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A work of creative nonfiction, VIENNA VOICES: A TRAVELER LISTE01 General/trade TO THE CITY OF DREAMS offers a nuanced portrait of the enigmatic “City of Dreams,” whose intellectual and artistic culture reached its height at the end of the nineteenth century, only to be eclipsed in the twentieth by the collapse of the Habsburg empire and the rise of National Socialism.
A work of creative nonfiction, VIENNA VOICES: A TRAVELER LISTE01 General/trade TO THE CITY OF DREAMS offers a nuanced portrait of the enigmatic “City of Dreams,” whose intellectual and artistic culture reached its height at the end of the nineteenth century, only to be eclipsed in the twentieth by the collapse of the Habsburg empire and the rise of National Socialism.
Performer's Voices Across Centuries and Cultures by Anne Marshman Pdf
This book and its accompanying website present the selected proceedings of the inaugural, 'The Performer's Voice: An International Forum for Music Performance and Scholarship', directed by Dr Anne Marshman (editor) and hosted by the Yong Siew Toh Conservatory of Music, National University of Singapore. The chapters, which were selected through a process of international peer review, reflect the symposium's wide-ranging interdisciplinary scope, coupled with an uncompromising emphasis on the act of performance, the role of the performer and the professional performer's perspective.
The Voices of Wittgenstein by Friedrich Waismann Pdf
This brings for the first time over one hundred short essays in philosophical logic and the philosophy of mind. It is an invaluable introduction to Wittgenstein's 'later philosophy'.
Favorite Sacred Classics for Solo Singers - Medium Low Voice by Patrick M. Liebergen Pdf
This versatile collection contains 18 songs for solo voice and piano appropriate for recitals, concerts, contests and worship services. Includes songs by J.S. Bach, Beethoven, Dvorak, Mendelssohn, Mozart and more!
John Steane's subject, in all three sections of this book, is the art of singing. In the first part he takes the material, the voices themselves, in the second he considers the work and achievement of ten individual singers; and in the third he listens through the ears of an earlier generation of critics, finding much to learn. The 'Assortment of Voices' in Part I is a sorting, a distinguishing of voice-types with regard to timbre and quality as well as range, repertoire and power. Description of terms such as coloratura, soubrette, spinto and baryton-Martin involves the meaning and derivation of the words. The need is argued for a new category, the soprano-mezzo, and for a broader but more sharply delineated notion of the Heldentenor. The ten singers chosen for special attention in Part II range chronologically from the great baritone Mattia Battistini, who lived two-thirds of his long life in the nineteenth century, to Maria Callas and Elisabeth Schwarzkopf in our own day. Rosa Ponselle and Giovanni Martinelli are given special attention. Part III criticises the critics, from Dyneley Hussey and the veteran Herman Klein to Neville Cardus and the presiding authority Ernest Newman. These were entertaining writers as well as acute critics, and with John Steane's observant commentaries they provide a quickening of response to music in general and singing in particular.