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Fur traders observed that no other Indians of the Upper Missouri were so well dressed or bragged of their tribal affiliation as frequently or as vociferously as the Crow. Two Leggings, the teller of the story you are about to read, was above all else a Crow warrior. His story tells us quite as much of tribal values that motivated and guided his actions as it does of his personal escapades. He was one of the last Crow Indians to abandon the warpath.
The Pinto Horse and the Phantom Bull by Charles E. Perkins Pdf
In 1927 Owen Wister called The Pinto Horse “the best western story about a horse that I have ever read.” The pinto roamed the Montana range in the late 1880s, surviving wolves and blizzards and earning the respect of the herd but never blending in, always standing out in vulnerable perfection. After years of trusting to human kindness, he falls into the hands of fools. The Phantom Bull, first published in 1932, is also marked by authenticity and controlled beauty of style. Old Man Ennis, who ranched on the upper Madison in Montana, grudgingly admired the slate-colored Zebu cow, whose wild cunning was passed on to her calf. The calf grows into a monster bull, not personified but endowed with the suggestion of a definite point of view. A phantom glimpsed against the horizon—that is the image he leaves.
The Beginner's Guide to Leggings Manufacturing by Prasanta Sarkar Pdf
The Beginner's Guide to Leggings Manufacturing eBook covers man, machine and material requirement for leggings manufacturing. Process of manufacturing and operations sequences are explained step by step. Contents of this book - Introduction - Know the Product (Leggings) - The Manufacturing Processes - Man, Machine & Material Requirement - Setting Up the Factory - Setting Up Systems - Useful Technical Documents - Quality Control - Production Cost Control - The Business Plan - Questions from Readers
Edward S. Curtis's The North American Indian is the most ambitious photographic and ethnographic record of Native American cultures ever produced. Published between 1907 and 1930 as a series of twenty volumes and portfolios, the work contains more than two thousand photographs intended to document the traditional culture of every Native American tribe west of the Mississippi. Many critics have claimed that Curtis's images present Native peoples as a "vanishing race," hiding both their engagement with modernity and the history of colonial violence. But in this major reappraisal of Curtis's work, Shamoon Zamir argues instead that Curtis's photography engages meaningfully with the crisis of culture and selfhood brought on by the dramatic transformations of Native societies. This crisis is captured profoundly, and with remarkable empathy, in Curtis's images of the human face. Zamir also contends that we can fully understand this achievement only if we think of Curtis's Native subjects as coauthors of his project. This radical reassessment is presented as a series of close readings that explore the relationship of aesthetics and ethics in photography. Zamir's richly illustrated study resituates Curtis's work in Native American studies and in the histories of photography and visual anthropology.
Author : David J. Wishart Publisher : U of Nebraska Press Page : 263 pages File Size : 45,9 Mb Release : 2007-03-01 Category : History ISBN : 9780803298620
Encyclopedia of the Great Plains Indians by David J. Wishart Pdf
Until the last two centuries, the human landscapes of the Great Plains were shaped solely by Native Americans, and since then the region has continued to be defined by the enduring presence of its Indigenous peoples. The Encyclopedia of the Great Plains Indians offers a sweeping overview, across time and space, of this story in 123 entries drawn from the acclaimed Encyclopedia of the Great Plains, together with 23 new entries focusing on contemporary Plains Indians, and many new photographs. ø Here are the peoples, places, processes, and events that have shaped lives of the Indians of the Great Plains from the beginnings of human habitation to the present?not only yesterday?s wars, treaties, and traditions but also today?s tribal colleges, casinos, and legal battles. In addition to entries on familiar names from the past like Sitting Bull and Crazy Horse, new entries on contemporary figures such as American Indian Movement spiritual leader Leonard Crow Dog and activists Russell Means and Leonard Peltier are included in the volume. Influential writer Vine Deloria Sr., Crow medicine woman Pretty Shield, Nakota blues-rock band Indigenous, and the Nebraska Indians baseball team are also among the entries in this comprehensive account. Anyone wanting to know about Plains Indians, past and present, will find this an authoritative and fascinating source.
Indigenous Symbols and Practices in the Catholic Church by Kathleen J. Martin Pdf
Indigenous Symbols and Practices in the Catholic Church presents views, concepts and perspectives on the relationship among Indigenous Peoples and the Catholic Church, as well as stories, images and art as metaphors for survival in a contemporary world. Few studies present such a multidisciplinary interpretation of appropriation, spiritual and religious tradition, educational issues in the teaching of art and art history, the effects of government sanctions on traditional practice, or the artistic interpretation of symbols from Indigenous perspectives. Through photographs and visual studies, interviews and data analysis, personal narratives and stories, this book explores the experiences of Indigenous Peoples whose lives have been impacted by multiple forces-Christian missionaries, governmental policies, immigration and colonization, education, assimilation and acculturation. Contributors explore current contexts and complex areas of conflict regarding missionization, appropriation and colonizing practices through the voices of Indigenous and non-Indigenous scholars, and provide interpretations and possibilities for the future.
Author : Peter J. Powell Publisher : University of Nebraska Press Page : 54 pages File Size : 42,7 Mb Release : 1988 Category : Art ISBN : STANFORD:36105040908670
Using an easy-to-use checklist format, author Jeffrey Stull, an internationally recognized expert in the area of protective clothing, examines the types of industrial and fire hazards that warrant PPE protection. He also covers how to select equipment from the range of products available, which materials are affected by the hazards, and how that influences selection, care, and maintenance of PPE.
Indigenous War Painting of the Plains by Arni Brownstone Pdf
In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes across the plains. Two impediments have previously made such a book impractical: photography alone falls short of rendering war paintings for the printed page, and only about half of the surviving works have reliable documentation on their cultural origins. Arni Brownstone surmounts these difficulties by producing precise electronic redrawings and by using well-documented paintings to inform poorly documented examples, bolstered by a careful examination of collection histories. Featuring some 300 photographs and electronic redrawings, the book focuses on 83 paintings organized into four chapters covering the paintings of tribes associated with a specific geographical sphere of artistic influence. Four appendixes feature paintings combined with “translations” by Indigenous collaborators who had intimate knowledge of the depicted events. Offering vivid access to the key works of war painting preserved in 37 museums throughout North America and Europe, Indigenous War Painting of the Plains illuminates distinctions between painting styles of different tribes, reveals how they influenced one another and changed over time, and conveys a deep understanding of how war painting developed in relation to profound social changes in Plains Indian cultures.