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The pastor of St. Vincent Church in Akron, Ohio, shares fanciful conversations with the stray puppy, Vinnie, that he takes in. A quick learner, Vinnie soon learns the duties of a church dog, and enjoys all the attention given to him as such. (Practical Life)
Rev. Joseph Kraker is the pastor of St. Vincent Church in Akron, Ohio. He was ordained a priest in 1964 and served as an associate pastor at St. Jude Parish in Elyria, Ohio, Director of Communications for the Diocese of Cleveland, and pastor of St. Timothy Parish in Garfield Heights, Ohio before coming to St. Vincent in 1994. Vinnie came to St. Vincent Parish in 1998. His previous history is largely unknown, as is his precise pedigree. He arrived at the tender age of six weeks, and has since become an integral part of the parish household. A quick learner, Vinnie soon learned the duties of a church dog, and enjoys all the attention given to him as such.
Just then came: crump, CRUMP, CRUMP! Three bombs in quick succession, coming frighteningly close. With each explosion, the ground shook. Dust and chips fell from the ceiling. Everyone in the shelter gasped at the same time. Vinnie held his breath, waiting for the fourth bomb, but it didn't come.When Vinnie is sent away from the bombs in London, he has no idea what awaits him. All he has left of his old life is his harmonica.On the train, Vinnie meets fierce Kathleen, sweet Joey and gangly Dobbs. The evacuee children find themselves thrown together in the country town of Netterfold, which seems beautiful and peaceful - until they meet the locals.There is a war raging across Europe, but Vinnie and his friends soon find they have their own war to fight as they face up to terrifying teachers, bad billets, and hostile neighbourhood kids who set out to make their lives as 'vaccies' miserable. And when things start to go missing, they discover that there are mysteries lurking in Netterfold's shadows, just waiting to be solved...Through music and friendship, can Vinnie make peace and finally find a place where he belongs?
Small-time Long Island criminal, Johnnie LoDuco, after giving up a promising career as a smut peddler, gets involved with some friends who rob a convenience store, get caught because they are too stoned to make a getaway, and then pin all the blame on him. And when his childhood buddy Vinnie bails him out of jail, he agrees to partake in a scam Vinnie has put together that will make them all rich. The only problem is: while out fishing one day Johnnie reels in the biggest catch of his life... Vinnie's head on the end of the fishing line. Now mafia types, bounty hunters, and Vinnie's girlfriend are after him, and Johnnie LoDuco doesn't have a clue as to why. Plus, they all seem to want Vinnie's head, but Johnnie seems to have misplaced it in an ice cooler--and if he wants to live he needs to get it back.
Something big and black crashes against the windshield, and an explosion rocks the car. Turn into the skid! I see a flash and something in front of me. Something tall with black material flapping around it like the tail ends of an old-fashioned duster. Long, straw-colored hair. A scraggily goatee. A man? What's a man doing at the side of the road in the middle of nowhere? Why's he just standing there? Why doesn't he get out of the way? I yank the wheel back the other way, and the car swerves around him. And heads straight off the road. When the world stops bouncing and the car settles, I try to keep my eyes focused, but everything blurs around the edges. The waves ebb, and I hear a crunching sound, like boots on gravel. Straining to see, I barely make out . . . What is that? A flag? No, it's that flapping black material. I think it's the man I swerved to miss. A sweet, melodious voice makes its way through the undulating roar in my ears. “Let me help you.” Help. Yes, I need help.
This is the story of the phenomenally popular, critically acclaimed Irish band from its Dublin beginnings to the present. U2: A Musical Biography tells the story of the phenomenally popular Irish rock band whose passionate songs and performances have taken them from their Dublin upbringing to the Rock and Roll Hall of Fame—all with the band's original foursome of Bono, The Edge, Larry Mullen, and Adam Clayton intact. U2 follows the band from the early talent show victory that got them their first recording contract to their 1987 worldwide breakout with The Joshua Tree and the string of critically acclaimed albums and sold-out stadium and arena tours that followed. As the story of U2 unfolds, readers will get a sense of the strong interpersonal bonds and deep-rooted Christian faith that have kept the band together for over three decades. The book also highlights the group's ongoing commitment to supporting a variety of human rights causes worldwide.
Set within the netherworld of thoroughbred racing, this hair-raisingly funny new play by the Pulitzer Prize-winning author of True West explores the classical themes of memory, loyalty, and restitution. Simpatico launches readers into regions where high society meets the low life, and where, as one of the main characters observes, "someone is cutting someone else's throat."
Lock the doors. Close the windows. And prepare yourself for the heart-stopping debut of Anthony Izzo, a new master of horror who will chill you to the bone. . . Jack Harding and his friends feel sorry for the new kid in town. His name is Ronnie Winter, and he's a bit of a weirdo. So when the local bullies try to beat him up, Jack and his friends step in to protect Ronnie--and that's their first mistake. Because Ronnie Winter is not like any other kid they've ever known. He lives at the old Steadman place, in the big creepy mansion that used to be a mental hospital. And his young, beautiful mother has a strange way of making Jack promise to be Ronnie's friend. . .forever. The closer Jack and his friends get to Ronnie, the colder it gets. The town is plunged into a wave of brutal snowstorms--and plagued by a series of gruesome murders. And as the grisly death toll mounts, Jack realizes that Ronnie is surrounded by something far more powerful than a mother's love--he's guarded by a force of unspeakable evil that will torture and destroy everything in its path. . . The Thing in the Tunnel "Listen," Paul said. Slow footsteps echoed, a soft-crunch in the dark. At first Jack thought Ronnie turned the flashlight off and snuck into the tunnel in order to scare them, but the footsteps were too heavy. They belonged to someone bigger. "Reach out your hand, Paul." "Okay." They started to go but something found Paul first. It jerked Paul back, and purely out of reflex, Jack clamped on to Paul's hand, this alone preventing him from being torn back into the tunnel by whatever was down there. "It's got me hooked! Its arm is around me!" Jack felt Paul leave his feet as his attacker hoisted him into the air, intent on dragging Paul back into the tunnel. It pulled again, like a shark dragging a swimmer down, and it was too strong. Paul's hand slipped from Jack's, and Paul shrieked. "Let me go! Bastard! Let me go! God, it smells bad!" Jack charged ahead and slammed into someone as solid as a muscle man in a magazine. He wrapped his arms around the waist and pulled, but it was like trying to drag down a redwood tree. He was being dragged behind the guy like tin cans on a wedding car. It stank like old leaves or hair that's clogged in a drain, wet and dead. What is it and why did we have to run into it?
