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War of the Worlds to Social Media by Joy Elizabeth Hayes,Kathleen Battles,Wendy Hilton-Morrow Pdf
This collection takes War of the Worlds as a starting point for investigating key issues in twenty-first-century communication, including: the problem of misrepresentation in mediated communication; the importance of social context for interpreting communication; and the dynamic role of listeners, viewers and users in talking back to media producers and institutions.
The War of the Worlds (1898), by H. G. Wells, is an early science fiction novel which describes an invasion of England by aliens from Mars. It is one of the earliest and best-known depictions of an alien invasion of Earth, and has influenced many others, as well as spawning several films, radio dramas, comic book adaptations, and a television series based on the story. The 1938 radio broadcast caused public outcry against the episode, as many listeners believed that an actual Martian invasion was in progress, a notable example of mass hysteria.
On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call the police. Some even fled their homes. But the hair-raising broadcast was not a real news bulletin-it was Orson Welles's adaptation of the H. G. Wells classic The War of the Worlds. In Broadcast Hysteria, A. Brad Schwartz boldly retells the story of Welles's famed radio play and its impact. Did it really spawn a "wave of mass hysteria," as The New York Times reported? Schwartz is the first to examine the hundreds of letters sent to Orson Welles himself in the days after the broadcast, and his findings challenge the conventional wisdom. Few listeners believed an actual attack was under way. But even so, Schwartz shows that Welles's broadcast became a major scandal, prompting a different kind of mass panic as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. When the debate was over, American broadcasting had changed for good, but not for the better. As Schwartz tells this story, we observe how an atmosphere of natural disaster and impending war permitted broadcasters to create shared live national experiences for the first time. We follow Orson Welles's rise to fame and watch his manic energy and artistic genius at work in the play's hurried yet innovative production. And we trace the present-day popularity of "fake news" back to its source in Welles's show and its many imitators. Schwartz's original research, gifted storytelling, and thoughtful analysis make Broadcast Hysteria a groundbreaking new look at a crucial but little-understood episode in American history.
Likewar by Peter Warren Singer,Emerson T. Brooking Pdf
Social media has been weaponized, as state hackers and rogue terrorists have seized upon Twitter and Facebook to create chaos and destruction. This urgent report is required reading, from defense experts P.W. Singer and Emerson T. Brooking.
The Routledge Companion to Radio and Podcast Studies by Mia Lindgren,Jason Loviglio Pdf
This comprehensive companion is a much-needed reference source for the expanding field of radio, audio, and podcast study, taking readers through a diverse range of essays examining the core questions and key debates surrounding radio practices, technologies, industries, policies, resources, histories, and relationships with audiences. Drawing together original essays from well-established and emerging scholars to conceptualize this multidisciplinary field, this book’s global perspective acknowledges radio’s enduring affinity with the local, historical relationship to the national, and its unpredictably transnational reach. In its capacious understanding of what constitutes radio, this collection also recognizes the latent time-and-space shifting possibilities of radio broadcasting, and of the myriad ways for audio to come to us 'live.' Chapters on terrestrial radio mingle with studies of podcasts and streaming audio, emphasizing continuities and innovations in form and content, delivery and reception, production cultures and aesthetics, reminding us that neither 'radio' nor 'podcasting' should be approached as static objects of analysis but rather as mutually constituting cultural forms. This cutting-edge and vibrant companion provides a rich resource for scholars and students of history, art theory, industry studies, journalism, media and communication, cultural studies, feminist analysis, and postcolonial studies. Chapter 42 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author : Joy Elizabeth Hayes Publisher : University of Arizona Press Page : 180 pages File Size : 54,6 Mb Release : 2000-10 Category : Performing Arts ISBN : 0816518521
"Hayes describes how, both during and after the period of cultural revolution, Mexico radio broadcasting was shaped by the clash and collaboration of different social forces - including U.S. interests, Mexican media entrepreneurs, state institutions, and radio audiences. She traces the evolution of Mexican radio in case studies that focus on such subjects as early government broadcasting activities, the role of Mexico City media elites, the "paternal voice" of presidential addresses, and U.S. propaganda during World War II.".
