Understanding Film Theory

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Understanding Film Theory

Author : Ruth Doughty,Christine Etherington-Wright
Publisher : Bloomsbury Publishing
Page : 426 pages
File Size : 55,9 Mb
Release : 2017-08-30
Category : Performing Arts
ISBN : 9781350306462

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Understanding Film Theory by Ruth Doughty,Christine Etherington-Wright Pdf

This essential core textbook provides an approachable and extensive introduction to film theory, written by two highly experienced senior lecturers. Bringing a fresh, contemporary and accessible approach to what is often perceived to be a challenging and old-fashioned area of film studies that requires time and effort to grasp, the text illustrates why theory is important and demonstrates how it can be applied in a meaningful way. The book's sixteen chapters are clear and comprehensive and provide an insight into the main areas of debate, using clear definitions and explaining complex ideas succinctly. The ideal entry point for any student studying film, the book is designed for use on courses on film theory on undergraduate and postgraduate degree programmes within film, cinema, media and cultural studies. New to this Edition: - An expanded introduction, plus a new chapter looking at Adaptation - Contemporary case studies exploring popular and topical films, such as The Hunger Games (2012), Blue is the Warmest Colour (2013) and The Lego Movie (2014) - An expanded introduction, plus a new chapter looking at Adaptation - Additional genre-based case study on the British Gangster film - Additional actor-basedcase study on Ryan Gosling - A greater focus throughout on the relevance of film theory to students undertaking practical film degrees and units

Understanding Film Theory

Author : Ruth Doughty,Christine Etherington-Wright
Publisher : Bloomsbury Publishing
Page : 325 pages
File Size : 50,6 Mb
Release : 2017-08-30
Category : Performing Arts
ISBN : 9781137587961

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Understanding Film Theory by Ruth Doughty,Christine Etherington-Wright Pdf

This essential core textbook provides an approachable and extensive introduction to film theory, written by two highly experienced senior lecturers. Bringing a fresh, contemporary and accessible approach to what is often perceived to be a challenging and old-fashioned area of film studies that requires time and effort to grasp, the text illustrates why theory is important and demonstrates how it can be applied in a meaningful way. The book's sixteen chapters are clear and comprehensive and provide an insight into the main areas of debate, using clear definitions and explaining complex ideas succinctly. The ideal entry point for any student studying film, the book is designed for use on courses on film theory on undergraduate and postgraduate degree programmes within film, cinema, media and cultural studies. New to this Edition: - An expanded introduction, plus a new chapter looking at Adaptation - Contemporary case studies exploring popular and topical films, such as The Hunger Games (2012), Blue is the Warmest Colour (2013) and The Lego Movie (2014) - An expanded introduction, plus a new chapter looking at Adaptation - Additional genre-based case study on the British Gangster film - Additional actor-basedcase study on Ryan Gosling - A greater focus throughout on the relevance of film theory to students undertaking practical film degrees and units

Understanding Film

Author : Mike Wayne
Publisher : Pluto Press (UK)
Page : 270 pages
File Size : 50,9 Mb
Release : 2005-05-20
Category : Performing Arts
ISBN : UOM:39015062864726

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Understanding Film by Mike Wayne Pdf

Ideal for students looking for a radical approach to film studies.

Concepts in Film Theory

Author : J. Dudley Andrew
Publisher : Oxford University Press
Page : 254 pages
File Size : 42,8 Mb
Release : 1984-03-15
Category : Performing Arts
ISBN : 9780198020516

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Concepts in Film Theory by J. Dudley Andrew Pdf

Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.

Post-Theory

Author : David Bordwell,Noel Carroll
Publisher : University of Wisconsin Pres
Page : 584 pages
File Size : 46,9 Mb
Release : 2012-11
Category : Art
ISBN : 9780299149437

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Post-Theory by David Bordwell,Noel Carroll Pdf

Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film.

Contemporary Film Theory

Author : Antony Easthope
Publisher : Routledge
Page : 228 pages
File Size : 54,6 Mb
Release : 2014-07-22
Category : Literary Criticism
ISBN : 9781317895671

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Contemporary Film Theory by Antony Easthope Pdf

During the twentieth century, the medium of film has developed as a means of understanding the complexity of modern life. Since 1968, film theory has concentrated not so much on theme or content but on the deeper question of how the medium works on its viewer. Film theory has been profoundly influenced by the writings of such modern thinkers as Saussure, Freud, Lacan, Anthusser, Derrida and Kristeva. It combines modes of textual analysis relating to linguistics and semiology, a Marxist reading of ideology, and theories of subjectivity, the spectator and gender redefined by psychoanalysis. This judicious selection from key work by Stephen Heath, Fredric Jameson, Laura Mulvey, Mary Ann Doanne and others, represents some of the most important contemporary writing about film. It provides a consistent and developing analysis that will be of interest to students concerned with film and film studies, as well as students of cultural, media and communication studies.

