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In War, Liberty, and Caesar, Edward Paleit discusses how readers and writers of the English Renaissance read and understood Lucan's epic poem on the Roman civil wars. Looking at engagements with Lucan across a wide variety of literary forms, Paleit questions what made this Latin author so relevant during this period.
The Great Roman Civil War (49-45 BC), also known as Caesar's Civil War, was one of the last politico-military conflicts in the Roman Republic before the establishment of the Roman Empire. It began as a series of political and military confrontations, between Julius Caesar (100-44 BC), his political supporters (broadly known as Populares), and his legions, against the Optimates (or Boni), the politically conservative and socially traditionalist faction of the Roman Senate, who were supported by Pompey (106-48 BC) and his legions
The Landmark Julius Caesar by Kurt A. Raaflaub Pdf
The Landmark Julius Caesar is the definitive edition of the five works that chronicle the military campaigns of Julius Caesar. Together, these five narratives present a comprehensive picture of military and political developments leading to the collapse of the Roman republic and the advent of the Roman Empire. The Gallic War is Caesar’s own account of his two invasions of Britain and of conquering most of what is today France, Belgium, and Switzerland. The Civil War describes the conflict in the following year which, after the death of his chief rival, Pompey, and the defeat of Pompey’s heirs and supporters, resulted in Caesar’s emergence as the sole power in Rome. Accompanying Caesar’s own commentaries are three short but essential additional works, known to us as the Alexandrian War, the African War, and the Spanish War. These were written by three unknown authors who were clearly eyewitnesses and probably Roman officers. Caesar’s clear and direct prose provides a riveting depiction of ancient warfare and, not incidentally, a persuasive portrait for the Roman people (and for us) of Caesar himself as a brilliant, moderate, and effective leader—an image that was key to his final success. Kurt A. Raaflaub’s masterful translation skillfully brings out the clarity and elegance of Caesar’s style, and this, together with such Landmark features as maps, detailed annotations, appendices, and illustrations, will provide every reader from lay person to scholar with a rewarding and enjoyable experience. (With 2-color text, maps, and illustrations throughout; web essays available at http://www.thelandmarkcaesar.com/)
Between 58 and 50BC Caesar conquered most of the area now covered by France, Belgium and Switzerland, and twice invaded Britain. This is the record of his campaigns. Caesar's narrative offers insights into his military strategy & paints a fascinating picture of his encounters with the inhabitant of Gaul and Britain, as well as offering lively portraits of a number of key characters such as the rebel leaders and Gallic chieftains. This can also be read as a piece of political propaganda, as Caesar sets down his version of events for the Roman public, knowing that he faces civil war on his return to Rome.
Author : Paul Roche Publisher : University of Oklahoma Press Page : 474 pages File Size : 44,5 Mb Release : 2021-09-09 Category : Foreign Language Study ISBN : 9780806178523
Born in 39 C.E., the Roman poet Lucan lived during the turbulent reign of the emperor Nero. Prior to his death in 65 C.E., Lucan wrote prolifically, yet beyond some fragments, only his epic poem, the Civil War, has survived. Acclaimed by critics as one of the greatest literary achievements of the Roman Empire, the Civil War is a stirring account of the war between Julius Caesar and the forces of the republican senate led by Pompey the Great. Reading Lucan’s Civil War is the first comprehensive guide to this important poem. Accessible to all readers, it is especially well suited for students encountering the work for the first time. As the editor, Paul Roche, explains in his introduction, the Civil War (alternatively known in Latin as Bellum Civile, De Bello Civili, or Pharsalia) is most likely an unfinished work. Roche places the poem in historical and literary contexts that will be helpful to first-time readers. The volume presents, chapter-by-chapter, essays that cover each of the Civil War’s ten extant books. Five further chapters address topics and issues pertaining to the entire work, including religion and ritual, philosophy, gender dynamics, and Lucan’s relationships to Vergil and Julius Caesar. The contributors to this volume are all expert scholars who have published widely on Lucan’s work and Roman imperial literature. Their essays provide readers with a detailed understanding of and appreciation for the poem’s unique features. The contributors take special care to include translations of all original Latin passages and explain unfamiliar Latin and Greek terms. The volume is enhanced by a map of Lucan’s Roman world and a glossary of key terms.