“For more thanforty years, Project Censored has been our watchdog on the establishment media, casting its eye on how the information that we receive––and don’t receive––shapes our democracy. We need it more than ever today!” —Christopher Finan, Executive Director, National Coalition Against Censorship (NCAC) THESE ARE JUST A FEW OF THE STORIES PRESENTED IN CENSORED 2019: --“Open-Source” Intelligence Secrets Sold to Highest Bidders --ICE Intends to Destroy Records of Inhumane Treatment of Immigrants --Indigenous Communities around World Helping to Win Legal Rights of Nature --FBI Racially Profiling “Black Identity Extremists” --The Limits of Negative News and Importance of Constructive Media DID YOU KNOW THAT SINCE 1998 THE US GOVERNMENT SPENT $21 TRILLION IT CAN’T ACCOUNT FOR? Or that Internet co-ops are mobilizing poor communities to resist net neutrality rollbacks? How about the health risks of wireless tech that cell phone companies have covered up, or the opiate crisis that Big Pharma knowingly unleashed? Haven’t heard the news? Neither did the rest of the world. That’s because these and countless other news items are suppressed or ignored by our nation’s “free press” every day. For the past forty-three years, Project Censored has been unearthing the buried stories that corporate media deem unfit to print—and debunking the “fake news” governments and corporations use to consolidate their power—to promote well-informed citizen action and critical media literacy. This year’s Project Censored yearbook features: -- “Vetting Free Speech” by Sally Gimson, Layli Foroudi, and Sean Gallagher -- “#TimesUp: Breaking the Barriers of Sexual Harassment in Corporate Media for You and #MeToo” by Julie Frechette -- “Data Activism through Community Mapping and Data Visualization” by Dorothy Kidd -- “How Mainstream Media Evolved into Corporate Media” by Peter Phillips -- “Campus–Newsroom Collaborations” by Patricia W. Elliott -- “The Public and Its Problems” by Susan Maret Plus Junk Food News, News Abuse, and Media Democracy in Action. In a time of decline in the rule of law and democratic safeguards, Project Censored offers a constructive alternative to the “fake news” blues, holding the corporate media to account for its negative bias, propaganda for wealth and power, and outright censorship.
Author : James N. Gilmore,Sidney Gottlieb Publisher : Indiana University Press Page : 230 pages File Size : 53,5 Mb Release : 2018-02-08 Category : Performing Arts ISBN : 9780253032973
Orson Welles in Focus by James N. Gilmore,Sidney Gottlieb Pdf
“A wonderful and distinct addition to the Welles canon . . . these pieces explore key elements of Welles’s career, personality, and political beliefs.” —Library Journal Through his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles’s multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles’s work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles’s work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totalityilluminates and expands our perception of his contributions that continue to resonate today. “Anyone who thinks they know Welles will have their eyes opened [by this book].” —Paul Heyer, author of The Medium and the Magician “This is a fascinating collection, several of the contributions making the reader wish for more.” —Film International “A team of scholars has examined the many facets of Orson Welles’ amazing life—theatrical innovator, radio star, celebrated filmmaker, newspaper columnist and progressive activist.” —Wellesnet
Radio's Second Century by John Allen Hendricks Pdf
Winner of the 2022 Broadcast Education Association Book Award One of the first books to examine the status of broadcasting on its one hundredth anniversary, Radio’s Second Century investigates both vanguard and perennial topics relevant to radio’s past, present, and future. As the radio industry enters its second century of existence, it continues to be a dominant mass medium with almost total listenership saturation despite rapid technological advancements that provide alternatives for consumers. Lasting influences such as on-air personalities, audience behavior, fan relationships, and localism are analyzed as well as contemporary issues including social and digital media. Other essays examine the regulatory concerns that continue to exist for public radio, commercial radio, and community radio, and discuss the hindrances and challenges posed by government regulation with an emphasis on both American and international perspectives. Radio’s impact on cultural hegemony through creative programming content in the areas of religion, ethnic inclusivity, and gender parity is also explored. Taken together, this volume compromises a meaningful insight into the broadcast industry’s continuing power to inform and entertain listeners around the world via its oldest mass medium--radio.
