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The story by an American rodeo star shows that while two feet moved her body, four feet moved her soul, in this cowgirl's journey of triumph over tragedy.
To the fan, the rodeo cowboy is the distinctly American embodiment of the romantic Old West. But to the young men who live the profession, the realities are modest pay, continuous travel, and the constant threat of injury. While he was the Denver bureau chief of the New York Times, Dirk Johnson spent a year on the professional rodeo circuit with cowboys, watching them try to hang on to bucking horses and Brahma bulls?and to wives and livelihoods that seemed only one fall away from disappearing. Biting the Dust covers the circuit?s biggest events in Denver, the capital of the New West, to small towns on the Great Plains like McCook, Nebraska, where rodeo continues to thrive even as the population shrinks. Johnson takes the reader beyond sentimental visions of the rodeo cowboy and the American West and provides an unforgettable and authentic story of the rodeo today.
It's morning at the rodeo. Riders are standing by. Horses are in the chutes. "Cowboy up!" the announcer calls. Then the excitement begins in this riveting collection, narrative poems give voice to the individual competitors, lively prose explains rodeo events, and evocative photographs show off the riders and ropers, the horses, bulls, and broncs. It all adds up to an unforgettable close-up view of Navajo rodeo over the course of one action-packed day.
She never knew what heat was until she met her cowboy—then fire consumed them. It could have been the animalistic heat of the rodeo, or the pin with special powers that the old woman all but forced her to buy. But, whatever it was, within seconds of meeting rodeo rider Ben Lowell, Grace Delaney's safe world ignites in a voluptuous explosion of lust. Every night is something new. From the handcuffs to the intriguing sex toys to the taking of her virgin ass, Grace gives in to it all, relishing her body's surrender. As Ben Lowell leads her from one earth-shattering climax to another, as her body softens and opens to him, her juices lubricating the way, all she can do is hang on for dear life and follow his lead. But when it's over, can she really walk away from the man who has taken her on this outrageous journey of sexual self-discovery, one where there are no limits or boundaries?
Each book in the True Horse Stories focuses on a contemporary horse from a different part of the world, and each animal is, in his or her own way, a hero. PBJ Decks Smokin Gun (Gunner) is an American Paint Horse, one of the many of Heather Lott Goodwin's herd, and a valuable show animal that won the World Championship Paint Horse title. When Hurricane Katrina passed over the Goodwin property, it took with it the fences, the cattle, and several horses. Heather and her family lived in their horse trailer for six weeks and considered themselves lucky to have safe, comfortable shelter. After the storm, they searched for the animals and recovered many of them. But three months passed before they located Gunner, a hundred miles away. They were told he was in terrible shape and should be put down. Nevertheless, Heather drove on washed-out roads to bring him home, starving, dehydrated, and blind in one eye. With the help of a vet and her mother, she nursed him back to health. Amazingly, nine months later, he was well enough to compete again in the World Championship Paint Horse Show. Gunner's story is a testament to love and to determination.
At the height of his show career, a beautiful Appaloosa became injured, and he moved from one owner to the next, ultimately experiencing severe abuse and neglect. A rescue group found Joey nearly dead from starvation--and blind. Then he came to Hope Reins, a ranch dedicated to helping kids who had been abused, emotionally wounded, or unwanted by teaching these children to care for rescued animals.mals.
Part American road trip, part coming-of-age adventure, and part uncommon love story—a remarkable memoir that explores the evolution of the human-animal relationship, along with the raw beauty of a life lived outdoors. Melissa Chapman was 23 years old and part of a happy, loving family. She had a decent job, a boyfriend she cared about, and friends she enjoyed. Yet she said goodbye to all of it. Carrying a puppy named Gypsy, she climbed aboard a horse and rode away from everything, heading west. With no cell phone, no GPS, no support team or truck following with supplies, Chapman quickly learned that the reality of a cross-country horseback journey was quite different from the fantasy. Her solo adventure would immediately test her mental, physical, and emotional resources as she and her four-legged companions were forced to adapt to the dangers and loneliness of a trek that would span over 2,600 miles, beginning in New York State and reaching its end on the other side of the country, in California. Enchanted by the freedom a nomadic life seemed to promise, the young woman would soon find herself only more deeply connected…to the animals that accompanied her, to the varying and challenging landscapes through which she traveled, and to the people she met on the farms and back roads that crisscross the United States. Chapman's vigilance in detailing the quietest moments of heroism and beauty, as well as the startling and tragic, yields a read that convinces one of both the magnificence of the countryside and the generosity of the people who call it home. A book for the equestrian, the animal lover, and the outdoor enthusiast—or anyone who dreams about one day bringing a longed-for adventure to life.
