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En la Lucha / In the Struggle by Ada María Isasi-Díaz Pdf
A tenth anniversary edition of the classic introduction to mujerista theology for Hispanic women offers an inspirational look at the everyday struggles, insights, attitudes, and lives of Hispanic women from the perspective of Hispanic identiy in North American society, with summaries of the sources, aims, goals, and tenets of mujerista theology. (Christianity)
Cuando la tranquilidad se torna dominante y mi entorno fecundo, estalla con voz armoniosa y envolvente la nostalgia. Entonces llega la musa como sol naciente. Y de mi pluma brotan versos que hacen del papel un gorrión que hará de su canto mi poesía. Pasa un día y otro día. Vuelvo a escuchar la triste voz que me pone en manos de la tristeza. Planto otros versos que se vuelven poesía. Así pasan los días. Así nacen las musas. Esta obra es la esencia nostálgica que brota del rincón de mi existencia, las que presento en versos los que quizás muchos ojos leerán y al hacerlo no verán, mas mi voz gritara aunque quizás no se oiga, tal vez porque soy la simple lagrima que comienza a recorrer a ciegas y en la oscuridad los senderos de una faz desconocida. En cada uno de estos poemas me encuentro, porque cada uno formo parte de mi ser en algún momento de mi vida y en algún instante de mi vida fueron mi vida en ese instante. Quiero con esta obra remover los sentimientos más ocultos y darles vida, haciendo sentir en ellos la eternidad del instante, dejando sentir vibrante las luces de cada verso, casi cegante, expuestos sobre papel, tal vez tímidos y temerosos de que los ojos no los miren y las almas no los sientan. Voz de la nostalgia, tal vez no sea más que la migración de mi vida a la muerte, hacia tristes pasiones posiblemente absurdas, ya que evaden las finalidades de los hombres; mi meta no es negar la felicidad ni omitirla, sino simplemente despertar esa sensibilidad que yace bajo la corteza ruda de los mas apesadumbrados seres, presentándoles aquella soledad que se ahoga en el silencio y nos hace sus víctimas, aquellos sentimientos que queman el alma y que han quemado el corazón de muchos hombres. Este sin número de voces son ecos del alma con los que comparto sentimientos ajenos y propios que deseo hacer latir en otros corazones.
SUMARIO Algo para empezar..........................................11 De niños a hombres.......................................17 Ñoo... Tremenda Gente....................................61 Cuba: Independiente o Dominada.....................104 El hombre colcho, o el amigo.....................150 Un hermano llamado el mejor........................200 La niña descocada.......................................247 Unos se van otros se quedan........................299 Reunidos en “tierra de libertad”.....................343 Del Combinado a la Yuma: Via Mariel............390 Todos en la misma cuerda........................439 Algo para terminar..........................................486
Nuestras Voces Latino Plays Volume Two by Marcelo Rodriguez,Lina Gallegos Pdf
Two new US Latino/a plays from venerable theatre company Spanish Repertory Theatre and its MetLife Foundation Playwriting Competition. This bilingual edition collects the plays WILD IN WICHITA and LETTERS TO A MOTHER.
Nuestras Voces Latino Plays Volume One by Jorge Gonzalez,Candido Tirado,Carlos Lacamara Pdf
Three plays that examine nation-hood, identity, border crossing by three outstanding contemporary US Latino authors who have been part of MetLife Foundation's Nuestras Voces program at venerable institution Spanish Repertory Theatre in NYC.
Author : Elizabeth C. Ramírez,Catherine Casiano Publisher : University of Illinois Press Page : 378 pages File Size : 45,6 Mb Release : 2011 Category : Drama ISBN : 9780252036224
La Voz Latina by Elizabeth C. Ramírez,Catherine Casiano Pdf
Surveying the Latina theatre movement in the United States since the 1980s, La Voz Latina brings together contemporary plays and performance pieces by innovative Latina playwrights. This rich collection of varying styles, forms, themes, and genres includes work by Yareli Arizmendi, Josefina B ez, The Colorado Sisters, Migdalia Cruz, Evelina Fern ndez, Cherr e Moraga, Carmen Pelaez, Carmen Rivera, Celia H. Rodr guez, Diane Rodriguez, and Milcha Sanchez-Scott, as well as commentary by Kathy Perkins and Caridad Svich on the present state of Latinas in theatre roles. La Voz Latina expands the field of Latina theatre while situating it in the larger spectrum of American stage and performance studies. In highlighting the ethnic and cultural roots of the performance artists, Elizabeth C. Ram rez and Catherine Casiano provide historical context as well as a short biography, production history, and artistic statement from each playwright.
