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Cover -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- Poems -- Introduction -- 1 Jazz, "Great Black Music," and the Struggle for Racial and Social Equality in Washington, DC -- 2 Seventh Street: Black DC's Musical Mecca -- 3 Washington's Duke Ellington -- 4 Bill Brower: Notes from a Keen Observer and Scene Maker -- 5 Jazz Radio in Washington, DC -- 6 Legislating Jazz -- 7 The Beautiful Struggle: A Look at Women Who Have Helped Shape the DC Jazz Scene -- 8 No Church without a Choir: Howard University and Jazz in Washington, DC -- 9 From Federal City College to UDC: A Retrospective on Washington's Jazz University -- 10 Researching Jazz History in Washington, DC -- List of Contributors -- Photo Credits and Permissions -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Washington, DC, Jazz by Dr. Regennia N. Williams,Rev. Dr. Sandra Butler-Truesdale Pdf
Home to "Black Broadway" and the Howard Theatre in the Greater U Street area, Washington, DC, has long been associated with American jazz. Duke Ellington and Billy Eckstine launched their careers there in the early 20th century. Decades later, Shirley Horn and Buck Hill would follow their leads, and DC's "jazz millennials" include graduates of the Duke Ellington School of the Arts. For years, Bohemian Caverns and One Step Down were among the clubs serving as gathering places for producers and consumers of jazz, even as Rusty Hassan and other programmers used radio to promote the music. Washington, DC, Jazz focuses, primarily, on the history of straight-ahead jazz, using oral histories, materials from the William P. Gottlieb Collection at the Library of Congress, the Felix E. Grant Jazz Archives at the University of the District of Columbia, and Smithsonian Jazz. This volume also features the work of photographers Nathaniel Rhodes, Michael Wilderman, and Lawrence A. Randall.
The familiar history of jazz music in the United States begins with its birth in New Orleans, moves upstream along the Mississippi River to Chicago, then by rail into New York before exploding across the globe. That telling of history, however, overlooks the pivotal role the nation's capital has played for jazz for a century. Some of the most important clubs in the jazz world have opened and closed their doors in Washington, DC, some of its greatest players and promoters were born there and continue to reside in the area, and some of the institutions so critical to national support of this uniquely American form of music, including Congress, the Smithsonian Institution, the Kennedy Center, the Library of Congress and the Historical Society of Washington, D.C., are rooted in the city. Closer to the ground, a network of local schools like the Duke Ellington High School for the Performing Arts, jazz programs at the University of the District of Columbia and Howard University, churches, informal associations, locally focused media, and clubs keeps the music alive to this day. Noted historians Maurice Jackson and Blair Ruble, editors of this book, present a collection of original and fascinating stories about the DC jazz scene throughout its history, including a portrait of the cultural hotbed of Seventh and U Streets, the role of jazz in desegregating the city, a portrait of the great Edward "Duke" Ellington’s time in DC, notable women in DC jazz, and the seminal contributions of the University of District of Columbia and Howard University to the scene. The book also includes three jazz poems by celebrated Washington, DC, poet E. Ethelbert Miller. Collectively, these stories and poems underscore the deep connection between creativity and place. A copublishing initiative with the Historical Society of Washington, DC, the book includes over thirty museum-quality photographs and a guide to resources for learning more about DC jazz.
A visual history of America’s jazz nightclubs of the 1940s and 1950s, featuring exclusive interviews and over 200 souvenir photos. In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Grammy Award-winning record executive and music historian Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin’ In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre—Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others—were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo. Sittin’ In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern. Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.
The Rough Guide to Washington, DC by Jeff Dickey Pdf
The Rough Guide to Washington DC is the definitive guide to this historic city, with clear maps and detailed coverage of all the city's best attractions. Discover Washington DC's highlights with stunning photography and information on everything from the city's memorials and museums along the Mall to showpieces like the International Spy Museum. Find detailed practical advice on what to see and do in Washington DC, relying on up-to-date descriptions of the best hotels, bars, clubs, shops and restaurants for all budgets; The Rough Guide to Washington DC also includes full-colour sections of the region's top sights, and there are plenty of maps to help you plan your trip to the lively and fascinating capital of the United States. Make the most of your holiday with The Rough Guide to Washington DC.
African Rhythms by Randy Weston,Willard Jenkins Pdf
African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa.
100 THINGS TO DO IN WASHINGTON DC BEFORE YOU DIE by Shannon Morgan Pdf
Washington, DC, is so much more than a political hot spot and 100 Things to do in Washington DC Before You Die (Reedy Press) is your insider guide to all the city has to offer. The nation’s capital is bursting at the seams with memorials, monuments, and museums. It’s a hub for artists, musicians, and writers. It’s a dream destination for foodies and a favorite of history buffs. There’s much to see and do in this four-season destination; so many of the attractions are free! DC is doable in a weekend and it’s worth the trip again and again. Come see the White House, the U.S. Capitol, and the Washington Monument. Explore the heritage trails and historical sites. Experience what makes this destination truly one of a kind.
