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Thomas Hardy’s famous sequence of love poems, published as a book for the first time. When Emma Hardy died in 1912, her husband, the great novelist and poet Thomas Hardy, began to write “Poems of 1912–13,” a series of elegies that are among the most moving in the English language. Although the couple had been estranged for years, after her death Hardy fell under Emma’s spell again and was enthralled by her as he hadn’t been in decades. He transformed his hopelessly revived love into poetry, pouring out his yearning and passionate attachment to a love forever lost. “Poems of 1912–13” and the other elegies about Emma included in this volume have been read and discussed by poets and scholars for almost a century but never collected in their own book. Their accessibility, emotional power, and focus on the mysterious complexities of marriage make them of interest to a broad public. Readers will cherish this beautifully produced, illustrated volume of poetical testaments to enduring love.
Thomas Hardy, Poet by Adrian Grafe,Laurence Estanove Pdf
The poems of Thomas Hardy (1840-1928) are key to understanding 19th, 20th and even 21st century poetry. This collection of fresh essays sheds new light on Hardy's poems--some of which have received little critical attention--from a variety of thematic and analytical approaches, offering a detailed picture of how his works are currently being read. The contributors discuss why Hardy's poetic genius is less and less overshadowed by his career as a novelist and highlight his passionate attention to small details, his delight in "noticing things" and his "eye for...mysteries."
Unexpected Elegies: Poems of 1912-1913 and Other Poems about Emma by Thomas Hardy Pdf
After the death of his wife, Emma, in 1912, the great English novelist and poet Thomas Hardy began to write a series of poems about her. Although the couple had long been estranged, Hardy was suddenly enthralled all over again and became obsessed with memories of their love, as well as with remorse over what had gone wrong between them. This sequence, "Poems of 1912-13," has grown in stature in the century since it was written and is now considered to be one of his mos accomplished works. Hardy continued to write about Emma for the rest of his life, and Unexpected Elegies includes a selection of the best of these other poems about Emma. The insightful introduction by the noted Hardy critic Claire Tomalin places the poems in a biographical context.
Woman Much Missed is the first book-length study of the many poems (over 150) that Thomas Hardy composed in the wake of the death of his first wife Emma in November of 1912. Mark Ford uses these poems to develop a narrative of their four-year courtship on the remote and romantic coast of Cornwall where they met, and then follows Thomas's poetic recreation of the slow degeneration of their marriage and their embittered final decade. Ford shows how Emma's writings and experiences during this time were fundamental to Thomas's evolution into both a best-selling novelist and into one of the greatest poets of the twentieth century. Although for over a decade the marriage between Thomas and Emma had been troubled, and indeed Emma spent much time during her final years secluded in her attic rooms above his study, her death stimulated him to write some of the greatest elegies in English. Twenty-one of these, including masterpieces such as 'The Voice' (which opens 'Woman much missed, how you call to me, call to me') and 'After a Journey' were collected in 'Poems of 1912-13'. While these have received much attention and are often read by school pupils and university students alike, his numerous other poems about Emma have only rarely been discussed. Ford corrects this oversight, providing accessible and insightful readings from a poet's perspective.
The Subject of Experience is about the self, the person. It takes the form of a series of essays which draw on literature and psychology as well as philosophy. Galen Strawson discusses the phenomenology or experience of having or being a self (What is the character of self-experience?) and the fundamental metaphysics of the self (Does the self exist? If so, what is its nature? How long do selves last?): he develops an approach to the metaphysical questions out of the results of the phenomenological investigation. He argues that it is legitimate to say that there is such a thing as the self as distinct from the human being. At the same time he raises doubts about how long selves can be supposed to last, insofar as they are distinct from human beings. He also raises a doubt about whether a self (or indeed a human being) can really be said to lose anything in dying. He criticizes the popular notion of the narrative self, and considers the differences between 'Endurers' or 'Diachronic' people, who feel that they are the same person when they consider their past and future, and 'Transients' or 'Episodic' people, who do not feel this. He considers the first-person pronoun 'I' and a number of puzzles raised by the phenomena of self-reference and self-knowledge. He examines Locke's, Hume's and Kant's accounts of the mind and personal identity, and argues that Locke and Hume have been badly misunderstood.
From Sylvia Plath’s depictions of the Holocaust as a group of noncohering “bits” to AIDS elegies’ assertions that the dead posthumously persist in ghostly form and Susan Howe’s insistence that the past can be conveyed only through juxtaposed “scraps,” the condition of being too late is one that haunts post-World War II American poetry. This is a poetry saturated with temporal delay, partial recollection of the past, and the revelation that memory itself is accessible only in obstructed and manipulated ways. These postwar poems do not merely describe the condition of lateness: they enact it literally and figuratively by distorting chronology, boundary, and syntax, by referring to events indirectly, and by binding the condition of lateness to the impossibility of verifying the past. The speakers of these poems often indicate that they are too late by repetitively chronicling distorted events, refusing closure or resolution, and forging ghosts out of what once was tangible. Ghostly Figures contends that this poetics of belatedness, along with the way it is bound to questions of poetic making, is a central, if critically neglected, force in postwar American poetry. Discussing works by Sylvia Plath, Adrienne Rich, Jorie Graham, Susan Howe, and a group of poets responding to the AIDS epidemic, Ann Keniston draws on and critically assesses trauma theory and psychoanalysis, as well as earlier discussions of witness, elegy, lyric trope and figure, postmodernism, allusion, and performance, to define the ghosts that clearly dramatize poetics of belatedness throughout the diverse poetry of post–World War II America.
