Weaponizing Ballet

Author : Marc E. Vargo
Publisher : McFarland
Page : 253 pages
File Size : 41,6 Mb
Release : 2017-10-04
Category : History
ISBN : 9781476665429

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The Weaponizing of Biology by Marc E. Vargo Pdf

Focusing on three forms of biological threat--bioterrorism, biocrime and biohacking--the author examines the history of biowarfare and terrorism. Groups drawn to biological aggression are discussed, along with the array of viruses, bacteria and toxins they might use in their attacks. The phenomenon of biocrime--biological aggression targeting individuals for personal rather than ideological reasons--is explored, along with the growing trend of biohacking. Part II presents case studies of bioterrorism and biocrime from the United States and Japan.

Author : Remy LaRay Naumann
Publisher : Unknown
Page : 0 pages
File Size : 40,6 Mb
Release : 2022
Category : Ballet
ISBN : OCLC:1430593843

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Weaponizing Ballet by Remy LaRay Naumann Pdf

In October 1962, as American citizens were building bomb shelters in their backyards, the New York City Ballet toured the Soviet Union, receiving raving applause from Soviet audiences. The tour is just one example of the many ballet exchanges in the late 1950s and early 1960s between the United States and the Soviet Union. In these acts of cultural diplomacy, ballet companies became ideological weapons, selling their country's achievements to audiences abroad. Tours such as the New York City Ballet's 1962 trip have been acknowledged in analyses on cultural diplomacy between the US and Soviet Union in the Cold War for some time but are often limited in scope to only the benefits the State Department sought in such endeavors. This paper seeks to use the 1962 New York City Ballet tour to the Soviet Union as a case study to consider the ways the State Department and American ballet companies mutually exploited one another for separate agendas during this period.

Author : David Guggenheim,Nicholas Mennuti
Publisher : Hachette+ORM
Page : 344 pages
File Size : 43,7 Mb
Release : 2013-07-30
Category : Fiction
ISBN : 9780316199940

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Weaponized by David Guggenheim,Nicholas Mennuti Pdf

A globe-spanning, wrong man thriller co-written by the screenwriter of the #1 film Safe House. Kyle West is a wanted man. Having fled the country to escape the false charges filed against himself and his former boss, billionaire government contractor Christopher Chandler, Kyle's hiding in Cambodia, living on borrowed time and finding more and more reasons to be paranoid. When a mysterious stranger named Julian Robinson walks into Kyle's favorite cafè and offers to swap passports with Kyle, Kyle can't believe his luck. Robinson looks so much like Kyle it's almost unreal, and seems in every way the yin to Kyle's yang: self-assured, charismatic and wealthy beyond measure. Traveling on business, Robinson needs Kyle's passport to get to Africa, where a lucrative deal awaits. Kyle needs Robinson's passport to safely flee Cambodia. The swap seems almost too good to be true. Unfortunately for Kyle, it is. This one decision plunges Kyle into a Pandora's Box of intrigue that threatens to swallow him whole. Suddenly he finds himself being pursued by Russian oligarchs, Chinese operatives, the CIA, and a beautiful woman trained to kill -- all because Robinson certainly isn't who he seemed. And time is running out for Kyle to discover who he is.

Author : Vida L. Midgelow
Publisher : Routledge
Page : 426 pages
File Size : 45,5 Mb
Release : 2007-11-13
Category : Music
ISBN : 9781135922405

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Reworking the Ballet by Vida L. Midgelow Pdf

Challenging and unsettling their predecessors, modern choreographers such as Matthew Bourne, Mark Morris and Masaki Iwana have courted controversy and notoriety by reimagining the most canonical of Classical and Romantic ballets. In this book, Vida L. Midgelow illustrates the ways in which these contemporary reworkings destroy and recreate their source material, turning ballet from a classical performance to a vital exploration of gender, sexuality and cultural difference. Reworking the Ballet: Counter Narratives and Alternative Bodies articulates the ways that audiences and critics can experience these new versions, viewing them from both practical and theoretical perspectives, including: eroticism and the politics of touch performing gender cross-casting and cross-dressing reworkings and intertextuality cultural exchange and hybridity.