Skip only receives a portion of his leprechaun powers when he turns sixteen, but that doesn’t stop him from sneaking out of his grandparents’ tree home on an important quest. A few years earlier, his parents had disappeared, and he has wondered where they’ve gone ever since--so he strikes out to find them. But things take a disastrous turn when he drinks an evil brew at a pub in Dublin Town. He gets drunk and passes out in a travel trunk of a man sailing to America in search of a new beginning, and he becomes a stowaway. His tomfoolery aboard the ship, however, almost costs him and others their lives, but he remains determined to find his missing parents. When he finds out they’re being held prisoner by an evil man running a traveling medicine show, he must find a way to free them. To do that, he’ll need his full leprechaun powers and perhaps even the help of two mortals--a leprechaun’s sworn enemy. He’ll also need plenty of Irish luck to make it back home alive with his parents.
St. Peter grants Michelangelo a vacation request, allowing him to travel to the twentieth century to view art. Not only does Michelangelo want to see what artists have been creating after his death but he also desires confirmation that his own work is remembered. As Michelangelo roams about New York City he meets a variety of people who attempt to help him make sense of modern sculpture, painting and architecture. Michelangelo compares everything he sees to specific works he created throughout his life. He finally meets Vinnie, a tough city boy, who agrees to help with his journey. Trying to convince contemporary society what 'real art' is becomes infuriating as Michelangelo holds amusing discussions about enlarged, abstract geometric shapes, gigantic statues rising out of the river, graffiti, tattoos, and more which he vehemently contends cannot be art. His conversations reflect his historical interactions with political figures who commissioned art, his family and other noteworthy artists. Time is running out as St. Peter has allowed Michelangelo to spend only three weeks in the twentieth century. Michelangelo's frustration mounts as he struggles to comprehend the modern world and educate people on the art of the past.
When Dr. Ariel Summers starts her dream job in the newly elected mayor of New York City's administration, she has no plans to fall for anyone. But the lust-filled banter and intense physical attraction she has with the mayor's security expert, wereleopard Nicholas Savage, does not make things easy. Not all citizens are embracing the mayor's agenda for paranormals being out in society and threats are being made. Clues to the identity of their enemies start unraveling once Ariel and Nick stumble upon angry clowns calling themselves the Carnival of Sins. By the time they realize the mayor is not the only one in need of protection, could it be too late for love?
Graeae has been a force for change in world-class theatre since it was founded in 1980, placing D/deaf and disabled actors centre stage and challenging preconceptions. A work in progress contains the full script of Reasons to be cheerful, a brief history of the company, analysis and extracts from their previous shows, memories of Graeae from previous collaborators, including Jack Thorne, Jo Clifford, Kaite O'Reilly and Jonathan Meth, and a host of images.
Killer Stuff and Tons of Money by Maureen Stanton Pdf
One dealer's journey from the populist mayhem of flea markets to the rarefied realm of auctions reveals the rich, often outrageous subculture of antiques and collectibles. Millions of Americans are drawn to antiques and flea-market culture, whether as participants or as viewers of the perennially popular Antiques Roadshow or the recent hit American Pickers. This world has the air of a lottery: a $20 purchase might net you four, five, or six figures. Master dealer Curt Avery, the unlikely star of Killer Stuff and Tons of Money, plays that lottery every day, and he wins it more than most. Occasionally he gets lucky, but more often, he draws on a deep knowledge of America's past and the odd, fascinating, and beautiful objects that have survived it. Week in, week out, Avery trawls the flea and antiques circuit-buying, selling, and advising other dealers in his many areas of expertise, from furniture to glass to stoneware, and more. On the surface, he's an improbable candidate for an antiques dealer. He wrestled in high school and still retains the pugilistic build; he is gruff, funny, and profane; he favors shorts and sneakers, even in November; and he is remarkably generous toward both competitors and customers who want a break. But as he struggles for a spot in a high-end Boston show, he must step up his game and, perhaps more challenging, fit in with a white-shoe crowd. Through his ascent, we see the flea-osphere for what it truly is-less a lottery than a contact sport with few rules and many pitfalls. This rich and sometimes hilarious subculture rewards peculiar interests and outright obsessions-one dealer specializes in shrunken heads; another wants all the postal memorabilia he can get. So Avery must be a guerrilla historian and use his hard-earned knowledge of America's past to live by and off his wits. Only the smartest survive in one of America's most ruthless meritocracies. Killer Stuff and Tons of Money is many things: an insider's look at a subculture replete with arcane traditions and high drama, an inspiring account of a self-made man making his way in a cutthroat field, a treasure trove of tips for those who seek out old things themselves, and a thoroughly fresh, vibrant view of history as blood sport.
