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Traditional Chinese edition of A House for Mr. Biswas by V. S. Naipaul. It is a story of Mr. Biswas's struggle for independence, but more importantly, it is his fight for dignity and a life with meaning. A House for Mr. Biswas is touted as Naipaul's finest novel. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.
To the residents of Miguel Street, a derelict corner of Trinidad’s capital, their neighbourhood is a complete world, where everybody is quite different from everybody else. There’s Popo the carpenter, who neglects his livelihood to build “the thing without a name;” Man-man, who goes from running for public office to staging his own crucifixion; Big Foot, the dreaded bully with glass tear ducts; and the lovely Mrs. Hereira, in thrall to her monstrous husband. Their lives (and the legends their neighbours construct around them) are rendered by V. S. Naipaul with Dickensian verve and Chekhovian compassion in this tender, funny novel.
V. S. Naipaul’s first book about the United States is a revealing, disturbing, elegiac book about the hidden life and culture of the American South — from Atlanta to Charleston, Tallahassee to Tuskegee, Nashville to Chapel Hill.
Beginning with a richly detailed portrait of Naipaul's childhood in Trinidad, Patrick French gives us the boy born to an Indian family who wins a scholarship to Oxford at the age of 17. London in the 1950s offers his first literary success, but homesickness almost defeats Vidia, his narrow escape aided by Patricia Hale, an English woman who will stand by him for 4 decades, even as he embarks on a 24-year love affair which will feed his dizzying creativity. Informed by exclusive access to the subject's private papers and personal recollections, French's revelatory biography does full justice to an enigmatic genius.
The Nobel Prize-winning author delivers an eloquent, candid, wide-ranging narrative that delves into the sometimes inadvertent process of creative and intellectual assimilation. “Bracing, surprising.... A meditation on art and life.” —The New York Review of Books V. S. Naipaul has always faced the challenges of "fitting one civilization to another." In A Writer's People, he takes us into this process that has shaped both his writing and his life. Naipaul discusses the writers to whom he was exposed early on—Derek Walcott, Gustave Flaubert, and his father, among them—and his first encounters with literary culture. He illuminates the ways in which the writings of Gandhi, Nehru, and other Indian writers both reveal and conceal the authors themselves and their nation. And he brings the same scrutiny to bear on his own life: his early years in Trinidad; the empty spaces in his family history; his ever-evolving reactions to the more complicated India he would encounter for the first time at age thirty.
One of the finest living writers in the English language, V. S. Naipaul gives us a tale as wholly unexpected as it is affecting, his first novel since the exultantly acclaimed A Way in the World, published seven years ago. Half a Life is the story of Willie Chandran, whose father, heeding the call of Mahatma Gandhi, turned his back on his brahmin heritage and married a woman of low caste—a disastrous union he would live to regret, as he would the children that issued from it. When Willie reaches manhood, his flight from the travails of his mixed birth takes him from India to London, where, in the shabby haunts of immigrants and literary bohemians of the 1950s, he contrives a new identity. This is what happens as he tries to defeat self-doubt in sexual adventures and in the struggle to become a writer—strivings that bring him to the brink of exhaustion, from which he is rescued, to his amazement, only by the love of a good woman. And this is what happens when he returns with her—carried along, really—to her home in Africa, to live, until the last doomed days of colonialism, yet another life not his own. In a luminous narrative that takes us across three continents, Naipaul explores his great theme of inheritance with an intimacy and directness unsurpassed in his extraordinary body of work. And even as he lays bare the bitter comical ironies of assumed identities, he gives us a poignant spectacle of the enervation peculiar to a borrowed life. In one man’s determined refusal of what he has been given to be, Naipaul reveals the way of all our experience. As Willie comes to see, “Everything goes on a bias. The world should stop, but it goes on.” A masterpiece of economy and emotional nuance, Half a Life is an indelible feat of the imagination.
