Visions Of Virtue In Popular Film

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Visions Of Virtue In Popular Film

Joseph Kupfer
Visions Of Virtue In Popular Film Book PDF

Author : Joseph Kupfer
Publisher : Routledge
Page : 248 pages
File Size : 48,7 Mb
Release : 2018-03-08
Category : Social Science
ISBN : 9780429971778

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Visions Of Virtue In Popular Film by Joseph Kupfer Pdf

Visions of Virtue in Popular Film grows out of the interplay between film criticism and a philosophical view of virtue. Joseph H. Kupfer argues that film fictions can be integral to moral reflection, and thus by examining the narrative and cinematic aspects of popular films, we can derive important moral truths about people and their behavior. Taking as his base a classical conception of virtue and vice, Kupfer offers an in-depth examination of Groundhog Day, The African Queen, Parenthood, Rob Roy, Fresh, Jaws, and Aliens in order to investigate the value of virtue within ever-widening social contexts.

Virtue and Vice in Popular Film

Joseph H. Kupfer
Virtue and Vice in Popular Film Book PDF

Author : Joseph H. Kupfer
Publisher : Routledge
Page : 106 pages
File Size : 50,7 Mb
Release : 2021-05-03
Category : Philosophy
ISBN : 9781000413427

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Virtue and Vice in Popular Film by Joseph H. Kupfer Pdf

This book addresses a prominent group of virtues and vices as portrayed in popular films to further our understanding of these moral character traits. The discussions emphasize the interplay between the philosophical conception of the virtues and vices and the cinematic representations of character. Joseph H. Kupfer explores how fictional characters possessing certain moral strengths and weaknesses concretize our abstract understanding of them. Because the actions that flow from these traits occur in cinematic contexts mirroring real world conditions, the narrative portrayals of these moral characteristics can further our appreciation of their import. Humility, integrity, and perseverance, for example, are depicted in Chariots of Fire, The Fabulous Baker Boys, and Billy Elliot, while the vices of envy, arrogance and vanity are captured in Amadeus, Whiplash, and Young Adult. This interdisciplinary work in philosophy and film criticism will be of great interest to scholars and students of film studies, philosophy of film, ethics, aesthetics, and popular culture.

Cognitive Film and Media Ethics

Wyatt Moss-Wellington
Cognitive Film and Media Ethics Book PDF

Author : Wyatt Moss-Wellington
Publisher : Oxford University Press
Page : 209 pages
File Size : 40,6 Mb
Release : 2021
Category : Performing Arts
ISBN : 9780197552889

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Cognitive Film and Media Ethics by Wyatt Moss-Wellington Pdf

Cognitive Film and Media Ethics provides a grounding in the use of cognitive science to address key questions in film, television and screen media ethics. This book extends past works in cognitive media studies to answer normative and ethically prescriptive questions: what could make media morally good or bad, and what, then, are the respective responsibilities of media producers and consumers? Moss-Wellington makes a primary claim that normative propositions are a kind of rigour, in that they force media theorists to draw more active ought conclusions from descriptive is arguments. Cognitive Film and Media Ethics presents the rigours of normative reasoning, cognitive science and consequentialist ethics as complementary, arguing that each seeks progressive elaboration on their own models of causality, and causal projections are crucial for any reflection on our moral responsibilities in the world. A hermeneutics of ethical cognitivism is applied in the latter half of the book, with essays each addressing a different case study in film, television, news and social media: cinema that sets out to inspire moral dissonance in the viewer, satirical and humorous depictions of family drama in film and television, the politics of the romantic comedy, formal aspects of screen media bullying in an era dubbed the television renaissance, and contemporary problems in the conflation of news and social media. Cognitive Film and Media Ethics synthesises current research in social psychology, anthropology, memory studies, emotion and cognition, personality and media selection, and evolutionary biology, integrating wide-ranging concepts from the various disciplines that make up cognitive theory to provide new vantages on the applied ethics of film and screen media.

