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Creating the Vietnam Veterans Memorial by Robert W. Doubek Pdf
Since its dedication in 1982, the Vietnam Veterans Memorial has become an American cultural icon symbolizing the war in Vietnam--the defining experience of the Baby Boom generation. The black granite wall of names is one of the most familiar media images associated with the war, and after three decades the memorial remains one of the nation's most visited monuments. While the memorial has enjoyed broad acceptance by the American public, its origins were both humble and contentious. A grassroots effort launched by veterans with no funds, the project was completed in three and a half years. But an emotional debate about aesthetics and the interpretation of heroism, patriotism and history nearly doomed the project. Written from an insider's perspective, this book tells the complete story of the memorial's creation amid Washington politics, a nationwide design competition and the heated controversy over the winning design and its creator.
Renowned artist and architect Maya Lin's visual and verbal sketchbook—a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
The Vietnam Veterans Memorial at Angel Fire by Steven Trout Pdf
A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American’s sacrifice—but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22, 1968, and of the Westphall family’s subsequent struggle to create and maintain a one-of-a-kind memorial chapel dedicated to the memory of all Americans lost in the Vietnam War and to the cause of world peace. Focused primarily on a life lost amid our nation’s most controversial conflict and on the Westphalls’ desperate battle to keep their chapel open between 1971 and 1982, the book’s brisk and moving narrative traces the memorial’s evolution from a personal act of family remembrance to its emergence as an iconic pilgrimage destination for thousands of Vietnam veterans. Documenting the chapel’s shifting messages over time, which include a momentary (and controversial) recognition of the dead on both sides of the war, The Vietnam Veterans Memorial at Angel Fire spotlights one American soldier’s tragic story and the monument to hope and peace that it inspired.
Creating the Vietnam Veterans Memorial by Robert W. Doubek Pdf
Since its dedication in 1982, the Vietnam Veterans Memorial has become an American cultural icon symbolizing the war in Vietnam—the defining experience of the Baby Boom generation. The black granite wall of names is one of the most familiar media images associated with the war, and after three decades the memorial remains one of the nation’s most visited monuments. While the memorial has enjoyed broad acceptance by the American public, its origins were both humble and contentious. A grassroots effort launched by veterans with no funds, the project was completed in three and a half years. But an emotional debate about aesthetics and the interpretation of heroism, patriotism and history nearly doomed the project. Written from an insider’s perspective, this book tells the complete story of the memorial’s creation amid Washington politics, a nationwide design competition and the heated controversy over the winning design and its creator.
A Distinguished and Bestselling Historian and Army Veteran Revisits the Culture War that Raged around the Selection of Maya Lin's Design for the Vietnam Memorial A Rift in the Earth tells the remarkable story of the ferocious “art war” that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstract design won the international competition but triggered a fierce backlash among powerful figures; and Frederick Hart, an innovative sculptor of humble origins on the cusp of stardom. James Reston, Jr., a veteran who lost a close friend in the war and has written incisively about the conflict's bitter aftermath, explores how the debate reignited passions around Vietnam long after the war’s end and raised questions about how best to honor those who fought and sacrificed in an ill-advised war. Richly illustrated with photographs from the era and design entries from the memorial competition, A Rift in the Earth is timed to appear alongside Ken Burns's eagerly anticipated PBS documentary, The Vietnam War. “The memorial appears as a rift in the earth, a long polished black stone wall, emerging from and receding into the earth."—Maya Lin "I see the wall as a kind of ocean, a sea of sacrifice. . . . I place these figures upon the shore of that sea." —Frederick Hart
The Vietnam Veterans Memorial by Charles River Charles River Editors Pdf
*Includes pictures *Includes accounts of the memorial's history written by people who worked on the project *Includes a bibliography for further reading *Includes a table of contents Before the Vietnam War, most Americans would have been hard pressed to locate Vietnam on a map. South Vietnamese President Diem's regime was extremely unpopular, and war broke out between Communist North Vietnam and South Vietnam around the end of the '50s. Kennedy's administration tried to prop up the South Vietnamese with training and assistance, but the South Vietnamese military was feeble. A month before his death, Kennedy signed a presidential directive withdrawing 1,000 American personnel, and shortly after Kennedy's assassination, new President Lyndon B. Johnson reversed course, instead opting to expand American assistance to South Vietnam. Johnson had sent fewer than 5,000 Marines to Vietnam in early 1965, but