Thomas May, Lucan’s Pharsalia (1627) by Emma Buckley,Edward Paleit Pdf
Lauded after his death as ‘champion of the English Commonwealth’, but also derided as a ‘most servile wit, and mercenary pen’, the poet, dramatist and historian Thomas May (c.1595–1650) produced the first full translation into English of Lucan’s Bellum Ciuile shortly before a ruinous civil war engulfed his own country. Lucan, whose epic had lamented the Roman Republic’s doomed struggle to preserve liberty and inevitable enslavement to the Caesars, and who was forced to commit suicide at the behest of the emperor Nero, was a figure of fascination in early modern Europe. May’s accomplished rendition of his challenging poem marked an important moment in the history of its English reception. This is a modernized edition of the first complete (1627) edition of the translation. It includes prefatory materials, dedications and May’s own historical notes on the text. Besides an introduction contextualising May’s life and work and the key features of his translation, it offers a full commentary to the text highlighting how May responded to contemporary editions and commentaries on Lucan, and explaining points of literary, political, philosophical interest. There is also a detailed glossary and bibliography, and a set of textual notes enumerating the chief differences between the 1627 edition and the others produced in May’s lifetime. This volume aims not just to provide an accessible path into the dense, sometimes provocative poem May shapes from Lucan, but also a broader appreciation of the translator’s literary merits and the role his work plays in the history of the English reception of Roman literature and culture.
The story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 years. What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore?
Julius Caesar as Artful Reporter by Kathryn Welch,Anton Powell Pdf
Caesar's limpid prose, often seen as straightforward and soldierly, is analysed in essays as the work of a self-conscious and consummate stylist, rhetor and politician, seeking to advance a political career.
Julius Caesar's Self-Created Image and Its Dramatic Afterlife by Miryana Dimitrova Pdf
The book explores the extent to which aspects of Julius Caesar's self-representation in his commentaries, constituent themes and characterization have been appropriated or contested across the English dramatic canon from the late 1500s until the end of the 19th century. Caesar, in his own words, constructs his image as a supreme commander characterised by exceptional celerity and mercifulness; he is also defined by the heightened sense of self-dramatization achieved by the self-referential use of the third person and emerges as a quasi-divine hero inhabiting a literary-historical reality. Channelled through Lucan's epic Bellum Civile and ancient historiography, these Caesarean qualities reach drama and take the shape of ambivalent hubris, political role-playing, self-institutionalization, and an exceptional relationship with temporality. Focusing on major dramatic texts with rich performance history, such as Shakespeare's Julius Caesar, Handel's opera Giulio Cesare in Egitto and Bernard Shaw's Caesar and Cleopatra but also a number of lesser known early modern plays, the book encompasses different levels of drama's active engagement with the process of reception of Caesar's iconic and controversial personality.
Julian Romane examines the campaigns of Julius Caesar throughout the civil wars that followed his famous crossing of the Rubicon, through to the defeat of the final Pompeian diehards at the battle of Munda. He analyzes Caesar's generalship in the widest sense, with a strong emphasis on the logistical and financial effort required to put his legions in the field and keep them equipped, fed and paid. The attention given to this important but often-neglected aspect sets this account apart from many others. The author discusses the nature of late Republican Roman armies, describing their organization, tactics and equipment. The fact that such armies were employed both by and against Caesar only emphasizes the role of generalship in the outcome. This is followed by a detailed account of the strategic maneuvers in Caesar's epochal duel with Pompey the Great and the resultant battles at Dyrrhachium and Pharsalus. The final campaigns to mop up opposition in Spain and Africa are studied in equal detail to give a complete picture of Caesar's command performance in these history-shaping events.
Enter, in procession, with music, CAESAR; ANTONY, for the course; CALPHURNIA, PORTIA, DECIUS, CICERO, BRUTUS, CASSIUS and CASCA; a great crowd following, among them a SOOTHSAYER.CAESAR.Calphurnia.CASCA.Peace, ho! Caesar speaks.[Music ceases.]CAESAR.Calphurnia.CALPHURNIA.Here, my lord.CAESAR.Stand you directly in Antonius' way, When he doth run his course. Antonius.ANTONY.Caesar, my lord?CAESAR.Forget not in your speed, Antonius, To touch Calphurnia; for our elders say, The barren, touched in this holy chase, Shake off their sterile curse.ANTONY.I shall remember.When Caesar says "Do this," it is perform'd.CAESAR.Set on; and leave no ceremony out.[Music.]SOOTHSAYER.Caesar!CAESAR.Ha! Who c
This monograph studies how, across the Folio of 1681, Marvell's poems engage not merely with different kinds of loss and aspiration, but with experiences of both that were, in mid-seventeenth-century England, disturbingly new and unfamiliar. It particularly examines Marvell's preoccupation with the search for home, and with redefining the homeland, in times of civil upheaval. In doing so it traces his progression from being a poet who plays sophisticatedly with received myth to being one who is a national mythmaker in rivalry with his poetic contemporaries such as Waller and Davenant. Although focusing primarily on poems in the Folio of 1681, this book considers those poems in relation to others from the Marvell canon, including the Latin poems and the satires from the reign of Charles II. It closely considers them as well in relation to verse by poets from the classical past and the European, especially English, present.
