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Author : Ann Massa
Publisher : Unknown
Page : 330 pages
File Size : 51,9 Mb
Release : 1970
Category : Biography & Autobiography
ISBN : UCAL:B4393862
Author : Jay Parini
Publisher : Unknown
Page : 2273 pages
File Size : 52,9 Mb
Release : 2004
Category : American literature
ISBN : 9780195156539
This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays thatreflect the latest scholarship on a given topic, as well as original thinking on the part of the critic. The Encyclopedia is available in print and as an e-reference text from Oxford's Digital Reference Shelf.At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists. The most prominent figures (such as Whitman, Melville, Faulkner, Frost, Morrison, and so forth) are treated at considerable length (10,000 words) by top-flight critics. Less well known figures arediscussed in essays ranging from 2,000 to 5,000 words. Each essay examines the life of the author in the context of his or her times, looking in detail at key works and describing the arc of the writer's career. These essays include an assessment of the writer's current reputation with abibliography of major works by the writer as well as a list of major critical and biographical works about the writer under discussion.A second key element of the project is the critical assessments of major American masterworks, such as Moby-Dick, Song of Myself, Walden, The Great Gatsby, The Waste Land, Their Eyes Were Watching God, Death of a Salesmanr, or Beloved. Each of these essays offers a close reading of the given work,placing that work in its historical context and offering a range of possibilities with regard to critical approach. These fifty essays (ranging from 2,000 to 5,000 words) are simply and clearly enough written that an intelligent high school student should easily understand them, but sophisticatedenough that a college student or general reader in a public library will find the essays both informative and stimulating.The final major element of this encyclopedia consists of fifty-odd essays on literary movements, periods, or themes, pulling together a broad range of information and making interesting connections. These essays treat many of the same authors already discussed, but in a different context; they alsogather into the fold authors who do not have an entire essay on their work (so that Zane Grey, for example, is discussed in an essay on Western literature but does not have an essay to himself). In this way, the project is truly "encyclopedic," in the conventional sense. These essays aim forcomprehensiveness without losing anything of the narrative force that makes them good reading in their own right.In a very real fashion, the literature of the American people reflects their deepest desires, aspirations, fears, and fantasies. The Oxford Encyclopedia of American Literature gathers a wide range of information that illumines the field itself and clarifies many of its particulars.
Author : Eric L. Haralson
Publisher : Routledge
Page : 2479 pages
File Size : 50,7 Mb
Release : 2014-01-21
Category : Literary Criticism
ISBN : 9781317763215
The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.
Author : Timothy R. Mahoney,Wendy J. Katz
Publisher : U of Nebraska Press
Page : 372 pages
File Size : 43,5 Mb
Release : 2008-12-01
Category : Political Science
ISBN : 9780803220461
Although the framework of regionalist studies may seem to be crumbling under the weight of increasing globalization, this collection of seventeen essays makes clear that cultivating regionalism lies at the center of the humanist endeavor. With interdisciplinary contributions from poets and fiction writers, literary historians, musicologists, and historians of architecture, agriculture, and women, this volume implements some of the most innovative and intriguing approaches to the history and value of regionalism as a category for investigation in the humanities. In the volume’s inaugural essay, Annie Proulx discusses landscapes in American fiction, comments on how she constructs characters, and interprets current literary trends. Edward Watts offers a theory of region that argues for comparisons of the United States to other former colonies of Great Britain, including New Zealand, Australia, and Canada. Whether considering a writer's connection to region or the idea of place in exploring what is meant by regionalism, these essays uncover an enduring and evolving concept. Although the approaches and disciplines vary, all are framed within the fundamental premise of the humanities: the search to understand what it means to be human.
Author : Tyler Hoffman
Publisher : University of Michigan Press
Page : 282 pages
File Size : 40,7 Mb
Release : 2013-05-29
Category : Literary Criticism
ISBN : 9780472035526
American Performance Poetry is the first book to trace a comprehensive history of performance poetry in America from Whitman through the rap-meets-poetry scene and to show how the performance of poetry is bound up with the performance of identity and nationality in the modern period. This book will be a meaningful contribution both to the field of American poetry studies and to the fields of cultural and performance studies, as it focuses on poetry that refuses the status of fixed aesthetic object and, in its variability, performs versions of race, class, gender, and sexuality both on and off the page. Relating the performance of poetry to shifting political and cultural ideologies in the United States, Hoffman argues that the vocal aspect of public poetry possesses (or has been imagined to possess) the ability to help construct both national and subaltern communities. In doing so, American Performance Poetry explores public poets’ confrontations with emergent sound recording and communications technologies as those confrontations shape their mythologies of the spoken word and their corresponding notions about America and Americanness.
Author : Laura Marcus
Publisher : OUP Oxford
Page : 584 pages
File Size : 42,8 Mb
Release : 2010-08-12
Category : Literary Criticism
ISBN : 9780191615412
The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement. In examining the writings of early film critics and commentators in tandem with those of more specifically literary figures, including H.G.Wells and Virginia Woolf, and in bringing literary texts into this field, Laura Marcus provides a new account of relationships between cinema and literature. Intertwining two major strands of research - the exploration of early film criticism and theory and cinema's presence in literary texts - The Tenth Muse shows how issues central to an understanding of cinema (including questions of time, repetition, movement, vision, sound and silence) are threaded through both kinds of writing, and the ways in which discursive and fictional writings overlapped. The movement that defined cinema was also perceived as a more fragile and unstable ephemerality that inhered at every level, from the fleeting nature of the projected images to the vagaries of cinematic exhibition. It was the anxiety over the mutability of the medium and its exhibition which, from the 1920s onwards, led to the establishment of such institutional spaces for cinema as the London-based Film Society, the new film journals, and, in the 1930s, the first film archives. The Tenth Muse explores the continuities between these sites of cinematic culture and the conceptual, literary and philosophical understandings of the filmic medium.