"Escribe", dijo la voz que no vi by Leticia Salinas Pdf
Este libro de poemas es una verdadera inspiracion del Espiritu Santo, y a traves de estas reflexiones te daras cuenta de que es el mismo Jesucristo conversando con tu alma y todo tu ser. Porque, ?cuantos medios usa Dios para llamar tu atencion? Tal vez miles, pero en este viaje por la lectura de cada poema, tocara las cuerdas mas sensibles de tu propio corazon. Te animo a leer este libro: Yo no queria escribir esto, pero Dios insistio. Despues de cada palabra leida te daras cuenta de que tu tambien te identificaras con alguno de estos temas y agradeceras que el Creador te conozca como el hijo formado por sus manos. Nunca te sientas solo ni desanimado, y preguntale al Senor cuales notas o parrafos son para ti.
Historias y poemas de una lucha de clases / Stories and Poems of a Class Struggle by Roque Dalton Pdf
“The revolutionary the dictatorship couldn’t kill, the trickster poet favored by the gods.” —Ben Ehrenreich, author of The Way to Spring: Life and Death in Palestine Poems of revolution by one of Latin America’s most beloved poets One of Latin America’s greatest poets, Roque Dalton was a revolutionary whose politics were inseparable from his art. Born in El Salvador in 1935, Dalton dedicated his life to fighting for social justice, while writing fierce, tender poems about his country and its people. In Poemas clandestinos / Stories and Poems of a Class Struggle, he explores oppression and resistance through the lens of five poetic personas, each with their own distinct voice. These poems show a country caught in the crosshairs of American imperialism, where the few rule the many and the many struggle to survive—and yet there is joy and even humor to be found here, as well as an abiding faith in humanity. In striking, immediate, exuberantly inventive language, Dalton captures the ethos of a people, as stirring now as when the book was first published nearly forty years ago. “I believe the world is beautiful,” he writes, “and that poetry, like bread, is for everyone.”
The Lettered Barriada by Jorell A. Meléndez-Badillo Pdf
In The Lettered Barriada, Jorell A. Meléndez-Badillo tells the story of how a cluster of self-educated workers burst into Puerto Rico's world of letters and navigated the colonial polity that emerged out of the 1898 US occupation. They did so by asserting themselves as citizens, producers of their own historical narratives, and learned minds. Disregarded by most of Puerto Rico's intellectual elite, these workers engaged in dialogue with international peers and imagined themselves as part of a global community. They also entered the world of politics through the creation of the Socialist Party, which became an electoral force in the first half of the twentieth century. Meléndez-Badillo shows how these workers produced, negotiated, and deployed powerful discourses that eventually shaped Puerto Rico's national mythology. By following these ragtag intellectuals as they became politicians and statesmen, Meléndez-Badillo also demonstrates how they engaged in racial and gender silencing, epistemic violence, and historical erasures in the fringes of society. Ultimately, The Lettered Barriada is about the politics of knowledge production and the tensions between working-class intellectuals and the state. Duke University Press Scholars of Color First Book Award recipient
Mariano Azuela (Mexico, 1873–1952) was a medical doctor by profession, recipient of Mexico’s Premio Nacional de Literatura (1949), a distinguished member of El Colegio Nacional and, by mid-century, one of Mexico’s leading novelists and literary critics. The author of novels, novellas, plays, biographies, and literary criticism, Azuela served as field doctor under Francisco Villa during the Mexican Revolution and, after Villa’s military defeats in 1915, published Los de abajo (The Underdogs, 1915) while in exile in El Paso, Texas. This book of essays commemorates the first centenary of Los de abajo, and traces its impact on twentieth-century autobiographies, memoirs and, more specifically, on the Novel of the Mexican Revolution. Equestrian Rebels: Critical Perspectives on Mariano Azuela and the Novel of the Mexican Revolution includes a full-length introduction and nineteen essays by leading international scholars who study Azuela and other novelists of the Mexican Revolution – such as Martín Luis Guzmán, Nellie Campobello and, among others, José Rubén Romero – from current, yet contrasting and innovative theoretical perspectives. Especially written for this volume, these critical essays are grouped into five sections that separately probe and analyze Azuela’s realism and contemporary affinities with photography; Azuela’s literary criticism; centennial studies on Los de abajo; critical approaches to other novels by Azuela; three independent analyses of Nellie Campobello’s Cartucho (1931); and a concluding section on literary representations of Mexican colonialism and revolution in the narratives of Juan Rulfo (El llano en llamas), Carlos Fuentes (Gringo viejo), and David Toscana (El último lector). This book will be of importance to scholars, teachers, students, and the general reader interested in topics related to the literary, cultural, and political forces and conflicts that led to the transformation of Mexico into a modern nation.