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Author : Timothy Samara
Publisher : Rockport Pub
Page : 260 pages
File Size : 45,9 Mb
Release : 2004
Category : Graphic design
ISBN : 1592531903
This guide offers ideas and inspiration through hundreds of successful real-life projects. It also offers advice on choosing fonts, sizes and colours, incorporating text and illustrations, and avoiding common mistakes in text usage.
Author : Nathan Shockey
Publisher : Columbia University Press
Page : 349 pages
File Size : 46,9 Mb
Release : 2019-12-10
Category : Literary Criticism
ISBN : 9780231550741
In the early twentieth century, Japan was awash with typographic text and mass-produced print. Over the short span of a few decades, affordable books and magazines became a part of everyday life, and a new generation of writers and thinkers considered how their world could be reconstructed through the circulation of printed language as a mass-market commodity. The Typographic Imagination explores how this commercial print revolution transformed Japan’s media ecology and traces the possibilities and pitfalls of type as a force for radical social change. Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. Charting the relationships among prose, politics, and print capitalism, he considers the meanings and functions of print as a staple commodity and as a ubiquitous and material medium for discourse and thought. Drawing on extensive archival research, The Typographic Imagination brings into conversation a wide array of materials, including bookseller trade circulars, language reform debates, works of experimental fiction, photo gazetteers, socialist periodicals, Esperanto primers, declassified censorship documents, and printing press strike bulletins. Combining the rigorous close analysis of Japanese literary studies with transdisciplinary methodologies from media studies, book history, and intellectual history, The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformations of modern Japanese literature, language, and culture.
Author : Allan Haley
Publisher : John Wiley & Sons
Page : 158 pages
File Size : 52,6 Mb
Release : 1992-11-11
Category : Design
ISBN : 0471288942
Profiles of 18 typographers who made significant contributions to the field, including oldies such as Gutenberg, Caxton, Caslon, Baskerville, Bodoni, and several moderns whose work—Times New Roman, Perpetua, Electra, etc.—is better known than their names.
Author : Rob Carter,Sandra Maxa,Mark Sanders,Philip B. Meggs,Ben Day
Publisher : John Wiley & Sons
Page : 373 pages
File Size : 50,8 Mb
Release : 2018-02-13
Category : Architecture
ISBN : 9781119312567
The bestselling introduction to designing the written word Typographic Design: Form & Communication is the definitive reference for graphic designers, providing a comprehensive introduction to the visual word. Done well, typopgraphy can communicate so much more than the words themselves. Typographic design determines how you feel about a message, the associations you make, and ultimately, the overall success of the communication. Typographic design extends from the page to the screen, and is a critical element of almost any graphic design project. This book provides essential guidance on everything related to type: from letterforms and negative space, to messaging, processes, and history, aspiring designers will find great utility in mastering these critical concepts. This new seventh edition has been fully updated with new coverage of contemporary typography processes, updated case studies, and new examples from branding, print, web, motion, and more. On-screen typographic design concepts are discussed in greater detail, and the online supplemental materials include new flashcards, terminology and quizzes. Understand design factors as they relate to type Explore communication and typographic messaging Learn how typography has evolved, and where it is headed Adopt established approaches to designing with type The irony of typographic design is that, when done well, it often goes unnoticed—but its impact on a project’s overall success is undeniable. Typography can make or break a page, can enhance or overpower an image, and can obscure a message or bring it into sharp focus. It is one of the most powerful tools in the graphic designer’s arsenal, and Typographic Design is the complete, practical introduction.