Author : James Hurt
Publisher : University of Illinois Press
Page : 180 pages
File Size : 46,7 Mb
Release : 1992
Category : American literature
ISBN : 0252018508
Author : Michael Kazin
Publisher : Anchor
Page : 434 pages
File Size : 47,9 Mb
Release : 2007-03-13
Category : Biography & Autobiography
ISBN : 9780385720564
ONE OF THE BEST BOOKS OF THE YEAR: THE WASHINGTON POST, CHICAGO TRIBUNE, LOS ANGELES TIMES, ST. LOUIS POST-DISPATCH. Politician, evangelist, and reformer William Jennings Bryan was the most popular public speaker of his time. In this acclaimed biography—the first major reconsideration of Bryan’s life in forty years–award-winning historian Michael Kazin illuminates his astonishing career and the richly diverse and volatile landscape of religion and politics in which he rose to fame. Kazin vividly re-creates Bryan’s tremendous appeal, showing how he won a passionate following among both rural and urban Americans, who saw in him not only the practical vision of a reform politician but also the righteousness of a pastor. Bryan did more than anyone to transform the Democratic Party from a bulwark of laissez-faire to the citadel of liberalism we identify with Franklin D. Roosevelt. In 1896, 1900, and 1908, Bryan was nominated for president, and though he fell short each time, his legacy–a subject of great debate after his death–remains monumental. This nuanced and brilliantly crafted portrait restores Bryan to an esteemed place in American history.
Author : Maria Damon,Ira Livingston
Publisher : University of Illinois Press
Page : 466 pages
File Size : 44,9 Mb
Release : 2009
Category : Poetry
ISBN : 9780252076084
A collection of critical texts exploring poetry's engagement with the social
Author : Ryan Jay Friedman
Publisher : Rutgers University Press
Page : 265 pages
File Size : 48,7 Mb
Release : 2019-02-04
Category : Performing Arts
ISBN : 9780813593616
Throughout the silent-feature era, American artists and intellectuals routinely described cinema as a force of global communion, a universal language promoting mutual understanding and harmonious coexistence amongst disparate groups of people. In the early 1920s, film-industry leaders began to espouse this utopian view, in order to claim for motion pictures an essentially uplifting social function. The Movies as a World Force examines the body of writing in which this understanding of cinema emerged and explores how it shaped particular silent films and their marketing campaigns. The utopian and universalist view of cinema, the book shows, represents a synthesis of New Age spirituality and the new liberalism. It provided a framework for the first official, written histories of American cinema and persisted as an advertising trope, even after the transition to sound made movies reliant on specific national languages.
Author : Manly, Inc.
Publisher : Infobase Learning
Page : 4512 pages
File Size : 55,8 Mb
Release : 2013-06
Category : Literary Collections
ISBN : 9781438140773
Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.
Author : Peter M. Catapano
Publisher : Routledge
Page : 166 pages
File Size : 54,6 Mb
Release : 2018-01-31
Category : Social Science
ISBN : 9781351183246
The Hollywood Brand traces the development of the moving picture from its humble roots as an object of mass amusement to its transformation into an art form worthy of exhibition in museums and academic study in leading universities. This book provides historical context to the ideas that coalesce to create the iconic Hollywood brand that comes to define American identity.
Author : Peter Decherney
Publisher : Columbia University Press
Page : 289 pages
File Size : 55,7 Mb
Release : 2005
Category : Business & Economics
ISBN : 9780231133777
Peter Decherney explores how the concerns of intellectuals and the needs of Hollywood studio heads led to the development of a mutually beneficial relationship during Hollywood's Golden Age (1915-1960). During this period, museums, universities, and government agencies used films to maintain their position as quintessential American institutions, transforming movies into an art form and making moviegoing a vital civic institution. Decherney's history features an intriguing cast of characters, including the poet Vachel Lindsay, film producers Adolph Zukor and Joseph Kennedy, Hollywood flak Will Hays, and philanthropist Nelson Rockefeller. He shows how Columbia and Harvard started film studies programs in the 1910s and 1920s to remake American education and American culture. And he shows how the Museum of Modern Art, the U.S. Office of War Information, and the National Endowment for the Arts worked with Hollywood to fight fascism and communism and to promote American values abroad. Hollywood and the Culture Elite offers a unique glimpse into the collaboration between Hollywood and the stewards of high culture to ensure their own survival and profitability.
Author : Mikhail Iampolski
Publisher : Univ of California Press
Page : 340 pages
File Size : 54,8 Mb
Release : 1998-10-26
Category : Performing Arts
ISBN : 0520914724
The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias, Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls "textual anomalies." These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed. Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Buñuel, he presents different strategies of intertextual reading in their work. His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.
Author : David L. Larsen
Publisher : Kregel Academic
Page : 644 pages
File Size : 41,6 Mb
Release : 2024-07-04
Category : Religion
ISBN : 082549432X
Great works and authors of the world are introduced and reviewed artistically, intellectually, and theologically. Persons discussed include Plato, Milton, Dickens, Shakespeare, Charlotte Bronte, Mark Twain, and C. S. Lewis.