Vocal Apparitions

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Vocal Apparitions

Author : Michal Grover-Friedlander
Publisher : Princeton University Press
Page : 216 pages
File Size : 45,6 Mb
Release : 2014-12-25
Category : Music
ISBN : 9781400866748

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Vocal Apparitions by Michal Grover-Friedlander Pdf

Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interprets how it occurred, and explores what happens when opera is projected onto the medium of film. Michal Grover-Friedlander finds striking affinities between film and opera--from Lon Chaney's classic silent film, The Phantom of the Opera, to the Marx Brothers' A Night at the Opera to Fellini's E la nave va. One of the guiding questions of this book is what occurs when what is aesthetically essential about one medium is transposed into the aesthetic field of the other. For example, Grover-Friedlander's comparison of an opera by Poulenc and a Rossellini film, both based on Cocteau's play The Human Voice, shows the relation of the vocal and the visual to be surprisingly affected by the choice of the medium. Her analysis of the Marx Brothers' A Night at the Opera demonstrates how, as a response to opera's infatuation with death, cinema comically acts out a correction of opera's fate. Grover-Friedlander argues that filmed operas such as Zeffirelli's Otello and Friedrich's Falstaff show the impossibility of a direct transformation of the operatic into the cinematic. Paradoxically, cinema at times can be more operatic than opera itself, thus capturing something essential that escapes opera's self-understanding. A remarkable look at how cinema has been haunted--and transformed--by opera, Vocal Apparitions reveals something original and important about each medium.

Opera as Soundtrack

Author : Jeongwon Joe
Publisher : Routledge
Page : 260 pages
File Size : 52,5 Mb
Release : 2016-05-13
Category : Music
ISBN : 9781317085478

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Opera as Soundtrack by Jeongwon Joe Pdf

Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment. Joe argues that when opera excerpts are employed on soundtracks they tend to appear at critical moments of the film, usually associated with the protagonists, and the author explores why it is opera, not symphony or jazz, that accompanies poignant scenes like these. Joe's film analysis focuses on the time period of the post-1970s, which is distinguished by an increase of opera excerpts on soundtracks to blockbuster titles, the commercial recognition of which promoted the production of numerous opera soundtrack CDs in the following years. Joe incorporates an empirical methodology by examining primary sources such as production files, cue-sheets and unpublished interviews with film directors and composers to enhance the traditional hermeneutic approach. The films analysed in her book include Woody Allen’s Match Point, David Cronenberg’s M. Butterfly, and Wong Kar-wai’s 2046.

Postopera: Reinventing the Voice-Body

Author : Jelena Novak
Publisher : Routledge
Page : 192 pages
File Size : 50,8 Mb
Release : 2016-03-09
Category : Music
ISBN : 9781317077206

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Postopera: Reinventing the Voice-Body by Jelena Novak Pdf

Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bête (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera’s meanings.

When Opera Meets Film

Author : Marcia J. Citron
Publisher : Cambridge University Press
Page : 128 pages
File Size : 52,9 Mb
Release : 2010-05-27
Category : Music
ISBN : 9781139489638

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When Opera Meets Film by Marcia J. Citron Pdf

Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.

Staging Voice

Author : Michal Grover-Friedlander
Publisher : Routledge
Page : 129 pages
File Size : 40,9 Mb
Release : 2021-12-24
Category : Performing Arts
ISBN : 9781000529074

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Staging Voice by Michal Grover-Friedlander Pdf

Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera’s decisive attribute—voice—as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th-century artists—Erik Satie, Bertolt Brecht and Kurt Weill—as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author’s staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design, and cultural studies.

Locating the Voice in Film

Author : Tom Whittaker,Sarah Wright
Publisher : Oxford University Press
Page : 337 pages
File Size : 49,8 Mb
Release : 2017
Category : Art
ISBN : 9780190261139

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Locating the Voice in Film by Tom Whittaker,Sarah Wright Pdf

This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film.

