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The contemporary novel does more than revise our conception of love—it explodes it, queers it, and makes it unrecognizable. Rather than providing union, connection, and completion, love in contemporary fiction destroys the possibility of unity, harbors negativity, and foregrounds difference. Comparing contemporary and modernist depictions of love to delineate critical continuities and innovations, Unmaking Love locates queerness in the novelistic strategies of Ian McEwan, Zadie Smith, Hanif Kureshi, Alan Hollinghurst, and Hari Kunzru. In their work, "queer love" becomes more than shorthand for sexual identity. It comes to embody thwarted expectations, disarticulated organization, and unnerving multiplicity. In queer love, social forms are deformed, affective bonds do not bind, and social structures threaten to come undone. Unmaking Love draws on psychoanalysis and gender and sexuality studies to read love's role in contemporary literature and its relation to queer negativity.
Hailed as "a masterwork" by the Wall Street Journal, Careless Loveis the full, true, and mesmerizing story of Elvis Presley's last two decades, in the long-awaited second volume of Peter Guralnick's masterful two-part biography. Winner of the Ralph J. Gleason Music Book Award Last Train to Memphis, the first part of Guralnick's two-volume life of Elvis Presley, was acclaimed by the New York Times as "a triumph of biographical art." This concluding volume recounts the second half of Elvis' life in rich and previously unimagined detail, and confirms Guralnick's status as one of the great biographers of our time. Beginning with Presley's army service in Germany in 1958 and ending with his death in Memphis in 1977, Careless Love chronicles the unravelling of the dream that once shone so brightly, homing in on the complex playing-out of Elvis' relationship with his Machiavellian manager, Colonel Tom Parker. It's a breathtaking revelatory drama that for the first time places the events of a too-often mistold tale in a fresh, believable, and understandable context. Elvis' changes during these years form a tragic mystery that Careless Love unlocks for the first time. This is the quintessential American story, encompassing elements of race, class, wealth, sex, music, religion, and personal transformation. Written with grace, sensitivity, and passion, Careless Love is a unique contribution to our understanding of American popular culture and the nature of success, giving us true insight at last into one of the most misunderstood public figures of our times.
“Gary Greenberg has become the Dante of our psychiatric age, and the DSM-5 is his Inferno.” —Errol Morris Since its debut in 1952, the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders has set down the “official” view on what constitutes mental illness. Homosexuality, for instance, was a mental illness until 1973. Each revision has created controversy, but the DSM-5 has taken fire for encouraging doctors to diagnose more illnesses—and to prescribe sometimes unnecessary or harmful medications. Respected author and practicing psychotherapist Gary Greenberg embedded himself in the war that broke out over the fifth edition, and returned with an unsettling tale. Exposing the deeply flawed process behind the DSM-5’s compilation, The Book of Woe reveals how the manual turns suffering into a commodity—and made the APA its own biggest beneficiary.
The Cambridge Companion to Kazuo Ishiguro by Andrew Bennett Pdf
The Cambridge Companion to Kazuo Ishiguro offers an accessible introduction to key aspects of the novelist's remarkable body of work. The volume addresses Ishiguro's engagement with fundamental questions of humanity and personal responsibility, with aesthetic value and political valency, with the vicissitudes of memory and historical documentation, and with questions of family, home, and homelessness. Focused through the personal experiences of some of the most memorable characters in contemporary fiction, Ishiguro's writing speaks to the major communitarian questions of our time – questions of nationalism and colonialism, race and ethnicity, migration, war, and cultural memory and social justice. The chapters attend to Ishiguro's highly readable novels while also ranging across his other creative output. Gathering together established and emerging scholars from the UK, Europe, the USA, and East Asia, the volume offers a survey of key works and themes while also moving critical discussion forward in new and challenging ways.
Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis—a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the pleasures, moods, and interactive dimensions of a village bard's performance. Three introductory chapters and an interpretive afterword, together with an appendix on the bard's language by linguist David Magier, supply A Carnival of Parting with a full range of ethnographic, historical, and cultural backgrounds. Gold gives a frank and engaging portrayal of the bard Madhu Nath and her work with him. The tales are most profoundly concerned, Gold argues, with human rather than divine realities. In a compelling afterword, she highlights their thematic emphases on politics, love, and death. Madhu Nath's vital colloquial telling of Gopi Chand and Bharthari's stories depicts renunciation as inevitable and interpersonal attachments as doomed, yet celebrates human existence as a "carnival of parting."