From the acclaimed author of Keeper’n Me and For Joshua, Dream Wheels is a vital and unsparing novel from one of the most fascinating voices in Canadian writing. Joe Willie Wolfchild is on the verge of becoming a World Champion rodeo cowboy when a legendary bull cripples him. At the same time, in the same city, Claire Hartley is brutally assaulted and her 14-year-old son, Aiden, is critically injured during a burglary. The young Ojibway-Sioux man, the black single mother and her mulatto son find their lives irrevocably changed. Joe Willie, a rodeo cowboy since he was a child, smolders in angry silence over a deformed left arm and a limp that make it impossible for him to compete. Claire, a victim of numerous bad relationships, withdraws from men and swears a bitter celibacy. Aiden gains notoriety among his criminal peers and slips into a self-destructive spiral of drugs and violence. Eager to find a place for her son to channel his explosive energies, Claire brings Aiden to a rodeo camp run by the Wolfchild family, where he is drawn to bull riding and proves to be a stunning natural. But Joe Willie refuses to have anything to do with the camp, remaining an aloof, mysterious presence to Claire and the boy. Birch Wolfchild, Joe Willie’s father, sees the potential for Aiden to become a champion and for his son to heal himself, if they can move beyond anger to forge a partnership. Claire’s and Joe Willie’s wounds bring them together in a surprising romance, and beneath it all is Birch Wolfchild’s tale of the changing of the life of the Indian cowboy. Dream Wheels is a story about change. Moving from the Wild West Shows of the late 1880s to the National Finals Rodeo in Las Vegas to a lush valley in the mountains, it tells the story of a people’s journey, a family’s vision, a man’s reawakening, a woman’s recovery, and a boy’s emergence to manhood.
Wormet has written an honest, heartwrenching, and ultimately uplifting story of Elaine Hall's struggle to hold her family and life together in the face of her husband Larry's severe bipolar disease and eventual death. Deftly woven through Wormet's narrative is the story of Larry Hall's Cutting Horses, home of some of the foremost performance horses in the world.
By the celebrated author of Canada Reads Finalist Indian Horse, a stunning new novel that has all the timeless qualities of a classic, as it tells the universal story of a father/son struggle in a fresh, utterly memorable way, set in dramatic landscape of the BC Interior. For male and female readers equally, for readers of Joseph Boyden, Cormac McCarthy, Thomas King, Russell Banks and general literary. Franklin Starlight is called to visit his father, Eldon. He's sixteen years old and has had the most fleeting of relationships with the man. The rare moments they've shared haunt and trouble Frank, but he answers the call, a son's duty to a father. He finds Eldon decimated after years of drinking, dying of liver failure in a small town flophouse. Eldon asks his son to take him into the mountains, so he may be buried in the traditional Ojibway manner. What ensues is a journey through the rugged and beautiful backcountry, and a journey into the past, as the two men push forward to Eldon's end. From a poverty-stricken childhood, to the Korean War, and later the derelict houses of mill towns, Eldon relates both the desolate moments of his life and a time of redemption and love and in doing so offers Frank a history he has never known, the father he has never had, and a connection to himself he never expected. A novel about love, friendship, courage, and the idea that the land has within it powers of healing, Medicine Walk reveals the ultimate goodness of its characters and offers a deeply moving and redemptive conclusion. Wagamese's writing soars and his insight and compassion are matched by his gift of communicating these to the reader.
The western is one of the most popular genres in American film history, and some estimate more than 20,000 of them have been produced. Its popular portrayal of the American West, as a place where good and evil are clearly defined, created heroes that are still among the most respected and remembered in film history. Writers Lane Roth and Tom W. Hoffer, William E. Tydeman III, R. Philip Loy, Gary Kramer, Raymond E. White, Michael K. Schoenecke, Sandra Schackel, Jacqueline K. Greb, Jim Collins, Richard Robertson, and Gary Yoggy each contributed an essay, focusing on the performances of some of the most famous of Hollywood's leading cowboys and cowgirls. Analyses of the works of G.M. "Broncho Billy" Anderson, Tom Mix, Buck Jones, Tex Ritter, Roy Rogers, James Stewart, Barbara Stanwyck, Steve McQueen, and James Arness are included. James Drury of The Virginian relates his firsthand experiences of movie making by way of introducing this collection.
In Lost Rider, the first Western romance in New York Times and USA TODAY bestselling author Harper Sloan’s Coming Home series, an injured rodeo star encounters an old flame but will she be just what he needs to get back in the saddle? Maverick Austin Davis is forced to return home after a ten-year career as a rodeo star. After one too many head injuries, he’s off the circuit and in the horse farming business, something he’s never taken much of a shine to, but now that it’s his late father’s legacy, familial duty calls. How will Maverick find his way after the only dream he ever had for himself is over? Enter Leighton Elizabeth James, an ugly duckling turned beauty from Maverick’s childhood—his younger sister’s best friend, to be exact, and someone whose heart he stomped all over when she confessed her crush to him ten years back. Now Leighton is back in Maverick’s life, no longer the insecure, love-stricken teen—and Maverick can’t help but take notice. Sparks fly between them, but will Leighton be able to open her heart to the one man who broke it all those years ago? Written in the vein of Diana Palmer and Lindsay McKenna, this Texas-set series is filled with sizzle, heart, and plenty of cowboys!
When someone says "Cowgirl Up!" it means rise to the occasion, don't give up, and do it all without whining or complaining. And the cowgirls of the early twentieth century did it all, just like the men, only wearing skirts and sometimes with a baby waiting behind the chutes. Women learned to rope and ride out of necessity, helping their fathers, brothers, and husbands with the ranch work. But for some women, it went further than that. They caught the fever of freedom, the thirst for adrenaline, and the thrill of competition, and many started their rodeo careers as early as age fourteen. From Alice and Margie Greenough of Red Lodge, whose father told them “If you can’t ride ’em, walk,” to Jane Burnett Smith of Gilt Edge who sneaked off to ride in rodeos at age eleven, women made wide inroads into the masculine world of rodeo. Montana boasts its share of women who “busted broncs” and broke ranks in the macho world of rodeo during the early to mid-1900s. Cowgirl Up! is the history of these cowgirls, their courage, and their accomplishments.