Download Full eBooks in PDF
Violence And American Cinema Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Violence And American Cinema book. This book definitely worth reading, it is an incredibly well-written.
Author : J. David Slocum
Publisher : Routledge
Page : 320 pages
File Size : 47,7 Mb
Release : 2013-09-13
Category : Performing Arts
ISBN : 9781135204914
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Asbjørn Grønstad
Publisher : Amsterdam University Press
Page : 278 pages
File Size : 53,6 Mb
Release : 2008
Category : Performing Arts
ISBN : 9789089640109
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.
Author : James Kendrick
Publisher : SIU Press
Page : 276 pages
File Size : 50,9 Mb
Release : 2009-03-30
Category : Performing Arts
ISBN : 0809328887
In Hollywood Bloodshed, James Kendrick presents a fascinating look into the political and ideological instabilities of the 1980s as studied through the lens of cinema violence. Kendrick uses in-depth case studies to reveal how dramatic changes in the film industry and its treatment of cinematic bloodshed during the Reagan era reflected shifting social tides as Hollywood struggled to find a balance between the lucrative necessity of screen violence and the rising surge of conservatism. As public opinion shifted toward the right and increasing emphasis was placed on issues such as higher military spending, family values, and “money culture,” film executives were faced with an epic dilemma: the violent aspects of cinema that had been the studios’ bread and butter were now almost universally rejected by mainstream audiences. Far from eliminating screen bloodshed altogether, studios found new ways of packaging violence that would allow them to continue to attract audiences without risking public outcry, ushering in a period of major transition in the film industry. Studios began to shy away from the revolutionary directors of the 1970s—many of whom had risen to fame through ideologically challenging films characterized by a more disturbing brand of violence—while simultaneously clearing the way for a new era in film. The 1980s would see the ascent of entertainment conglomerates and powerful producers and the meteoric rise of the blockbuster—a film with no less violence than its earlier counterparts, but with action-oriented thrills rather than more troubling images of brutality. Kendrick analyzes these and other radical cinematic changes born of the conservative social climate of the 1980s, including the disavowal of horror films in the effort to present a more acceptable public image; the creation of the PG-13 rating to designate the gray area of movie violence between PG and R ratings; and the complexity of marketing the violence of war movies for audience pleasure. The result is a riveting study of an often overlooked, yet nevertheless fascinating time in cinema history. While many volumes have focused on the violent films of the New American Cinema directors of the 1970s or the rise of icons such as Woo, Tarantino, and Rodriguez in the 1990s, Kendrick’s Hollywood Bloodshed bridges a major gap in film studies.This comprehensive volume offers much-needed perspective on a decade that altered the history of Hollywood—and American culture—forever.
Author : J. David Slocum
Publisher : Routledge
Page : 328 pages
File Size : 55,6 Mb
Release : 2013-09-13
Category : Performing Arts
ISBN : 9781135204907
American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.
Author : Hilary Neroni
Publisher : State University of New York Press
Page : 220 pages
File Size : 46,9 Mb
Release : 2012-02-16
Category : Social Science
ISBN : 9780791483640
Looks at how violent women characters disrupt cinematic narrative and challenge cultural ideals.
Author : Piotr Szczypa
Publisher : BRILL
Page : 285 pages
File Size : 48,9 Mb
Release : 2021-08-04
Category : Performing Arts
ISBN : 9789004467972
From Levi and Cohen, Irish Comedians (1903) to The Irishman (2019), this book is a fascinating journey through the history of representations of the Irish in American cinema.
