Virtuosity Of The Nineteenth Century

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Virtuosity of the Nineteenth Century

Author : Susan Bernstein
Publisher : Stanford University Press
Page : 260 pages
File Size : 42,7 Mb
Release : 1998
Category : Music
ISBN : 0804735050

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Virtuosity of the Nineteenth Century by Susan Bernstein Pdf

A study of the reflexive relationship between music and language in the nineteenth century, this book maintains a discrete historical focus while drawing upon an aesthetic going back to problems of epic delivery in ancient Greece. Reading Romantic reactions to music together with linguistic and economic conflicts brought about by the rise of journalism, the book pursues the tension around performativity that both connects and separates music and writing. Franz Liszt is the organizing figure in this detailed study of music in Heine and Baudelaire. The acclaimed virtuoso functions both as a metaphor for a musical mode of enunciation and as a historical referent. This dual status dramatizes the struggle at the heart of nineteenth-century aesthetics between poetic self-reference and realism’s efforts to report the world accurately. Debates surrounding Liszt pinpoint the conflict between the view that locates sense in the process of its production and the contrary judgment privileging a stable meaning over the exteriority of its execution. This dualism also articulates the problematic relationship of the individual to general social and linguistic structures. The book’s analyses of nineteenth-century theories of correspondence, along with the thematization of the “other arts,” point to the limitations of analogy, the impossibility of a general theory of art, and a crisis of identity—that is, a shared non-identity—that can be the only common property among different discourses, genres, and media. Virtuosity of the Nineteenth Century offers a fresh reading of relatively marginal texts by canonical figures, addressing questions about the relation between the arts, the possibility of critical description, and the function of performativity.

Schumann's Virtuosity

Author : Alexander Stefaniak
Publisher : Indiana University Press
Page : 311 pages
File Size : 47,6 Mb
Release : 2016-09-19
Category : Music
ISBN : 9780253022097

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Schumann's Virtuosity by Alexander Stefaniak Pdf

“A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.

Exploring Virtuosities. Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond

Author : Christine Hoppe,Melanie von Goldbeck,Maiko Kawabata
Publisher : Georg Olms Verlag
Page : 414 pages
File Size : 51,9 Mb
Release : 2018-05-02
Category : Music
ISBN : 9783487156620

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Exploring Virtuosities. Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond by Christine Hoppe,Melanie von Goldbeck,Maiko Kawabata Pdf

Over the last decade, musicological interest in both the composing virtuoso of the nineteenth century and the phenomenon of virtuosity has increased. Moving beyond approaches to music solely in terms of works allowed for a range of perspectives on concepts of virtuosity to emerge. Such cultural theory-based approaches crucially put the traditional musicological image of the virtuoso into a broader context. Recent advances in performance studies, furthermore, emphasise the need to include factors such as staging, the audience, sound and space, and musical practices, in our understanding of the complex phenomenon of virtuosity. The present volume tries to meet the challenges raised by these multi-layered perspectives by varying the foci on virtuosity – from specific attention to individual virtuosi and considerations of virtuosity’s historical and social context to broader questions regarding innovations in the current landscape and future virtuoso phenomena. The broad range of topics centres on the composer and virtuoso Heinrich Wilhelm Ernst and his immediate sphere of influence. The contributions in the present volume not only reveal the complexity of the research field of virtuosity but also liberate Heinrich Wilhelm Ernst from the shadow of fixed, mainly non-musical, discourses on virtuosity around Paganini. The enclosed CD with recordings by Guillaume Tardif, Philippe Borer, Clive Brown and Friederike Spangenberg enriches these texts by including the dimension of sound.

Liszt and the Birth of Modern Europe

Author : Michael Saffle,Rossana Dalmonte
Publisher : Pendragon Press
Page : 364 pages
File Size : 43,8 Mb
Release : 2003
Category : Music
ISBN : 157647027X

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Liszt and the Birth of Modern Europe by Michael Saffle,Rossana Dalmonte Pdf

The third volume of Liszt Studies looks at the composer in his contemporary world.

Nineteenth-Century Music

Author : Carl Dahlhaus
Publisher : Univ of California Press
Page : 432 pages
File Size : 44,5 Mb
Release : 1989
Category : Biography & Autobiography
ISBN : 0520076443

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Nineteenth-Century Music by Carl Dahlhaus Pdf

This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.