Western culture has endlessly represented the ways in which love miraculously erupts in people’s lives, the mythical moment in which one knows someone is destined for us, the feverish waiting for a phone call or an email, the thrill that runs down our spine at the mere thought of him or her. Yet, a culture that has so much to say about love is virtually silent on the no less mysterious moments when we avoid falling in love, where we fall out of love, when the one who kept us awake at night now leaves us indifferent, or when we hurry away from those who excited us a few months or even a few hours before. In The End of Love, Eva Illouz documents the multifarious ways in which relationships end. She argues that if modern love was once marked by the freedom to enter sexual and emotional bonds according to one’s will and choice, contemporary love has now become characterized by practices of non-choice, the freedom to withdraw from relationships. Illouz dubs this process by which relationships fade, evaporate, dissolve, and break down “unloving.” While sociology has classically focused on the formation of social bonds, The End of Love makes a powerful case for studying why and how social bonds collapse and dissolve. Particularly striking is the role that capitalism plays in practices of non-choice and “unloving.” The unmaking of social bonds, she argues, is connected to contemporary capitalism which is characterized by practices of non-commitment and non-choice, practices that enable the quick withdrawal from a transaction and the quick realignment of prices and the breaking of loyalties. Unloving and non-choice have in turn a profound impact on society and economics as they explain why people may be having fewer children, increasingly living alone, and having less sex. The End of Love presents a profound and original analysis of the effects of capitalism and consumer culture on personal relationships and of what the dissolution of personal relationships means for capitalism.
In this second entry of a romantic fantasy trilogy, a mage and her lover must heal themselves of dark magic before they can protect their world from evil. Striving to save the Aurelian Empire, Valeria reached for too much power too quickly and a darkness has rooted inside her. Unable to confess the truth, Valeria turns to Kerrec, her former mentor, one of the elite Riders from the Mountain, home of the gods. But Kerrec, too, is deeply wounded and his darkness may be even deeper than hers—and he is refusing to face it. Until his weakness nearly destroys the Riders and their immortal white stallions . . . As Kerrec is sent from the Mountain on a desperate quest for healing, Valeria is forbidden to follow. But compelled by a power she cannot understand and encouraged by her own stallion, she shadows Kerrec on a perilous mission. The patterns of deception and secrets have been woven, the threats of war and unrest spread throughout the land, the barbarian hordes return and once more it is Valeria—and Kerrec—who must gather their strength and their wounded magic to protect all that they believe in. . . . But who will believe in them? Praise for Song of Unmaking “The battle scenes are magnificent, the characters are realistic, and the storyline is pure magic; readers will eagerly await the next book in this tantalizing series.” —Harriet Klausner “A world easy to immerse myself in. . . . [The story] was well-written, had a well-rounded and thought out world, well-characterized, and emotional.” —Laurie Ryan, author of the Willow Bay novels and the Earth Legacy series
Disrupted Intersubjectivity investigates two classes of phenomena creating failures of understanding in social interaction, referred to as 'paralysis' and 'invasion.' Both can be understood as disrupted forms of intersubjectivity, the former being characterized by a lack/deficiency of ways of relating to others, and the latter by an unnecessary surplus. By studying the literary accounts of these phenomena in a selection of Ian McEwan's literary works (“Homemade,” On Chesil Beach, Enduring Love, and Atonement), Andrei Ionescu sheds light on the epistemological potential of literature and the structure of human relationships in general. Part of the developing field of cognitive literary studies, Disrupted Intersubjectivity not only uses cognitive scientific theories in order to clarify literary issues, but also investigates to what extent can literature itself contribute to the process of understanding the workings of the human mind. By investigating the metacognitive issues staged and reflected upon in literary works, Ionescu challenges and refines contemporary cognitive and philosophical approaches to intersubjectivity and opens directions for further theoretical and empirical research.
The Making and Un-making of a Marine by Larry Winters Pdf
Born and raised in New Paltz, NY, Larry Winters entered the United States Marine Corps after high school and served in Vietnam 1969-1970. Twenty-five years later, by then a licensed mental health counselor at Four Winds Hospital in Katonah, he returned to Vietnam with other health care professionals to study P.T.S.D. in the Vietnamese people and to make peace with his past. Larry is a widely published poet, men's group leader and group psychotherapist. This is his story.
