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Author : Paul Virilio
Publisher : Verso Books
Page : 180 pages
File Size : 43,6 Mb
Release : 2020-05-05
Category : Philosophy
ISBN : 9781789604795
Reveals the convergence of perception and destruction in the parallel technologies of warfare and cinema.
Author : Guy Westwell
Publisher : Wallflower Press
Page : 148 pages
File Size : 51,5 Mb
Release : 2006
Category : Fiction
ISBN : 1904764541
'War Cinema' presents an introduction to and overview of films that take war as their main theme. Framing the era with 'Apocalypse Now' and 'Apocalypse Now Redux', the author initially focuses on Vietnam on film in the 1970s and 1980s and how this divisive war was represented.
Author : Brian Steel Wills
Publisher : Rowman & Littlefield Publishers
Page : 257 pages
File Size : 50,9 Mb
Release : 2011-10-16
Category : History
ISBN : 9781461739579
From Birth of a Nation to Cold Mountain, hundreds of directors, actors, and screenwriters have used the Civil War to create compelling cinema. However, each generation of moviemakers has resolved the tug of war between entertainment value and historical accuracy differently. Historian Brian Steel Wills takes readers on a journey through the portrayal of the war in film, exploring what Hollywood got right and wrong, how the films influenced each other, and, ultimately, how the movies reflect America's changing understandings of the conflict and of the nation.
Author : David LaRocca
Publisher : University Press of Kentucky
Page : 537 pages
File Size : 50,9 Mb
Release : 2015-01-06
Category : Philosophy
ISBN : 9780813145112
Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen. In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war. Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006), Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre creates new ways of thinking about the philosophy of war. A fascinating look at the manner in which combat and its aftermath are depicted cinematically, The Philosophy of War Films is a timely and engaging read for any philosopher, filmmaker, reader, or viewer who desires a deeper understanding of war and its representation in popular culture.
Author : Douglas A. Cunningham,John C. Nelson
Publisher : John Wiley & Sons
Page : 472 pages
File Size : 44,9 Mb
Release : 2016-04-15
Category : Performing Arts
ISBN : 9781118337622
A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, and the diverse formats that war stories assume in today’s digital culture. Includes new works from experienced and emerging scholars that expand the scope of the genre by applying fresh theoretical approaches and archival resources to the study of the war film Moves beyond the limited confines of “the combat film” to cover home-front films, international and foreign language films, and a range of conflicts and time periods Addresses complex questions of gender, race, forced internment, international terrorism, and war protest in films such as Full Metal Jacket, Good Kill, Grace is Gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of War, Tender Comrade, and Zero Dark Thirty Provides a nuanced vision of war film that brings the genre firmly into the 21st Century and points the way for exciting future scholarship
Author : James Chapman
Publisher : Reaktion Books
Page : 284 pages
File Size : 40,7 Mb
Release : 2008-06
Category : Performing Arts
ISBN : 1861893477
About depictions of war in cinema.
Author : Haidee Wasson,Lee Grieveson
Publisher : Univ of California Press
Page : 396 pages
File Size : 41,9 Mb
Release : 2018-01-23
Category : Performing Arts
ISBN : 9780520291508
The vast, and vastly influential, American military machine has been aided and abetted by cinema since the earliest days of the medium. The US military realized very quickly that film could be used in myriad ways: training, testing, surveying and mapping, surveillance, medical and psychological management of soldiers, and of course, propaganda. Bringing together a collection of new essays, based on archival research, Wasson and Grieveson seek to cover the complex history of how the military deployed cinema for varied purposes across the the long twentieth century, from the incipient wars of US imperialism in the late nineteenth century to the ongoing War on Terror. This engagement includes cinema created and used by and for the military itself (such as training films), the codevelopment of technologies (chemical, mechanical, and digital), and the use of film (and related mass media) as a key aspect of American "soft power," at home and around the world. A rich and timely set of essays, this volume will become a go-to for scholars interested in all aspects of how the military creates and uses moving-image media.
Author : Poshek Fu,Man-Fung Yip
Publisher : Routledge
Page : 317 pages
File Size : 46,5 Mb
Release : 2019-11-28
Category : Performing Arts
ISBN : 9780429757297
This book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus. This volume makes a major contribution to constructing a cultural and popular cinema history of the global Cold War. Its geographical focus is set on East Asia, Southeast Asia, and South Asia. In adopting such an inclusive approach, it draws attention to the different manifestations and meanings of the connections between the Cold War and cinema across Asian borders. Many essays in the volume have a transnational and cross-regional focus, one that sheds light on Cold War-influenced networks (such as the circulation of socialist films across communist countries) and on the efforts of American agencies (such as the United States Information Service and the Asia Foundation) to establish a transregional infrastructure of "free cinema" to contain the communist influences in Asia. With its interdisciplinary orientation and broad geographical focus, the book will appeal to scholars and students from a wide variety of fields, including film studies, history (especially the burgeoning field of cultural Cold War studies), Asian studies, and US-Asian cultural relations.
