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A moving story for any child who has felt lonely, worried, or anxious and found solace in friendship with a beloved pet. Summer is here and Tyra spends many happy days lying in the warm grass with her new cat, Vivaldi. What could be better than staring up into the blue sky with a purring kitten on your tummy? But soon it's September, and while getting her backpack ready for the first day of school, Tyra feels everything she is going back to and a hard painful lump forms in her throat. School is a place of no words for Tyra, a place where the girls stare at her and stop talking when she walks by, a place where she feels completely alone. Only music can put an end to this feeling, music and her cat. Maybe, just maybe, things will be different this year now that it's not Tyra alone anymore, but Tyra and her cat. Vivaldi is a book for anyone who's ever felt alone, anyone who's ever worried or been anxious, and anyone who knows what a difference one friend can make.
Examines the role of what the author calls identity contingencies in the lives of individuals and in society as a whole, focusing on stereotype threat, arguing that people who believe they may be judged based on a bad stereotype do not perform as well, and showing how to overcome the problem.
The Chamber Cantatas of Antonio Vivaldi by Michael Talbot Pdf
Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.
Eminent musicologist H. C. Robbins Landon rediscovers the composer through an accessible and musically informed biography. Presenting documentation about Vivaldi discovered after the Baroque revival in the 1930s, Robbins Landon explores a fascinating life: Vivaldi was a Catholic priest who gave up celebrating Mass almost as soon as he was ordained; we was a lifelong invalid, but could travel all over Europe when it suited him; he was a dazzling violin virtuoso but died a pauper. Robbins Landon masterfully integrates musical analysis and biography, using each to illuminate the other and to unravel the riddle of Vivaldi's identity and extraordinary gift. This book includes illustrations of eighteenth-century Venice and several newly translated letters.
Vivaldi and the Invisible Orchestra by Stephen Costanza Pdf
Every day, Antonio Vivaldi composes a new orchestral piece, and every day, the orphan Candida transcribes Vivaldi's masterpiece into sheet music for the Invisible Orchestra. Nobody notices Candida or appreciates her hard work. But one day Candida accidentally slips a poem she wrote into the sheet music and the girl so often behind the shadows gets recognized for her own talents. Vivaldi really did have an Invisible Orchestra made up of orphan girls he taught to play. This beautiful book pays tribute to their inspiration.
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Vivaldi's Music for Flute and Recorder by Michael Talbot Pdf
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Vivaldi's Muse explores the life of Annina Giro, Antonio Vivaldi's longtime protegee. Annina first falls under the spell of the fiery and intriguing prete rosso (red-haired priest) at a young age, when Vivaldi is resident composer at the court of Mantua, her hometown. Stifled by the problems of her dysfunctional family, she has long dreamed of pursuing operatic stardom, and her attraction to the enchanting Venetian maestro soon becomes inseparable from that dream.
Antonio Vivaldi's music has mesmerized audiences for three hundred years. A less known story than his musical genius was the impressive figure that he was in Venetian society; the young, red-haired prodigy could make women swoon with the sweeping grandeur of his violin performances - especially after he traded in his priest's robes for the dashing attire of a celebrity. Through the words of his lifelong friend, Domenico Trapensi, Vivaldi's Girls tells the mesmerizing story of Vivaldi's time as a music teacher at Venice's Conservatorio, of those who fell for more than just his violin lessons, and of his romancing of other girls on the road to the Italian cities in his time.
Vivaldi's Four Seasons for the Beginning Pianist by David Dutkanicz Pdf
This edition of Vivaldi's perennially popular work features distilled selections from the entire score — winter, spring, summer, and fall — that have been specially adapted for beginning pianists.
The Four Seasons and the rest of the concertos in Op. 8 represent Vivaldi's remarkable innovation in the field of the Baroque concerto. This detailed guide examines the work's origin and construction in a way that enables the reader to distinguish what is extraordinary about the Seasons and what constitutes the composer's customary method of 'characterising' the solo concerto. Drawing on recent research and his own expertise in the appraisal of Vivaldi's manuscripts, the author draws interesting and sometimes startling conclusions about the conception of the Seasons, the origin of their programme, the dating of the concertos and the rationale behind the collection's ritornello-form structures and aria-like slow movements. The significance of Vivaldi's idiosyncratic art is thus revealed in some of the most popular concert music of all time.