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Author : Brenda R. Silver Publisher : University of Chicago Press Page : 380 pages File Size : 47,8 Mb Release : 1999 Category : Fiction ISBN : 0226757463
The proliferation of Virginia Woolfs in both high and popular culture, she argues, has transformed the writer into a "star" whose image and authority are persistently claimed or challenged in debates about art, politics, gender, the canon, class, feminism, and fashion."--BOOK JACKET.
Author : Brenda R. Silver Publisher : University of Chicago Press Page : 384 pages File Size : 42,5 Mb Release : 1999 Category : History ISBN : 0226757455
The proliferation of Virginia Woolfs in both high and popular culture, she argues, has transformed the writer into a "star" whose image and authority are persistently claimed or challenged in debates about art, politics, gender, the canon, class, feminism, and fashion."--BOOK JACKET.
The first and collection of Virginia Woolf's most inspirational quotes. 'No need to hurry. No need to sparkle. No need to be anybody but oneself.' Over 100 words of wisdom from the inimitable Virginia Woolf on love, literature, feminism, food, work, ageing, authenticity, nature, truth, happiness and everything in between, carefully selected and curated from Woolf's timeless novels, essays and speeches. A celebration of one of the world's best loved writers and a true feminist icon, in a beautifully packaged, small-format gift book.
Love letters are potent. They breathe. They speak. They can arouse, comfort, captivate. They can also cut deep. The powerful, deeply personal letters collected here reveal the painful underside of love. Witness Winston Churchill 'growl with anger to be treated with benevolent indifference' and Edith Piaf reel in the throes of a 'terrible' passion. Through the letters of literary icons Charlotte Brontë, Oscar Wilde and Virginia Woolf, Hollywood stars Elizabeth Taylor and Richard Burton and statesmen Henry VIII and Franklin D. Roosevelt, Yours Always offers an unusually intimate insight into the lives of such illustrious figures. Love is revealed here in its many shades of disharmony and confusion: unrequited, uncertain, imbalanced, unconventional, thwarted, failed and forbidden. Love is not always rose-tinted, and Yours Always illuminates the sorrows that can accompany falling in, falling out, and staying in love. Includes letter to and from: Charlotte Brontë, Richard Burton, Lord Byron, Winston Churchill, Marie Curie, Charles Dickens, Ernest Hemingway, Henry VIII, Ted Hughes, Graham Greene, Franz Kafka, Marilyn Monroe, Iris Murdoch, Edith Piaf, Franklin D. Roosevelt, Elizabeth Taylor, Oscar Wilde, Virginia Woolf, W.B. Yeats
Moments of Being. Slater's Pins Have No Points by Virginia Woolf Pdf
"Slater's pins have no points--don't you always find that?" said Miss Craye, turning round as the rose fell out of Fanny Wilmot's dress, and Fanny stooped, with her ears full of the music, to look for the pin on the floor.The words gave her an extraordinary shock, as Miss Craye struck the last chord of the Bach fugue. Did Miss Craye actually go to Slater's and buy pins then, Fanny Wilmot asked herself, transfixed for a moment. Did she stand at the counter waiting like anybody else, and was she given a bill with coppers wrapped in it, and did she slip them into her purse and then, an hour later, stand by her dressing table and take out the pins? What need had she of pins? For she was not so much dressed as cased, like a beetle compactly in its sheath, blue in winter, green in summer. What need had she of pins--Julia Craye--who lived, it seemed in the cool glassy world of Bach fugues, playing to herself what she liked, to take one or two pupils at the one and only consenting Archer Street College of Music (so the Principal, Miss Kingston, said) as a special favour to herself, who had "the greatest admiration for her in every way." Miss Craye was left badly off, Miss Kingston was afraid, at her brother's death. Oh, they used to have such lovely things, when they lived at Salisbury, and her brother Julius was, of course, a very well-known man: a famous archaeologist. It was a great privilege to stay with them, Miss Kingston said ("My family had always known them--they were regular Canterbury people," Miss Kingston said), but a little frightening for a child; one had to be careful not to slam the door or bounce into the room unexpectedly.
Introducing Literary Criticism by Owen Holland Pdf
From Plato to Virginia Woolf, Structuralism to Practical Criticism, Introducing Literary Criticism charts the history and development of literary criticism into a rich and complex discipline. Tackling disputes over the value and meaning of literature, and exploring theoretical and practical approaches, this unique illustrated guide will help readers of all levels to get more out of their reading.
The egotism that fuels the desire for greatness has been associated exclusively with men, according to one feminist view; yet many women cannot suppress the need to strive for greatness. In this forceful and compelling book, Alison Booth traces through the novels, essays, and other writings of George Eliot and Virginia Woolf radically conflicting attitudes on the part of each toward the possibility of feminine greatness. Examining the achievements of Eliot and Woolf in their social contexts, she provides a challenging model of feminist historical criticism.
