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Author : Susan Rutherford
Publisher : Unknown
Page : 308 pages
File Size : 48,5 Mb
Release : 2014-05-14
Category : Opera
ISBN : 1107472628
Susan Rutherford explores Verdi's operas in the context of women's social, cultural and political history in nineteenth-century Italy.
Author : Susan Rutherford
Publisher : Cambridge University Press
Page : 308 pages
File Size : 53,6 Mb
Release : 2013-11-07
Category : History
ISBN : 9781107043824
Prologue : Verdi and his audience -- War -- Prayer -- Romance -- Sexuality -- Marriage -- Death -- Laughter.
Author : Catherine Clement
Publisher : U of Minnesota Press
Page : 228 pages
File Size : 45,9 Mb
Release : 1988
Category : Music
ISBN : 0816635269
This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the "sacrilegious" pioneering work.
Author : Caroline Anne Ellsmore
Publisher : Routledge
Page : 238 pages
File Size : 47,8 Mb
Release : 2017-12-14
Category : Music
ISBN : 9781351731638
This investigation offers new perspectives on Giuseppe Verdi’s attitudes to women and the functions which they fulfilled for him. The book explores Verdi’s professional and personal relationship with women who were exceptional within the traditional socio-sexual structure of patria potestà, in the context of women’s changing status in nineteenth-century Italian society. It focusses on two women; the singers Giuseppina Strepponi, who supported and enhanced Verdi’s creativity at the beginning of his professional life and Teresa Stolz, who sustained his sense of self-worth at its end. Each was an essential emotional benefactor without whom Verdi’s career would not have been the same. The subject of the Strepponi-Verdi marriage and the impact of Strepponi’s past deserve further detailed and nuanced discussion. This book demonstrates Verdi’s shifting power-balance with Strepponi as she sought to retain intellectual self-respect while his success and control increased. The negative stereotypes concerning operatic ‘divas’ do not withstand scrutiny when applied either to Strepponi or to Stolz. This book presents a revisionist appraisal of Stolz through close examination of her letters. Revealing Stolz’s value to Verdi, they also provide contemporary operatic criticism and behind-the-scenes comment, some excerpts of which are published here in English for the first time.
Author : William Berger
Publisher : Vintage
Page : 514 pages
File Size : 54,6 Mb
Release : 2010-06-23
Category : Music
ISBN : 9780307756336
Everything you could possibly know about Verdi and his operas, from the brilliant and humorous author of Wagner Without Fear. If you want to know why La traviata was actually a flop at its premiere in 1853, it's in here. If you want to know why claiming to have heard Bjorling's Chicago performance of Il trovatore is the classic opera fan faux pas, it's in here. Even if you just want to know how to pronounce Aida, or what the plot of Rigoletto is all about, this is the place to look. From the composer's intense hatred of priests to synopses of the operas and a detailed discography of the best recordings to buy, it can all be found in Verdi with a Vengeance. William Berger has given another improbable performance, serving up a book as thorough as it is funny and as original as it is astute, an utterly indispensable guide for novice and expert alike.
Author : Giuseppe Verdi
Publisher : Alfred Music
Page : 240 pages
File Size : 47,7 Mb
Release : 2024-06-28
Category : Music
ISBN : 1457483068
Expertly arranged Vocal Score by Giuseppe Verdi from the Kalmus Edition series. This Opera Score is from the Romantic era.
Author : Roberta Montemorra Marvin
Publisher : Cambridge University Press
Page : 0 pages
File Size : 47,7 Mb
Release : 2020-04-02
Category : Music
ISBN : 110881414X
Verdi's enduring presence on the opera stages of the world and as a subject for scholarly study by researchers in various disciplines has placed him as a central figure within modern culture. The composer's undisputed popularity from the mid-nineteenth century to the present day, among enthusiasts and scholars alike, lies at the heart of The Cambridge Verdi Encyclopedia. This comprehensive resource covers all aspects of Verdi's music and his world, including the people he knew and worked with, his compositions, and their reception. Extensive appendices list all of Verdi's known works, both published and unpublished, and the characters in his operas. As a starting point for information on specific works, people, places, and concepts, the Encyclopedia reflects the very latest scholarship, presented by an international array of experts in a manner that will have a broad appeal for opera lovers, students, and scholars.