Vocal Virtuosity

Author : Sean M. Parr
Publisher : Oxford University Press
Page : 325 pages
File Size : 51,7 Mb
Release : 2021
Category : Music
ISBN : 9780197542644

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Vocal Virtuosity by Sean M. Parr Pdf

Introduction. Coloratura and Female Vocality -- The New Franco-Italian School of Singing -- Verdi and the End of Italian Coloratura -- Melismatic Madness and Technology -- Caroline Carvalho and Her World -- Carvalho, Gounod, and the Waltz -- Vestiges of Virtuosity : The French Coloratura Soprano -- Epilogue. Unending Coloratura.

Virtuosity and the Musical Work

Author : Jim Samson
Publisher : Unknown
Page : 240 pages
File Size : 48,5 Mb
Release : 2003
Category : Music
ISBN : 0511045700

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Virtuosity and the Musical Work by Jim Samson Pdf

This book considers the nature of nineteenth-century instrumental music by investigating three sets of etudes by Liszt. It explores central concerns such as a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept.

The Virtuoso as Subject

Author : Zarko Cvejić
Publisher : Cambridge Scholars Publishing
Page : 355 pages
File Size : 49,5 Mb
Release : 2016-06-22
Category : Music
ISBN : 9781443896825

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The Virtuoso as Subject by Zarko Cvejić Pdf

This book offers a novel interpretation of the sudden and steep decline of instrumental virtuosity in its critical reception between c. 1815 and c. 1850, documenting it with a large number of examples from Europe’s leading music periodicals at the time. The increasingly hostile critical reception of instrumental virtuosity during this period is interpreted from the perspective of contemporary aesthetics and philosophical conceptions of human subjectivity; the book’s main thesis is that virtuosity qua irreducibly bodily performance generated so much hostility because it was deemed incompatible with, and even threatening to, the new Romantic philosophical conception of music as a radically disembodied, abstract, autonomous art and, moreover, a symbol or model – if only a utopian one – of a similarly autonomous and free human subject, whose freedom and autonomy seemed increasingly untenable in the economic and political context of post-Napoleonic Europe. That is why music, newly reconceived as radically abstract and autonomous, plays such an important part in the philosophy of early German Romantics such as E. T. A. Hoffmann, Schelling, and Schopenhauer, with their growing misgivings about the very possibility of human freedom, and not so much in the preceding generation of thinkers, such as Kant and Hegel, who still believed in the (transcendentally) free subject of the Enlightenment. For the early German Romantics, music becomes a model of human freedom, if freedom could exist. By contrast, virtuosity, irredeemably moored in the perishable human body, ephemeral, and beholden to such base motives as making money and gaining fame, is not only incompatible with music thus conceived, but also threatens to expose it as an illusion, in other words, as irreducibly corporeal, and, by extension, the human subject it was meant to symbolise as likewise an illusion. Only with that in mind, may we begin to understand the hostility of some early to mid-19th-century critics to instrumental virtuosity, which sometimes reached truly bizarre proportions. In order to accomplish this, the book looks at contemporary aesthetics and philosophy, the contemporary reception of virtuosity in performance and composition, and the impact of 19th-century gender ideology on the reception of some leading virtuosi, male and female alike.

Liszt and Virtuosity

Author : Robert Doran
Publisher : Boydell & Brewer
Page : 447 pages
File Size : 46,7 Mb
Release : 2020
Category : Biography & Autobiography
ISBN : 9781580469395

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Liszt and Virtuosity by Robert Doran Pdf

A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.

The Virtuoso Liszt

Author : Dana Gooley
Publisher : Cambridge University Press
Page : 308 pages
File Size : 44,5 Mb
Release : 2004-09-09
Category : Music
ISBN : 0521834430

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The Virtuoso Liszt by Dana Gooley Pdf

The greatest virtuoso career in history - that of Franz Liszt - has been told in countless biographies. But what does that career look like when viewed from the perspective of European cultural history? In this study Dana Gooley examines the world of discussion, journalism, and controversy that surrounded the virtuoso Liszt, and reconstructs the multiple symbolic identities that he fulfilled for his enthusiastic audiences. Gooley's work is based on extensive research into contemporary periodicals - well-known and obscure journals and newspapers - as well as letters, memoirs, receipts and other documents that shed light on Liszt's concertising activities. Emphasising the virtuoso's contradictions, the author shows Liszt being constructed as a model aristocrat and a model bourgeois, as a German nationalist and a Hungarian nationalist, as a sensitive romantic artist and a military dictator, as a greedy entrepreneur and as a leading force for humanitarian charity.