The author of more than thirty books of fiction and nonfiction and winner of the Nobel Prize in Literature, V. S. Naipaul (1932–2018) is one of the most acclaimed authors of the twentieth century. He is also one of the most controversial. Before settling in England, Naipaul grew up in Trinidad in an Indian immigrant community, and his depiction of colonized peoples has often been harshly judged by critics as unsympathetic, misguided, racist, and sexist. Yet other readers praise his work as containing uncommonly perceptive historical and psychological insight. In V. S. Naipaul’s Journeys, Sanjay Krishnan offers new perspectives on the distinctiveness and power of Naipaul’s writing, as well as his shortcomings, trajectory, and complicated legacy. While recognizing the flaws and prejudices that shaped and limited Naipaul’s life and art, this book challenges the binaries that have dominated discussions of his writing. Krishnan reads Naipaul as self-subverting and self-critical, engaged in describing his own implication in what he saw as the malaise of the postcolonial world. Krishnan brings together close readings of major novels with considerations of Naipaul’s work as a united project, as well as nuanced assessments of Naipaul’s political commentary on ethnic nationalism and religious fundamentalism. Krishnan provides a Naipaul for contemporary times, illustrating how his life and work shed light on debates regarding migration, diversity, sectarianism, displacement, and other global challenges.
Conversations with V. S. Naipaul by Feroza F. Jussawalla Pdf
This collection brings together interviews from a thirty-six-year span and reveals a witty, sometimes scathing talker with a free-ranging curiosity. In early interviews, mostly given to such fellow writers and colleagues as Derek Walcott and Eric Roach, Naipul is clipped, brusque, and clearly impatient with interviewers. More recent interviews, given primarily to journalists rather than literary figures, reveal a more mellow Naipaul, often warm, passionate, and forthcoming about his private life.
AN AREA OF DARKNESS 'Brilliant ... tender, lyrical, explosive' Observer V.S. Naipaul was twenty-nine when he first visited India. This is his semi-autobiographical account-at once painful and hilarious, but always thoughtful and considered-a revelation both of the country and of himself. INDIA: A WOUNDED CIVILIZATION 'A devastating work, but proof that a novelist of Naipaul's stature can often define problems quicker and more effectively than a team of economists and other experts' The Times Prompted by the Emergency of 1975, Naipaul casts a more analytical eye, convinced that India, wounded by a thousand years of foreign rule, has not yet found an ideology of regeneration. INDIA: A MILLION MUTINIES NOW 'Indispensable for anyone who wants seriously to come to grips with the experience of India' New York Times Book Review It is twenty-six years since Naipaul's first trip to India. Taking an anti-clockwise journey around the metropolises-including Bombay, Madras, Calcutta and Delhi-he focuses on the country's development since Independence. The author recedes, allowing Indians to tell the stories, and a dynamic oral history of the country emerges.
The Nobel Prize-winning author distills his wide experience of countries and peoples into a moving account of the rites of passage endured by all people and all communities undergoing change or decay. • "Naipaul's finest work." —Chicago Tribune "A subtly incisive self-reckoning." —The Washington Post Book World The story of a writer’s singular journey – from one place to another, and from one state of mind to another. At the midpoint of the century, the narrator leaves the British colony of Trinidad and comes to the ancient countryside of England. And from within the story of this journey – of departure and arrival, alienation and familiarity, home and homelessness – the writer reveals how, cut off from his “first” life in Trinidad, he enters a “second childhood of seeing and learning.” Clearly autobiographical, yet woven through with remarkable invention, The Enigma of Arrival is as rich and complex as any novel we have had from this exceptional writer. "The conclusion is both heart-breaking and bracing: the only antidote to destruction—of dreams, of reality—is remembering. As eloquently as anyone now writing, Naipaul remembers." —Time "Far and away the most curious novel I've read in a long time, and maybe the most hypnotic book I've ever read." —St. Petersburg Times
In his forty-six short years, Mr. Mohun Biswas has been fighting against destiny to achieve some semblance of independence, only to face a lifetime of calamity. Shuttled from one residence to another after the drowning death of his father, for which he is inadvertently responsible, Mr. Biswas yearns for a place he can call home. But when he marries into the domineering Tulsi family on whom he indignantly becomes dependent, Mr. Biswas embarks on an arduous -- and endless -- struggle to weaken their hold over him, and purchase a house of his own.
