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Violence, Narrative and Myth in Joyce and Yeats by T. Balinisteanu Pdf
How can we use art to reconstruct ourselves and the material world? Is every individual an art object? Is the material world an art text? This book answers these questions by examining modernist literature, especially James Joyce and W.B. Yeats, in the context of anarchist intellectual thought and Georges Sorel's theory of social myth.
Violence, Narrative and Myth in Joyce and Yeats by T. Balinisteanu Pdf
How can we use art to reconstruct ourselves and the material world? Is every individual an art object? Is the material world an art text? This book answers these questions by examining modernist literature, especially James Joyce and W.B. Yeats, in the context of anarchist intellectual thought and Georges Sorel's theory of social myth.
Excess in Modern Irish Writing by Michael McAteer Pdf
This book examines the topic of excess in modern Irish writing in terms of mysticism, materialism, myth and language. The study engages ideas of excess as they appear in works by major thinkers from Hegel, Kierkegaard and Marx through to Nietzsche, Bataille, Derrida and, more recently, Badiou. Poems, plays and fiction by a wide range of Irish authors are considered. These include works by Oscar Wilde, W. B. Yeats, G. B. Shaw, Patrick Pearse, James Joyce, Sean O’Casey, Louis MacNeice, Samuel Beckett, Elizabeth Bowen, Roddy Doyle, Seamus Heaney, Marina Carr and Medbh McGuckian. The readings presented illustrate how Matthew Arnold’s nineteenth-century idea of the excessive character of the Celt is itself exceeded within the modernity of twentieth-century Irish writing.
Modern Political Aesthetics from Romantic to Modernist Fiction by Tudor Balinisteanu Pdf
In this new research monograph, Tudor Balinsteanu draws on concepts of dance to demonstrate how the nonhuman is dealt with in terms of practical politics, that is, choreographies of social performance which emerge at the intersection of literature, art, and embodied life. Drawing on a number of influential texts by William Wordsworth, Joseph Conrad, W. B. Yeats, and James Joyce, this truly interdisciplinary monograph explores the relations between the human and the nonhuman across centuries of literature and as demonstrated in philosophical concepts and social experiments.
The Palgrave Handbook of Philosophy and Literature by Barry Stocker,Michael Mack Pdf
This comprehensive Handbook presents the major perspectives within philosophy and literary studies on the relations, overlaps and tensions between philosophy and literature. Drawing on recent work in philosophy and literature, literary theory, philosophical aesthetics, literature as philosophy and philosophy as literature, its twenty-nine chapters plus substantial Introduction and Afterword examine the ways in which philosophy and literature depend on each other and interact, while also contrasting with each other in that they necessarily exclude or incorporate each other. This book establishes an enduring framework for structuring the broad themes defining the relations between philosophy and literature and organising the main topics in the field. Key Features • Structured in five parts addressing philosophy as literature, philosophy of literature, philosophical aesthetics, literary criticism and theory, and main areas of work within philosophy and literature • An Introduction setting out the main concerns of the field through discussion of the major themes along with the individual topics • An Afterword looking at the interactions between philosophy and literature through itself enacting philosophical and literary writing while examining the question of how they can be brought together The Palgrave Handbook of Philosophy and Literature is an essential resource for scholars, researchers and advanced students in philosophy of literature, philosophy as literature, literary theory, literature as philosophy, and the philosophical aesthetics of literature. It is an ideal volume for researchers, advanced students and scholars in philosophy, literary studies, philosophy and literature, cultural studies, classical studies and other related fields.
Catholic Modernism and the Irish "avant-garde" by James Matthew Wilson Pdf
This study constitutes the first-ever definitive account of the life and work of Irish modernist poets Thomas MacGreevy, Brian Coffey, and Denis Devlin. Apprenticed to the likes of W.B. Yeats, T.S. Eliot, James Joyce, and Samuel Beckett, all three writers worked at the center of modernist letters in England, France, and the United States, but did so from a distinctive perspective. All three writers wrote with a deep commitment to the intellectual life of Catholicism and saw the new movement in the arts as making possible for the first time a rich sacramental expression of the divine beauty in aesthetic form. MacGreevy spent his life trying to voice the Augustinian vision he found in The City of God. Coffey, a student of neo-Thomist philosopher Jacques Maritain, married scholastic thought and a densely wrought poetics to give form and solution to the alienation of modern life. Devlin contemplated the world with the eyes of Montaigne and the heart of Pascal as he searched for a poetry that could realize the divine presence in the experience of the modern person. Taken together, MacGreevy, Coffey, and Devlin exemplify the modern Catholic intellectual seeking to engage the modern world on its own terms while drawing the age toward fulfillment within the mystery and splendor of the Church. They stand apart from their Irish contemporaries for their religious seriousness and cosmopolitan openness to European modernism. They lay bare the theological potencies of modern art and do so with a sophistication and insight distinctive to themselves. Although MacGreevy, Coffey, and Devlin have received considerable critical attention in the past, this is the first book to study their work comprehensively, from MacGreevy's early poems and essays on Joyce and Eliot to Coffey's essays in the neo-scholastic philosophy of science, and on to Devlin's late poetic attempts to realize Dante's divine vision in a Europe shattered by war and modern doubt.