Author : Philip B. Meggs,Rob Carter
Publisher : John Wiley & Sons
Page : 420 pages
File Size : 54,6 Mb
Release : 1993-12-16
Category : Design
ISBN : 0471284297
Specimens of 38 of the finest type families in the world are brought together in Typographic Specimens: The Great Typefaces, making it an invaluable reference tool for graphic designers, editors, art directors, production managers, desktop publishers, and students. Each type family is shown in display and text specimens with complete fonts including italic and bold variations; extended families such as Futura and Univers include additional type weights and widths. Each type family's section opens with a full-page experimental design, created by an outstanding graphic designer to demonstrate its potential. The specimens are accompanied by a concise discussion of each type family's origins, charactertistics, and usage. Typographic specimens provide an opportunity to study typefaces, to select and plan typography, and to increase one's knowledge of letterforms. Drawing and tracing specimens remain excellent ways to understand type and create logos and other typographic designs. Study of specimens aids in the selection of fonts to be purchased for the font library. Typographic specimens introduce unfamiliar typefaces in printed form and aid in the development of connoisseurship. Comparative analysis of similar faces in printed form becomes possible. Over one hundred prominent designers and design educators were sent a ballot listing all major typefaces and were asked to vote for the type families that best fulfilled their personal criteria for typographic excellence. The typefaces contained in this book represent the results of this poll, providing a compendium of excellent typefaces that have stood the test of time. Typographic Specimens: The Great Typefaces will provide information, inspiration, and a keener knowledge of typography. Akzidenz-Grotesk American Typewriter Baskerville Bembo Bodoni Bookman Caledonia Caslon Centaur Century Schoolbook Cheltenham Clarendon Didot Folio Franklin Gothic Frutiger Futura Galliard Gill Sans Garamond Goudy Old Style Helvetica Janson Kabel News Gothic Optima Palatino Perpetua Plantin Sabon Serifa Stone Sans Stone Serif Stymie Times New Roman Trump Mediaeval Univers Zapf Book
Author : Roger Fawcett-Tang
Publisher : Laurence King Publishing
Page : 202 pages
File Size : 52,7 Mb
Release : 2007
Category : Graphic design (Typography).
ISBN : 1856694682
A visual guide to the best in contemporary typographic design, this book features examples and usages of modern typography from around the world.
Author : Clarence P. Hornung
Publisher : Courier Corporation
Page : 160 pages
File Size : 52,5 Mb
Release : 1995-01-01
Category : Design
ISBN : 9780486284057
145 full-page plates present the best typographical design from the 15th through the 20th centuries, including 60 handsome alphabets, many examples of decorative initials and a dazzling assortment of headings, scrolls and flourishes, rules and panels, ornaments, ribbons, cartouches, borders and more.
Author : Kimberly Elam
Publisher : Princeton Architectural Press
Page : 182 pages
File Size : 45,8 Mb
Release : 2007-05-03
Category : Architecture
ISBN : 1568986874
Typographic organization has always been a complex system in that there are so many elements at play, such as hierarchy, order of reading, legibility, and contrast. In Typographic Systems, Kim Elam, author of our bestselling books, Geometry of Design and Grid Systems, explores eight major structural frameworks beyond the gridincluding random, radial, modular, and bilateralsystems. By taking the reader through exercises, student work, and professional examples, Elam offers a broad range of design solutions. Once essential visual organization systems are understood the designer can fluidly organize words or images within a structure, combination of structures, or a variation of a structure. With clarity and substance, each systemfrom the structured axis to the nonhierarchical radial arrayis explained and explored so that the reader comes away with a better understanding of these intricate complex arrangements. Typographic Systems is the seventh title in our bestselling Design Briefs series, which has sold more than 100,000 copies worldwide.
Author : Gail Anderson,Gaile Anderson,Steven Heller
Publisher : Laurence King Publishing
Page : 128 pages
File Size : 52,7 Mb
Release : 2016-04-13
Category : Design
ISBN : 9781780679938
This book serves as an introduction to the key elements of good design. Broken into sections covering the fundamental elements of design, key works by acclaimed designers serve to illustrate technical points and encourage readers to try out new ideas. Themes covered include narrative, colour, illusion, ornament, simplicity, and wit and humour. The result is an instantly accessible and easy to understand guide to graphic design using professional techniques.