Author : Monica A. Hershberger
Publisher : Boydell & Brewer
Page : 239 pages
File Size : 42,7 Mb
Release : 2023
Category : Music
ISBN : 9781648250613
The first feminist analysis of some of the most performed works in the American-opera canon, emphasizing the voices and perspectives of the sopranos who brought these operas to life. In the 1950s, composers and librettists in the United States were busy seeking to create an opera repertory that would be deeply responsive to American culture and American concerns. They did not break free, however, of the age-old paradigm so typically expressed in European opera: that is, of women as either saintly and pure or sexually corrupt, with no middle ground. As a result, in American opera of the 1950s, women risked becoming once again opera's inevitable victims. Yet the sopranos who were tasked with portraying these paragons of virtue and their opposites did not always take them as their composers and librettists made them. Sometimes they rewrote, through their performances, the roles they had been assigned. Sometimes they used their lived experiences to invest greater authenticity in the roles. With chapters on The Tender Land, Susannah, The Ballad of Baby Doe, and Lizzie Borden, this book analyzes some of the most performed yet understudied works in the American-opera canon. It acknowledges Catherine Clément's famous description of opera as "the undoing of women," while at the same time illuminating how singers like Beverly Sills and Phyllis Curtin worked to resist such undoing, years before the official resurgence of the American feminist movement. In short, they ended up helping to dismantle powerful gendered stereotypes that had often reigned unquestioned in opera houses until then.
Author : Caroline Anne Ellsmore
Publisher : Unknown
Page : 238 pages
File Size : 46,5 Mb
Release : 2019-12-20
Category : Electronic
ISBN : 036788853X
Author : Geoffrey Edwards,Ryan Edwards
Publisher : Scarecrow Press
Page : 228 pages
File Size : 49,9 Mb
Release : 2000-01-01
Category : Music
ISBN : 9781461674160
New in paperback! This book comes at a time when opera-lovers, singers, directors, and critics alike are taking a new look at the dramatic soprano heroines created by Giuseppe Verdi and Giacomo Puccini, endeavoring to delve beyond inherited scholarly interpretation and gain a richer understanding of these compelling female characters. Artistically limited by the bel canto musical tradition popular at the time, Verdi launched a new style dramma per musica which also demanded a new soprano archetype. This book illustrates the musical evolution of the Verdi and Puccini soprano while illuminating the dramatic scope and power of these great heroines. Avoiding critical reductionism, Verdi and Puccini Heroines provides an unprecedented and probing discussion of how these great soprano roles were conceived and executed. Accordingly, the authors take a three-dimensional look at these heroines, examining seven operas: Il Trovatore, La Forza del Destino, Aida, La Bohème, Tosca, Madama Butterfly, and Turandot. The chapters, which are fully self-contained analyses, contain translations, illustrative musical examples, supplementary notes, and references to each opera's literary sources. The musical analysis, while thorough, is descriptive and accessible to all levels of readers.
Author : Michael Steen
Publisher : Icon Books Ltd
Page : 32 pages
File Size : 41,7 Mb
Release : 2013-02-20
Category : Music
ISBN : 9781848315549
Verdi’s now-popular opera was a fiasco in Venice in 1853, attributable perhaps to the prima donna being noticeably obese, despite apparently wasting with tuberculosis. Soon, however, Verdi’s scandalous love story was on stage contemporaneously at Her Majesty’s Theatre, Covent Garden and Drury Lane. Piave’s libretto depicts Violetta and Alfredo Germont, the Marguerite and Armand of The Lady with the Camelias by Alexandre Dumas (son of the author of The Count of Monte Cristo and The Three Musketeers). The bestseller was based on the short life of the courtesan Marie Duplessis, mistress of a duke, a viscount and a baron – in Paris the ‘oldest profession’, prostitution, was the only way many women could survive, as Victor Hugo’s Les Misérables depicts. Featuring some of Verdi’s best-loved tunes, such as the ‘Brindisi’ and Violetta’s Sempre libera, La Traviata is enduringly popular. Violetta has been sung by international operatic sopranos such as Patti and Melba, and recently Gheorghiu. Some, like Joan Sutherland, have preferred to stay off-stage and make an opera recording. Domingo and Pavarotti have sung the role of Alfredo. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, ‘Short Guides to Great Operas’ are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other ‘Short Guides to Great Operas’ that you may enjoy include Rigoletto, Carmen and La Bohème.