The Female Voice in the Twentieth Century

Author : Serena Facci,Michela Garda
Publisher : Routledge
Page : 157 pages
File Size : 41,9 Mb
Release : 2021-03-01
Category : Music
ISBN : 9781000352658

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The Female Voice in the Twentieth Century by Serena Facci,Michela Garda Pdf

By integrating theoretical approaches to the female voice with the musicological investigation of female singers’ practices, the contributors to this volume offer fresh viewpoints on the material, symbolic and cultural aspects of the female voice in the twentieth century. Various styles and genres are covered, including Western art music, experimental composition, popular music, urban folk and jazz. The volume offers a substantial and innovative appraisal of the role of the female voice from the perspective of twentieth-century performance practices, the centrality of female singers’ experimentations and extended vocal techniques along with the process of the ‘subjectivisation’ of the voice.

Schizotypy

Author : Oliver Mason,Gordon Claridge
Publisher : Routledge
Page : 254 pages
File Size : 51,8 Mb
Release : 2015-06-05
Category : Psychology
ISBN : 9781317937104

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Schizotypy by Oliver Mason,Gordon Claridge Pdf

For several decades there has been an increasing move towards viewing the psychotic illnesses from a dimensional perspective, seeing them as continuous with healthy functioning. The idea, concentrating mostly on schizophrenia, has generated considerable theoretical debate as well as empirical research, conducted under the rubric of 'schizotypy'. This book offers a timely discussion of the most significant themes and developments in this research area. Divided into four key sections which represent current concerns in schizotypy research – Measurement, Brain and Biology; Development and Environment; Consequences and Outcomes; and Future Directions – chapters reflect a broad range of approaches and discuss varied theoretical perspectives on schizotypy. Topics include: cognitive and perceptual biases psychometric assessments creativity and schizotypy genetic associations. developmental perspectives Schizotypy: New dimensions will appeal to academics, researchers and postgraduate students in the area of psychotic illnesses, as well as professionals including psychiatrists and clinical psychologists who are concerned with the basis of serious mental disorder. The book will inform readers who are new to the topic and will update and expand the knowledge base of those more experienced in the field.

Folklore of Lake Erie

Author : Judith S. Neulander
Publisher : Indiana University Press
Page : 314 pages
File Size : 45,8 Mb
Release : 2024
Category : History
ISBN : 9780253069795

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Folklore of Lake Erie by Judith S. Neulander Pdf

Welcome to a very different Lake Erie--where ghost ships sail silently, a Black Dog brings doom to sailors who see it, and sea monsters swirl in the murky depths above a UFO base. In Folklore of Lake Erie, Judith S. Neulander presents these captivating tales and many more from the smallest, yet arguably the most peculiar, of the Great Lakes in North America. Whether you are embarking on a discovery of the vampire crypt that lurks in the shadows while Lincoln's ghost train speeds past on its eternal journey or reminiscing about the tall tales your grandfather used to share, this delightful treasure trove of folklore and local traditions from the Lake Erie region contains legends and stories that are both astonishing and entertaining. Endlessly captivating and easily accessible, Folklore of Lake Erie is a distinctive compilation of eerie and enchanting narratives from across the years that will surprise and delight readers. Just be sure to keep an eye out for any peculiar Black Dogs that may cross your path along the way.

Experiencing Music and Visual Cultures

Author : Antonio Cascelli,Denis Condon
Publisher : Routledge
Page : 212 pages
File Size : 51,6 Mb
Release : 2021-01-31
Category : Art
ISBN : 9780429582233

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Experiencing Music and Visual Cultures by Antonio Cascelli,Denis Condon Pdf

Bringing the research of musicologists, art historians, and film studies scholars into dialogue, this book explores the relationships between visual art forms and music. The chapters are organized around three core concepts – threshold, intermediality, and synchresis – which offer ways of understanding and discusssing the interplay between the arts of sounds and images. Refuting the idea that music and visual art forms only operate in parallel, the contributors instead consider how the arts of sound and vision are entwined across a wide array of materials, genres and time periods. Contributors delve into a rich variety of topics, ranging from the art of Renaissance Italy to the politics of opera in contemporary Los Angeles to the popular television series Breaking Bad. Placing these chapters in conversation, this volume develops a shared language for cross-disciplinary inquiry into arts that blend music and visual components, integrates insights from film studies with the conversation between musicology and art history, and moves the study of music and visual culture forward.

