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Paradise is found in a vivid, colorful world under clear blue tropical waves, as sea turtles and bright fish become her dive buddies. She finds serenity in the serenade of a hot, young musician. His beautiful soul carries her to the outermost galaxies, but is this love or just her imagination? Love is delayed and faith is tested when a second musician enters the picture. She is caught between self-interest and national security—a decoy that makes Big Brother’s ever-watchful eyes cross. Solace is found beneath the placid Pacific until climate change brings winter waves, currents, and surf so strong that there may be no returning from the sea. How does one distinguish between coincidence and the intricate connection of life’s unseen undercurrents? Time moves on. Peace found beneath the ocean is not found on dry land as health concerns and bills overtake her. In her darkest hour, lessons are learned. The world crashes in on her soul like a tidal wave tossing her around the sea. She is caught in a tsunami, wave after wave after wave, with no way back to shore—or is there?
Through a dual engagement with the unconscious in psychoanalysis and Islamic theological-medical reasoning, Stefania Pandolfo’s unsettling and innovative book reflects on the maladies of the soul at a time of tremendous global upheaval. Drawing on in-depth historical research and testimonies of contemporary patients and therapists in Morocco, Knot of the Soul offers both an ethnographic journey through madness and contemporary formations of despair and a philosophical and theological exploration of the vicissitudes of the soul. Knot of the Soul moves from the experience of psychosis in psychiatric hospitals, to the visionary torments of the soul in poor urban neighborhoods, to the melancholy and religious imaginary of undocumented migration, culminating in the liturgical stage of the Qur’anic cure. Demonstrating how contemporary Islamic cures for madness address some of the core preoccupations of the psychoanalytic approach, she reveals how a religious and ethical relation to the “ordeal” of madness might actually allow for spiritual transformation. This sophisticated and evocative work illuminates new dimensions of psychoanalysis and the ethical imagination while also sensitively examining the collective psychic strife that so many communities endure today.
Vertigo: The Making of the Hitchcock Classic by Dan Auiler Pdf
25th Anniversary Edition Special edition of the the bestselling Vertigo: The Making of a Hitchcock Classic. The new e-text has images, a new preface and additional commentary on Vertigo's selection as the Best Film Ever Made by the BFI's Sight and Sound.
The San Francisco of Alfred Hitchcock's Vertigo by Douglas A. Cunningham Pdf
This book is a collection of essays that examine the integrated relationship that the 1958 Alfred Hitchcock film Vertigo has with the history and culture of California and the San Francisco Bay area.
The Music Lover's Guide to Record Collecting by Dave Thompson Pdf
(Book). From tips for evaluating recordings, to lively discussions of bootlegs and piracy, to the history of recording formats, to collectible artists and more, The Music Lover's Guide to Record Collecting covers all the tracks. Designed for anyone who collects records for pleasure or profit, at garage sales or on eBay, this guide is both informative and entertaining. If offers a wealth of detail and informed opinion unique in a field dominated by stodgy price guides. Engaging entries and essays explore the development of all recording mediums, from 78s to MP3; the distinctive character of imports; "most collected artists," from The Beatles to Nirvana; collectible labels, such as Sun, Chess and Motown; original packaging that enhances collectability; and much more.
The Philosophy, Theology, and Rhetoric of Marius Victorinus by Stephen A. Cooper,Václav Němec Pdf
Pagan rhetor, (Neo-)Platonist philosopher, Christian theologian This collection of essays is devoted to the rhetoric, Neoplatonic philosophy, and Christian theology of Marius Victorinus, a mid-fourth-century professor of rhetoric and philosopher who converted to Christianity late in life. Scholars from eight different countries, some of whom have not previously published in English, reflect on debates about his writings and theological development. These topics include Victorinus's deployment of philosophical sources for trinitarian theology, possible connections in his work to Origen, Augustine, Plotinus, Porphyry, and Gnosticism, as well as his contributions to Latin rhetoric and dialectic. Contributors include Jan Dominik Bogataj, Michael Chase, Nello Cipriani, Stephen A. Cooper, Volker Henning Drecoll, Lenka Karfíková, Josef Lössl, Václav Němec, Thomas Riesenweber, Guadalupe Lopetegui Semperena, Miran Špelič, Chiara O. Tommasi, John D. Turner, and Florian Zacher. The chapters in this volume are of great interest to students of late antique philosophy, Christian theology, and Latin rhetoric.
Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling—which is also the fear of giving in to the temptation to let oneself fall—has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies. In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous. Andrea Cavalletti’s stunning book sets this critique of stable consciousness beside one of Hitchcock’s most famous thrillers, a drama of identity and its abysses. Hitchcock’s brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of “pushing away and bringing closer” which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my “here” flee down there and, from there, attract me. From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger’s “being-toward-death,” Cavalletti brings out the vertiginous nature of identity.
