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Author : Kristen S. Walker Publisher : Kristen S. Walker Page : 313 pages File Size : 49,9 Mb Release : 2023-02-13 Category : Young Adult Fiction ISBN : 8210379456XXX
Fae and vampires are mortal enemies. From author Kristen S. Walker comes a young adult paranormal romance for fans of Crave by Tracy Wolff and Wicked Lovely by Melissa Marr. Heather is a human girl raised by vampire parents so they can turn her on her eighteenth birthday. But while she is mortal, they keep her under strict rules. She longs to learn more about the world, especially the magical community she will join someday. Her first taste of freedom comes with tragic consequences. To keep her safe from the vicious Unseelie, Heather’s parents move her across the country to a little town deep in the woods of northern California. In Madrone, Heather feels more isolated than ever—until she attends Crowther Private Academy for Magical Students and meets the boy of her dreams. Despite the warnings, Heather falls in love with a faerie prince named Glen. Their romance is doomed from the start: he’s already betrothed to a faerie princess, and she is scheduled to die in less than a year. But with Glen, she feels like a normal human girl for the first time in her life. Neither of them can deny the strong pull for the other. How will she choose between her heart and the immortality that awaits her? Vampires of Calaveras is a young adult paranormal romance trilogy in the Witches of California world, which also includes Small Town Witch and the Santa Cruz Witch Academy series. There are familiar characters and settings from other books, but it can be read on its own. If you love forbidden romance, vampires, small towns, and Fae, then try Vampires’ Daughter!
When love and faith collide, which will two people from different worlds choose? When Ethan discovers that the love of his life, Victoria, is actually the child of a monstrous beast and must marry another man to save her family, he retreats to a monastery to live out the rest of his days alone. But the Church has other ideas. Ethan's mentor asks him to lead famous vampire hunter Dom Calmet back to his home village to rid the town of the vampires that plague it. Ethan must then take a journey, emotionally and literally, back to the town of his youth and decide between love and faith when he once again meets The Vampire's Daughter. Don't miss the complete Calmet Chronicles! The Vampire's Gift The Vampire's Daughter The Vampire's Slayer The Vampire's Lover While the books in the Calmet Chronicles are related, each can be read as a complete, stand-alone novel.
The Vampire's Beautiful Daughter by S. P. Somtow Pdf
When Johnny's family moves to California, he finds it hard to fit in at his new school until Rebecca, the half-human daughter of a vampire, begins to attend Johnny's school and the two of them become close friends, each facing their own personal demons.
This “vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England and America” examines the many meanings of the vampire myth (Kirkus Reviews). From Byron’s Lord Ruthven to Anne Rice’s Lestat to the black bisexual heroine of Jewelle Gomez’s The Gilda Stories, vampires have taken many forms, capturing and recapturing our imaginations for centuries. In Our Vampires, Ourselves, Nina Auerbach explores the rich history of this literary and cultural phenomenon to illuminate how every age embraces the vampire it needs—and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach follows the evolution of the vampire from 19th century England to 20th century America. Using the mercurial figure as a lens for viewing the last two hundred years of Anglo-American cultural history, “this seductive work offers profound insights into many of the urgent concerns of our time” (Wendy Doniger, The Nation).
Although the word "vampire" was not introduced until the eighteenth century, variations of this hemo-craving creature have existed since long before the Christian era. Almost every civilization had a demon or spirit—often a god or goddess—whose bloodlust complicated things for the general populace. But sometimes it’s not all about the blood. Modern vampire tales have stronger-willed and less traditional beings at their core: beings who strive to coexist with mortals by drinking synthetic blood, like True Blood’s Bill Compton, or who sparkle in the daylight instead of disintegrating, like Twilight’s Edward Cullen. Plus, these guys are way easier on the eyes than the more old-school vampires out there, especially filmmaker F. W. Murnau’s infamous Nosferatu, a terrifying vampire in dire need of a manicure. Regardless of time, place, and blood type, Laura Enright cordially invites you into the dark underworld of the vampire. She sheds light (but not too much) on this captivating, age-defying creature by exploring topics ranging from the powers it can possess to what will kill it—for good. With close to thirty top-ten lists brimming with gore and fang-tastic facts, Vampires’ Most Wanted™ is sure to provide the reader with a biting good time.