From the Nobel Prize-winning author comes a novel of exile, displacement, and the agonizing cruelty and pain of colonialism, both for those who rule and those who are their victims. “A brilliant novel in every way.… [It] shimmers with artistic certainty.” —The New York Times Book Review Set on a troubled Carribbean island, where “everybody wants to fight his own little war,” where “everyone is a guerrilla,” the novel centers on an Englishman named Roche, once a hero of the South African resistance, who has come to the island – subdued now, almost withdrawn – to work and to help. Soon his English mistress arrives: casually nihilistic, bored, quickly enticed – excited – by fantasies of native power and sexuality, and blindly unaware of any possible consequences of her acts. At once Roche and Jane are drawn into fatal connection with a young guerrilla leader named Jimmy Ahmed, a man driven by his own raging fantasies of power, of perverse sensuality, and of the England he half remembers, half sentimentalizes. Against the larger anguish of the world they inhabit, these three act out a drama of death, hideous sexual violence, and political and spiritual impotence that profoundly reflects the ravages history can make on human lives.
A classic of modern travel writing, An Area of Darkness is V. S. Naipaul’s profound reckoning with his ancestral homeland and an extraordinarily perceptive chronicle of his first encounter with India.
V.S. Naipaul Has Claimed That All His Work Is Really One And He Has Been Writing One Big Book All These Years; Also, Considering The World He Has Stepped Into And The World He Has To Look At, He Cannot Be A Professional Novelist In The Old Sense. In His Early Youth Naipaul Took Up The Vocation Of A Writer As His Religion And, Since The Beginning Five Decades Ago, Has Drawn On His Intensely Personal Experience Of An Uprooted Person Adrift In The World, His Experience Of The Two Worlds To None Of Which He Could Really Belong An Experience That Imparts The Authentic Voice To His Works Both Non-Fiction And Fiction Enriched By A Distinct Autobiographical Flavour. Naipaul Himself Is Split Into His Characters In Whom Are Manifested Subtle Shades Of His Emotions And Traits. He Is Accidental Man, Dangling Man, History Man And The Mimic Man All Rolled Into One. Naipaul Is Also One Of Literature S Great Travellers, And His Absorption Into The Experience Of Rootlessness, The Alienating Effects Of Colonial Past On Today S Postcolonial People Has Taken Him To Africa, South America, India And All Over The World Not In Search Of Roots But In Search Of Rootlessness, And Has Yielded A Rich Harvest Of Travelogues Which Are About Much More Than Travel.An Author Of A Large Number Of Fictional And Non-Fictional Works, Naipaul Continues To Surprise, Excite, Provoke And Move Readers At Every Turn Of His Literary Voyage. Naipaul Has Unseverable Emotional Bond With India Which Remains For Him An Area Of Pain, An Ache For Which One Has A Great Tenderness Yet From Which He Wishes To Separate Himself. The World Of V.S. Naipaul Is The World Of Two Worlds. The Present Volumes Of Papers On Naipaul, Led By Naipaul S Nobel Lecture, Offer Illuminating Perspectives And Interesting Explorations Into This Rich, Enigmatic, Sad, Hilarious, And Fascinating World Of Naipaul.
Understanding Africa is critical for all concerned with the world today: in what promises to be his final great work of reportage, one of the keenest observers of the continent surveys the effects of belief and religion on the disparate peoples of Africa. The Masque of Africa is Nobel Prize-winning V. S. Naipaul's first major work of non-fiction to be published since his internationally bestselling Beyond Belief. Like all of Naipaul's great works of non-fiction, The Masque of Africa is superficially a book of travels — full of people, stories and landscapes he visits — but it also encompasses a larger narrative and purpose: to judge the effects of belief (whether in indigenous animisms, faiths imposed by other cultures, or even the cults of leaders and mythical history) upon the progress of civilization.