Author : Katharine Mitchell
Publisher : Routledge
Page : 237 pages
File Size : 54,5 Mb
Release : 2021-11-29
Category : Literary Criticism
ISBN : 9781000457483
This original study makes a valuable contribution to Italian feminist/women’s history, spectatorship studies, and cultural history by examining women as protagonists, producers and consumers of literature, theatre, opera and film. Drawing on archival material – female correspondence, life-writings and journalism – as well as an impressive range of canonical texts, it brings together detailed engagement with female performance and with female spectators’ material responses to "women’s opera, theatre and film," placing these in the context of melodrama from the 1880s to the 1920s in Italy, France, the US, and elsewhere. It is unique in its interdisciplinary approach and in its consideration of female relationships based on admiration among performers and writers – the embodiment of a vibrant, mobile and successful Italian female culture industry during the first wave of feminism.
Author : Marcie Ray
Publisher : Eastman Studies in Music
Page : 201 pages
File Size : 45,6 Mb
Release : 2020
Category : Drama
ISBN : 9781580469883
A revelatory study of how composers and dramatists of seventeenth- and eighteenth-century France criticized and trivialized independent women in their portrayals of them in works of theater and opera.
Author : Peter Conrad
Publisher : Unknown
Page : 410 pages
File Size : 49,8 Mb
Release : 1996-03
Category : Music
ISBN : PSU:000046187284
A Song of Love and Death examines the art of opera with the same creative insight that Susan Sontag's On Photography brought to its medium. It is an eloquent inquiry into the meaning of our boldest art, its expression of human irrationality and its power to disturb and excite us.
Author : Mary Ann Smart
Publisher : Princeton University Press
Page : 310 pages
File Size : 48,9 Mb
Release : 2014-12-25
Category : Music
ISBN : 9781400866717
It has long been argued that opera is all about sex. Siren Songs is the first collection of articles devoted to exploring the impact of this sexual obsession, and of the power relations that come with it, on the music, words, and staging of opera. Here a distinguished and diverse group of musicologists, literary critics, and feminist scholars address a wide range of fascinating topics--from Salome's striptease to hysteria to jazz and gender--in Italian, English, German, and French operas from the eighteenth to the twentieth centuries. The authors combine readings of specific scenes with efforts to situate these musical moments within richly and precisely observed historical contexts. Challenging both formalist categories of musical analysis and the rhetoric that traditionally pits a male composer against the female characters he creates, many of the articles work toward inventing a language for the study of gender and opera. The collection opens with Mary Ann Smart's introduction, which provides an engaging reflection on the state of gender topics in operatic criticism and musicology. It then moves on to a foundational essay on the complex relationships between opera and history by the renowned philosopher and novelist Catherine Clément, a pioneer of feminist opera criticism. Other articles examine the evolution of the "trouser role" as it evolved in the lesbian subculture of fin-de-siècle Paris, the phenomenon of opera seria's "absent mother" as a manifestation of attitudes to the family under absolutism, the invention of a "hystericized voice" in Verdi's Don Carlos, and a collaborative discussion of the staging problems posed by the gender politics of Mozart's operas. The contributors are Wye Jamison Allanboork, Joseph Auner, Katherine Bergeron, Philip Brett, Peter Brooks, Catherine Clement, Martha Feldman, Heather Hadlock, Mary Hunter, Linda Hutcheon and Michael Hutcheon, M.D., Lawrence Kramer, Roger Parker, Mary Ann Smart, and Gretchen Wheelock.