Author : Stephen Prince
Publisher : University of Texas Press
Page : 304 pages
File Size : 53,9 Mb
Release : 2010-01-01
Category : Performing Arts
ISBN : 9780292774315
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author : Amy Rust
Publisher : SUNY Press
Page : 210 pages
File Size : 50,5 Mb
Release : 2017-05-24
Category : Performing Arts
ISBN : 9781438465395
Investigates the cultural value of film violence. Passionate Detachments investigates the rise of graphic violence in American films of the late 1960s and early 1970s and the popular aesthetics and critical responses this violence inspired. Amy Rust examines four technologies adopted by commercial American cinema after the fall of the Hollywood Production Code: multiple-camera montage, squibs (small explosive devices) and artificial blood, freeze-frames, and zooms. Approaching these technologies as figures, as opposed to mere tools, Rust traces the encounters they mediate between perception (what one sees, hears, and feels) and representation (how those sights, sounds, and feelings make meaning). These technologies, she argues, lend shape to film violence while organizing viewers on- and off-screen relationships to it. The result proves meaningful for an era self-consciously and perilously preoccupied with bloodshed. The post-Code period found Americans across the political spectrum demanding visualand increasingly violentdemonstrations of presumably authentic realities. Corroborating fantasies of authenticity from military to counterculture, these technologies challenge them as well, pointing, however unwittingly, to the violently classed, gendered, and racialized blind spots such fantasies harbor. More broadly, the technologies answer concerns that films control violence too much or too little. Offering neither mere discoursenor mere thrills, they recover sense and sensation for all, not some, or even most, depictions of bloodshed. As figures, the devices also remediate vision and violence for film theory, which exhibits distrust for each in spite of the complexities phenomenology and psychoanalysis have brought to cinematic perception and pleasure.
Author : Stephen Prince
Publisher : Rutgers University Press
Page : 350 pages
File Size : 53,6 Mb
Release : 2003
Category : Performing Arts
ISBN : 0813532817
Examines the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. A stylistic history of American screen violence that is grounded in industry documentation. [back cover].
Author : Rebeca Maseda García,María José Gámez Fuentes,Barbara Zecchi
Publisher : Routledge
Page : 323 pages
File Size : 51,8 Mb
Release : 2020-05-12
Category : Education
ISBN : 9780429790553
Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation. This is a groundbreaking contribution to the international debate on the cinematic construction of gender-based violence. With essays from diverse cultural backgrounds and institutions, this collection analyzes a wide range of films across Latin America and the Iberian Peninsula. The volume makes use of varied perspectives including feminist, postcolonial, and queer theory to consider such issues as the visual configuration of power and inequality, the objectification and the invisibilization of women’s and LGBTQ subjects’ resistance, the role of female film-makers in transforming hegemonic accounts of violence, and the subversion of common tropes of gendered violence. This will be of significance for students and scholars in Latin American and Iberian studies, as well as in film studies, cultural studies, and gender and queer studies.
Author : Eric Lichtenfeld
Publisher : Wesleyan University Press
Page : 408 pages
File Size : 46,7 Mb
Release : 2007-04-27
Category : Performing Arts
ISBN : 0819568015
An authoritative and entertaining history of the action film
Author : Diane L. Shoos
Publisher : Springer
Page : 175 pages
File Size : 47,8 Mb
Release : 2017-12-19
Category : Social Science
ISBN : 9783319650647
This is the first book to critically examine Hollywood films that focus on male partner violence against women. These films include Gaslight, Sleeping with the Enemy, What’s Love Got to Do with It, Dolores Claiborne, Enough, and Safe Haven. Shaped by the contexts of postfeminism, domestic abuse post-awareness, and familiar genre conventions, these films engage in ideological “gaslighting” that reaffirms our preconceived ideas about men as abusers, women as victims, and the racial and class politics of domestic violence. While the films purport to condemn abuse and empower abused women, this study proposes that they tacitly reinforce the very attitudes that we believe we no longer tolerate. Shoos argues that films like these limit not only popular understanding but also social and institutional interventions.
Author : Lawrence Alloway
Publisher : Unknown
Page : 104 pages
File Size : 55,8 Mb
Release : 1971
Category : Performing Arts
ISBN : UOM:39015035337057
Author : Adam R. Ochonicky
Publisher : Indiana University Press
Page : 272 pages
File Size : 54,6 Mb
Release : 2020-02-04
Category : Performing Arts
ISBN : 9780253046000
How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest's symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest's place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia.
Author : Henry Bacon
Publisher : Springer
Page : 227 pages
File Size : 53,6 Mb
Release : 2015-04-07
Category : Performing Arts
ISBN : 9781137476449
The Fascination of Film Violence is a study of why fictional violence is such an integral part of fiction film. How can something dreadful be a source of art and entertainment? Explanations are sought from the way social and cultural norms and practices have shaped biologically conditioned violence related traits in human behavior.