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Lit Up Inside contains the lyrics of about one third of the songs that Van Morrison has written over his 50 year career. In this representative selection from the work of one of the most innovative and enduring songwriters of the last century, the reader will find examples of all the features of the world that Van has created through his work: the back streets and mystic avenues; memories of childhood wonder and of adult work; the chime of church bells and the playing of the radio; the generous naming of other artists and the joy of solitude; love and sharp dealing; consolation and grace.
'Van Morrison,' says Greil Marcus, 'remains a singer who can be compared to no other in the history of modern popular music.' When Astral Weeks was released in 1968, it was largely ignored. When it was re-released as a live album in 2009 it reached the top of the Billboard charts, a first for any Van Morrison recording. The wild swings in the music, mirroring the swings in Morrison's success and in people's appreciation (or lack of it) of his music, make Van Morrison one of the most perplexing and mysterious figures in popular modern music, and a perfect subject for the wise and insightful scrutiny of Greil Marcus, one of America's most dedicated cultural critics. This book is Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day. In these dislocations Marcus finds the singer on his own artistic quest precisely to reach some extreme musical threshold, the moments that are not enclosed by the will or the intention of the performer but which somehow emerge at the limits of the musician and his song.
A mind-expanding dive into a lost chapter of 1968, featuring the famous and forgotten: Van Morrison, folkie-turned-cult-leader Mel Lyman, Timothy Leary, James Brown, and many more Van Morrison's Astral Weeks is an iconic rock album shrouded in legend, a masterpiece that has touched generations of listeners and influenced everyone from Bruce Springsteen to Martin Scorsese. In his first book, acclaimed musician and journalist Ryan H. Walsh unearths the album's fascinating backstory--along with the untold secrets of the time and place that birthed it: Boston 1968. On the 50th anniversary of that tumultuous year, Walsh's book follows a criss-crossing cast of musicians and visionaries, artists and hippie entrepreneurs, from a young Tufts English professor who walks into a job as a host for TV's wildest show (one episode required two sets, each tuned to a different channel) to the mystically inclined owner of radio station WBCN, who believed he was the reincarnation of a scientist from Atlantis. Most penetratingly powerful of all is Mel Lyman, the folk-music star who decided he was God, then controlled the lives of his many followers via acid, astrology, and an underground newspaper called Avatar. A mesmerizing group of boldface names pops to life in Astral Weeks: James Brown quells tensions the night after Martin Luther King, Jr. is assassinated; the real-life crimes of the Boston Strangler come to the movie screen via Tony Curtis; Howard Zinn testifies for Avatar in the courtroom. From life-changing concerts and chilling crimes, to acid experiments and film shoots, Astral Weeks is the secret, wild history of a unique time and place. One of LitHub's 15 Books You Should Read This March
Van Morrison is an enigma. The legendary rock star who wrote and recorded such influential albums as Astral Weeks and Moondance and has mesmerised millions live is also a reclusive and troubled man who'll do anything to avoid publicity. Through interviews with friends, through the music itself and through painstaking research, Clinton Heylin reveals for the first time the tensions in Morrison s life. From a Belfast childhood and marriage break up to the recording of classic songs and albums, this is Van Morrison laid bare.
The Words and Music of Van Morrison by Erik Hage Pdf
Van Morrison is primal but sophisticated; he's accessible but inscrutable; he's a complex songwriter and a raw blues shouter; he's a steady influence on the musical scene but wildly unpredictable as well, and it's these complex and often conflicting qualities that make him such a compelling subject for the Singer-Songwriter series. Journalist Erik Hage here eschews a cold, empirical study of structures and influence, and seeks instead more natural and intuitive means of appreciating all that is unique, eclectic, and surprising about Van Morrison's impressive output. In addition to covering almost all of Van Morrison's musical work and offering new readings of many iconic songs, Hage also provides a biographical introduction and a complete discography that can help listeners find new perspective on Morrison's body of work. Even in his darkest and most naked moments-in Astral Weeks for instance-Van Morrison's songs can still suggest something uplifting. Sometimes these two poles are present simultaneously, and at other times they each find distinct expression in a different musical moment. Even on his first solo album, Blowin' Your Mind (which contained the iconic Brown-Eyed Girl) Van Morrison was wrestling with something thornier and deeper, as evidenced by the wrenching T.B. Sheets - a nine-minute opus about the discomfort of visiting a lover in a small room as she lies in bed, wracked with Tuberculosis. Those two songs, at artistic odds with each other and on the same album, are representative of the oppositional forces that fuel much of his work. Hage here provides a guide through all the layers of emotional meaning and musical resonance present in Morrison's work.