Author : Kate Brideau
Publisher : MIT Press
Page : 299 pages
File Size : 40,9 Mb
Release : 2021-10-12
Category : Design
ISBN : 9780262045858
An innovative examination of typography as a medium of communication rather than part of print or digital media. Typography is everywhere and yet widely unnoticed. When we read type, we fail to see type. In this book, Kate Brideau considers typography not as part of "print media" or "digital media" but as a medium of communication itself, able to transcend the life and death of particular technologies. Examining the contradiction between typographic form (often overlooked) and function (often overpowering), Brideau argues that typography is made up not of letters but of shapes, and that shape is existentially and technologically central to the typographic medium. After considering what constitutes typographic form, Brideau turns to typographic function and how it relates to form. Examining typography's role in both the neurological and psychological aspects of reading, she argues that typography's functions exceed reading; typographic forms communicate, but that communication is not limited to the content they carry. To understand to what extent the design and operations of the typographic medium affect the way we perceive information, Brideau warns, we must understand the medium's own operational logic, embodied in the full diversity of typographic forms. Brideau discusses a range of topics--from intellectual property protection for typefaces to Renaissance and Enlightenment ideal letterforms--and draws on a wide variety of theoretical work, including phenomenological ideas about comprehension, German media archaeology, and the media and communication theories of Vilém Flusser and others. Hand-drawn illustrations of typographic forms accompany the text.
Author : Anonim
Publisher : Unknown
Page : 152 pages
File Size : 53,9 Mb
Release : 1869
Category : Printing
ISBN : WISC:89097660005
Author : Anonim
Publisher : Unknown
Page : 790 pages
File Size : 48,7 Mb
Release : 1971
Category : Electronic
ISBN : MINN:31951001919390O
Author : David Brier
Publisher : Hearst Books
Page : 202 pages
File Size : 43,7 Mb
Release : 1992
Category : Architecture
ISBN : UOM:39015026932676
Author : Kate Clair,Cynthia Busic-Snyder
Publisher : John Wiley & Sons
Page : 400 pages
File Size : 50,6 Mb
Release : 2012-06-20
Category : Design
ISBN : 9781118399880
Lavishly illustrated with more than 450 images, A Typographic Workbook, Second Edition explains the process successful designers use to select, space, and creatively integrate fonts. This essential text demonstrates the use of type as a dynamic and expressive communication tool. This edition provides new and updated coverage of a broad range of topics–from a logical, clear historical overview of the craft to the latest digital technologies. Known for its highly interactive format, this Second Edition continues to include helpful review questions and multiple-choice quizzes, as well as many new projects and skill-building exercises that help readers immediately apply what they have learned. A Typographic Workbook, Second Edition is a valuable professional resource for working designers and an indispensable training tool for graphic design students.
Author : - Annandreas
Publisher : BoD - Books on Demand
Page : 182 pages
File Size : 44,5 Mb
Release : 2021-09-21
Category : Art
ISBN : 9789179693312
Typography is language and design for reading. Typographic manual is the first manual for the cluster text style, i.e. for texts intended to be read for longer periods of time. Since the birth of typography (Gutenberg), we have created books with text rectangles that are nice to look at. The picture of the rectangle text held us captive. This manual clearly shows the inaccuracies in that approach. Depending on how we read, 100-600 wpm, and if we measure reading speed in wpm, day span, or week span, the cluster text style can be 5-30 percent better to read. Its longer line length, wider text column, larger sentence spacings, and better line changes improve legibility. All in all, this gives an exact typographic style, and therefore, it is not reflowable. So, please note that this book needs to be read on tablets at least 13 inches wide where you can read a line length of 95 characters (smaller tablets and smartphones are inappropriate). Typographic Manual (170 pages) is included in a collection of books with Readability - the Birth of the Cluster text (1000 pages), Typographical Investigations (500 pages), and Are Texts Wrongly Written? (130 pages) intended to shed light on questions about texts, typography, and reading in relation to questions about philosophy, science, and learning. The two shorter books can be seen as summaries of the two longer ones, and they are all written for the general public. The starting point is that it is both practically and philosophically interesting that we earlier have missed the opportunity to create a better typographic style - a cluster text style.