This is the first biography to concentrate exclusively on Woolf's close and inspirational friendships with the key women in her life, including the caregivers of her Victorian childhood who instilled in her a lifelong battle between creativity and convention: her taciturn sister, Vanessa Bell; enigmatic artist Dora Carrington; complex writer Katherine Mansfield; aristocratic novelist Vita Sackville-West; and riotous, militant composer Ethel Smyth.
Jane Austen, Virginia Woolf and Worldly Realism by Pam Morris Pdf
Austen and Woolf are materialists, this book argues. 'Things' in their novels give us entry into some of the most contentious issues of the day. This wholly materialist understanding produces worldly realism, an experimental writing practice which asserts egalitarian continuity between people, things and the physical world. This radical redistribution of the importance of material objects and biological existence, challenges the traditional idealist hierarchy of mind over matter that has justified gender, class and race subordination. Entering their writing careers at the critical moments of the French Revolution and the First World War respectively, and sharing a political inheritance of Scottish Enlightenment scepticism, Austen's and Woolf's rigorous critiques of the dangers of mental vision unchecked by facts is more timely than ever in the current world dominated by fundamentalist neo-liberal, religious and nationalist belief systems.
Edinburgh Companion to Virginia Woolf and the Arts by Maggie Humm Pdf
The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 olour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts
Recycling Virginia Woolf in Contemporary Art and Literature by Monica Latham,Caroline Marie,Anne-Laure Rigeade Pdf
Recycling Virginia Woolf in Contemporary Art and Literature exam>ines Woolf’s life and oeuvre from the perspective of recycling and pro>vides answers to essential questions such as: Why do artists and writers recycle Woolf’s texts and introduce them into new circuits of meaning? Why do they perpetuate her iconic fgure in literature, art and popular culture? What does this practice of recycling tell us about the endurance of her oeuvre on the current literary, artistic and cultural scene and what does it tell us about our current modes of production and consumption of art and literature? This volume offers theoretical defnitions of the concept of recycling applied to a multitude of specifc case studies. The reasons why Woolf’s work and authorial fgure lend themselves so well to the notion of recy>cling are manifold: frst, Woolf was a recycler herself and had a personal theory and practice of recycling; second, her work continues to be a prolifc compost that is used in various ways by contemporary writers and artists; fnally, since Woolf has left the original literary sphere to permeate popular culture, the limits of what has been recycled have ex>panded in unexpected ways. These essays explore today’s trends of fab>ricating new, original artefacts with Woolf’s work, which thus remains completely relevant to our contemporary needs and beliefs
Before the Second World War and long before the second wave of feminism, Virginia Woolf argued that women's experience, particularly in the women's movement, could be the basis for transformative social change. Grounding Virginia Woolf's feminist beliefs in the everyday world, Naomi Black reclaims Three Guineas as a major feminist document. Rather than a book only about war, Black considers it to be the best, clearest presentation of Woolf's feminism. Woolf's changing representation of feminism in publications from 1920 to 1940 parallels her involvement with the contemporary women's movement (suffragism and its descendants, and the pacifist, working-class Women's Co-operative Guild). Black guides us through Woolf's feminist connections and writings, including her public letters from the 1920s as well as "A Society," A Room of One's Own, and the introductory letter to Life As We Have Known It. She assesses the lengthy development of Three Guineas from a 1931 lecture and the way in which the form and illustrations of the book serve as a feminist subversion of male scholarship. Virginia Woolf as Feminist concludes with a discussion of the continuing relevance of Woolf's feminism for third-millennium politics.
A Companion to Virginia Woolf by Jessica Berman Pdf
A Companion to Virginia Woolf is a thorough examination of her life, work, and multiple contexts in 33 essays written by leading scholars in the field. Contains insightful and provocative new scholarship and sketches out new directions for future research Approaches Woolf's writing from a variety of perspectives and disciplines, including modernism, post-colonialism, queer theory, animal studies, digital humanities, and the law Explores the multiple trajectories Woolf’s work travels around the world, from the Bloomsbury Group, and the Hogarth Press to India and Latin America Situates Woolf studies at the vanguard of contemporary literature scholarship and the new modernist studies
The Oxford Handbook of Virginia Woolf by Anne E. Fernald Pdf
A Handbook on Woolf's achievements as an innovative novelist and pioneering feminist theorist. It studies her life, her works, her relationships with other writers, her professional career, and themes in her work including among others feminism, sexuality, education, and class.
The Feminist Aesthetics of Virginia Woolf by Jane Goldman Pdf
Jane Goldman offers a revisionary, feminist reading of Woolf's work. Focusing on Woolf's engagement with the artistic theories of her time, Goldman analyzes Woolf's fascination with the Post-Impressionist exhibition of 1920 and the solar eclipse of 1927 by linking her response to a much wider literary and cultural context. Illustrated with color pictures, this book will appeal not only to scholars working on Woolf, but also to students of modernism, art history, and women's studies.