The Oxford Handbook of Film Music Studies

Author : David Neumeyer
Publisher : Oxford University Press
Page : 696 pages
File Size : 53,6 Mb
Release : 2014
Category : Music
ISBN : 9780190250591

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The Oxford Handbook of Film Music Studies by David Neumeyer Pdf

The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.

Aesthetic Technologies of Modernity, Subjectivity, and Nature

Author : Richard Leppert
Publisher : Univ of California Press
Page : 348 pages
File Size : 48,9 Mb
Release : 2015-10-06
Category : Music
ISBN : 9780520962521

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Aesthetic Technologies of Modernity, Subjectivity, and Nature by Richard Leppert Pdf

Virginia Woolf famously claimed that, around December 1910, human character changed. Aesthetic Technologies addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the new century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas—cultural, social, and personal—associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back.

Possessed Voices

Author : Ruthie Abeliovich
Publisher : State University of New York Press
Page : 254 pages
File Size : 52,8 Mb
Release : 2019-07-01
Category : Performing Arts
ISBN : 9781438474458

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Possessed Voices by Ruthie Abeliovich Pdf

Analyzes audio recordings of interwar Hebrew plays, providing a new model for the use of sound in theater studies. Possessed Voices tells the intriguing story of a largely unknown collection of audio recordings, which preserve performances of modernist interwar Hebrew plays. Ruthie Abeliovich focuses on four recordings: a 1931 recording of The Eternal Jew (1919/1923), a 1965 recording of The Dybbuk (1922), a 1961 radio play of The Golem (1925), and a 1952 radio play of Yaakov and Rachel (1928). Abeliovich traces the spoken language of modernist Hebrew theater as grounded in multiple modalities of expressive practices, including spoken Hebrew, Jewish liturgical sensibilities supplemented by Yiddish intonation and other vernacular accents, and in relation to prevalent theatrical forms. The book shows how these recorded performances provided Jewish immigrants from Europe with a venue for lamenting the decline of their home communities and for connecting their memories to the present. Analyzing sonic material against the backdrop of its artistic, cultural, and ideological contexts, Abeliovich develops a critical framework for the study of sound as a discipline in its own right in theater scholarship. Ruthie Abeliovich is Lecturer in the Theatre Department at Haifa University, Israel.

The Oxford Handbook of Opera

Author : Helen M. Greenwald
Publisher : Oxford Handbooks
Page : 1217 pages
File Size : 53,7 Mb
Release : 2014
Category : Music
ISBN : 9780195335538

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The Oxford Handbook of Opera by Helen M. Greenwald Pdf

Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.

French Musical Culture and the Coming of Sound Cinema

Author : Hannah Lewis
Publisher : Oxford University Press
Page : 256 pages
File Size : 43,9 Mb
Release : 2018-09-05
Category : Music
ISBN : 9780190636005

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French Musical Culture and the Coming of Sound Cinema by Hannah Lewis Pdf

The transition from silent to synchronized sound film was one of the most dramatic transformations in cinema's history, as it radically changed the technology, practices, and aesthetics of filmmaking within a few short years. In France, debates about sound cinema were fierce and widespread. In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that the debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding a range of French musical styles and genres shaped audiovisual cinematic experiments during the transition to sound. Lewis' book focuses on many of the most prominent directors and screenwriters of the period, from Luis Buñuel to Jean Vigo, as well as experiments found in lesser-known films. Additionally, Lewis examines how early sound film portrayed the diverse soundscape of early 1930s France, as filmmakers drew from the music hall, popular chanson, modernist composition, opera and operetta, and explored the importance of musical machines to depict and to shape French audiovisual culture. In this light, the author discusses the contributions of well-known composers for film alongside more popular music hall styles, all of which had a voice within the heterogeneous soundtrack of French sound cinema. By delving into this fascinating developmental period of French cinematic history, Lewis encourages readers to challenge commonly-held assumptions about how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.