading. This fascinating volume includes theoretical essays on Salman Rushdie and the Oz books, Beauty and the Beast retold as Jane Eyre, the childhood reading of Jorge Luis Borges, and the remnants of nursery rhymes in Sylvia Plath's poetry. It is supplemented with a number of brief commentaries on children's books by major creative writers, including Maxine Hong Kingston and Maxine Kumin.
Twice Told Tales are not only for the young. Many have discovered the "magnificent, colorful, many-sided, fantasy world of fairy tales" as children, but, as Hans Dieckmann points out, we can rediscover their value as adults. "As with all great art, the fairy tale's deepest meaning will be different for each person, and different for the same person at various moments in his life." (Bruno Bettelheim, The Uses of Enchantment) By the use of case histories, Dr. Dieckmann recounts ways in which "the greatest treasures of the soul" can be revealed in fairy tales. He graphically shows how fairy tales can give "color and vivacity to a life grown empty, sterile, and desolate." Dr. Dieckmann interprets the symbolic significance of many individual fairy tales and relates their meaning to various stages of a person's development.
Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.
Hawthorne's early stories were collected in 1837 and published under the title "Twice-Told Tales." They include two of the stories founded on early New England annals, -- "The Gray Champion," based on a tradition of one of the judges of Charles I., and "The Maypole of Merry-Mount," in which Endicott appears as the embodiment of the Puritan spirit. Besides these are the allegories "Fancy's Show Box," "The Great Carbuncle," and " The Prophetic Pictures ; " "The Hollow of the Three Hills," one of the typical stories of witchcraft, foreshadowing some of his later and more powerful work; the curious study, "Wakefield", the popular "Rill from the Town Pump ;" the pretty' fantasy, " David Swan," in which the lighthearted boy goes on his pilgrimage unconscious of the shadows of possibilities that have fallen across his sleeping face; the pathetic story of Quaker suffering, "The Gentle Boy ; " " Dr. Heidegger's Experiment," -' touching a subject which recurs again in " Septimius Felton " and " The Dolliver Romance ;" and the light humor of "Mr. Higginbotham's Catastrophe,-" — thus including almost every class of subject on which he afterward touched, though in all he rose to higher levels in his later work. '
In this modern version of Cinderella, Chantella Verre is being treated like a servant by her oblivious father's new wife and her awful twins--but Chantella gets a chance to sing at the Next Teen Star audition when her former nanny shows up to set things right.
*National Bestseller* The acclaimed retelling of the world’s best-loved fairy tales by the #1 New York Times bestselling author of The Golden Compass and The Book of Dust—now in paperback, and with 3 new tales! Two centuries ago, Jacob and Wilhelm Grimm published their first volume of fairy tales. Since then, such stories as “Cinderella,” “Snow White,” “Rapunzel,” and “Hansel and Gretel” have become deeply woven into the Western imagination. Now Philip Pullman, the New York Times bestselling author of the His Dark Materials trilogy, makes us fall in love all over again with the immortal tales of the Brothers Grimm. Here are Pullman’s fifty favorites—a wide-ranging selection that includes the most popular stories as well as lesser-known treasures like “The Three Snake Leaves,” “Godfather Death,” and “The Girl with No Hands”—alongside his personal commentaries on each story’s sources, variations, and everlasting appeal. Suffused with romance and villainy, danger and wit, Pullman’s beguiling retellings will cast a spell on readers of all ages. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Twice-Told Tales presents the life and writings of Dante Alighieri's maestro, the Florentine notary and diplomat, Brunetto Latino. The book first discusses archival documents found in Florence, the Vatican Secret Archives, Genoa, England and elsewhere, which were written by or which name Brunetto Latino. The documents concern, among other topics, the Vallombrosan Abbot Tesauro, the Sicilian Vespers' plotting, and the death by starvation of Ugolino. The book then discusses Brunetto's translations of Aristotle's Ethics and Cicero's De inventione, as texts presented to Charles of Anjou and others, as well as the influence of these texts on Dante. Appendices present the archival documents discussed in the book and list manuscripts containing Latino's writings.
It is only in childhood that books have any deep influence on our lives--Graham Greene The luminous books of our childhood will remain the luminous books of our lives.--Joyce Carol Oates Writers, as they often attest, are deeply influenced by their childhood reading. Salman Rushdie, for example, has said that The Wizard of Oz made a writer of me. Twice-Told Tales is a collection of essays on the way the works of adult writers have been influenced by their childhood reading. This fascinating volume includes theoretical essays on Salman Rushdie and the Oz books, Beauty and the Beast retold as Jane Eyre, the childhood reading of Jorge Luis Borges, and the remnants of nursery rhymes in Sylvia Plath's poetry. It is supplemented with a number of brief commentaries on children's books by major creative writers, including Maxine Hong Kingston and Maxine Kumin.
A Critical History of French Children's Literature by Penelope E. Brown Pdf
This two-volume critical history of French children’s literature from 1600 to the present helps bring awareness of the range, quality, and importance of French children’s literature to a wider audience. The works of a number of French writers, notably La Fontaine, Charles Perrault, Jules Verne, and Saint-Exupéry were, and continue to be, widely translated and adapted, and have influenced the development of the genre in other countries.