One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.
A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US—and Black American—contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration.
Black Broadway in Washington, D.C. by Briana A Thomas Pdf
A history of the African American neighborhood and its remarkable residents in our nation’s capital. Before chain coffeeshops and luxury high-rises, before even the beginning of desegregation and the 1968 riots, Washington’s Greater U Street was known as Black Broadway. From the early 1900s into the 1950s, African Americans plagued by Jim Crow laws in other parts of town were free to own businesses here and built what was often described as a “city within a city.” Local author and journalist Briana A. Thomas narrates U Street’s rich and unique history, from the early triumph of emancipation to the days of civil rights pioneer Mary Church Terrell and music giant Duke Ellington, through the recent struggles of gentrification. “[An] engaging and compelling history. A skillful storyteller, Thomas brings the neighborhood’s people to life; and what a list of neighbors they are: Marion Barry; “Cool Papa” Bell; Mary McLeod Bethune; Ralph Bunche; Stokely Carmichael; Kenneth B. Clark; Anna Julia Cooper; Rev. Alexander Crummell; Charles H. Drew; Paul Laurence Dunbar; Edward Kennedy “Duke” Ellington; E. Franklin Frazier; Bishop C. M. “Sweet Daddy” Grace; the Grimké’s Angelina, Archibald, and Francis; Buck Leonard; A. Philip Randolph; Mary Church Terrell; and Carter G. Woodson, to name just a few. . . . Thomas makes them all—and perhaps even more importantly, many unknown everyday U Streeters—fully alive. Pick up her book and all doubts about the importance of the Nation’s Capital for American life will disappear.” —Blair A. Ruble, author of Washington’s U Street: A Biography
Washington, DC delights at every turn. Wherever you go, there is a marvel of architecture to be discovered, a scenic view to be savored, or a world-famous museum to be enjoyed. And that's not to mention the lush green spaces and secret sanctuaries waiting to welcome weary travelers after a long day of sightseeing. Our updated guide brings Washington, DC to life, transporting you there like no other travel guide does with expert-led insights, trusted travel advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the city’s iconic buildings and neighborhoods. Whether you want to stroll beneath the cherry blossoms, visit the iconic domed Capitol, or tour the magnificent White House, DK Eyewitness Washington DC is your ticket to the trip of a lifetime. Inside DK Eyewitness Washington, you will find: - A fully-illustrated top experiences guide: our expert pick of Washington DC’s must-sees and hidden gems - Accessible itineraries to make the most out of each and every day - Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money - Color-coded chapters to every part of Washington DC, from Capitol Hill to Penn Quarter, The Mall to Georgetown - Practical tips: the best places to eat, drink, shop and stay in Washington DC - Detailed maps to help you navigate the region easily and confidently - Explore the culture of Washington DC: delve into Washington DC’s iconic history, art, and architecture - Covers: Capitol Hill, The Mall, Penn Quarter, White House and Foggy Bottom, Georgetown, South of the Mall, Northwest, Beyond the Center, and Days Out From Washington DC Planning on touring the USA? Don’t forget to check out DK Eyewitness USA for a complete comprehensive guide to the States, making the most of your trip and achieving the adventure of a lifetime. About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion. .
The Global Politics of Jazz in the Twentieth Century by Yoshiomi Saito Pdf
From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context. Saito examines jazz across a wide range of regions, including America, Europe, Japan and Communist countries. His research also draws heavily upon a variety of sources, primary as well as secondary, which are accessible in these diverse countries: all had their unique and culturally specific domestic jazz scenes, but also interacted with each other in an interesting dimension of early globalization. This comparative analysis on the range of unique jazz scenes and cultures offers a detailed understanding as to how jazz has been interpreted in various ways, according to the changing contexts of politics and society around it, often providing a basis for criticizing America itself. Furthering our appreciation of the organic relationship between jazz and global politics, Saito reconsiders the uniqueness of jazz as an exclusively "American music." This book will be of interest to students and scholars of international relations, the history of popular music, and global politics. The Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author : National Endowment for the Arts Publisher : Unknown Page : 272 pages File Size : 51,9 Mb Release : 1987 Category : Federal aid to the arts ISBN : IND:30000132751748
Sixteenth Street NW by John DeFerrari,Douglas Peter Sefton Pdf
DeFerrari and Sefton have created a highly illustrated architectural “biography” of one of DC’s most important boulevards. From the front door of the White House, this north-south artery runs through the middle of the DC and extends just past its border with Maryland, making it as central to the cityscape as it is to DC’s history and culture.