he quickly upped it to 200,000 by the end of the year. There was no going back. Although hundreds of thousands protested the war in 1967, including Martin Luther King, Jr., a majority of the public still supported it, due in large part to the Johnson's administration public confidence. But as General Westmoreland talked of victory at the end of 1967, the Viet Cong launched a massive assault across South Vietnam in January 1968. Known as the Tet Offensive, the Viet Cong suffered hundreds of thousands of casualties, and the American forces never lost a battle, but American support for the war still plummeted. By the end of the decade, Vietnam had left tens of thousands of Americans dead, spawned a counterculture with millions of protesters, and destroyed a presidency. And more was still yet to come. The Vietnam War remains one of the most controversial events in American history, and it bitterly divided the nation, so it's somewhat ironic that the most famous monument commemorating the war is also one of the most serene spots in the nation's capital. Indeed, the famous Vietnam Wall is a place of almost eerie silence where even children cease their chatter. Rising out of the ground like an ancient obelisk, it calls upon its visitors to stop talking and to look and gaze upon the magnitude of America's great mistake, a war that began in whispers and ended in tears. As professors Cheree Carlson and John Hocking pointed out in their 1987 paper, "'A Message for My Brother: ' The Vietnam Veterans' Memorial as Rhetorical Situation," "The Vietnam Veterans Memorial is not a 'traditional; war memorial. No shining flags fly no bronze statue of brave heroes stands tall beside it no heroism is lauded. In fact, it is not a memorial to the war at all but rather a memorial to the 2.7 million Americans who served in Vietnam and especially to those who were killed...it focuses our attention on those who did not survive the war. The Vietnam War is reduced to its inevitable result. The Memorial suggests the message 'In war young men die; here are their names.'" At the same time, the monument speaks volumes not just about the nature of war but the utter catastrophe that occurred in Southeast Asia. Whereas the World War II memorial has a grand design that honors contributions and soldiers by state, visitors who may have come from there or the bustling Lincoln Memorial nearby are often struck by the length of the wall, a solemn but powerful reminder that Vietnam claimed nearly 60,000 American lives. Given that, it should come as no surprise that the Vietnam Veterans Memorial is one of the most visited places in the city, with millions coming and paying tribute each year. The Vietnam Veterans Memorial: The History of Washington D.C.'s Vietnam War Monument traces the history and construction of the famous wall. Along with pictures of important people, places, and events, you will learn about the history of the Vietnam Veterans Memorial like never before, in no time at all.
On May 9, 1990, a bottle of Jack Daniels, a ring with letter, a Purple Heart and Bronze Star, a baseball, a photo album, an ace of spades, and a pie were some of the objects left at the Vietnam Veterans War Memorial. For Kristin Hass, this eclectic sampling represents an attempt by ordinary Americans to come to terms with a multitude of unnamed losses as well as to take part in the ongoing debate of how this war should be remembered. Hass explores the restless memory of the Vietnam War and an American public still grappling with its commemoration. In doing so it considers the ways Americans have struggled to renegotiate the meanings of national identity, patriotism, community, and the place of the soldier, in the aftermath of a war that ruptured the ways in which all of these things have been traditionally defined. Hass contextualizes her study of this phenomenon within the history of American funerary traditions (in particular non-Anglo traditions in which material offerings are common), the history of war memorials, and the changing symbolic meaning of war. Her evocative analysis of the site itself illustrates and enriches her larger theses regarding the creation of public memory and the problem of remembering war and the resulting causalities—in this case not only 58,000 soldiers, but also conceptions of masculinity, patriotism, and working-class pride and idealism.
The Vietnam War was more divisive than any conflict in U.S. history. Between 1958 and 1975, more than 58,000 young Americans lost their lives in Southeast Asia. Because the war was unpopular at home, the American servicemen who returned home were often shunned or rejected. To heal these divisions, the Vietnam Veterans Memorial was constructed on the National Mall in Washington, D.C. The aim of "the Wall," as the memorial is sometimes called, was to recognize the service all who served in Vietnam. Dedicated in 1982, the Vietnam Veterans Memorial is among the most-visited monuments in the capital, and a powerful reminder of the sacrifices that a generation of Americans made for their country.
Vietnam Veterans Memorial (eBook) by Julia Hargrove Pdf
The Vietnam conflict was one of the most controversial engagements in the history of the United States. The effects of U.S. involvement, the impact of an individual's participation, political decisions and the politics of decision-making are still felt. The memorial itself, was a topic of intense debate. And yet, it is one of the most visited sited in Washington, D.C.