In this book, critically acclaimed author Chris Arthur continues his experiments with the mercurial literary genre of the essay, using it in innovative ways to explore aspects of family, place, memory, loss, and meaning. Through these unique prose meditations, readers are led to a dozen unexpected windows on Ireland.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
The Amatory Elegies of Johannes Secundus by Paul Murgatroyd Pdf
This volume contains the first translation into English of all the major love poetry of the Renaissance neo-Latin poet Johannes Secundus and the first detailed critical appreciation of the first two books of his Elegies and the Elegiae Sollemnes. The book consists of an introduction (on the poet's life and works, characters in and dating of the amatory elegies, literary background etc.), facing Latin text and English translation of the Elegies, brief explanatory notes and full essays of appreciation, an appendix with a translation into English of the Basia and Epithalamium, and an index. This work contains extensive amounts of valuable information about Secundus' models, wit, style, sound, diction, placement, structure, manipulation of characters and themes, generic innovation etc. and facilitates a complete reappraisal of this major Renaissance love poet.
Revisiting the Elegy in the Black Lives Matter Era by Tiffany Austin,Sequoia Maner,Emily Ruth Rutter,Darlene anita Scott Pdf
Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers. Moreover, this book provides a model for how to productively interweave theoretical and deeply personal accounts to encourage discussions about art and activism that transgress disciplinary boundaries, as well as lines of race, gender, class, and nation.
Histories of the Unexpected: The Romans by Sam Willis,James Daybell Pdf
Histories of the Unexpected not only presents a new way of thinking about the past, but also reveals the world around us as never before. Traditionally, the Romans have been understood in a straightforward way but the period really comes alive if you take an unexpected approach to its history. Yes, emperors, the development of civilisation and armies all have a fascinating history... but so too do tattoos, collecting, fattening, recycling, walking, poison, fish, inkwells and wicked stepmothers! Each of these subjects is equally fascinating in its own right, and each sheds new light on the traditional subjects and themes that we think we know so well.
Tibullus is one of the three great Roman elegists. In this volume, the award-winning poet A. M. Juster provides a faithful and stylish new translation of his major work, with parallel Latin text. The Introduction considers Tibullus' poems in the context of classical elegy and in particular the elegies of his contemporaries, Ovid and Propertius, and discusses the influence of his patron Messalla in the reign of Augustus. Finally, Maltby's comprehensive notes explain topical, literary, and mythological allusions and identify major themes. About the Series For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
A Guide to Latin Elegy and Lyric by Barbara K. Gold,Genevieve Liveley Pdf
Provides the necessary context to read elegiac and lyric poetry, designed for novice and experienced Classics and Latin students alike A Guide to Latin Elegy and Lyric explores the language of Latin poetry while helping readers understand the socio-cultural context of the remarkable period of Roman literary history in which the poetry was composed. With an innovative approach to this important area of classical scholarship, the authors treat elegy alongside lyric as they cover topics such as the Hellenistic influences on Augustan poetry, the key figures that shaped the elegiac tradition of Rome, the motifs of militia amoris ("the warfare of love") and servitium amoris (“the slavery of love”) in Latin love elegy, and more. Organized into ten chapters, the book begins with an introduction to the literary, political, and social contexts of the Augustan Age. The next six chapters each focus on an individual lyric and elegiac poet—Catullus, Horace, Tibullus, Propertius, Ovid, and Sulpicia—followed by a survey of several lesser-known poets and post-Augustan elegy and lyric. The text concludes with a discussion of major tropes and themes in Latin elegy and lyric, and an overview and analysis of key critical approaches in current scholarship. This volume: Includes full translations alongside the Latin throughout the text to illustrate discussions Analyzes recurring themes and tropes found in Latin poetry such as sexuality and gender, politics and patronage, myth and religion, wealth and poverty, empire, madness, magic, and witchcraft Reviews modern critical approaches to elegiac and lyric poetry including autobiographical realism, psychoanalysis, narratology, reception, and decolonization Includes helpful introductory sections: "How to Read a Latin Elegiac or Lyric Poem" and "How to Teach a Latin Elegiac and Lyric Poem" Provides information about each poet, an in-depth discussion of some of their poetry, and cultural and historical background Features a dedicated chapter on Sulpicia, offering readers an ancient female viewpoint on sex and gender, politics, and patronage Part of the acclaimed Blackwell Guides to Classical Literature series, A Guide to Latin Elegy and Lyric is the perfect text for both introductory and advanced courses in Latin elegy and lyric, accessible for students reading the poetry in translation, as well as for those experienced in Latin with an interest in learning a different approach to the subject.
This is a book of meditative reading. Each of the sixty-one aphoristic entries aims to interpret Rilke’s poetry as a musician might play Debussy’s Clair de lune, to transpose into the key of language the song, the melody, and the refrain of Rilke’s gentle disposition: his recognition of the transience of things; his acknowledgment of the vulnerability and fragility of people, animals, and flowers; his empathy toward those who suffer. The cut flowers gently laid out on the garden table "recovering from their death already begun" in one of theSonnets to Orpheus form a thread now visible now faint through most of this book. And because of the flowers, the concept of gentleness forms another thread, and because of gentleness, hands—agents of gentleness throughout Rilke’s poetry—enfold these pages. The German word leise (gentle, tender, quiet) weaves the first thread; the second is woven by flowers, then by girls’ hands, then by angels, the beloved, the poor, the dying and the dead, animals, birds, dogs, fountains, things, vanishings. The purpose of this essay is to experience and to examine gentleness, how it shapes and pervades Rilke’s work, how his poetry might gently inspire us to become more gentle people.
