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With pitch-perfect, pitch-black humor, this saga refracts through one family's struggles a whole country's nightmare. The tyrant of the book is the actual pro-Nazi mystic Maximiliano Hernández Martínez, known as the Warlock, who came to power in El Salvador in 1932. An attempted coup in April of 1944 failed, but a general strike in May finally forced him out of office. The book takes place during that tumultuous month between the coup and the strike. With her husband a political prisoner and her son fleeing for his life, wealthy Haydée Aragon takes matters into her own hands. Events ricochet from one near-disaster to the next.--Publisher's description.
Castellanos Moya’s most thrilling book to date, about the senselessness of tyranny. The tyrant of Horacio Castellanos Moya’s ambitious new novel is the actual pro-Nazi mystic Maximiliano Herna´ndez Marti´nez — known as the Warlock — who came to power in El Salvador in 1932. An attempted coup in April, 1944, failed, but a general strike in May finally forced him out of office. Tyrant Memory takes place during the month between the coup and the strike. Its protagonist, Hayde´e Aragon, is a well-off woman, whose husband is a political prisoner and whose son, Clemente, after prematurely announcing the dictator’s death over national radio during the failed coup, is forced to flee when the very much alive Warlock starts to ruthlessly hunt down his enemies. The novel moves between Hayde´e’s political awakening in diary entries and Clemente’s frantic and often hysterically comic efforts to escape capture. Tyrant Memory — sharp, grotesque, moving, and often hilariously funny — is an unforgettable incarnation of a coun- try’s history in the destiny of one family.
Author : Robert H Churchill Publisher : University of Michigan Press Page : 385 pages File Size : 49,8 Mb Release : 2011-01-24 Category : History ISBN : 9780472034659
To Shake Their Guns in the Tyrant's Face by Robert H Churchill Pdf
“To Shake Their Guns in the Tyrant's Face addresses an area—the relationship of American political violence to American ideology—that is of growing importance and that is commanding an ever increasing audience, and it does so in a way like nothing else in the field.” —David Williams, Indiana University School of Law, Bloomington After the bombings of Oklahoma City in 1995, most Americans were shocked to discover that tens of thousands of their fellow citizens had banded together in homegrown militias. Within the next few years, numerous studies and media reports appeared revealing the unseen world of the American militia movement, a loose alliance of groups with widely divergent views. Not surprisingly, it was the movement’s most extreme voices that attracted the lion's share of attention. In reality, Robert Churchill writes, the militia movement was neither as irrational nor as new as it was portrayed in the press. Churchill uses three case studies to illustrate the origin of some of the core values of the modern militia movement: Fries’ Rebellion in Pennsylvania at the end of the 18th century, the Sons of Liberty Conspiracy in Civil War–era Indiana and Illinois, and the Black Legion in Michigan and Ohio during the Depression. Building on extensive interviews with militia members, the author places the contemporary militia movement in the context of these earlier insurrectionary movements which, animated by a libertarian interpretation of the American Revolution, used force to resist the authority of the federal government.
The Tyrant-Slayers of Ancient Athens by Vincent Azoulay,Janet Lloyd Pdf
This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides-in deed and art-Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.
Covering material as diverse as curse tablets, coins, tattoos, and legal decrees, Deborah Steiner explores the reception of writing in archaic and classical Greece. She moves beyond questions concerning ancient literacy and the origins of the Greek alphabet to examine representations of writing in the myths and imaginative literature of the period. Maintaining that the Greek alphabet was not seen purely as a means of transcribing and preserving the spoken word, the author investigates parallels between writing and other signifiers, such as omens, tokens, and talismans; the role of inscription in religious rites, including cursing, oath-taking, and dedication; and perceptions of how writing functioned both in autocracies and democracies. Particularly innovative is the suggestion that fifth-century Greek historians and dramatists portrayed writing as an essential tool of tyrants, who not only issue written decrees but also "inscribe" human bodies with brands and cut up land with compasses and rules. The despotic overtones associated with writing inform discussion of its function in democracies. Although writing could promote equal justice, ancient sources also linked this activity with historical and mythical figures who opposed the populist regime. By examining this highly nuanced portrayal of writing, Steiner offers a new perspective on ancient views of written law and its role in fifth-century Athenian democracy. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Tyrant’s Sweetheart: Empress is Hot by Xin Yue Pdf
If not for her fear of harming the innocent, she would have taken care of those robbers long ago. However, she didn't expect to be shot by those blind bullets. She opened her eyes and thought that there were many holes in her body. She didn't see any holes, but a vulgar man was gnawing on her body. He must be tired of living and wanted to know who she was ... It was just that she didn't expect her life to be so tragic. She didn't expect her life to be so tragic, to be transported to the body of a violent and cruel empress, to be hit by the emperor's husband. Now, she knew what it meant to be unable to refute a single thing ...
Ashes, Images, and Memories by Nathan T. Arrington Pdf
Ashes, Images, and Memories argues that the institution of public burial for the war dead and images of the deceased in civic and sacred spaces fundamentally changed how people conceived of military casualties in fifth-century Athens. In a period characterized by war and the threat of civil strife, the nascent democracy claimed the fallen for the city and commemorated them with rituals and images that shaped a civic ideology of struggle and self-sacrifice on behalf of a unified community. While most studies of Athenian public burial have focused on discrete aspects of the institution, such as the funeral oration, this book broadens the scope. It examines the presence of the war dead in cemeteries, civic and sacred spaces, the home, and the mind, and underscores the role of material culture - from casualty lists to white-ground lekythoi-in mediating that presence. This approach reveals that public rites and monuments shaped memories of the war dead at the collective and individual levels, spurring private commemorations that both engaged with and critiqued the new ideals and the city's claims to the body of the warrior. Faced with a collective notion of "the fallen" families asserted the qualities, virtues, and family links of the individual deceased, and sought to recover opportunities for private commemoration and personal remembrance. Contestation over the presence and memory of the dead often followed class lines, with the elite claiming service and leadership to the community while at the same time reviving Archaic and aristocratic commemorative discourses. Although Classical Greek art tends to be viewed as a monolithic if evolving whole, this book depicts a fragmented and charged visual world.
Who is the child Reza can hear crying every time she goes to the new addition to the Royal Library? Her boss insists there is no child, that it is nothing more than her uncanny sensitivity to the unseen world making a nuisance of itself. Worse, searching for answers gets her angry rebukes about respect for the dead. The further Reza goes, the more certain she becomes that someone is hiding an ugly secret. It's a secret that traces back two generations, to a dark period in this land's history. A time most people would prefer to forget, not caring that denial doesn't make a problem go away. The truth may set you free, but not without a price. And Reza fears that death itself might turn out to be an easier price than the one demanded of her.