As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler's investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Döblin, Günter Grass, Gabriel García Márquez, Salman Rushdie, and W. G. Sebald.
Religion and Aesthetic Experience in Joyce and Yeats by T. Balinisteanu Pdf
This monograph is based on archival research and close readings of James Joyce's and W. B. Yeats's poetics and political aesthetics. Georges Sorel's theory of social myth is used as a starting point for exploring the ways in which the experience of art can be seen as a form of religious experience.
In this study, first published in 1983, Professor Smith makes the argument that although The Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes. He calls these a ‘music of allusions’ and shows the resemblance of this music in its evocativeness to the technique of Mallarmé and the French symbolists. Smith also comments extensively on Eliot’s critical theories as they bear on The Waste Land and traces the development of Eliot’s allusive and transformational poetic form from its genesis in early work. This title will be of interest to students of literature.
While postcolonial studies has contributed much to our understanding of Irish modernism, it has also encouraged less-than-accurate portrayals of Joyce and Yeats as polar opposites: Yeats as the inventor of Irish mystique and Joyce as its relentless demythologiser. Alistair Cormack's complex study provides a corrective to these misleading characterisations by analysing the tools Yeats and Joyce themselves used to challenge representation in the postcolonial era. Despite their very different histories, Cormack suggests, these two writers can be seen as allies in their insistence on the heresy of the imagination. Reinvigorating and politicising the history of ideas as a powerful medium for studying literature, he shows that Joyce and Yeats independently challenged a linearity and materialism they identified with empire. Both celebrated Ireland as destabilising the accepted forms of thought and the accepted means of narrating the nation. Thus, 'unreadable' modernist works such as Finnegans Wake and A Vision must be understood as attempts to reconceptualise history in a literally postcolonial period.
James Joyce and the Act of Reception by John Nash Pdf
James Joyce and the Act of Reception is a detailed account of Joyce's own engagement with the reception of his work. It shows how Joyce's writing, from the earliest fiction to Finnegans Wake, addresses the social conditions of reading (particularly in Ireland). Most notably, it echoes and transforms the responses of some of Joyce's actual readers, from family and friends to key figures such as Eglinton and Yeats. This study argues that the famous 'unreadable' quality of Joyce's writing is a crucial feature of its historical significance. Not only does Joyce engage with the cultural contexts in which he was read but, by inscribing versions of his own contemporary reception within his writing, he determines that his later readers read through the responses of earlier ones. In its focus on the local and contemporary act of reception, Joyce's work is seen to challenge critical accounts of both modernism and deconstruction.
Mystery, Violence, and Popular Culture by John G. Cawelti Pdf
Mystery, Violence, and Popular Culture is John G. Cawelti's discussion of American popular culture and violence, from its precursors in Homer and Shakespeare to the Lone Ranger and Superman. Cawelti deciphers the overt sexuality, detached violence, and political intrigue embedded within Batman and .007. He analyzes the work of such famous pop-culture icons as Alfred Hitchcock, the Beatles, and Andy Warhol, and looks at a range of films, from Psycho and Dances with Wolves, and literature, from The Waste Land to Catch 22. Examples from popular movies, television, literature, and music, according to the author, characterize the evolving psychological, sociological, and political state of a nation. The book explores the relationship between racial and cultural groups in popular media such as Dr. Quinn Medicine Woman. Here also are new perspectives on mystery literature, the detective story, and twentieth-century mystery writers from one of the founders of popular culture studies.
Joyce's Ulysses by Robert D. Newman,Weldon Thornton Pdf
All fifteen essays in this collection are concerned with the primacy of the novelistic aspects of Ulysses and how it achieves its meanings. Together they seek to redress the tendency of some recent critics to regard Ulysses as a compendium of techniques or a treatise.
The Madwoman Can't Speak by Marta Caminero-Santangelo Pdf
In this work, the subversive madwoman first appropriated by feminist theorists and critics is re-evaluated. How, the author asks, can such a figure be subversive if she's effectively imprisoned, silent and unseen? Taking issue with a prominent strand of current feminist literary criticism, Caminero-Santangelo identifies a counternarrative in writing by women in the last half of the 20th century, one which rejects madness, even as a symbolic resolution.
Not Etched in Stone by Marie A. Conn,Therese Benedict McGuire Pdf
The essays presented by Professors Marie A. Conn and Thérèse McGuire examine stone and water as vehicles of ritual memory through the lenses of various disciplines. In seven concise yet revealing chapters, the authors examine instances throughout history and unbound by geography of stone and water as real or abstract objects that shape our lives, possibly without our notice. Chapters topics include: -Water as a vehicle for ritual memory from the earliest days of human history to the present-day. -An investigation of the aesthetic principles of the Middle Ages up to the Gothic styles of cathedrals in North America. -Julian of Norwich, the famous cloistress, walled in by stone in comparison to Etty Hillesum, a WWII-era mystic, whose small desk used to write her revealing diaries became her stone cloister cell. -The Irish, water, and stone in Finnegan's Wake. -Warming the "stone heart" of a child pummeled by the foster care system. -The lack of clean water that contributes to wide-spread disease. -Group behavior and the eventualities of war through stone-like, (uncooperative and hardened) psychological states.