Of Fae And Vampires (Boxset 1-3) by Valerie Twombly Pdf
The Vampire’s Curse She’s fated to break his curse. He’s destined to kill her. CURSED While traveling to the human realm to feed, king Andrei brings the wrath of a powerful witch down on his head. Now cursed, the vampire cannot cross beyond the mist that hides his world from the mortals. To make matters worse, his people are trapped and starving in his kingdom on the other side. After years of searching, he’s finally discovered a way to break from his living hell. With the clock ticking, he weaves a trap to lure the fated female, who can save them all. FATED Sonia’s small-town life is finally looking up. With a new job at a local shop called Bedazzled Jewels, she finally feels excitement in the air. When a new trinket at the store evokes strange visions, it isn’t the thrill she is hoping for. Convinced her nightly encounters with a handsome stranger are just dreams, she soon learns not only is he real but in danger. Being the fated mate to a vampire king is more than just a fairytale, it may mean Sonia’s death. Even after the tarot cards predict her demise, she believes she can change her fate. Andrei moves in for the sacrifice but doesn’t count on her being the one woman he can’t afford to lose. Time has run out and the choices are few. Save his people or spare the woman he loves. The Vampire’s Fae An ancient vampire. A fae princess. A world beyond the mist. King’s guard, Roman, battles every day with the demon living inside him. When fate decides after two thousand years to bring the vampire his mate, the timing couldn’t be worse. If he can’t keep the evil inside him at bay, it may destroy everything in his path. Including her. When a tragic accident causes Harper to gain the ability to heal, she assumes her life can’t possibly get any weirder. When a camping trip doesn’t help clear the EMT’s mind, but lands her in another world, she learns vampires and fae are real. To make matters worse, the fae king of Drudora stakes his claim as her father. Harper straddles three worlds, Hetus, Drudora and the mortal realm. One wrong step could destroy those she holds dear and ignite an age-old fae war. Roman falls under a powerful spell, and the one who wields the magic wants the demon inside him to kill her. Fate may have decided an ancient vampire and a fae princess belonged together, but it never promised for how long. The Vampire Prince A vampire prince. A rebel fae. A dark secret. Second to the throne of Hetus, Lucien and his brothers have a dark secret and he will give up his soul to keep it from being discovered. When the mate he has waited centuries for finally reveals herself, he is torn. He’s tired of being alone but claiming her threatens more than the unveiling of his secret. It may rekindle a war between the light and dark fae. Personal guard to king Trevan, Elaina isn’t afraid of anything except the vampires. They slaughtered many fae, and even though that was centuries ago, she’s struggling to trust. One dark vampire prince sets her on edge. Her body is drawn to him, but her mind knows he is hiding something and she is determined to find out what. When her investigation reveals Lucien’s secret, Elaina is in too deep to walk away. The visions she has reveals two paths. One will destroy her home of Drudora, and the other will save them. Lucien will choose his destiny but will it be the right choice? A fantasy world full of memorable characters, smoking-hot romance, and page-turning suspense. Other books in this series: Of Blood And War The Fae King Keywords: fantasy romance, fantasy, hot burn romance, paranormal romance, PNR, steamy romance, hot, alpha hero, first in series, vampire romance, alpha paranormal, steamy vampire romance, vampire romance books for adults, dark vampire romance, second chance romance, tarot cards, fae series, vampire series, magic, fae romance novels, fae fantasy series, dark fae, fantasy romance books for women, fantasy romance novels, fantasy romance series,
Dracula's Daughters by Douglas Brode,Leah Deyneka Pdf
Almost as long as cinema has existed, vampires have appeared on screen. Symbolizing an unholy union between sex and death, the vampire—male or female—has represented the libido, a “repressed force” that consumed its victims. Early iconic representations of male vampires were seen in Nosferatu (1922) and Dracula (1931), but not until Dracula’s Daughter in 1936 did a female “sex vampire” assume the lead. Other female vampires followed, perhaps most provocatively in the Hammer films of the 1950s, ’60s, and ’70s. Later incarnations, in such films as Near Dark (1987) and From Dusk till Dawn (1996), offered modern takes on this now iconic figure. In Dracula’s Daughters: The Female Vampire on Film, Douglas Brode and Leah Deyneka have assembled a varied collection of essays that explore this cinematic type that simultaneously frightens and seduces viewers. These essays address a number of issues raised by the female vampire film, such as violence perpetrated on and by women; reactions to the genre from feminists, antifeminists, and postfeminists; the implications of female vampire films for audiences both gay and straight; and how films reflected the period during which they were created. Other topics include female vampire films in relationship to vampire fiction, particularly by women such as Anne Rice; the relationship of the vampire myth to sexually transmitted diseases like AIDS; issues of race and misogyny; and the unique phenomenon of teen vampires in young adult books and films such as Twilight. Featuring more than thirty photos spanning several decades, this collection offers a compelling assessment of an archetypal figure—an enduring representation of dark desires—that continues to captivate audiences. This book will appeal not only to scholars and students but also to any lover of transgressive cinema.
