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Blue & Gray in Black & White by Brayton Harris Pdf
Blue & Gray in Black & White is account of the techniques, tactics, and personalities of the news-gathering industry during the American Civil War. This cataclysmic event accelerated the transformation of the content of newspapers from pallid literature and opinion to robust, partisan reporting of vital events, real and imagined. The written record, however, is only part of the story. Much of the impact of Civil War journalism derives from its illustrations, and twenty-two examples of these are reproduced here. Harris also follows the war's most famous artists, including Winslow Homer, as they and their reporter brethren braved the dangers of the battlefield to capture some of our most memorable images of war.
WAR NEWS: Blue and Gray in Black and White by Brayton Harris Pdf
WAR NEWS (originally published in 1999 as Blue & Gray in Black & White) is an exploration of the individual and collective efforts of newspaper journalists during the Civil War. As eyewitnesses to one of the most memorable conflicts in history, they left a record that is sometimes brilliant but, at other times, marred by shoddy journalism, sensationalism, and self-serving reporting. They were, however, the American public's primary source of information about the battles that were tearing the nation apart. This book focuses on the personalities, politics, and rivalries of editors; the efforts of newspapers to influence military appointments, strategy, and tactics; advances in printing technology; formal and informal censorship, the suppression of dissident newspapers, and, most of all, the war correspondents themselves.
This book examines newspapers, magazines, photographs, illustrations, and editorial cartoons to tell the important story of journalism, documenting its role during the Civil War as well as the impact of the war on the press. Civil War Journalism presents a unique synthesis of the journalism of both the North and South during the war. It features a compelling cast of characters, including editors Horace Greeley and John M. Daniel, correspondents George Smalley and Peter W. Alexander, photographers Mathew Brady and Alexander Gardner, and illustrators Alfred Waud and Thomas Nast. Written to appeal to those interested in the Civil War in general and in journalism specifically, as well as general readers, the work provides an introductory overview of journalism in the North and South on the eve of the Civil War. The following chapters examine reporting during the war, editorializing about the war, photographing and illustrating the war, censorship and government relations, and the impact of the war on the press.
The Blue and Gray in Black and White by Bob Zeller Pdf
A comprehensive narrative history of the Civil War photography including the first combat action photographs, photo essays of news events as they happened, and photos first censored by the federal government.
The Civil War still holds a prominent place in the American imagination—reenactments and battlefield visits are popular tourist attractions for both Northerners and Southerners. The underlying issues of racism and states’ rights that caused the war are also still visible in American society. Through informative main text, detailed maps, historic photographs, and a timeline of important dates, readers will be engaged by this key event in the country’s history and gain a better understanding of some of its present struggles.
Mathew Brady recognized that the new art of photography could be more than just a means of capturing people's likenesses in portraits. Beginning with the First Battle of Bull Run in 1861 and continuing through the entire Civil War, Brady and his employees chronicled the long, bloody conflict, bringing images of war directly to the people. Brady knew the photos would create valuable historical records for later generations. More than any other photographer of his generation, Brady understood photography's great potential and through his influence, he taught others to understand it as well.
American Musicals in Context by Thomas A. Greenfield Pdf
American Musicals in Context: From the American Revolution to the 21st Century gives students a fresh look at history-based musicals, helping readers to understand the American story through one of the country's most celebrated art forms: the musical. With the hit musical Hamilton (2015) captivating audiences and reshaping the way early U.S. history is taught and written about, this book offers insight into an array of musicals that explore U.S. history. The work provides a synopsis, overview of critical and audience reception, and historical context and analysis for each of 20 musicals selected for the unique and illuminating way they present the American story on the stage. Specifically, this volume explores musicals that have centered their themes, characters, and plots on some aspect of America's complex and ever-changing history. Each in its own way helps us rediscover pivotal national crises, key political decisions, defining moral choices, unspeakable and unresolved injustices, important and untold stories, defeats suffered, victories won in the face of monumental adversity, and the sacrifices borne publicly and privately in the process of creating the American narrative, one story at a time. Students will come away from the volume armed with the critical thinking skills necessary to discern fact from fiction in U.S. history.
In/visible War by Jon Simons,John Louis Lucaites Pdf
In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that “America” is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.
Though civilians constituted the majority of the nation's population and were intimately involved with almost every aspect of the war, we know little about the civilian experience of the Civil War. That experience was inherently dramatic. Southerners lived through the breakup of basic social and economic institutions, including, of course, slavery. Northerners witnessed the reorganization of society to fight the war. And citizens of the border regions grappled with elemental questions of loyalty that reached into the family itself. These original essays--all commissioned from established scholars, based on archival research, and written for a wide readership--recover the stories of civilians from Natchez to New England. They address the experiences of men, women, and children; of whites, slaves, and free blacks; and of civilians from numerous classes. Not least of these stories are the on-the-ground experiences of slaves seeking emancipation and the actions of white Northerners who resisted the draft. Many of the authors present brand new material, such as the war's effect on the sounds of daily life and on reading culture. Others examine the war's premiere events, including the battle of Gettysburg and the Lincoln assassination, from fresh perspectives. Several consider the passionate debate that broke out over how to remember the war, a debate that has persisted into our own time. In addition to the editor, the contributors are Peter W. Bardaglio, William Blair, W. Fitzhugh Brundage, Margaret S. Creighton, J. Matthew Gallman, Joseph T. Glatthaar, Anthony E. Kaye, Robert Kenzer, Elizabeth D. Leonard, Amy E. Murrell, George C. Rable, Nina Silber, Mark M. Smith, Mary Saracino Zboray, and Ronald J. Zboray. Together they describe the profound transformations in community relations, gender roles, race relations, and culture wrought by the central event in American history.