Franz Liszt and His World

Author : Christopher H. Gibbs,Dana Gooley
Publisher : Princeton University Press
Page : 608 pages
File Size : 50,5 Mb
Release : 2010-08-29
Category : Music
ISBN : 9781400828616

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Franz Liszt and His World by Christopher H. Gibbs,Dana Gooley Pdf

No nineteenth-century composer had more diverse ties to his contemporary world than Franz Liszt (1811-1886). At various points in his life he made his home in Vienna, Paris, Weimar, Rome, and Budapest. In his roles as keyboard virtuoso, conductor, master teacher, and abbé, he reinvented the concert experience, advanced a progressive agenda for symphonic and dramatic music, rethought the possibilities of church music and the oratorio, and transmitted the foundations of modern pianism. The essays brought together in Franz Liszt and His World advance our understanding of the composer with fresh perspectives and an emphasis on historical contexts. Rainer Kleinertz examines Wagner's enthusiasm for Liszt's symphonic poem Orpheus; Christopher Gibbs discusses Liszt's pathbreaking Viennese concerts of 1838; Dana Gooley assesses Liszt against the backdrop of antivirtuosity polemics; Ryan Minor investigates two cantatas written in honor of Beethoven; Anna Celenza offers new insights about Liszt's experience of Italy; Susan Youens shows how Liszt's songs engage with the modernity of Heinrich Heine's poems; James Deaville looks at how publishers sustained Liszt's popularity; and Leon Botstein explores Liszt's role in the transformation of nineteenth-century preoccupations regarding religion, the nation, and art. Franz Liszt and His World also includes key biographical and critical documents from Liszt's lifetime, which open new windows on how Liszt was viewed by his contemporaries and how he wished to be viewed by posterity. Introductions to and commentaries on these documents are provided by Peter Bloom, José Bowen, James Deaville, Allan Keiler, Rainer Kleinertz, Ralph Locke, Rena Charnin Mueller, and Benjamin Walton.

Virtuosity and the Musical Work

Author : Jim Samson
Publisher : Cambridge University Press
Page : 252 pages
File Size : 51,5 Mb
Release : 2007-04-23
Category : Music
ISBN : 9781139436212

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Virtuosity and the Musical Work by Jim Samson Pdf

This book is about three sets of etudes by Liszt: the Etude en douze exercices (1826), its reworking as Douzes grandes études (1837), and their reworking as Douzes études d'exécution transcendante (1851). At the same time it is a book about nineteenth-century instrumental music in general, in that the three works invite the exploration of features characteristic of the early Romantic era in music. These include: a composer-performer culture, the concept of virtuosity, the significance of recomposition, music and the poetic, and the consolidation of a musical work-concept. A central concern is to illuminate the relationship between the work-concept and a performance- and genre-orientated musical culture. At the same time the book reflects on how we might make judgements of the 'Transcendentals', of the Symphonic Poem Mazeppa (based on the fourth etude), and of Liszt's music in general.

Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments

Author : Rachel N. Becker
Publisher : Taylor & Francis
Page : 209 pages
File Size : 42,8 Mb
Release : 2024-03-29
Category : Music
ISBN : 9781003854562

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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments by Rachel N. Becker Pdf

This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century. Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.

Music in the Nineteenth Century

Author : Richard Taruskin
Publisher : Oxford University Press
Page : 840 pages
File Size : 49,9 Mb
Release : 2006-08-14
Category : Music
ISBN : 9780199796021

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Music in the Nineteenth Century by Richard Taruskin Pdf

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. In Music in the Nineteenth Century , Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

The Gypsy Caravan

Author : David Malvinni
Publisher : Routledge
Page : 320 pages
File Size : 43,8 Mb
Release : 2004-05-01
Category : Music
ISBN : 9781135879143

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The Gypsy Caravan by David Malvinni Pdf

A formidable challenge to the study of Roma (Gypsy) music is the muddle of fact and fiction in determining identity. This book investigates "Gypsy music" as a marked and marketable exotic substance, and as a site of active cultural negotiation and appropriation between the real Roma and the idealized Gypsies of the Western imagination. David Malvinni studies specific composers-including Liszt, Brahms, Rachmaninov, Janacek, and Bartók-whose work takes up contested and varied configurations of Gypsy music. The music of these composers is considered alongside contemporary debates over popular music and film, as Malvinni argues that Gypsiness remains impervious to empirical revelations about the "real" Roma.