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Author : Franz Lachner
Publisher : Unknown
Page : 180 pages
File Size : 53,7 Mb
Release : 2004
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
ISBN : STANFORD:36105111079799
Author : Henri Brod
Publisher : A-R Editions, Inc.
Page : 204 pages
File Size : 46,6 Mb
Release : 2008-01-01
Category : Music
ISBN : 0895796325
N50ISBN 0-89579-632-5(2008) xii + 182 pp.$165.00 ISBN 978-0-89579-632-5 (13-digit) N50P1Parts (fl., ob., cl., hn., bn.) Quintet no. 1 $25.00N50P2Parts (fl., ob., cl., hn., bn.) Quintet no. 2 $22.00N50P3Parts (fl., ob., cl., hn., bn.) Quintet no. 3.$22.00Henri Brod (1799-1839) was a French oboist, instrument-maker, and composer active throughout the early nineteenth century. He studied oboe under Gustave Vogt at the Paris Conservatory, ultimately becoming teacher there himself in 1832. He also played second oboe next to Vogt at the Paris Opéra, where Fétis found Brod¿s tone sweeter than that of his teacher. Brod became interested in the construction of the oboe and was perhaps the first builder to add octave keys to the instrument. His Méthode pour le hautbois (Paris, 1835-36) provides valuable technical information concerning the oboe and remains a useful resource for modern players. Brod¿s three woodwind quintets most likely date from the second decade of the nineteenth century and were printed by two separate publishers, Pacini and Schonenberger, both of Paris. All three quintets feature a four-movement format: a longer first movement in sonata form, a slow movement, a minuet, and a quick-tempo finale. As a whole, the quintets form a nice complement to those of Danzi, Reicha, and somewhat later, Franz Lachner. Brod remains the only actual woodwind player among these early composers of wind quintets. While not very well known today, Brod¿s contributions to the wind quintet literature are significant and worthy of greater attention; this is particularly true in view of the paucity of wind quintets throughout the nineteenth century. It is to be hoped that through this critical edition, Brod¿s importance to the early development of the wind quintet will be recognized and his beautiful works heard more often..ContentsWoodwind Quintet No. 1 in E-flat Major[I] Introduction: Adagio; Allegro vivace[II] Andante[III] Minuetto: Allegro[IV] PrestoWoodwind Quintet No. 2 in F Major[I] Introduction: Lento; Allegro[II] Andante[III] Minuetto[IV] Finale: PrestoWoodwind Quintet No. 3 in C Major[I] Allegretto[II] Andante non troppo[III] Minuetto: Allegro[IV] Allegro
Author : Franz Lachner
Publisher : A-R Editions, Inc.
Page : 170 pages
File Size : 46,5 Mb
Release : 2004-01-01
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
ISBN : 9780895795465
Enthält: Bläserquintette Nr. 1 in F-Dur ; Nr. 2 in Es-Dur.
Author : Barbera Secrist-Schmedes
Publisher : Unknown
Page : 216 pages
File Size : 48,9 Mb
Release : 1996
Category : Music
ISBN : UOM:39015038154533
An invaluable reference work for music teachers, professional and amateur musicians, and music students. This guide lists works in print for woodwind quintet and piano with two to five wind instruments-- flute, oboe, clarinet, bassoon, or horn. Each entry provides composer birth and death dates, composition date, publisher, nationality, recording availability, instrumentation, length, and general description of the compositional style.
Author : Franz Lachner
Publisher : A-R Editions, Inc.
Page : 94 pages
File Size : 52,6 Mb
Release : 2004
Category : Music
ISBN : UOM:39015057480926
xiii + 146 pp.Performance parts available
Author : Alastair Mitchell
Publisher : Routledge
Page : 798 pages
File Size : 54,9 Mb
Release : 2019-06-04
Category : Music
ISBN : 9781351791250
First published in 2001, this work provides detailed information taken from the ’Programmes-as-Broadcast’ daily log of output held at the BBC Written Archives Centre in Caversham. Arranged in chronological order, entries are given for broadcasts of first performances of musical works in the United Kingdom, and include details of: the date of the broadcast, the composer, the title of the work, performers and conductor. In addition to its usefulness as a reference tool, the Chronicle enables us to gauge the trends in twentieth-century British musical life, and the role of the BBC in their promotion.
Author : Anonim
Publisher : Unknown
Page : 188 pages
File Size : 43,8 Mb
Release : 1970
Category : Electronic
ISBN : UOM:39015050989519
Author : Sterling E. Murray
Publisher : Boydell & Brewer
Page : 486 pages
File Size : 41,7 Mb
Release : 2014
Category : Biography & Autobiography
ISBN : 9781580464673
A unique look at the career of a little-known contemporary of Haydn and Mozart, presented against a fascinating background of court musical life in late eighteenth-century Germany.
Author : University Interscholastic League (Tex.)
Publisher : Unknown
Page : 192 pages
File Size : 44,9 Mb
Release : 1971
Category : Music
ISBN : OSU:32435050947977
Author : Library of Congress. Copyright Office
Publisher : Unknown
Page : 1066 pages
File Size : 45,8 Mb
Release : 1956
Category : Copyright
ISBN : STANFORD:36105006281229
Author : Albert J. Andraud
Publisher : Unknown
Page : 72 pages
File Size : 45,9 Mb
Release : 1958
Category : Wind quartets (Bassoon, clarinet, flute, oboe)
ISBN : UOM:39015023744017
Author : Donald Francis Tovey
Publisher : Courier Corporation
Page : 227 pages
File Size : 50,8 Mb
Release : 2015-02-18
Category : Music
ISBN : 9780486784496
Selections from the famous musicologist's acclaimed Essays in Musical Analysis comprise surveys of Bach's "Goldberg" Variations and Art of the Fugue plus works by Haydn, Mozart, Beethoven, Schumann, Chopin, and Brahms.
Author : Jürgen Schaarwächter
Publisher : Georg Olms Verlag
Page : 610 pages
File Size : 49,9 Mb
Release : 2015-02-27
Category : Music
ISBN : 9783487152271
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
Author : Anonim
Publisher : Unknown
Page : 520 pages
File Size : 43,6 Mb
Release : 1983
Category : Union catalogs
ISBN : STANFORD:36105011691172
Author : Nicolae Sfetcu
Publisher : Nicolae Sfetcu
Page : 6042 pages
File Size : 43,7 Mb
Release : 2014-05-07
Category : Music
ISBN : 8210379456XXX
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.