Visual Culture And The Revolutionary And Napoleonic Wars

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Visual Culture and the Revolutionary and Napoleonic Wars

Author : Satish Padiyar,Philip Shaw,Philippa Simpson
Publisher : Unknown
Page : 252 pages
File Size : 51,6 Mb
Release : 2018-09-06
Category : First Coalition, War of the, 1792-1797
ISBN : 1138353345

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Visual Culture and the Revolutionary and Napoleonic Wars by Satish Padiyar,Philip Shaw,Philippa Simpson Pdf

Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Through consideration of a range of media, from academic painting to prints, drawings and printed ephemera, this book offers fresh understanding of the rich variety of ways in which warfare was mediated in visual cultures in Britain and continental Europe. The fourteen essays in the collection are grouped thematically into three sections, each focusing on a specific type of visual communication. Thus, Part One engages with historically specific ways of transmitting messages about war and conflict, including maps, prints, silhouette imagery and war games produced in France and Germany; Part Two considers popular and elite imagining of war between 1793 and 1815, encompassing readings of paintings by Turner, Girodet and Goya, Portuguese anti-French drawings and British satirical book illustrations; while Part Three concentrates on visual cultures of commemoration, addressing British theatrical reenactments and museum collections, and British and Dutch paintings of the Battle of Waterloo. As such, the volume uncovers fascinating new visual material and throws fresh light on some of the more canonical visual representations of conflict during the first 'Total War'.

Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture

Author : Daniel Harkett,Katie Hornstein
Publisher : Dartmouth College Press
Page : 322 pages
File Size : 54,6 Mb
Release : 2017-03-07
Category : Art
ISBN : 9781512600438

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Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture by Daniel Harkett,Katie Hornstein Pdf

This collection reconsiders the life and work of Emile Jean-Horace Vernet (1789-1863), presenting him as a crucial figure for understanding the visual culture of modernity. The book includes work by senior and emerging scholars, showing that Vernet was a multifaceted artist who moved with ease across the thresholds of genre and media to cultivate an image of himself as the embodiment of modern France. In tune with his times, skilled at using modern technologies of visual reproduction to advance his reputation, Vernet appealed to patrons from across the political spectrum and made works that nineteenth-century audiences adored. Even Baudelaire, who reviled Vernet and his art and whose judgment has played a significant role in consigning Vernet to art-historical obscurity, acknowledged that the artist was the most complete representative of his age. For those with an interest in the intersection of art and modern media, politics, imperialism, and fashion, the essays in this volume offer a rich reward.

Time, Media, and Visuality in Post-Revolutionary France

Author : Iris Moon,Richard Taws
Publisher : Bloomsbury Publishing USA
Page : 313 pages
File Size : 42,7 Mb
Release : 2021-07-01
Category : Art
ISBN : 9781501348402

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Time, Media, and Visuality in Post-Revolutionary France by Iris Moon,Richard Taws Pdf

The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the eclectic objects and forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and printmakers, as they worked out what it meant to be “post-revolutionary.”

The Politics of the Provisional

Author : Richard Taws
Publisher : Penn State Press
Page : 230 pages
File Size : 40,8 Mb
Release : 2015-09-22
Category : Art
ISBN : 9780271061894

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The Politics of the Provisional by Richard Taws Pdf

In revolutionary France the life of things could not be assured. War, shortage of materials, and frequent changes in political authority meant that few large-scale artworks or permanent monuments to the Revolution’s memory were completed. On the contrary, visual practice in revolutionary France was characterized by the production and circulation of a range of transitional, provisional, ephemeral, and half-made images and objects, from printed paper money, passports, and almanacs to temporary festival installations and relics of the demolished Bastille. Addressing this mass of images conventionally ignored in art history, The Politics of the Provisional contends that they were at the heart of debates on the nature of political authenticity and historical memory during the French Revolution. Thinking about material durability, this book suggests, was one of the key ways in which revolutionaries conceptualized duration, and it was crucial to how they imagined the Revolution’s transformative role in history. The Politics of the Provisional is the first book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book is available on a variety of popular e-book platforms.

The Nineteenth-century Visual Culture Reader

Author : Vanessa R. Schwartz,Jeannene M. Przyblyski
Publisher : Psychology Press
Page : 436 pages
File Size : 52,9 Mb
Release : 2004
Category : Art
ISBN : 0415308666

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The Nineteenth-century Visual Culture Reader by Vanessa R. Schwartz,Jeannene M. Przyblyski Pdf

The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.