War of the Worlds: Battleground Australia by Steve Proposch,Christopher Sequeira,Bryce Stevens Pdf
Marauders from Mars War of the Worlds: Battleground Australia sheds fresh, Antipodean light on H.G. Wells' original tale in stories that traverse the southern continent. Home to the planet's longest-surviving mysteries, Australia now plays victim to marauding Martians in this outstanding collection of exciting stories set in the past, present and future. Australian Invasion It is well-known that Wells found vital inspiration for his 1897 novel in the horrific plight of Tasmanian Aboriginals who, within his lifetime, were virtually wiped out by the warfare and disease brought by foreign invaders. In Battleground Australia we discover that the war with Mars was not confined to England and did not end with all Martians destroyed by disease. In Australia some of the aliens survived and went underground, to emerge a century or more later. Best Science Fiction A Collection of Australia's best-selling literary, crime and speculative fiction writers including: Kerry Greenwood, Jack Dann, Carmel Bird, Jenny Valentish, Janeen Webb, Sean Williams, Kaaron Warren and Angela Meyer with a foreword by film director Alex Proyas (The Crow; I, Robot; Gods of Egypt)
The fate of the earth hangs in the balance as H.G. Wells’ The War of the Worlds is transformed from the work of one writer’s imagination into a terrifying reality for all mankind. 1898. New York socialite Emma Harlow agrees to marry well-to-do Montgomery Gilmore, but only if he first accepts her audacious challenge: to reproduce the Martian invasion featured in H. G. Wells’s popular novel The War of the Worlds. Meanwhile in London, Wells himself is unexpectedly made privy to certain objects, apparently of extraterrestrial origin, that were discovered decades earlier on an ill-fated expedition to the Antarctic. On that same expedition was an American crew member named Edgar Allan Poe, whose inexplicable experiences in the frozen wasteland would ultimately inspire him to create one of his most enduring works of literature. When eerie, alien-looking cylinders begin appearing in London, Wells is certain it is all part of some elaborate hoax. But soon, to his great horror, he realizes that a true invasion of Earth has indeed begun. As brave bands of citizens converge on a crumbling London to defend it against utter ruin, Emma and her suitor must confront the enigma that is their love, a bright spark of hope even against the darkening light of apocalypse. Palma dazzled readers with his instant New York Times bestseller The Map of Time. In The Map of the Sky, he embarks on an even more thrilling speculative journey, one that links the earth and the heavens, the familiar and the bizarre, the impossible and the inevitable.
The role of social media in the events of the Arab Spring and its aftermath in the Muslim world has stimulated much debate, yet little in the way of useful insight. Now Haroon Ullah, a scholar and diplomat with deep knowledge of politics and societies in the Middle East, South Asia, and Southeast Asia, draws the first clear picture of the unprecedented impact of Twitter, Facebook, and other means of online communication on the recent revolutions that blazed across Muslim nations. The author carefully analyzes the growth of social media throughout the Muslim world, tracing how various organizations learned to employ such digital tools to grow networks, recruit volunteers, and disseminate messages. In Egypt, where young people rose against the regime; in Pakistan, where the youth fought against the intelligence and military establishments; and in Syria, where underground Islamists had to switch alliances, digital communications played key roles. Ullah demonstrates how social media have profoundly changed relationships between regimes and voters, though not always for the better. Looking forward he identifies trends across the Muslim world and the implications of these for regional and international politics.
Digital Media and the Politics of Transformation in the Arab World and Asia by Carola Richter,Anna Antonakis,Cilja Harders Pdf
In times of increasing mediatization and digitalization media play an important role in political and societal transformation processes. The authors of this volume take an actor-centered perspective to shed light on current cases in Arab and Asian countries. They inquire into the ways processes of networking and mobilization evolve in the context of restricted media systems and state-dominated public spheres. It features original research about various social and political actors such as women’s rights activists, public intellectuals, anarchists and Islamists.
The War of the Worlds Illustrated by H G Wells Pdf
The War of the Worlds is a science fiction novel by English author H. G. Wells, first serialised in 1897 by Pearson's Magazine in the UK and by Cosmopolitan magazine in the US. The novel's first appearance in hardcover was in 1898 from publisher William Heinemann of London. Written between 1895 and 1897, it is one of the earliest stories to detail a conflict between mankind and an extraterrestrial race. The novel is the first-person narrative of both an unnamed protagonist in Surrey and of his younger brother in London as southern England is invaded by Martians. The novel is one of the most commented-on works in the science fiction canon.