Authentic vampire tales exist in Transylvanian folklore--yet the Transylvanian vampire is nothing like the bloodthirsty count of Bram Stoker's imagination or the romantic hero of popular fiction. The Romanian tradition reflects the norms of peasant life and wisdom embedded in age-old communities. This book consists of 21 narratives developed from brief accounts recorded by local anthropologists and historians from the late 19th and early 20th centuries. The goal is to capture the major themes found in the existing sources. The book also includes translations of 17 brief folk stories about Vlad Ţepeş, known as Dracula. Contrary to the prevailing fictive image, these stories portray Vlad as a wise although strict ruler and a proud defender of his country's autonomy. An introduction discusses the Transylvanian village and its rich folk traditions, making explicit the comparison to the historic and to the fictional Dracula.
In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.
The spellbinding classic that started it all, from the #1 New York Times bestselling author—the inspiration for the hit television series “A magnificent, compulsively readable thriller . . . Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire.”—Chicago Tribune Here are the confessions of a vampire. Hypnotic, shocking, and chillingly sensual, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.
The second and final part of the Vampire Wars saga! Seattle, 2123 After Robert and Olivia fall in love, they come to realise that they now have far more to worry about than Olivia’s altered genes. Meanwhile, Anne suddenly finds herself interested in Dark, the vampire, who does more than confuse her. But none of them have the time for new-found love; the four of them are not only being pursued by a powerful, ancient vampire, but other enemies, too, who are just as dangerous. Can the four of them defy the perils together and find happiness?
The Vampire's Bedside Companion by Peter Underwood Pdf
The Vampire’s Bedside Companion is a riveting compendium of new facts and fiction on the ‘undying’ theme of vampirism. Here is a new theory on the genesis of Dracula (surely literature’s most compelling and macabre figure?); thoughts on allusions to vampirism in Wuthering Heights; first-hand experience of Vampires in Hampstead, London; publication for the first time of the story of a fifteenth-century Vampire Protection medallion that Montague Summers presented to the author; an account by a professor of English at Dalhousie University of a visit to ‘Castle Dracula’ in Transylvania - The Vampire’s Bedside Companion contains these and a wealth of other hitherto unpublished material on a subject that is of enduring interest: The Vampire Legend. To many people, vampires are creatures only of legend and fantasy with no reality outside the pages of books. Others, who have studied the folklore of many countries and the continuing reports of vampirism, maintain that there is extensive evidence not only that vampires once existed but that, in fact, they still do exist. In this fascinating book the author, himself an acknowledged expert on the Occult, presents true accounts of vampire infestation in England, America, Ireland, Hungary, China and France. Records of vampires and vampirism are, he claims, as old as the world and as recent as yesterday. Four new, existing and authentic vampire fictional stories by Peter Allan, Crispin Derby, Richard Howard and James Turner complete this compelling companion for dark nights, solitude and howling winds! Illustrated with my striking photographs, The Vampire’s Bedside Companion also contains original and evocative drawings by Geoffrey Bourne-Taylor. It is a must for all students of the occult and every reader of the macabre.
Growing Up with Vampires by Simon Bacon,Katarzyna Bronk Pdf
Vampire narratives are generally thought of as adult or young adult fare, yet there is a long history of their appearance in books, film and other media meant for children. They emerge as expressions of anxiety about change and growing up but sometimes turn out to be new best friends who highlight the beauty of difference and individuality. This collection of new essays examines the history of vampires in 20th and 21st century Western popular media marketed to preteens and explores their significance and symbolism.
The Vampire in Contemporary Popular Literature by Lorna Piatti-Farnell Pdf
Prominent examples from contemporary vampire literature expose a desire to re-evaluate and re-work the long-standing, folkloristic interpretation of the vampire as the immortal undead. This book explores the "new vampire" as a literary trope, offering a comprehensive critical analysis of vampires in contemporary popular literature and demonstrating how they engage with essential cultural preoccupations, anxieties, and desires. Drawing from cultural materialism, anthropology, psychoanalysis, literary criticism, gender studies, and postmodern thought, Piatti-Farnell re-frames the concept of the vampire in relation to a distinctly twenty-first century brand of Gothic imagination, highlighting important aesthetic, conceptual, and cultural changes that have affected the literary genre in the post-2000 era. She places the contemporary literary vampire within the wider popular culture scope, also building critical connections with issues of fandom and readership. In reworking the formulaic elements of the vampiric tradition — and experimenting with genre-bending techniques — this book shows how authors such as J.R. Ward, Stephanie Meyers, Charlaine Harris, and Anne Rice have allowed vampires to be moulded into enigmatic figures who sustain a vivid conceptual debt to contemporary consumer and popular culture. This book highlights the changes — conceptual, political and aesthetic — that vampires have undergone in the past decade, simultaneously addressing how these changes in "vampire identity" impact on the definition of the Gothic as a whole.