Author : Deirdre Kelly
Publisher : Greystone Books Ltd
Page : 264 pages
File Size : 46,7 Mb
Release : 2012
Category : Performing Arts
ISBN : 9781771640008

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Ballerina by Deirdre Kelly Pdf

Throughout her history, the ballerina has been perceived as the embodiment of beauty and perfection--the feminine ideal. But the reality is another story. From the earliest ballerinas in the 17th century--who often led double lives as concubines--through the poverty of the corps de ballet dancers in the 1800's and the anorexic and bulimic ballerinas of George Balanchine, starvation and exploitation have plagued ballerinas throughout history. Using the stories of great dancers such as Anna Pavlova, Isadora Duncan, Suzanne Farrell, Gelsey Kirkland, Evelyn Hart, Marie Camargo, and Misty Copeland, Deirdre Kelly exposes the true rigors for women in ballet. She rounds her critique with examples of how the world of ballet is slowly evolving for the better. But to ensure that this most graceful of dance forms survives into the future, she says that the time has come to rethink ballet, to position the ballerina at its center and accord her the respect she deserves.

Author : Janice Ross
Publisher : Yale University Press
Page : 537 pages
File Size : 53,7 Mb
Release : 2015-01-28
Category : Performing Arts
ISBN : 9780300210644

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Like a Bomb Going Off by Janice Ross Pdf

Everyone has heard of George Balanchine. Few outside Russia know of Leonid Yakobson, Balanchine’s contemporary, who remained in Lenin’s Russia and survived censorship during the darkest days of Stalin. Like Shostakovich, Yakobson suffered for his art and yet managed to create a singular body of revolutionary dances that spoke to the Soviet condition. His work was often considered so culturally explosive that it was described as “like a bomb going off.” Based on untapped archival collections of photographs, films, and writings about Yakobson’s work in Moscow and St. Petersburg for the Bolshoi and Kirov ballets, as well as interviews with former dancers, family, and audience members, this illuminating and beautifully written biography brings to life a hidden history of artistic resistance in the USSR through this brave artist, who struggled against officially sanctioned anti-Semitism while offering a vista of hope.

Author : Chloe Angyal
Publisher : Bold Type Books
Page : 298 pages
File Size : 40,6 Mb
Release : 2021-05-04
Category : Performing Arts
ISBN : 9781645036722

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Turning Pointe by Chloe Angyal Pdf

A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.

Author : Mark Franko
Publisher : Oxford University Press
Page : 297 pages
File Size : 54,6 Mb
Release : 2020-06-24
Category : Performing Arts
ISBN : 9780197503355

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The Fascist Turn in the Dance of Serge Lifar by Mark Franko Pdf

Ukrainian dancer and choreographer Serge Lifar (1905-86) is recognized both as the modernizer of French ballet in the twentieth century and as the keeper of the flame of the classical tradition upon which the glory of French ballet was founded. Having migrated to France from Russia in 1923 to join Diaghilev's Ballets Russes, Lifar was appointed star dancer and ballet director at the Paris Opéra in 1930. Despite being rather unpopular with the French press at the start of his appointment, Lifar came to dominate the Parisian dance scene-through his publications as well as his dancing and choreography-until the end of the Second World War, reaching the height of his fame under the German occupation of Paris (1940-44). Rumors of his collaborationism having remained inconclusive throughout the postwar era, Lifar retired in 1958. This book not only reassesses Lifar's career, both aesthetically and politically, but also provides a broader reevaluation of the situation of dance-specifically balletic neoclassicism-in the first half of the twentieth century. The Fascist Turn in the Dance of Serge Lifar is the first book not only to discuss the resistance to Lifar in the French press at the start of his much-mythologized career, but also the first to present substantial evidence of Lifar's collaborationism and relate it to his artistic profile during the preceding decade. In examining the political significance of the critical discussion of Lifar's body and technique, author Mark Franko provides the ground upon which to understand the narcissistic and heroic images of Lifar in the 1930s as prefiguring the role he would play in the occupation. Through extensive archival research into unpublished documents of the era, police reports, the transcript of his postwar trial and rarely cited newspaper columns Lifar wrote, Franko reconstructs the dancer's political activities, political convictions, and political ambitions during the Occupation.

Author : Alexander Bland
Publisher : Unknown
Page : 192 pages
File Size : 55,8 Mb
Release : 1976
Category : Electronic
ISBN : OCLC:958988493

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A History of Ballet and Dance in the Western World by Alexander Bland Pdf

Author : Karen Eliot
Publisher : Oxford University Press
Page : 241 pages
File Size : 54,9 Mb
Release : 2016
Category : Music
ISBN : 9780199347629

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Albion's Dance by Karen Eliot Pdf

Exploring the ballet boom in Britain during WWII, this book asks how art and artists thrive during conflict. Author Karen Eliot shows how ballet in Britain flourished during war, exhibiting a surprising heterogeneity and vibrant populism. The book focuses especially on the roles of dance critics, male and female dancers, producers, audiences, and choreographers.

