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Author : Gül Bilge Han
Publisher : Cambridge University Press
Page : 207 pages
File Size : 54,7 Mb
Release : 2019-06-27
Category : Literary Criticism
ISBN : 9781108491778
Offers a new conception of modernist autonomy by focusing on Wallace Stevens, one of the renowned poets of the twentieth century.
Author : Bart Eeckhout,Gül Bilge Han
Publisher : Cambridge University Press
Page : 259 pages
File Size : 52,9 Mb
Release : 2021-07-08
Category : Literary Criticism
ISBN : 9781108833295
This book offers a wide-ranging display of innovative critical perspectives on the poetry of the American modernist Wallace Stevens.
Author : Lisa Goldfarb,Bart Eeckhout
Publisher : Routledge
Page : 202 pages
File Size : 52,8 Mb
Release : 2012-10-12
Category : Literary Criticism
ISBN : 9781136330452
This unique essay collection considers the impact of New York on the life and works of Wallace Stevens. Stevens lived in New York from 1900 to 1916, working briefly as a journalist, going to law school, laboriously starting up a career as a lawyer, getting engaged and married, gradually mixing with local avant-garde circles, and eventually emerging as one of the most exciting and surprising voices in modern poetry. Although he then left the city for a job in Hartford, Stevens never saw himself as a Hartford poet and kept gravitating toward New York for nearly all things that mattered to him privately and poetically: visits to galleries and museums, theatrical and musical performances, intellectual and artistic gatherings, shopping sprees and gastronomical indulgences. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This volume deepens our understanding of the multiple ways in which New York and its various aesthetic attractions figured in Stevens’ life, both at a biographical and poetic level.
Author : Bart Eeckhout,Lisa Goldfarb
Publisher : Bloomsbury Publishing USA
Page : 240 pages
File Size : 49,8 Mb
Release : 2016-11-17
Category : Literary Criticism
ISBN : 9781501313493
As the figure of Wallace Stevens (1879-1955) becomes so entrenched in the Modernist canon that he serves as a major reference point for poets and critics alike, the time has come to investigate poetry and poetics after him. The ambiguity of the preposition is intentional: while after may refer neutrally to chronological sequence, it also implies ways of aesthetically modeling poetry on a predecessor. Likewise, the general heading of poetry and poetics allows the sixteen contributors to this volume to range far and wide in terms of poetics (from postwar formalists to poets associated with various strands of Postmodernism, Language poetry, even Confessional poetry), ethnic identities (with a diverse selection of poets of color), nationalities (including the Irish Nobel Laureate Seamus Heaney and several English poets), or language (sidestepping into French and Czech poetry). Besides offering a rich harvest of concrete case studies, Poetry and Poetics after Wallace Stevens also reconsiders possibilities for talking about poetic influence. How can we define and refine the ways in which we establish links between earlier and later poems? At what level of abstraction do such links exist? What have we learned from debates about competing poetic eras and traditions? How is our understanding of an older writer reshaped by engaging with later ones? And what are we perhaps not paying attention to-aesthetically, but also politically, historically, thematically-when we relate contemporary poetry to someone as idiosyncratic as Stevens?
Author : Albert Gelpi
Publisher : Cambridge University Press
Page : 176 pages
File Size : 53,7 Mb
Release : 1990-05-25
Category : Literary Criticism
ISBN : 0521386993
In this volume, seven renowned critics present different views of Wallace Stevens' place in the evolution of Modernist poetry. The essays offer a fresh scrutiny of the poet's work and influence, re-examining the critical consensus that has developed since Stevens first gained the attention of critics in the fifties. The collection traces both the development of Modernist poetics and Stevens' place in it, from the poet's relation to such contemporaries as Ezra Pound, William Carlos Williams and Marianne Moore to his influence on current writers such as John Ashbery and Robert Duncan. The contributions examine the cultural influences, or 'context', from which Stevens emerges: the Symbolist and Imagist traditions, the social and political context of the war years, and contemporary movements in the visual arts. Finally, two essays investigate the influence of Stevens on later poets.
Author : Alan Filreis
Publisher : Cambridge University Press
Page : 412 pages
File Size : 48,5 Mb
Release : 1994-07-29
Category : Literary Criticism
ISBN : 0521453844
A study of relations between American radicalism and modernism in the 1930s, focusing on Wallace Stevens.
Author : Ian Tan
Publisher : Springer Nature
Page : 199 pages
File Size : 45,7 Mb
Release : 2022-06-20
Category : Literary Criticism
ISBN : 9783030992491
This book is a unique contribution to scholarship of the poetics of Wallace Stevens, offering an analysis of the entire oeuvre of Stevens’s poetry using the philosophical framework of Martin Heidegger. Marking the first book-length engagement with a philosophical reading of Stevens, it uses Heidegger’s theories as a framework through which Stevens’s poetry can be read and shows how philosophy and literature can enter into a productive dialogue. It also makes a case for a Heideggerian reading of poetry, exploring his later philosophy with respect to his writing on art, language, and poetry. Taking Stevens’s repeated emphasis on the terms “being”, “consciousness”, “reality” and “truth” as its starting point, the book provides a new reading of Stevens with a philosopher who aligns poetic insight with a reconceptualization of the metaphysical significance of these concepts. It pursues the link between philosophy, American poetry as reflected through Stevens, and modernist poetics, looking from Stevens’s modernist techniques to broader European philosophical movements of the twentieth century.