When That Rough God Goes Riding by Greil Marcus Pdf
"Van Morrison," says Greil Marcus, "remains a singer who can be compared to no other in the history of modern popular music." When Astral Weeks was released in 1968, it was largely ignored. When it was rereleased as a live album in 2009 it reached the top of the Billboard charts, a first for any Van Morrison recording. The wild swings in the music, mirroring the swings in Morrison's success and in people's appreciation (or lack of it) of his music, make Van Morrison one of the most perplexing and mysterious figures in popular modern music, and a perfect subject for the wise and insightful scrutiny of Greil Marcus, one of America's most dedicated cultural critics. This book is Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day. In these dislocations Marcus finds the singer on his own artistic quest precisely to reach some extreme musical threshold, the moments that are not enclosed by the will or the intention of the performer but which somehow emerge at the limits of the musician and his song.
The Washington Post hails Greil Marcus as our greatest cultural critic. Writing in the London Review of Books, D. D. Guttenplan calls him probably the most astute critic of American popular culture since Edmund Wilson. For nearly thirty years, he has written a remarkable column that has migrated from the Village Voice to Artforum, Salon, City Pages, Interview, and The Believer and currently appears in the Barnes & Noble Review. It has been a laboratory where Marcus has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements, teasing out from the welter of everyday objects what amounts to a de facto theory of cultural transmission. Published to complement the paperback edition of The History of Rock & Roll in Ten Songs, Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, astute, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.
Johnny Rogan presents a comprehensive portrait of an endlessly complicated man, his music, and the place he comes from. Over the last five decades, Van Morrison's music has embraced rock, folk, blues, country and jazz, and he remains a hugely influential artist as well as a conundrum of a man.
In an age when image and self-promotion increasingly dominate the rock industry, Van Morrison remains a proud, belligerent outsider. An intensely private man and a revelatory performer, he has communicated more deeply within the limits of rock songwriting—and has been less responsive to the obsessional inquiries of the media—than almost any other artist. Ever since connecting with classic American jazz, blues, and gospel music during his Belfast youth, Van Morrison has stayed one step ahead of fellow musicians, fans, and critics. From the explosive teenage days with Them, through the creation of 1968s seminal Astral Weeks, to the vocal and spiritual experimentation of Veedon Fleece and Into the Music, Morrison has never stopped developing complex lyrical and instrumental visions that defy easy classification. Enjoying commercial success, the recognition of a younger generation, and collaborations ranging from John Lee Hooker to Tom Jones, he continues to dazzle and beguile his audience.In this definitive survey of Van Morrison's life and music, John Collis charts the scale of his achievement and the sources of his creativity, and provides stimulating assessments of his music. Drawing on interviews with those closest to Morrison at every stage of his career, with a full discography and many rare photographs, Van Morrison: Inarticulate Speech of the Heart offers unique insight into one of rock's greatest singer-songwriters and most instantly recognizable voices.
A groundbreaking study of every aspect of Van Morrison's artistic career - his influences, lyrical themes, vocal performances, his relationship with America, and more.
Van Morrison's hit arranged for the young player sounds hipper than ever! The swing groove sounds cool as the melody goes through the sections of the band -- sometimes unison, sometimes in harmony, it sticks with you. The solo section is written for all the wind players so you can pick anyone/everyone to play the written or ad lib solo. Easy to rehearse, this is a sure-fire winner that will be well received by the band and audience. (3: 35)
Fast Forward, Play, and Rewind by Michael Oberman Pdf
The Doors, James Brown, the Grateful Dead, the Sir Douglas Quintet, David Bowie—the list goes on. . . . From 1967 to 1973, Michael Oberman interviewed more than three hundred top musical artists. Collected together for the first time, Fast Forward, Play and Rewind presents more than one hundred interviews Oberman conducted with the most important musical artists of the day Along the way, Oberman touches on the influence of his brother, who interviewed the Beatles and other top artists from 1964 to 1967. He also recounts stories from his later career working for the major Warner-Elektra Atlantic recording company and producing concerts for Cellar Door Productions and managing recording artists. Want to know the true story of how David Bowie became Ziggy Stardust? That and dozens more true tales that might seem like fiction are waiting inside the pages of Fast Forward, Play and Rewind. Each short interview is an invitation for readers to relive (or live for the first time) one of the greatest periods in rock 'n' roll history.