Author : Joan Brady
Publisher : Simon and Schuster
Page : 201 pages
File Size : 51,6 Mb
Release : 2012-06-07
Category : Fiction
ISBN : 9781849839549

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The Unmaking of a Dancer by Joan Brady Pdf

The Unmaking of a Dancer sheds a blistering light on the raw, fiercely competitive and often vicious world of ballet: the truth behind the fiction of Black Swan. It's the story of Joan Brady's life in her own words. Ballet was the first thing Brady was good at; she really was good, too, performing professionally with the San Francisco Ballet at the tender age of fourteen. A bonus was that lessons and performances kept her away from her unpredictable father and formidable mother. But nobody can stay away for good, and when she finally made it into the New York City Ballet, her mother delivered a career-destroying blow. And yet with the help of the love of her life, Dexter Masters, she found another way of living and the chance for a family of her own.

Author : Peter Stoneley
Publisher : Routledge
Page : 304 pages
File Size : 55,5 Mb
Release : 2006-10-19
Category : Performing Arts
ISBN : 9781135872427

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A Queer History of the Ballet by Peter Stoneley Pdf

Designed for students, scholars and general readers with an interest in dance and queer history, A Queer History of the Ballet focuses on how, as makers and as audiences, queer men and women have helped to develop many of the texts, images, and legends of ballet. Presenting a series of historical case studies, the book explores the ways in which, from the nineteenth century into the twentieth, ballet has been a means of conjuring homosexuality – of enabling some degree of expression and visibility for people who were otherwise declared illegal and obscene. Studies include: the perverse sororities of the Romantic ballet the fairy in folklore, literature, and ballet Tchaikovsky and the making of Swan Lake Diaghilev’s Ballets Russes and the emergence of queer modernity the formation of ballet in America the queer uses of the prima ballerina Genet’s writings for and about ballet. Also including a consideration of how ballet’s queer tradition has been memorialized by such contemporary dance-makers as Neumeier, Bausch, Bourne, and Preljocaj, this is an essential book in the study of ballet and queer history.

Author : Arabella Stanger
Publisher : Northwestern University Press
Page : 301 pages
File Size : 48,8 Mb
Release : 2021-09-15
Category : Performing Arts
ISBN : 9780810144101

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Dancing on Violent Ground by Arabella Stanger Pdf

The politics of theater dance is commonly theorized in relation to bodily freedom, resistance, agitation, or repair. This book questions those utopian imaginaries, arguing that the visions and sensations of canonical Euro-American choreographies carry hidden forms of racial violence, not in the sense of the physical or psychological traumas arising in the practice of these arts but through the histories of social domination that materially underwrite them. Developing a new theory of choreographic space, Arabella Stanger shows how embodied forms of hope promised in ballet and progressive dance modernisms conceal and depend on spatial operations of imperial, colonial, and racial subjection. Stanger unearths dance’s violent ground by interrogating the expansionist fantasies of Marius Petipa’s imperial ballet, settler colonial and corporate land practices in the modern dance of Martha Graham and George Balanchine, reactionary discourses of the human in Rudolf von Laban’s and Oskar Schlemmer’s movement geometries; Merce Cunningham’s experimentalism as a white settler fantasy of the land of the free, and the imperial amnesia of Boris Charmatz’s interventions into metropolitan museums. Drawing on materialist thought, critical race theory, and indigenous studies, Stanger ultimately advocates for dance studies to adopt a position of “critical negativity,” an analytical attitude attuned to how dance’s exuberant modeling of certain forms of life might provide cover for life-negating practices. Bold in its arguments and rigorous in its critique, Dancing on Violent Ground asks how performance scholars can develop a practice of thinking hopefully, without expunging history from their site of analysis.

Author : Anna Paskevska
Publisher : Psychology Press
Page : 206 pages
File Size : 44,5 Mb
Release : 2005
Category : Biography & Autobiography
ISBN : 0415970172

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Ballet Beyond Tradition by Anna Paskevska Pdf

Anna Paskevska offers new ways to understand the ballet vocabulary in terms of the most recent recent understanding of the body and how it moves.

Author : Simon Morrison
Publisher : Liveright Publishing
Page : 512 pages
File Size : 49,6 Mb
Release : 2016-10-11
Category : Performing Arts
ISBN : 9780871408303

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Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to Today by Simon Morrison Pdf

In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.