Author : Edward Ragg
Publisher : Cambridge University Press
Page : 128 pages
File Size : 48,9 Mb
Release : 2010-07-15
Category : Literary Criticism
ISBN : 9781139489997
Edward Ragg's study was the first to examine the role of abstraction throughout the work of Wallace Stevens. By tracing the poet's interest in abstraction from Harmonium through to his later works, Ragg argues that Stevens only fully appreciated and refined this interest within his later career. Ragg's detailed close-readings highlight the poet's absorption of late nineteenth century and early twentieth century painting, as well as the examples of philosophers and other poets' work. Wallace Stevens and the Aesthetics of Abstraction will appeal to those studying Stevens as well as anyone interested in the relations between poetry and painting. This valuable study embraces revealing philosophical and artistic perspectives, analyzing Stevens' place within and resistance to Modernist debates concerning literature, painting, representation and 'the imagination'.
Author : Charles Altieri
Publisher : Unknown
Page : 0 pages
File Size : 48,8 Mb
Release : 2013
Category : Phenomenology in literature
ISBN : 0801451671
Altieri focuses his attention on the poetry of Wallace Stevens, arguing that critics have failed to appreciate the degree to which modernist poetry, like modernist art, breaks from the epistemology that arose from cultures of empiricism.
Author : Stefan Holander
Publisher : Routledge
Page : 251 pages
File Size : 50,6 Mb
Release : 2008-02-19
Category : Literary Criticism
ISBN : 9781135914004
This study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.
Author : Toshiaki Komura
Publisher : Rowman & Littlefield
Page : 235 pages
File Size : 40,5 Mb
Release : 2020-10-07
Category : Literary Criticism
ISBN : 9781793612632
Lost Loss in American Elegiac Poetry: Tracing Inaccessible Grief from Stevens to Post-9/11 examines contemporary literary expressions of losses that are “lost” on us, inquiring what it means to “lose” loss and what happens when dispossessory experiences go unacknowledged or become inaccessible. Toshiaki Komura analyzes a range of elegiac poetry that does not neatly align with conventional assumptions about the genre, including Wallace Stevens’s “The Owl in the Sarcophagus,” Sylvia Plath’s last poems, Elizabeth Bishop’s Geography III, Sharon Olds’s The Dead and the Living, Louise Glück’s Averno, and poems written after 9/11. What these poems reveal at the intersection of personal and communal mourning are the mechanism of cognitive myth-making involved in denied grief and its social and ethical implications. Engaging with an assortment of philosophical, psychoanalytic, and psychological theories, Lost Loss in American Elegiac Poetry elucidates how poetry gives shape to the vague despondency of unrecognized loss and what kind of phantomic effects these equivocal grieving experiences may create.
Author : Ljuba Kabzan
Publisher : GRIN Verlag
Page : 15 pages
File Size : 52,5 Mb
Release : 2021-02-04
Category : Literary Collections
ISBN : 9783346340740
Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2,0, University of Bayreuth, course: American Modernism, language: English, abstract: Wallace Stevens’ "The Man With The Blue Guitar" is one of his most famous long poems. For a better understanding of the poem, it is necessary to examine the art forms of Modernism that influenced him while composing this poem and to have a look at his poetic development. Only then, it becomes clear that this poem is typically modern and that at the same time Stevens’ own way of poetic composition cannot be compared to any other poet of Modernism. This is the aim of this essay. Wallace Stevens already published his first poetic work during his College years at Harvard University (1897-1900). However, it took him many years until he could contribute himself fully to poetry. The first major collections of poetry, Harmonium, came out in 1923 when Stevens was 44 years old. Only in times of financial security, Stevens had a leading position in an insurance company did he reach his highest poetic creativity.
Author : Wallace Stevens
Publisher : Unknown
Page : 16 pages
File Size : 49,9 Mb
Release : 1951
Category : Art and literature
ISBN : UOM:39015013644094
Author : George S. Lensing
Publisher : LSU Press
Page : 0 pages
File Size : 49,8 Mb
Release : 2018-06-09
Category : Literary Criticism
ISBN : 9780807168943
Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet’s progress in the creation of his body of work, considering its development, composition, and reception. Drawing on little-known sources and nuanced readings of Stevens’ texts, Lensing expands the customary view of the poet’s creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens’ work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem “Sea Surface Full of Clouds”—viewing it alongside his wife Elsie’s journal describing the sea voyage that inspired the poem—and an extensive, multiperspective treatment of the widely anthologized “The Idea of Order at Key West,” as well as a careful excavation of the poem “Mozart, 1935” in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens’ work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens’ Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.
Author : Justin Quinn,Gabriela Kleckova
Publisher : Routledge
Page : 293 pages
File Size : 47,7 Mb
Release : 2021-03-15
Category : Education
ISBN : 9781000363067
Anglophone Literature in Second Language Teacher Education proposes new ways that literature, and more generally culture, can be used to educate future teachers of English as a second language. Arguing that the way literature is used in language teacher education can be transformed, the book foregrounds transnational approaches and shows how these can be applied in literature and cultural instruction to encourage intercultural awareness in future language educators. It draws on theoretical discussions from literary and cultural studies as well as applied linguistics and is an example how these cross-discipline conversations can take place, and thus help make Second-language teacher education (SLTE) programs more responsive to the challenges faced by future English-language teachers. Written in the idiom of literary scholarship, the book uses ideas of intercultural studies that have gained widespread support at research level, yet have not affected literature–cultural curricula in SLTE. As the first interdisciplinary study to suggest how SLTE programs can respond with curricula, this book will be of great interest for academics, scholars and post graduate students in the fields of applied linguistics, L2 and foreign language education, teacher education and post-graduate TESOL. It has universal appeal, addressing teaching faculty in any third-level institution that prepares language teachers and includes literary studies in their curriculum, as well as administrators in such organizations.