Into Eternal Darkness: 100+ Gothic Classics in One Edition by Charles Dickens,Friedrich Schiller,Oscar Wilde,Robert Louis Stevenson,Edgar Allan Poe,William Hope Hodgson,Joseph Sheridan Le Fanu,George MacDonald,Percy Bysshe Shelley,Bram Stoker,Charlotte Brontë,Emily Brontë,William Godwin,Henry James,Victor Hugo,Théophile Gautier,Arthur Conan Doyle,Joseph Conrad,Guy Boothby,Jane Austen,Mayne Reid,John Meade Falkner,Guy de Maupassant,George Eliot,Samuel Taylor Coleridge,Robert Hugh Benson,Horace Walpole,Frederick Marryat,Thomas Love Peacock,Washington Irving,Nathaniel Hawthorne,Gaston Leroux,Grant Allen,Arthur Machen,Wilkie Collins,Thomas Peckett Prest,James Malcolm Rymer,Robert Browning,Walter Hubbell,Marie Corelli,Charles Brockden Brown,James Hogg,William Blake,Charlotte Perkins Gilman,John Keats,Richard Marsh,Clara Reeve,Charles Robert Maturin,John William Polidori,Lord Byron,W. W. Jacobs,E. F. Benson,M. R. James,E. T. A. Hoffmann,George W. M. Reynolds,William Thomas Beckford,Christina Rossetti,Tobias Smollett,Nikolai Gogol,Mary Shelley,Edward Bulwer-Lytton,Ann Radcliffe,Matthew Gregory Lewis,Eliza Parsons,Eleanor Sleath,Émile Erckmann,Alexandre Chatrian Pdf
DigiCat presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: The Adventures of Ferdinand Count Fathom The Castle of Otranto The Old English Baron Vathek The Ghost-Seer The Castle of Wolfenbach Caleb Williams The Mysteries of Udolpho The Italian A Sicilian Romance The Romance of the Forest The Monk The Orphan of the Rhine The Rime of the Ancient Mariner Christabel Zastrozzi St. Irvyne Manfred Northanger Abbey Frankenstein... Isabella, or the Pot of Basil La Belle Dame Sans Merci The Raven The Tell-Tale Heart The Fall of the House of Usher The Cask of Amontillado... The Vampyre... The Private Memoirs and Confessions of a Justified Sinner Porphyria's Lover St, John's Eve The Viy... Jane Eyre Wuthering Heights Sweeney Todd, the Demon Barber of Fleet Street The House of the Seven Gables... The Woman in White Goblin Market The Headless Horseman Strange Case of Dr Jekyll and Mr Hyde Carmilla Uncle Silas The Man-Wolf The Great Amherst Mystery The Hound of the Baskervilles... The Picture of Dorian Gray The Horla The Forsaken Inn The Yellow Wallpaper The Island of Doctor Moreau The Invisible Man The Beetle The Turn of the Screw... Dracula... The Necromancers The House on the Borderland The Phantom of the Opera... Wolverden Tower...
Plato's Symposium depicts a group of men giving a series of speeches about the nature of love, with themes ranging from religion and metaphysics to medicine and pregnancy. The lone woman in the room, a "flute girl," is sent away as the discussion turns to serious matters; at the same time, the wisest of the men attributes his theories to a woman, the possibly fictional Diotima. Despite their absence from this important intellectual exchange, women are part of Symposium. What can contemporary feminist readers do with this troubling yet immeasurably influential work? In Uninvited historian Carla Nappi and philosopher Carrie Jenkins talk back to Plato in poetry, inspired by the voices of women characters who were not previously permitted to speak. Images and ideas from Symposium are refracted through multiple lenses to reveal a tumult of mystical, intellectual, pedagogical, and sexual ideologies. Sometimes beautiful, sometimes horrific, these poems dance within and between the lines of Symposium, carving space for new kinds of conversations about love, with themes ranging from gender and voice to power and violence. Designed to be read with or without prior knowledge of Plato, this book invites the uninvited to join a strange, amorphous, and unending conversation on the nature of love and desire - and on the possibilities intellectual and creative activity can offer.