Variety Portable Movie Guide Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Variety Portable Movie Guide book. This book definitely worth reading, it is an incredibly well-written.
Now in a handy pocket edition, this authoritative guide includes more than 8,700 reviews--from the dawn of film through every major release of 1999. Includes information on the casts, directors, Academy Award( nominees and winners, and movies on video, disc, and wide-screen formats. This updated edition has 100 new reviews.
Author : Robert L. Hilliard Publisher : John Wiley & Sons Page : 280 pages File Size : 52,8 Mb Release : 2009-04-15 Category : Performing Arts ISBN : 1444308513
Hollywood Speaks Out explores that rare Hollywood featurethat dared to tackle red-hot, social issues whilst American societywas gripped by the convulsion and controversy they generated. Explores why Hollywood has always been risk-adverse, and howmost feature flms deal with controversial issues long after thecontroversy is past Organized around such important issues as poverty, racism,sexism, war, anti-Semitism, and homophobia Discusses the relevance and the impact of feature films fromModern Times to WALL-E
Fantasy Femmes of Sixties Cinema by Tom Lisanti Pdf
Elvis Presley musicals, beach romps, biker flicks, and alienated youth movies were some of the most popular types of drive-in films during the sixties. The actresses interviewed for this book (including Celeste Yarnall, Lana Wood, Linda Harrison, Pamela Tiffin, Deanna Lund, Diane McBain, Judy Pace, and Chris Noel) all made their mark in these genres. These fantastic femmes could be found either twisting on the shores of Malibu, careening down the highway on a chopper, being serenaded by Elvis, or taking on the establishment as hip coeds. As cult figures, they contributed greatly to that period of filmmaking aimed at the teenage audience who frequented the drive-ins of America. They frolicked, screamed, and danced their way into B-movie history in such diverse films as Eve, Teenage Millionaire, The Girls on the Beach, Dr. Goldfoot and the Bikini Machine, Three in the Attic, Wild in the Streets, and Paradise, Hawaiian Style. This book is a celebration of the actresses' careers. They have for the most part been overlooked in other publications documenting the history of film. Fantasy Femmes addresses their film and television careers, focusing on their view of the above genres, their candid comments and anecdotes about their films, the people they worked with, and their feelings in general regarding their lives and the choices they made. The book is well illuminated and contains a complete list of film and television credits.
Sean Connery began the sixties spy movie boom playing James Bond in Dr. No and From Russia with Love. Their success inspired every studio in Hollywood and Europe to release everything from serious knockoffs to spoofs on the genre featuring debonair men, futuristic gadgets, exotic locales, and some of the world's most beautiful actresses whose roles ranged from the innocent caught up in a nefarious plot to the femme fatale. Profiled herein are 107 dazzling women, well-known and unknown, who had film and television appearances in the spy genre. They include superstars Doris Day in Caprice, Raquel Welch in Fathom, and Ann-Margret in Murderer's Row; international sex symbols Ursula Andress in Dr. No and Casino Royale, Elke Sommer in Deadlier Than the Male, and Senta Berger in The Spy with My Face; and forgotten lovelies Greta Chi in Fathom, Alizia Gur in From Russia with Love, and Maggie Thrett in Out of Sight. Each profile includes a filmography that lists the actresses' more notable films. Some include the actresses' candid comments and anecdotes about their films and television shows, the people they worked with, and their feelings about acting in the spy genre are offered throughout. A list of websites that provide further information on women in spy films and television is also included.
Big Media, Big Money by Ronald V. Bettig,Jeanne Lynn Hall Pdf
Big Media, Big Money is a lively and scathing critique of the contemporary communications industry, examining how media ownership and the profit-making motive affect the messages we receive in alarming ways. Through close readings of recent news events and critical examination of corporate influence, Bettig and Hall conclude that current interconnections among media, big business, government, and education pose a serious threat to democratic communications. The second edition includes three new chapters, covering the contemporary Hollywood film industry; the changing landscape of the music industry; and “ad creep,” the proliferation of advertising into previously ad-free venues such as schools and children’s television programming.
Horrible and Fascinating – John Boorman's Exorcist II: The Heretic by Declan Fernandez Pdf
In 1973, The Exorcist shocked the world and became the most popular and successful horror film ever made. In 1973, The Exorcist shocked the world and became the most popular and successful horror film ever made. In 1977, Exorcist II: The Heretic shocked the world in a very different way…becoming a laughing stock. How did it happen? Why did a major motion picture studio entrust a man who hated The Exorcist with the job of making Exorcist II? Why did making the film almost KILL its director? What caused enraged audiences to riot and pull ticket booths out of the ground? Why was Exorcist II re-edited after its release and how can the multiple editions of the film be told apart? Is Exorcist II really one of the worst films ever made? Did it wreck the career of its headlining star? And what does the man who made The Exorcist think of the sequel that tried to “correct the damage” of his landmark film? The answers to these and many other questions are answered in the horrible and fascinating story of a film that has bedevilled horror movie fans for over 40 years…
During the 1960s, a bushel of B–movies were produced and aimed at the predominantly teenage drive-in movie audience. At first teens couldn’t get enough of the bikini-clad beauties dancing on the beach or being wooed by Elvis Presley, but by 1966 young audiences became more interested in the mini-skirted, go-go boot wearing, independent-minded gals of spy spoofs, hot rod movies and biker flicks. Profiled herein are fifty sexy, young actresses that teenage girls envied and teenage boys desired including Quinn O’Hara, Melody Patterson, Hilarie Thompson, Donna Loren, Pat Priest, Meredith MacRae, Arlene Martel, Cynthia Pepper, and Beverly Washburn. Some like Sue Ane Langdon, Juliet Prowse, Marlyn Mason, and Carole Wells, appeared in major studio productions while others, such as Regina Carrol, Susan Hart, Angelique Pettyjohn and Suzie Kaye were relegated to drive-in movies only. Each biography contains a complete filmography. Some also include the actresses’ candid comments and anecdotes about their films, the people they worked with, and their feelings about acting. A list of web sites that provide further information is also included.
There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda’s I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.
Examining historical, clinical and artistic material, in both written and visual form, this book traces the figure of the contemporary hysteric as she rebels against the impossible demands made upon her. Exploring five traits that commonly characterise the hysteric as an archetype – a specific body, mimetic abilities, a shroud of mystery, a propensity to disappear and a particular relationship to voice – the authors shed light on what it means to be hysterical, as a form of rebellion and resistance. This is important reading for scholars of sociology, gender studies, cultural studies and visual studies with interests in psychoanalysis, art and the characterisation of mental illness.
The most authoritative, cutting-edge, and complete all-around film reference available, the Variety Movie Guide 1995 contains more than 7,500 reviews. Listed from A to Z by title, the reviews are complete with details of director, producer, writer, cinematographer, main cast, etc. Also included are the Academy Award winners and nominees.