Author : Peter C. Rollins,John E. O'Connor
Publisher : University Press of Kentucky
Page : 877 pages
File Size : 40,8 Mb
Release : 2008-07-25
Category : Performing Arts
ISBN : 9780813138749
A “wide-ranging and sophisticated anthology” comparing theaters of war to wars in the movie theater (Dennis Showalter, author of Patton and Rommel). Why We Fought makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. A comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath, this volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front, Sands of Iwo Jima, Apocalypse Now, Platoon, and Saving Private Ryan—revealing how film depictions of the country’s wars have shaped our values, politics, and culture, and offering a unique lens through which to view American history. Named as a Choice Outstanding Academic Title
Author : John Orr,Olga Taxidou
Publisher : NYU Press
Page : 468 pages
File Size : 43,5 Mb
Release : 2001-03
Category : Performing Arts
ISBN : 0814762026
Both professors at the U. of Edinburgh (Scotland), Orr (sociology) and Taxidou (English) have collected a diverse selection of previously published material on film, much of it controversial and challenging, to produce a reader for the undergraduate classroom. The readings are divided into theory and form, form and process, and international cinema. The selected authors (who include such thinkers and directors as Andre Bazin, Pier Paolo Pasolini, Gilles Deleuze, Fredric Jameson, Paul Virilio, Duncan Petrie, Susan Sontag, and Laura Mulvey) mull questions of film and modernity, film and poetry, film and postmodernity, cinematic perception, changing film technology, and the social and national context of international films. c. Book News Inc.
Author : J. David Slocum
Publisher : Taylor & Francis
Page : 464 pages
File Size : 49,6 Mb
Release : 2023-04-28
Category : Performing Arts
ISBN : 9781000938562
Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films. Topics covered include: the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.
Author : Andrew Kelly
Publisher : Unknown
Page : 0 pages
File Size : 52,8 Mb
Release : 2011
Category : Motion pictures in propaganda
ISBN : 0415514827
An exploration of the development of anti-war cinema in Britain, America, Germany and France from the ground-breaking Lay Down Your Arms in 1914 through to Stanley Kubrick's Paths of Glory
Author : Ahmed Bedjaoui
Publisher : Springer Nature
Page : 274 pages
File Size : 45,6 Mb
Release : 2020-03-25
Category : Performing Arts
ISBN : 9783030379940
The book examines the war of images between France and Algeria. Discussing the role of the United States during the war, it covers topics such the presence of American reporters in Algeria, John F. Kennedy’s support for Algerian independence while a senator, the broadcasting of documentaries on the Algerian war on public television, and reporting in the press. Even half a century after Algerian independence, there remains a need for both film and literature on the war from both sides of the Mediterranean. This might seem surprising, particularly to media professionals, given the quantity of output on the subject, but both French and Algerian portrayals of the war remain flawed and shackled to their respective ideologies. The generation of FLN leaders recognized early on the importance of images, and established a clandestine film structure that would bring the Algerian cause to the world stage. The book offers an insightful and timely contribution not just to the field of North African studies but also to other disciplines, such as film and media studies, anthropology, history, journalism, and political science. Providing a rich source of research topics and viable ideas for film and documentary projects, it is a must-read for students, scholars and media professionals alike.
Author : Andrew Barry
Publisher : A&C Black
Page : 322 pages
File Size : 47,7 Mb
Release : 2001-07-23
Category : Political Science
ISBN : 0485006340
Technology assumes a remarkable importance in contemporary political life. Today, politicians and intellectuals extol the virtues of networking, interactivity and feedback, and stress the importance of new media and biotechnologies for economic development and political innovation. Measures of intellectual productivity and property play an increasingly critical part in assessments of the competitiveness of firms, universities and nation-states. At the same time, contemporary radical politics has come to raise questions about the political preoccupation with technical progress, while also developing a certain degree of technical sophistication itself.In a series of in-depth analyses of topics ranging from environmental protest to intellectual property law, and from interactive science centres to the European Union, this book interrogates the politics of the technological society. Critical of the form and intensity of the contemporary preoccupation with new technology, Political Machines opens up a space for thinking the relation between technical innovation and political inventiveness.>
Author : Michael Berry,Chiho Sawada
Publisher : University of Hawaii Press
Page : 345 pages
File Size : 54,8 Mb
Release : 2017-12-31
Category : History
ISBN : 9780824875107
Divided Lenses: Screen Memories of War in East Asia is the first attempt to explore how the tumultuous years between 1931 and 1953 have been recreated and renegotiated in cinema. This period saw traumatic conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War, and pivotal events such as the Rape of Nanjing, Pearl Harbor, the Battle of Iwo Jima, and the bombings of Hiroshima and Nagasaki, all of which left a lasting imprint on East Asia and the world. By bringing together a variety of specialists in the cinemas of East Asia and offering divergent yet complementary perspectives, the book explores how the legacies of war have been reimagined through the lens of film. This turbulent era opened with the Mukden Incident of 1931, which signaled a new page in Japanese militaristic aggression in East Asia, and culminated with the Korean War (1950–1953), a protracted conflict that broke out in the wake of Japan's post–World War II withdrawal from Korea. Divided Lenses explores the ways in which events of the intervening decades have continued to shape politics and popular culture throughout East Asia and the world. The essays in part I examine historical trends at work in various "national" cinemas, including China, Taiwan, Japan, Korea, and the United States. Those in part 2 focus on specific themes present in the cinema portraying this period—such as comfort women in Chinese film, the Nanjing Massacre, or nationalism—and how they have been depicted or renegotiated in contemporary films. Of particular interest are contributions drawing from other forms of screen culture, such as television and video games. Divided Lenses builds on the growing interest in East Asian cinema by examining how these historic conflicts have been imagined, framed, and revisited through the lens of cinema and screen culture. It will interest later generations living in the shadow of these events, as well as students and scholars in the fields of cinema studies, cultural studies, cold war studies, and World War II history.