Philosophy of Film and Motion Pictures

Noël Carroll,Jinhee Choi
Philosophy of Film and Motion Pictures Book PDF

Author : Noël Carroll,Jinhee Choi
Publisher : John Wiley & Sons
Page : 432 pages
File Size : 47,6 Mb
Release : 2009-02-09
Category : Philosophy
ISBN : 9781405152013

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Philosophy of Film and Motion Pictures by Noël Carroll,Jinhee Choi Pdf

Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout

Film and Ethics

Lisa Downing,Libby Saxton
Film and Ethics Book PDF

Author : Lisa Downing,Libby Saxton
Publisher : Routledge
Page : 184 pages
File Size : 47,5 Mb
Release : 2009-09-10
Category : Performing Arts
ISBN : 9781135232009

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Film and Ethics by Lisa Downing,Libby Saxton Pdf

Film & Ethics considers a range of films and texts of film criticism alongside disparate philosophical discourses of ethics by Levinas, Derrida, Foucault, Lacanian psychoanalysts and postmodern theorists.

Cinematic Ethics

Robert Sinnerbrink
Cinematic Ethics Book PDF

Author : Robert Sinnerbrink
Publisher : Routledge
Page : 216 pages
File Size : 53,6 Mb
Release : 2015-10-23
Category : Philosophy
ISBN : 9781317336112

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Cinematic Ethics by Robert Sinnerbrink Pdf

How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Cinematic Ethics: Exploring Ethical Experience through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional understanding and philosophical thinking. In a clear and engaging style, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles, and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics.

Film, Lacan and the Subject of Religion

Steve Nolan
Film Lacan and the Subject of Religion Book PDF

Author : Steve Nolan
Publisher : Bloomsbury Publishing
Page : 232 pages
File Size : 45,9 Mb
Release : 2009-07-23
Category : Performing Arts
ISBN : 9781441116338

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Film, Lacan and the Subject of Religion by Steve Nolan Pdf

In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented 'other' which joins them into a narrative where they become participants in an ideological 'reality'. Finding many current approaches to religious film analysis lacking, Film, Lacan and the Subject of Religion explores the film theory other writers ignore, particularly that mix of psychoanalysis, Marxism and semiotics - often termed Screen theory - that attempts to understand how cinematic representation shapes spectator identity. Using translations and commentary on Lacan not originally available to Screen theorists, Nolan returns to Lacan's contribution to psychoanalytic film theory and offers a sustained application to religious practice, examining several 'priest films' and real-life case study to expose the way liturgical representation shapes religious identity. Film, Lacan and the Subject of Religion proposes an interpretive strategy by which religious film analysts can develop the kind of analysis that engages with and critiques both cultural and religious practice.

The Routledge Companion to Philosophy and Film

Paisley Livingston,Carl Plantinga
The Routledge Companion to Philosophy and Film Book PDF

Author : Paisley Livingston,Carl Plantinga
Publisher : Routledge
Page : 868 pages
File Size : 54,5 Mb
Release : 2008-10-27
Category : Philosophy
ISBN : 9781135982744

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The Routledge Companion to Philosophy and Film by Paisley Livingston,Carl Plantinga Pdf

The Routledge Companion to Philosophy and Film is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The Companion features sixty specially commissioned chapters from international scholars and is divided into four clear parts: • issues and concepts • authors and trends • genres • film as philosophy. Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. Part two covers authors and scholars of film and significant theories Part three examines genres such as documentary, experimental cinema, horror, comedy and tragedy. Part four includes chapters on key directors such as Tarkovsky, Bergman and Terrence Malick and on particular films including Memento. Each chapter includes a section of annotated further reading and is cross-referenced to related entries. The Routledge Companion to Philosophy and Film is essential reading for anyone interested in philosophy of film, aesthetics and film and cinema studies.

"This shark, swallow you whole"

Kathy Merlock Jackson,Philip L. Simpson
This shark swallow you whole Book PDF

Author : Kathy Merlock Jackson,Philip L. Simpson
Publisher : McFarland
Page : 270 pages
File Size : 45,6 Mb
Release : 2023-03-15
Category : Performing Arts
ISBN : 9781476677453

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"This shark, swallow you whole" by Kathy Merlock Jackson,Philip L. Simpson Pdf

One of the most influential thrillers in media history, Jaws first surfaced as a best-selling novel by first-time novelist Peter Benchley in 1974, followed by the 1975 feature film directed by Steven Spielberg at the beginning of his storied career. Jaws is often considered the first "blockbuster," and successive generations of filmmakers have cited it as formative in their own creative development. For nearly 50 years, critics and scholars have studied how and why this seemingly straightforward thriller holds such mass appeal. This book of original essays assembles a range of critical thought on the impact and legacy of the film, employing new perspectives--historical, cinematic, literary, scientific and environmental--while building on the insights of previous writers. While varying in focus, the essays in this volume all explore why Jaws was so successful in its time and how it remains a prominent storytelling influence well into the 21st century.

