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You Can't Go Home Again is a novel by Thomas Wolfe published posthumously in 1940. The novel tells the story of George Webber, a fledgling author, who writes a book that makes frequent references to his home town of Libya Hill. The book is a national success but the residents of the town, unhappy with what they view as Webber's distorted depiction of them, send the author menacing letters and death threats. (Wikipedia).
George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
Refire! Don't Retire by Ken Blanchard,Morton Shaevitz Pdf
Bring a renewed sense of purpose to the next chapter of your life with the New York Times bestselling author’s guide to thriving in retirement. Many people see their later years as a time to endure rather than as an exciting opportunity. Yet research and common sense confirm that people who embrace these years with energy and gusto consistently find them to be rich and rewarding. In Refire! Don't Retire, Ken Blanchard and Morton Shaevitz offer inspiring insight and thought-provoking questions to help people make the rest of their lives the best of their lives. In the trademark Ken Blanchard style, the authors tell the compelling story of Larry and Janice Sparks, who discover how to see each day as an opportunity to enhance their relationships, stimulate their minds, revitalize their bodies, and grow spiritually. As they learn to be open to new experiences, Larry and Janice rekindle passion in every area of their lives. Readers will find humor, practical information, and profound wisdom in Refire! Don't Retire. Best of all, they will be inspired to make all the years ahead truly worth living.
When Angel and her mother move into a cottage on a cliff on Long Island, they find a ghost named BJ, who died during the '50s, already lives there. Part one of two.
Afrocentrism has been a controversial but popular movement in schools and universities across America, as well as in black communities. But in We Can't Go Home Again, historian Clarence E. Walker puts Afrocentrism to the acid test, in a thoughtful, passionate, and often blisteringly funny analysis that melts away the pretensions of this "therapeutic mythology." As expounded by Molefi Kete Asante, Yosef Ben-Jochannan, and others, Afrocentrism encourages black Americans to discard their recent history, with its inescapable white presence, and to embrace instead an empowering vision of their African (specifically Egyptian) ancestors as the source of western civilization. Walker marshals a phalanx of serious scholarship to rout these ideas. He shows, for instance, that ancient Egyptian society was not black but a melange of ethnic groups, and questions whether, in any case, the pharaonic regime offers a model for blacks today, asking "if everybody was a King, who built the pyramids?" But for Walker, Afrocentrism is more than simply bad history--it substitutes a feel-good myth of the past for an attempt to grapple with the problems that still confront blacks in a racist society. The modern American black identity is the product of centuries of real history, as Africans and their descendants created new, hybrid cultures--mixing many African ethnic influences with native and European elements. Afrocentrism replaces this complex history with a dubious claim to distant glory. "Afrocentrism offers not an empowering understanding of black Americans' past," Walker concludes, "but a pastiche of 'alien traditions' held together by simplistic fantasies." More to the point, this specious history denies to black Americans the dignity, and power, that springs from an honest understanding of their real history.
DigiCat Publishing presents to you this special edition of "The Web and the Rock" by Thomas Wolfe. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Complete Short Stories Of Thomas Wolfe by Thomas Wolfe Pdf
These fifty-eight stories make up the most thorough collection of Thomas Wolfe's short fiction to date, spanning the breadth of the author's career, from the uninhibited young writer who penned "The Train and the City" to his mature, sobering account of a terrible lynching in "The Child by Tiger". Thirty-five of these stories have never before been collected. Lightning Print On Demand Title
When They Say You Can't Go Home Again, what They Mean is You Were Never There by Marty McConnell Pdf
Poetry. Women's Studies. LGBTQIA Studies. Winner of the 2017 Michael Waters Poetry Prize. What does it mean to be bodied in such a way that one is simultaneously weapon and target? To exist within a species tipping toward extinction? How do we navigate the landscape of our own damage, received and inflicted, in such a way as to move through individual survival and into a common joy? The gift and the trap of the human body and its attachments to this world converge and dissolve in these poems of ecstatic music, animated rage, and wild, generative hope.
Shannon Holmes -- Essence bestselling author of B-More Careful and Bad Girlz, and one of the brightest stars in urban fiction -- returns with a dramatic must-read novel inspired by his own life. Never Go Home Again is the story of Corey Dixon, a young man whose father tries as best he can to steer him away from the lure of the streets. And yet, like so many others in Corey's neighborhood, he finds the temptations of the lucrative drug trade too great to resist. While he makes fast money for a while, it is inevitable that it is he who has to pay, with his time and maybe even his life: by the age of sixteen Corey is locked up. Incarcerated in Riker's Island and then in prisons upstate, Corey lives through experiences that threaten to destroy his body, his mind, and eventually his spirit. But in the midst of his horrific imprisonment he discovers new strength to keep himself together and survive. Corey meets a few kind souls who mean him well, including a teacher who encourages him to get out of prison and make something of himself. The teacher also advises Corey to "never go home again." Though the homesick Corey does not immediately understand, he ultimately realizes the wisdom of his mentor's words. Unflinching and riveting, this story is the firsthand account of the brutal, unforgiving inner-city streets and prison life, as well as a difficult lesson in accepting responsibility and moving on.