Film As Film

Author : V. F. Perkins
Publisher : Da Capo Press
Page : 208 pages
File Size : 44,8 Mb
Release : 1993-08-22
Category : Performing Arts
ISBN : 0306805413

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Film As Film by V. F. Perkins Pdf

Here at last is an introduction to film theory and its history without the jargon. Noted film scholar V. F. Perkins presents criteria for expanding our understanding and enjoyment of movies. He employs common sense words like balance, coherence, significance, and satisfaction to develop his insightful support of the subtle approach and of the unobtrusive director. Readers will learn why a scene from the humbler movie Carmen Jones is a deeper realization of filmmaking than the bravura lion sequence in the classic Battleship Potemkin. Along the way Perkins invites readers to re-experience with clarity, directness, and simplicity other famous scenes by directors like Hitchcock, Eisenstein, and Chaplin. Perkins examines the origins of movies and embraces their use of both realism and magic, their ability to record as well as to create. In the process he seeks to discover the synthesis between these opposing elements. With the delight of the fan and the perception of the critic, Perkins advances a film theory, based on the work of Bazin and other early film theorists, that is rich with suggestion for debate and further pursuit. Sit beside Perkins as he reacquaints you with cinema, heightens your awareness, deepens your pleasure, and increases your return every time you invest in a movie ticket.

Projecting a Camera

Author : Edward Branigan
Publisher : Routledge
Page : 457 pages
File Size : 44,5 Mb
Release : 2013-08-21
Category : Performing Arts
ISBN : 9781135379520

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Projecting a Camera by Edward Branigan Pdf

In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in film. With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. With the care and precision that he brought to Narrative Comprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.

Animating Film Theory

Author : Karen Beckman
Publisher : Duke University Press
Page : 376 pages
File Size : 45,7 Mb
Release : 2014-03-07
Category : Performing Arts
ISBN : 9780822376811

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Animating Film Theory by Karen Beckman Pdf

Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi

Film Studies

Author : Ed Sikov
Publisher : Columbia University Press
Page : 236 pages
File Size : 54,5 Mb
Release : 2010
Category : Performing Arts
ISBN : 0231142935

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Film Studies by Ed Sikov Pdf

American film scholar Ed Sikov discusses all aspects of narrative films, describing mise-en-scéne, the significance of montages, editing, lighting, the use of color and sound, and related topics; and providing practical advice, suggested assignments, and other resources.

Béla Balázs

Author : Béla Balázs
Publisher : Berghahn Books
Page : 318 pages
File Size : 54,5 Mb
Release : 2010
Category : Performing Arts
ISBN : 1845456602

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Béla Balázs by Béla Balázs Pdf

Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin."--Pub. desc.

Spectatorship and Film Theory

Author : Carlo Comanducci
Publisher : Springer
Page : 208 pages
File Size : 50,7 Mb
Release : 2018-08-27
Category : Performing Arts
ISBN : 9783319967431

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Spectatorship and Film Theory by Carlo Comanducci Pdf

This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator’s gaze. Combining Jacques Rancière’s emancipated spectator with Judith Butler’s queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions—a “wayward” history of encounters.

Cinematic Vitalism

Author : Inga Pollmann
Publisher : Unknown
Page : 0 pages
File Size : 40,9 Mb
Release : 2018
Category : PERFORMING ARTS
ISBN : 9462983658

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Cinematic Vitalism by Inga Pollmann Pdf

This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy.

Mysteries of Cinema

Author : Adrian Martin
Publisher : UWA Publishing
Page : 521 pages
File Size : 41,8 Mb
Release : 2020-04-01
Category : Performing Arts
ISBN : 9781760801304

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Mysteries of Cinema by Adrian Martin Pdf

The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.

Film Isms...

Author : Ronald Bergan
Publisher : Rizzoli Publications
Page : 162 pages
File Size : 42,5 Mb
Release : 2011-03-15
Category : Performing Arts
ISBN : 9780789322142

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Film Isms... by Ronald Bergan Pdf

The perfect small-format, one-stop resource to appreciating and understanding films from Hollywood to Bollywood. Following the success of Isms: Understanding Art and Isms: Understanding Architectural Styles, this guide sorts the great classic films and directors according to the significant movements that have shaped the development of cinema. Beginning with the early silent era, it spans the entire range of movie history up to the present wave of indie films and the growing fascination with international cinema. Each spread is devoted to a distinct movement and explains when it first emerged, the principal directors, themes, and representative films, and is illustrated with film stills, posters, and photos. Important international cinematic breakthroughs are also highlighted, as well as the careers of international auteurs like Kurosawa, Fellini, and Almodóvar. From prewar Expressionism to twenty-first-century Dystopianism, Film Isms… offers an engaging, new way of understanding movie history.