An intimate look at the afterlife of lynching through the personal stories of Black victims and survivors who lived through and beyond its trauma Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. She unearths how African American victims and survivors found ways to live through and beyond the horrors of lynching, offering a theory of African American collective trauma and memory rooted in the ironic spirit of the blues sensibility—a spirit of misdirection and cunning that blends joy and pain. Black southerners often shielded their loved ones from the most painful memories of local lynchings with strategic silences but also told lynching stories about vengeful ghosts or a wrathful God or the deathbed confessions of a lyncher tormented by his past. They protested lynching and its legacies through art and activism, and they mourned those lost to a mob’s fury. They infused a blues element into their lynching narratives to confront traumatic memories and keep the blues at bay, even if just for a spell. Telling their stories troubles the simplistic binary of resistance or submission that has tended to dominate narratives of Black life and reminds us that amid the utter devastation of lynching were glimmers of hope and an affirmation of life.
Rethinking the Concept of the Grotesque by Shun-Liang Chao Pdf
How are we to define what is grotesque, in art or literature? Since the Renaissance the term has been used for anything from the fantastic to the monstrous, and been associated with many artistic genres, from the Gothic to the danse macabre. Shun-Liang Chao's new study adopts a rigorous approach by establishing contradictory physicality and the notion of metaphor as two keys to the construction of a clear identity of the grotesque. With this approach, Chao explores the imagery of Richard Crashaw, Charles Baudelaire, and Rene Magritte as individual exemplars of the grotesque in the Baroque, Romantic, and Surrealist ages, in order to suggest a lineage of this curious aesthetic and to cast light on the functions of the visual and of the verbal in evoking it.
Chicken Soup for the Soul: Making Me Time by Amy Newmark Pdf
“Me time” is the cure for what ails you. You know you need it. Here’s how to take care of yourself so that you can be the very best version of you! Do you ever say that you’ll take care of yourself after you finish your to-do list? The personal, revealing stories in this book will convince you to put yourself at the top of that list. Self-care and life balance are what we all neglect most. These 101 true stories from people who turned their lives around will show you how to take care of your physical and mental health. You’ll be inspired by people who have taken back control of their lives and carved out that all-important “me time,” whether that means exercising, reading, meditating, seeing friends, or communing with nature. Whatever your psyche needs is your form of “me time” and that’s something that you deserve. There are many approaches, and at least one of them is bound to work for you. In these pages, you’ll read about men and women who: Put an hour for themselves on their daily to-do lists Pursued long-delayed sports, hobbies, or volunteer work Discovered themselves through travel, fitness, or new careers Learned to ask for help instead of doing it all Started treating themselves as well as they would treat a guest Stopped seeing the people who weren’t making them happy Rediscovered the benefits of exercising and being outside in nature Created their own personal spaces in their homes or outdoors Decluttered their calendars or their homes—and felt liberated
The Fly and the Jackal: Addiction, Recovery and Biblical Principles by Steven White Pdf
For an addict, the main course at the feast of indulgence is the consumption of his or her drug of choice, including alcohol. With God’s help, we will be able to curb our hunger for such indulgences. Without it, most of us will fail to arrest this wicked course; we will fail to arouse a sleeping conscience, and we will get no better. As the proverbial fly on the wall, you will venture into the author's literary therapy world for guidance and insight in your quest for a drug free existence. Steven R. White invites you to share his experiences and knowledge in the realm of drug/alcohol addiction - the should and should-nots necessary for a successful recovery. Complete with suggestions, personal confessions, and related scripture, this guide delivers you from the jaws of the Jackal, the demon and your drug of choice, into a better sphere of living.
Who Will Pay Reparations on My Soul?: Essays by Jesse McCarthy Pdf
2022 Whiting Award Winner for Nonfiction Finalist • National Book Critics Circle Award (Criticism) Best Books of the Year: TIME, Kirkus Reviews "This is a very smart and soulful book. Jesse McCarthy is a terrific essayist." —Zadie Smith A supremely talented young critic’s essays on race and culture, from Toni Morrison to trap, herald the arrival of a major new voice in American letters. Ranging from Ta-Nehisi Coates’s case for reparations to Toni Morrison’s revolutionary humanism to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, “something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making.” Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In “Notes on Trap,” he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music, the drug-soaked strain of Southern hip-hop that, as he puts it, is “the funeral music that the Reagan Revolution deserves.” In “Back in the Day,” McCarthy, a black American raised in France, evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In “The Master’s Tools,” the relationship between Spanish painter Diego Velázquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley’s paintings are viewed, while “To Make a Poet Black” explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters. In his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality. As he asks, “What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes?” For readers of Teju Cole’s Known and Strange Things and Mark Greif’s Against Everything, McCarthy’s essays portray a brilliant young critic at work, making sense of our disjointed times while seeking to transform our understanding of race and art, identity and representation.
Theophrastus of Eresus: On Sweat, On Dizziness and on Fatigue by William Fortenbaugh,Robert Sharples,Michael Sollenberger Pdf
This volume contains modern editions of three physiological treatises by Theophrastus of Eresus, who was Artistotle's pupil and successor as head of the Peripatetic School. The treatises are concerned with human phenomena of sweat, dizziness and fatigue, and exhibit close ties to the contemporary medical literature. The Greek text of each treatise is based on a new reading of the principal manuscripts. The text is accompanied by an apparatus of parallel text and variant readings. The excerpts of Photius, patriarch of Constantinople, are printed below the Theophrastean text in order to facilitate comparison. An English translation appears opposite the Greek text. There are brief notes to the translation, and a fuller commentary follows. Indices of important words and topics and a selective bibliography complete each edition.