Cinema, Philosophy, Bergman

Paisley Livingston
Cinema Philosophy Bergman Book PDF

Author : Paisley Livingston
Publisher : OUP Oxford
Page : 226 pages
File Size : 52,5 Mb
Release : 2009-07-02
Category : Philosophy
ISBN : 9780191610028

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Cinema, Philosophy, Bergman by Paisley Livingston Pdf

The increasingly popular idea that cinematic fictions can 'do' philosophy raises some difficult questions. Who is actually doing the philosophizing? Is it the philosophical commentator who reads general arguments or theories into the stories conveyed by a film? Could it be the film-maker, or a group of collaborating film-makers, who raise and try to answer philosophical questions with a film? Is there something about the experience of films that is especially suited to the stimulation of worthwhile philosophical reflections? In the first part of this book, Paisley Livingston surveys positions and arguments surrounding the cinema's philosophical value. He raises criticisms of bold theses in this area and defends a moderate view of film's possible contributions to philosophy. In the second part of the book he defends an intentionalist approach that focuses on the film-makers' philosophical background assumptions, sources, and aims. Livingston outlines intentionalist interpretative principles as well as an account of authorship in cinema. The third part of the book exemplifies this intentionalist approach with reference to the work of Ingmar Bergman. Livingston explores the connection between Bergman's work and the Swedish director's primary philosophical source-a treatise in philosophical psychology authored by the Finnish philosopher, Eino Kaila. Bergman proclaimed that reading this book was a tremendous philosophical experience for him and that he 'built on this ground'. With reference to materials in the newly created Ingmar Bergman archive, Livingston shows how Bergman took up Kaila's topics in his cinematic explorations of motivated irrationality, inauthenticity, and the problem of self-knowledge.

Thinking on Screen

Thomas E. Wartenberg
Thinking on Screen Book PDF

Author : Thomas E. Wartenberg
Publisher : Routledge
Page : 176 pages
File Size : 45,7 Mb
Release : 2007-10-31
Category : Performing Arts
ISBN : 9781135975890

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Thinking on Screen by Thomas E. Wartenberg Pdf

Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films’ ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer a systematic account of the ways in which specific films undertake the task of philosophy. Focusing on the films The Man Who Shot Liberty Valance, Modern Times, The Matrix, Eternal Sunshine of the Spotless Mind, The Third Man, The Flicker, and Empire, Wartenberg shows how these films express meaningful and pertinent philosophical ideas. This book is essential reading for students of philosophy with an interest in film, aesthetics, and film theory. It will also be of interest to film enthusiasts intrigued by the philosophical implications of film.

Narrative Humanism

Moss-Wellington Wyatt Moss-Wellington
Narrative Humanism Book PDF

Author : Moss-Wellington Wyatt Moss-Wellington
Publisher : Edinburgh University Press
Page : 286 pages
File Size : 41,9 Mb
Release : 2019-09-13
Category : Fiction
ISBN : 9781474454346

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Narrative Humanism by Moss-Wellington Wyatt Moss-Wellington Pdf

This book attempts to clarify the narrative conditions of humanism, asking how we can use stories to complicate our understanding of others, and questioning the ethics and efficacy of attempts to represent human social complexity in fiction. With case studies of films like Parenthood (1989), American Beauty (1999), Little Miss Sunshine (2006) and The Kids Are All Right (2010), this original study synthesises leading discourses on media and cognition, evolutionary anthropology, literature and film analysis into a new theory of the storytelling instinct.