Picturing War in France, 1792–1856

Author : Katie Hornstein
Publisher : Yale University Press
Page : 208 pages
File Size : 55,7 Mb
Release : 2018-02-06
Category : Art
ISBN : 9780300230161

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Picturing War in France, 1792–1856 by Katie Hornstein Pdf

From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792–1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict.

A Data-Driven Analysis of Cemeteries and Social Reform in Paris, 1804–1924

Author : Kaylee P. Alexander
Publisher : Taylor & Francis
Page : 205 pages
File Size : 49,7 Mb
Release : 2023-08-28
Category : Art
ISBN : 9781000930993

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A Data-Driven Analysis of Cemeteries and Social Reform in Paris, 1804–1924 by Kaylee P. Alexander Pdf

This book takes a novel, data-driven approach to the cemeteries of Paris, analyzing a largely text-based body of archival material as proxy evidence for visual material that has been lost due to systematic, and legally sanctioned, acts of erasure. This study represents the first full-length study of vernacular monuments in France and the entrepreneurs who made them. It also provides methodical considerations, at the intersection of the computational and digital humanities for managing survival biases in extant historical evidence, that are applicable beyond the thematic focus of this book. Since extant examples of these more inconspicuous monuments are rare, this project employs both distant and close viewing—analyzing commercial almanacs, work logs, and burial records in aggregates alongside detailed case studies—to compensate for gaps in the material record. The book will be of interest to scholars working in visual culture, popular culture, digital humanities, and French history.

The Visual Culture of Violence After the French Revolution

Author : Lela Graybill
Publisher : Routledge
Page : 212 pages
File Size : 50,6 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351539623

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The Visual Culture of Violence After the French Revolution by Lela Graybill Pdf

The Visual Culture of Violence after the French Revolution traces four sites of spectatorship that exemplified the visual culture of violence in the late eighteenth and early nineteenth centuries, offering a new account of the significance of violent spectacle to the birth of modernity. Considerations of the execution scaffold, salon painting, print culture and the fait divers, and waxworks displays establish the centrality of spectatorial violence to experiences of selfhood in the wake of the French Revolution. Shedding critical light on previously neglected aspects of art and visual culture of the post-Revolutionary period, The Visual Culture of Violence after the French Revolution demonstrates how violent spectacle at this moment was profoundly shaped by shifting social attitudes, contemporary political practices, and rapidly accelerated technological developments. By attending to the formal and historical specificity of violent spectacle after the Revolution, Graybill affirms the historical contingency through which the visual culture of violence in the modern era has emerged. The Visual Culture of Violence after the French Revolution will be broadly relevant to scholars of art, media and visual studies, and particularly to historians of the French Revolution and eighteenth- and early nineteenth-century Europe. The book's concern with the representation of violence makes it of interest to scholars working in a variety of fields beyond its historical period, especially in art, literature, history, media and culture studies.

War Memories

Author : Alan Forrest,Étienne François
Publisher : Palgrave Macmillan
Page : 0 pages
File Size : 47,5 Mb
Release : 2012-03-20
Category : History
ISBN : 0230272169

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War Memories by Alan Forrest,Étienne François Pdf

The Revolutionary and Napoleonic Wars had an enduring influence on the collective memory of all European nations and regions, and have given them an international dimension. These essays look at how the French Wars were remembered in personal diaries, paintings and literature, allowing a comparative analysis with atransnational perspective.

War Memories

Author : Alan Forrest,Étienne François
Publisher : Palgrave Macmillan
Page : 0 pages
File Size : 40,5 Mb
Release : 2012-03-20
Category : History
ISBN : 1137365404

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War Memories by Alan Forrest,Étienne François Pdf

The Revolutionary and Napoleonic Wars had an enduring influence on the collective memory of all European nations and regions, and have given them an international dimension. These essays look at how the French Wars were remembered in personal diaries, paintings and literature, allowing a comparative analysis with atransnational perspective.

