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A collection of short stories by Leela Corman, including devastating personal loss, teaching bellydancing classes, her family in World War II Poland, reports from an American bellydancer about life in post revolution Egypt, and more.
From Nate Powell, the National Book Award–winning artist of March, a collection of graphic nonfiction essays about living in a new era of necessary protest—now with sixteen pages of new material In seven interwoven comics essays, author and illustrator Nate Powell addresses living in an era of what he calls “necessary protest.” Save It for Later: Promises, Parenthood, and the Urgency of Protest is Powell’s reflection on witnessing the collapse of discourse in real-time while illustrating the award-winning trilogy March by Congressman John Lewis and Andrew Aydin, this generation’s preeminent historical account of nonviolent revolution in the civil rights movement. Powell highlights both the danger of normalized paramilitary symbols in consumer pop culture and the roles we play individually as we interact with our communities, families, and society at large. Each essay tracks Powell’s journey from the night of the election—promising his four-year-old daughter that Trump will never win—to the reality of the authoritarian presidency, protesting the administration’s policies, and navigating the complications of teaching his children how to raise their own voices in a world that is becoming increasingly dangerous and more and more polarized. While six of the seven essays are new, unpublished work, Powell has also included “About Face,” a comics essay first published by Popula Online that swiftly went viral and inspired him to write Save It for Later. The seventh and final essay was written after the 2020 presidential election, and examines the outcome of that contest in relation to the events of the last four years, with a particular focus on the COVID-19 pandemic and global protests in the wake of the murder of George Floyd. The updated paperback comes out just in time for the 2022 midterm elections and includes bonus content featuring a conversation between Powell and Derf Backderf, the New York Times–bestselling author of My Friend Dahmer and Kent State, where they discuss the militarization of civilian spaces and the aftermath of the January 6th insurrection. As Powell moves between subjective and objective experiences raising his children—depicted in their childhood innocence as imaginary anthropomorphic animals—he reveals the electrifying sense of trust and connection with neighbors and strangers in protest. He also explores how to equip young people with tools to best make their own noise as they grow up and help shape the direction and future of this country.
A complete guide to the history, form and contexts of the genre, Autobiographical Comics helps readers explore the increasingly popular genre of graphic life writing. In an accessible and easy-to-navigate format, the book covers such topics as: · The history and rise of autobiographical comics · Cultural contexts · Key texts – including Maus, Robert Crumb, Persepolis, Fun Home, and American Splendor · Important theoretical and critical approaches to autobiographical comics Autobiographical Comics includes a glossary of crucial critical terms, annotated guides to further reading and online resources and discussion questions to help students and readers develop their understanding of the genre and pursue independent study.
Holocaust Graphic Narratives by Victoria Aarons Pdf
Holocaust Graphic Narratives examines Holocaust graphic novels and memoirs, analyzing the genre as one that enables intergenerational transmission of trauma and memory. Here, the graphic novel becomes a medium uniquely positioned to create a sense of felt immediacy, urgency, and authenticity at the intersection of history and the imagination.
Intersectional Feminist Readings of Comics by Sandra Cox Pdf
Intersectional Feminist Readings of Comics collects several theoretically informed close reading of comics and graphic literature that apply an intersectional feminist lens to the interpretation of several contemporary North American graphic narratives. The essays examine use a range of interpretive lenses drawn from theoretical models used in contemporary aesthetics, media studies, and literary criticism to analyze mainstream figures like DC’s Catwoman and Marvel’s Miss America and Doctor Strange, to contextualize historical and speculative comics by Indigenous American illustrators, and to explicate autography by critically lauded Jewish, queer and female cartoonists. In the first half of the book, the chapters examine ways in which superhero comics and the cinematic and televisual adaptations thereof, reify, revise and reject gender parity, systemic misogyny and heteropatriarchy through visual and textual rhetorics of representation. In the second part of the volume, the chapters look at the ways that feminist interpretive practices illuminate the radical work undertaken by cartoonists from historically marginalized communities in the U.S. and Canada. Across both halves, readers will find applications of longstanding feminist critical traditions, like ecofeminism, as well as new intersectional extrapolations of narratology, autobiographical studies, and visual rhetoric, which have been applied to the selected comics in insightful and innovative ways. This is a lively and varied collection suitable for students and scholars in gender studies, cultural studies, media studies and literary studies.
