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'Visions of the Buddha' offers a groundbreaking new approach to the nature of the early discourses of the Buddha, the most foundational scriptures of Buddhist religion. While the early discourses are commonly considered to be attempts to preserve the Buddha's teachings, Shulman demonstrates that these texts are full of creativity, driven by inspired storytelling. Much of this storytelling is effected through techniques specific to oral literature, in which oral formulas can be combined in an infinite variety of ways, in order to produce yet more beautified visions of Buddhist truth.
Visions of the Buddha offers a ground-breaking approach to the nature of the early discourses of the Buddha, the most foundational scriptures of Buddhist religion. Although the early discourses are commonly considered to be attempts to preserve the Buddha's teachings, Shulman demonstrates that these texts are full of creativity, and that their main aim is to beautify the image of the wonderous Buddha. While the texts surely care for the early teachings and for the Buddha's philosophy or his guidelines for meditation, and while at times they may relate real historical events, they are no less interested in telling good stories, in re-working folkloric materials, and in the visionary contemplation of the Buddha in order to sense his unique presence. The texts can thus be, at times, a type of meditation. Eviatar Shulman frames the early discourses as literary masterpieces that helped Buddhism achieve the wonderful success it has obtained. Much of the discourses' masterful storytelling was achieved through a technique of composition defined here as the play of formulas. In the oral literature of early Buddhism, texts were composed of formulas, which are repeated within and between texts. Shulman argues that the formulas are the real texts of Buddhism, and are primary to full discourses. Shaping texts through the play of formulas balances conservative and innovative tendencies within the tradition, making room for creativity within accepted forms and patterns. The texts we find today are thus versions--remnants--chosen by history of a much more vibrant and dynamic creative process.
Three Visions by Dkon-mchog-lhun-grub (Ngor-chen),Ngorchen Konchog Lhundrub Pdf
Examines the state of those experiencing suffering, those engaged in the methods leading towards freedom from unhappiness and misery, and those fully enlightened ones who have attained the highest goal of omniscient awakening.
What is the Buddhist vision? Put simply, it is that all humans can develop. Each one of us can find a way beyond the dissatisfaction and suffering of everyday life and realize our full potential. In describing three important Buddhist symbols, Subhuti shows us how. Informed by more than 25 years of committed Buddhist practice, Subhuti's clarity and understanding will be welcomed by both newcomers to Buddhism and those with more experience. His inspiring call challenges us to follow the Buddhist path with all our heart.
Author : Julian F. Pas Publisher : State University of New York Press Page : 472 pages File Size : 45,6 Mb Release : 1995-08-17 Category : Religion ISBN : 9781438415598
The Pure Land movement focuses on the worship of one particular Buddha, Amitabha or Amitayus who created a paradise named Sukhavati, Land of Extreme Bliss. The scriptures of this school promise rebirth in that Land to the devotees of that Buddha. It was considered to be an "easy way" to gain salvation in contrast with the "arduous path" of self-sacrifice recommended in original Buddhism. T'ang monk Shan-tao was instrumental in the propagation and popularity of this devotional school. He was an ascetic and serious meditator who followed the techniques of visualization explained in the Sutra on Visualizing Buddha Amita, and his commentary on this text was later considered to be his most outstanding work. Western authors, however, misrepresent Shan-tao because they follow the lead of Japanese Jodo Shinshu masters who deemphasized meditative practices. With the hope that old stereotypes will be dropped, this book lets the Chinese texts speak for themselves.
In a unique overview of this inspiring tradition, Nagapriya introduces its themes and spectrum of practices, literature and movements. Charting the evolution and expression of the Mahayana as a whole, he tracks its movement across South and East Asia, uncovering its history, culture and doctrines and blending this extensive knowledge with a strong element of lived practice. Ideal for both teaching and personal use, this far-reaching guide provides a solid foundation for any study in Buddhism and a valuable voice on Asian history.
McMahan argues that the symbolic role of sight in Mahayana Literature shapes the traditions epistemic paradigm and concepts of enlightenment, as well as its visionary literature, symbolic imagery and visualization practises.
Vision and Transformation by Sangharakshita (Bhikshu) Pdf
The Eightfold Path is the most widely known formulation of the Buddha's teaching. It is ancient, reaching back to the Buddha's very first discourse, and it is highly venerated as a unique treasury of wisdom and practical guidance. The teaching of the Eightfold Path challenges us to grasp the implications of that vision, and asks us to transform ourselves in its light. Like the teaching itself, this work covers every aspect of life.
Visions of Awakening Space and Time by Taigen Dan Leighton Pdf
As a religion concerned with universal liberation, Zen grew out of a Buddhist worldview very different from the currently prevalent scientific materialism. Indeed, says Taigen Dan Leighton, Zen cannot be fully understood outside of a worldview that sees reality itself as a vital, dynamic agent of awareness and healing. In this book, Leighton explicates that worldview through the writings of the Zen master Eihei D?gen (1200-1253), considered the founder of the Japanese S?t? Zen tradition, which currently enjoys increasing popularity in the West. The Lotus Sutra, arguably the most important Buddhist scripture in East Asia, contains a famous story about bodhisattvas (enlightening beings) who emerge from under the earth to preserve and expound the Lotus teaching in the distant future. The story reveals that the Buddha only appears to pass away, but actually has been practicing, and will continue to do so, over an inconceivably long life span. Leighton traces commentaries on the Lotus Sutra from a range of key East Asian Buddhist thinkers, including Daosheng, Zhiyi, Zhanran, Saigyo, My?e, Nichiren, Hakuin, and Ry?kan. But his main focus is Eihei D?gen, the 13th century Japanese S?t? Zen founder who imported Zen from China, and whose profuse, provocative, and poetic writings are important to the modern expansion of Buddhism to the West. D?gen's use of this sutra expresses the critical role of Mahayana vision and imagination as the context of Zen teaching, and his interpretations of this story furthermore reveal his dynamic worldview of the earth, space, and time themselves as vital agents of spiritual awakening. Leighton argues that D?gen uses the images and metaphors in this story to express his own religious worldview, in which earth, space, and time are lively agents in the bodhisattva project. Broader awareness of D?gen's worldview and its implications, says Leighton, can illuminate the possibilities for contemporary approaches to primary Mahayana concepts and practices.
Farber's photographs open a view of the beauty and diversity of Buddhist life around the world. His eye for composition, his attention to color and detail, and his intimate knowledge of Buddhism come together to produce a study in the human face, in the art of spiritual devotion, in the evocative power of landscape. The photographs, together with Farber's extensive captions, take us to the temples, monasteries, and colorful streets of Los Angeles, Kyoto, and Bangkok, and travel onward to China, India, Nepal, South Korea, and Taiwan. These images capture some of the last Tibetan masters to have received their training before the Chinese invasion. They also picture some of the great teachers of our day--the Dalai Lama, Thich Nhat Hanh, and Kalu Rinpoche. They depict Buddhists alone and in crowds, in cities rich and poor, in meditation and in conversation. --From publisher description.
