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Video Movie Guide 1996 by Mick Martin,Marsha Porter Pdf
A QUICK AND EASY RENTER'S GUIDE TO HELP YOU FIND VIDEOS, ORGANIZED JUST LIKE YOUR VIDEO STORE! You'll be watching movies like the experts with this fact-packed video guide to more than16,000 films. Organized by category to make your decision easier, this bestselling encyclopedia is unique in its comprehensive coverage and user-friendliness. From Five Stars to Turkey, the ratings help you preview the perfect movie for you! * * * Indexed by director, star, title, and Oscar winners! * * * In the full-title index, all four- and five-star movies are indicated by an *, and all new entries are highlighted for easy identification. * * * Special sections on family, foreign, and documentary films! * * * More offbeat and obscure films than any other guide, with serials, B-Westerns, horror movies, repackaged TV series, and made-for-TV movies! * * * "The best all-around volume." --Newsday
Blockbuster Guide to Movies and Videos 1997 by Blockbuster Entertainment Pdf
Containing over 21,000 entries, This is the most complete video guide available. It features an easy-to-use A-Z format for finding films available on video, and is cross-indexed by title, director, celebrity and film category. Special section lists films suitable for children.
Science Fiction, Fantasy and Horror Film Sequels, Series and Remakes by Kim R. Holston,Tom Winchester Pdf
Science fiction, fantasy and horror movies have spawned more sequels and remakes than any other film genre. Following Volume I, which covered 400 films made 1931-1995, Volume II analyzes 334 releases from 1996 through 2016. The traditional cinematic monsters are represented--Dracula, Frankenstein, the Wolf Man, a new Mummy. A new wave of popular series inspired by comics and video games, as well as The Lord of the Rings trilogy, could never have been credibly produced without the advances in special effects technology. Audiences follow the exploits of superheroes like Captain America, Iron Man, Spider-Man and Thor, and such heroines as the vampire Selene, zombie killer Alice, dystopian rebels Katniss Everdeen and Imperator Furiosa, and Soviet spy turned American agent Black Widow. The continuing depredations of Jason Voorhees, Freddy Krueger and Michael Myers are described. Pre-1996 movies that have since been remade are included. Entries features cast and credits, detailed synopsis, critics' reviews, and original analysis.
At the beginning of the twentieth century, the wild animal story emerged in Canadian literature as a distinct genre, in which animals pursue their own interests—survival for themselves, their offspring, and perhaps a mate, or the pure pleasure of their wildness. Bringing together some of the most celebrated wild animal stories, Ralph H. Lutts places them firmly in the context of heated controversies about animal intelligence and purposeful behavior. Widely regarded as entertaining and educational, the early stories—by Charles G. D. Roberts, Ernest Thompson Seton, John Muir, Jack London and others—had an avid readership among adults and children. But some naturalists and at least one hunter—Theodore Roosevelt—discredited these writers as "nature fakers," accusing them of falsely portraying animal behavior. The stories and commentaries collected here span the twentieth century. As present day animal behaviorists, psychologists, and the public attempt to sort out the meaning of what animals do and our obligations to them, Ralph Lutts maps some of the prominent features of our cultural landscape. Tales include: • The Springfield Fox by Ernest Thompson Seton • The Sounding of the Call by Jack London • Stickeen by John Muir • Journey to the Sea by Rachel Carson Other selections include esssays by Theoore Roosevelt, John Burroughs, Margaret Atwood, and Ralph H. Lutts. postamble();
The Horror Spoofs of Abbott and Costello by Jeffrey S. Miller Pdf
While Bud Abbott and Lou Costello are more famously known for their straight comedy routines, they did make a number of films in which horror played a crucial role. The first part of this critical reference examines the Abbott and Costello "Meet the Monsters" spoof films (Frankenstein, The Invisible Man, Dr. Jekyll and Mr. Hyde and The Mummy). The second sections deals with Abbott and Costello's films with horror elements that do not follow this formula: Hold That Ghost, The Time of Their Lives and Abbott and Costello Meet the Killer, Boris Karloff. The plot of each film is examined in detail with special attention paid to the comedians' styles of comedy, the effect of the horror scenes, and the place of the film in the Abbott and Costello canon. The reactions of critics (then and now) and the influences the films have had on the horror and comedy genres and on pop culture are also discussed. A lengthy introduction provides background on the lives of Bud Abbott and Lou Costello and the development of Universal Studios as the premier horror factory.