Constructing the Memory of War in Visual Culture since 1914

Author : Ann Murray
Publisher : Routledge
Page : 272 pages
File Size : 46,8 Mb
Release : 2018-01-03
Category : Art
ISBN : 9781351360203

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Constructing the Memory of War in Visual Culture since 1914 by Ann Murray Pdf

This collection provides a transnational, interdisciplinary perspective on artistic responses to war from 1914 to the present, analysing a broad selection of the rich, complex body of work which has emerged in response to conflicts since the Great War. Many of the creators examined here embody the human experience of war: first-hand witnesses who developed a unique visual language in direct response to their role as victim, soldier, refugee, resister, prisoner and embedded or official artist. Contributors address specific issues relating to propaganda, wartime femininity and masculinity, women as war artists, trauma, the role of art in soldiery, memory, art as resistance, identity and the memorialisation of war.

British Poetry and the Revolutionary and Napoleonic Wars

Author : Simon Bainbridge
Publisher : Oxford University Press, USA
Page : 280 pages
File Size : 47,7 Mb
Release : 2003
Category : History
ISBN : 0198187580

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British Poetry and the Revolutionary and Napoleonic Wars by Simon Bainbridge Pdf

This book argues that poetry played a major role in the mediation of the Revolutionary and Napoleonic wars to the British public, and that the wars had a significant impact on poetic practices and theories in the Romantic period. It examines a wide range of writers, both canonical (Wordsworth,Coleridge, and Byron) and non-canonical (Smith, Southey, Scott, and Hemans), and locates their work within the huge amount of war poetry published in newspapers and magazines. It shows that poetry was a crucial form through which what were seen as the first modern or 'total' wars were imagined inBritain and that it was central to the cultural and political debates over the conflict with France. While the Revolutionary and Napoleonic wars compelled poets to re-examine their roles, it was poetry itself which produced a major transformation of the imagining of war that would be influentialthroughout the nineteenth century.

Landscape Painting in Revolutionary France

Author : Steven Adams
Publisher : Routledge
Page : 164 pages
File Size : 44,9 Mb
Release : 2019-09-25
Category : Art
ISBN : 9781351859066

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Landscape Painting in Revolutionary France by Steven Adams Pdf

The French Revolution had a marked impact on the ways in which citizens saw the newly liberated spaces in which they now lived. Painting, gardening, cinematic displays of landscape, travel guides, public festivals, and tales of space flight and devilabduction each shaped citizens’ understanding of space. Through an exploration of landscape painting over some 40 years, Steven Adams examines the work of artists, critics and contemporary observers who have largely escaped art historical attention to show the importance of landscape as a means of crystallising national identity in a period of unprecedented political and social change.

Narratives of the Revolutionary and Napoleonic Wars

Author : C. Kennedy
Publisher : Springer
Page : 263 pages
File Size : 53,9 Mb
Release : 2013-09-19
Category : History
ISBN : 9781137316530

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Narratives of the Revolutionary and Napoleonic Wars by C. Kennedy Pdf

The volume explores how the Revolutionary and Napoleonic wars were experienced, perceived and narrated by contemporaries in Britain and Ireland, drawing on an extensive range of personal testimonies by soldiers, sailors and civilians to shed new light on the social and cultural history of the period and the history of warfare more broadly.

Collecting the Past

Author : Toby Burrows,Cynthia Johnston
Publisher : Routledge
Page : 144 pages
File Size : 54,6 Mb
Release : 2018-10-03
Category : Art
ISBN : 9781351208543

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Collecting the Past by Toby Burrows,Cynthia Johnston Pdf

Today’s libraries and museums are heavily indebted to the passions and obsessions of numerous individual collectors who devoted their lives to amassing collections of books, manuscripts, artworks, and other culturally significant objects. Collecting the Past brings together the latest research on a wide range of significant British collectors from the eighteenth to the twentieth centuries, including Hans Sloane, Sarah Sophia Banks, Thomas Phillipps, Sydney Cockerell, J. P. Morgan Jr., Alfred Chester Beatty and R. E. Hart. Contributors to the volume examine the phenomenon of collecting in a variety of settings and across a range of different materials. Considering the aims and motives that led these collectors to assemble such remarkable collections, the book also examines the history of these collections after the collector’s death. Particular attention is given to the often complicated relationship between collectors and the public institutions that subsequently came to house their collections. Situated within the framework of cultural collecting more generally, this book offers an authoritative series of essays on key collectors. Collecting the Past should be most interesting to researchers, academics and postgraduate students engaged in the study of museum studies, book history, manuscript studies, museum history, library history and the history of collecting. Professionals in libraries, museums and galleries will also find the volume of great interest.