The author of the Eisner-nominated graphic novel Unterzakhn now gives us a heart-wrenching, phantasmagorical tale of love, loss, and trauma both personal and global, set during World War II in Brooklyn, New York, and in the newly liberated Buchenwald concentration camp. One of a group of women working as welders in the Brooklyn Navy Yard, Rose Arensberg has fallen in love with a disabled veteran while awaiting the return of her husband, Sam, a soldier in the American army serving in Europe. As we follow the bittersweet, heartbreaking stories of Rose and her fellow Rosie-the-Riveters, we're immersed in the day-to-day challenges of life on the home front as seen through the eyes of these resilient women, as well as through the eyes of Eleanor, Rose’s impressionable young daughter, and Ruth, the German Jewish refugee Rose has taken into their home. Ruth’s desperate attempt to exorcise the nightmare of growing up in pre-war Nazi Germany takes her into the world of professional women wrestlers—with devastating consequences. And Sam’s encounters with the horrors of a liberated concentration camp follow him home to Brooklyn in the form of terrifying flashbacks that will leave him scarred forever. Victory Parade paints a deeply affecting portrait of how individuals and civilizations process mass trauma. Magnificently drawn by Leela Corman, it’s an Expressionist journey through the battlefields of the human heart and the mass graves of genocide.
Female Cartoonists in the United States by Hélène Tison Pdf
This book provides an introduction to women cartoonists in the US, reading their work from a feminist, literary and stylistic perspective, which shines a light on their innovative and unique narratives and graphic languages. From rabid feminists to blundering teenagers to dyke avengers and pregnant butches, from political satire to memoirs to troubling sexual tales, from caricature to the clear line, from realism to minimalism and abstraction – they have done it all. This book looks at the work of over thirty authors who have challenged the boys’ club of comics in the US and whose stories shed a revealing light on contemporary society, through countercultural ripostes to the patriarchy, raw or humorous confessions, deconstruction of femininity, stories of vulnerability that offer powerful counterpoints to the "super bodies" of mainstream comics, non-white and queer cartoonists "drawing back" and more. This is a key title for students and scholars in the fields of Comics Studies, Literature and Women and Gender Studies.
United States. Congress. House. Committee on the Judiciary. Subcommittee on Crime
Author : United States. Congress. House. Committee on the Judiciary. Subcommittee on Crime Publisher : Unknown Page : 354 pages File Size : 44,7 Mb Release : 1981 Category : Government publications ISBN : PSU:000020245054
An omnibus collection of room happy elephants characterizing the five year period before Trump took office. The chronology runs the gamut thru political, business, social, legal and philosophical issues which might be illogical or nonsensical but accepted as normal life in these here United States. The author cites possible avenues to keep things in a correct perspective with respect to truth, honesty and normal thinking. Was everything fine as it was or were there hidden agendas that kept those elephants penned up? You be the judge.
Liberty Means Freedom for All by Steven H. Propp Pdf
Thomas Anderson has just graduated from CSU Stentoria, with his degree in Political Science. Its an election year, and as a young progressive in California who has been raised by equally progressive parents, he is very much concerned with the political issues currently being discussed in the mass media. A chance encounter with a fellow graduate named Kelly Kelso, however, shakes up his sett led view of the world. He is challenged to examine the rising number of alternatives to the two-party system presented by third party movements such as the Libertarian Party and the Green Party, and is forced to acknowledge that there is far more to politics than simply Democrat versus Republican, and liberal versus conservative. Thomas delves energetically into not only the growing Libertarian movement, but the free market perspective of the Austrian School of economics, as well as the rigid yet compelling view of Ayn Rands philosophy of Objectivism. His explorations grow wider, now encompassing the Tea Party movement and the Christi an Right; tax resisters and gun rights advocates; survivalists and militia members; anarchists, communists, and Democratic Socialists; as well as the Occupy Wall Street movement. He debates the radical environmental views of animal welfare and animal rights advocates, and challenges opponents of corporate globalism as well as deniers of global warming, as he struggles to reformulate and articulate his own developing beliefs, while coping with a sea of conflicting ideas and opposition. But this abstract political theory is brought into sharp encounter with concrete political reality, when Thomas hears a news report of an armed conflict with authorities taking place just outside of town, involving someone with whom he has become emotionally involved
A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths. “A haunting and often heartbreaking look at Eastern European Jewish immigrants in the early 20th century [and] also a story about women, power, and bodies.” —Austin American-Statesman For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing the sights and sounds of a neighborhood of struggling immigrants; as teenagers taking their own tentative steps into the wider world (Esther working for a woman who runs both a burlesque theater and a whorehouse, Fanya for an obstetrician who also performs illegal abortions); and, finally, as adults battling for their own piece of the “golden land,” where the difference between just barely surviving and triumphantly succeeding involves, for each of them, painful decisions that will have unavoidably tragic repercussions.