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Kevin and Kel, the two best friends who are always 'schemin' and dreamin' are getting into trouble again in a brand new adventure set in the Old Wild West. Kenan and Kel are sucked back in time to where Kenan's ancestor, Sheriff Kenan, and his partner, Deputy Kel, are busy fighting The Bad Guy in town. The boys are about to get in on the action, the only problem is that Kel's scared of horses...
Becoming John Wayne by Larry Powell,Jonathan H. Amsbary Pdf
Exploring the early westerns of John Wayne—from his first starring role in the The Big Trail (1930) to his breakthrough as the Ringo Kid in John Ford’s Stagecoach (1939)—the authors trace his transformation from Marion Mitchell Morrison, movie studio prop man, into John Wayne, a carefully crafted film persona of his own invention that made him world famous. Wayne’s years of training went well beyond honing his acting skill, as he developed the ability to do his own stunts, perfected his technique as a gun handler and became an expert horseman.
Shakespeare's Non-Standard English by Norman Blake,Norman Francis Blake Pdf
Most scholarly attention on Shakespeare's vocabulary has been directed towards his enrichment of the language through borrowing words from other languages and has thus concentrated on the more learned aspects of his vocabulary. However, the bulk of Shakespeare's output consists of plays and to make these appear lifelike he needed to employ a colloquial and informal style. This aspect of his work has been largely disregarded apart from his bawdy language. This dictionary includes all types of non-standard and informal language and lists all examples found in Shakespeare's works. These include dialect forms, colloquial forms, non-standard and variant forms, fashionable words and puns. >
An examination of some of the USA's most controversial museum exhibitions of the 1990s. In its analysis of these episodes of America struggling to redefine itself in the late-20th century, the book draws upon interviews with museum administrators, community activists, curators and scholars.
American journalist Mary travels to Algeria to investigate the brutal death of her college roommate, also a journalist and colleague. Once there, she builds a family around her in a country unwelcoming of reporters to the point of criminal violence. When her plane explodes after leaving Algeria, it perhaps shouldnt come as a surprise. The death of her twin sister throws Janets life in the United States into upheaval as she prepares her own trip to Algeria to find answers. Shes met with suspicion but soon finds a small group of global journalists who are willing to help her find the truth about Mary. To complicate things, it would seem Mary was involved, perhaps romantically, with a group member named Michel. Together, they risk life and freedom to report on conditions in a country that, in the late twentieth century, many considered the most repressive and ruthlessly corrupt police state in the worldone that seemed to do everything imaginable to silence the voices of those who tried to expose the terror. What began as Janets search for closure becomes a much bigger adventure as she joins the ranks of Algerian journalists as a screaming voice in the foreign wilderness.
Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.
Interjections, Translation, and Translanguaging by Rosanna Masiola Pdf
This book is about interjections and their transcultural issues. Challenging the marginalization of the past, the ubiquity of interjections and translational practices are presented in their multilingual and cross-cultural aspects. The survey widens the field of inquiry to a multi-genre and context-based perspective. The quanti-qualitative corpus has been processed on the base of topics of relevance and thematization. The range of examples varies from adaptation of novels into films, from Shakespeare, from Zulu oral epics to opera, from children’s narratives to cartoons, from migration literature to gangster and horror films and their audiovisual translation. The use of American Yiddish, Italian American, South African English, and Jamaican account for the controversial aspects of interjections as a universal phenomenon, and, conversely, as a pragmatic marker of identity in (post)colonial contexts.