Postapocalyptic Fiction and the Social Contract by Claire P. Curtis Pdf
Postapocalyptic Fiction and the Social Contract: "We'll Not Go Home Again" provides a framework for our fascination with the apocalyptic events. The popular appeal of the end of the world genre is clear in movies, novels, and television shows. Even our political debates over global warming, nuclear threats, and pandemic disease reflect a concern about the possibility of such events. This popular fascination is really a fascination with survival: how can we come out alive? And what would we do next? The end of the world is not about species death, but about beginning again. This book uses postapocalyptic fiction as a terrain for thinking about the state of nature: the hypothetical fiction that is the driving force behind the social contract. The first half of the book examines novels that tell the story of the move from the state of nature to civil society through a Hobbesian, a Lockean, or a Rousseauian lens, including Lucifer's Hammer by Larry Niven and Jerry Pournelle, Alas, Babylon by Pat Frank, Malevil by Robert Merle, and Into the Forest by Jean Hegland. The latter half of the book examines Octavia Butler's postapocalyptic Parable series in which a new kind of social contract emerges, one built on the fact of human dependence and vulnerability.
From the acclaimed Nobel Prize winner: Two girls who grow up to become women. Two friends who become something worse than enemies. This brilliantly imagined novel brings us the story of Nel Wright and Sula Peace, who meet as children in the small town of Medallion, Ohio. Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.
When an old friend asked him to write a weekly dispatch from New Hampshire for the Mail on Sunday's Night and Day magazine, Bill Bryson firmly turned him down. So firm was he, in fact, that gathered here are nineteen months' worth of his popular columns about the strangest of phenomena -- the American way of life.Whether discussing the dazzling efficiency of the garbage disposal unit, the mind-boggling plethora of methods by which to shop, the exoticism of having your groceries bagged for you, or the jaw-slackening direness of American TV, Bill Bryson brings his inimitable brand of bemused wit to bear on the world's richest and craziest country.
Now an original movie on Prime Video starring Anne Hathaway and Nicholas Galitzine! When Solène Marchand, the thirty-nine-year-old owner of a prestigious art gallery in Los Angeles, takes her daughter, Isabelle, to meet her favorite boy band, she does so reluctantly and at her ex-husband’s request. The last thing she expects is to make a connection with one of the members of the world-famous August Moon. But Hayes Campbell is clever, winning, confident, and posh, and the attraction is immediate. That he is all of twenty years old further complicates things. What begins as a series of clandestine trysts quickly evolves into a passionate relationship. It is a journey that spans continents as Solène and Hayes navigate each other’s disparate worlds: from stadium tours to international art fairs to secluded hideaways in Paris and Miami. And for Solène, it is as much a reclaiming of self, as it is a rediscovery of happiness and love. When their romance becomes a viral sensation, and both she and her daughter become the target of rabid fans and an insatiable media, Solène must face how her new status has impacted not only her life, but the lives of those closest to her.
Shortly before his death at a tragically young age, author Thomas Wolfe presented his editor with an epic masterwork that was subsequently published as three separate novels: You Can't Go Home Again, The Hills Beyond, and The Web and the Rock. The Web and the Root features the three initial sections of the The Web and the Rock, widely considered to be the book's strongest material. A prequel to You Can't Go Home Again, it is the story of George Webber's momentous journey from Libya Falls, North Carolina, to the Golden City of the North—offering vivid, sometimes cutting depictions of rural pleasures and small-town clannishness while exploring boundless urban possibility and the complex, violent undercurrents of the metropolis.
Linked stories draw a powerful portrait of young Pakistan, at home and in the world. A group of teenagers in a Karachi high school put on a production of Arthur Miller's The Crucible-and one goes missing. The incident sets off ripples through their already fraught education in lust and witches, and over the years, the young men and women grow up together and apart, haunted by both home and djinns in these lyrical linked stories. In the world of Sarvat Hasin's contemporary seekers, young rakes move between Murree and New York and women own the magic of their inexplicable passions; a failed soap opera star forms a poignant truce of a marriage with an unlikely man who has his own scars; churails are a persistent spectre in the most modern of lives. Here is the real Pakistan of Mohsin Hamid and Kamila Shamsie, one generation younger-and a young storyteller to take on the legacy of Pakistan's chroniclers.