Screen Stories

Carl R. Plantinga
Screen Stories Book PDF

Author : Carl R. Plantinga
Publisher : Oxford University Press
Page : 329 pages
File Size : 42,5 Mb
Release : 2018
Category : Art
ISBN : 9780190867133

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Screen Stories by Carl R. Plantinga Pdf

The way we communicate with each other is vital to preserving the cultural ecology, or wellbeing, of a place and time. Do we listen to each other? Do we ask the right questions? Do we speak about each other with respect or disdain? The stories that we convey on screens, or what author Carl Plantinga calls 'screen stories,' are one powerful and pervasive means by which we communicate with each other. Screen Stories: Emotion and the Ethics of Engagement argues that film and media studies needs to move toward an an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens. Primarily concerned with the relationship between media and viewers, this book considers ethical criticism and the emotional power of screen stories that makes such criticism necessary. The content we consume--from television shows and movies to advertisements--can significantly affect our welfare on a personal and societal level, and thus, this content is subject to praise and celebration, or questioning and even condemnation. The types of screen stories that circulate contribute to the cultural ecology of a time and place; through shared attention they influence what individuals think and feel. Plantinga develops a theory of the power of screen stories to affect both individuals and cultures, asserting that we can better respond ethically to such media if we understand the sources of its influence on us.

Thinking About Love

Diane Enns,Antonio Calcagno
Thinking About Love Book PDF

Author : Diane Enns,Antonio Calcagno
Publisher : Penn State Press
Page : 273 pages
File Size : 48,9 Mb
Release : 2015-11-10
Category : Philosophy
ISBN : 9780271076188

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Thinking About Love by Diane Enns,Antonio Calcagno Pdf

Does love command an ineffability that remains inaccessible to the philosopher? Thinking About Love considers the nature and experience of love through the writing of well-known Continental philosophers such as Hannah Arendt, Simone de Beauvoir, Jacques Derrida, and Maurice Merleau-Ponty. Evolving forms of social organization, rapid developments in the field of psychology, and novel variations on relationships demand new approaches to and ways of talking about love. Rather than offering prescriptive claims, this volume explores how one might think about the concept philosophically, without attempting to resolve or alleviate its ambiguities, paradoxes, and limitations. The essays focus on the contradictions and limits of love, manifested in such phenomena as trust, abuse, grief, death, violence, politics, and desire. An erudite examination of the many facets of love, this book fills a lacuna in the philosophy of this richly complicated topic. Along with the editors, the contributors are Sophie Bourgault, John Caruana, Christina M. Gschwandtner, Marguerite La Caze, Alphonso Lingis, Christian Lotz, Todd May, Dawne McCance, Dorothea Olkowski, Felix Ó Murchadha, Fiona Utley, and Mélanie Walton.

New Approaches to Contemporary Adaptation

Betty Kaklamanidou
New Approaches to Contemporary Adaptation Book PDF

Author : Betty Kaklamanidou
Publisher : Wayne State University Press
Page : 308 pages
File Size : 51,7 Mb
Release : 2020-11-17
Category : Art
ISBN : 9780814346266

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New Approaches to Contemporary Adaptation by Betty Kaklamanidou Pdf

In New Approaches to Contemporary Adaptation, editor Betty Kaklamanidou defiantly claims that "all films are adaptations." The wide-ranging chapters included in this book highlight the growing and evolving relevance of the field of adaptation studies and its many branding subfields. Armed with a wealth of methodologies, theoretical concepts, and sophisticated paradigms of case-studies analyses of the past, these scholars expand the field to new and exciting realms. With chapters on data, television, music, visuality, and transnationalism, this anthology aims to complement the literature of the field by asking answers to outstanding questions while proposing new ones: Whose stories have been adapted in the last few decades? Are films that are based on "true stories" simply adaptations of those real events? How do transnational adaptations differ from adaptations that target the same national audiences as the texts they adapt? What do long-running TV shows actually adapt when their source is a single book or novel? To attempt to answer these questions, New Approaches to Contemporary Adaptation is organized in three parts. Part 1, "External Influences on Adaptation," delves into matters surrounding film adaptations without primarily focusing on textual analysis of the final cinematic product. Part 2, "Millennial TV and Franchise Adaptations," demonstrates that the contemporary television landscape has become fruitful terrain for adaptation studies. Part 3, "ElasTEXTity and Adaptation," explores different thematic approaches to adaptation studies and how adaptation extends beyond traditional media. Spanning media and the globe, contributors complement their research with tools from sociology, psychoanalysis, gender studies, race studies, translation studies, and political science. Kaklamanidou makes it clear that adaptation is vital to sharing important stories and mythologies, as well as passing knowledge to new generations. The aim of this anthology is to open up the field of adaptation studies by revisiting the object of analysis and proposing alternative ways of looking at it. Scholars of cultural, gender, film, literary, and adaptation studies will find this collection innovative and thought-provoking.