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Weimar Culture Revisited is the first book to offer an accessible cross-section of new cultural history approaches to the Weimar Republic. This collection uses an interdisciplinary approach and focuses on the everyday workings of Weimar culture to explain the impact and meaning of culture for German's everyday lives during this fateful era.
Author : Peter Gay Publisher : W. W. Norton & Company Page : 242 pages File Size : 52,7 Mb Release : 2001-12-17 Category : History ISBN : 9780393069594
Weimar Culture: The Outsider as Insider by Peter Gay Pdf
A seminal work as melodious and haunting as the era it chronicles. First published in 1968, Weimar Culture is one of the masterworks of Peter Gay's distinguished career. A study of German culture between the two wars, the book brilliantly traces the rise of the artistic, literary, and musical culture that bloomed ever so briefly in the 1920s amid the chaos of Germany's tenuous post-World War I democracy, and crashed violently in the wake of Hitler's rise to power. Despite the ephemeral nature of the Weimar democracy, the influence of its culture was profound and far-reaching, ushering in a modern sensibility in the arts that dominated Western culture for most of the twentieth century. Vivid and eminently readable, Weimar Culture is the finest introduction for the casual reader and historian alike.
German Strategic Culture Revisited by Tobias Wilke Pdf
On the background of the heated debates on the extension of the Bundeswehr's spatial and functional remit since the mid-1990s, the EU member-states' readiness to agree on the 2003 European Security Strategy appears puzzling, as this document sets the normative and ideational framework for a new kind of robust military engagement on a global scale. Employing epistemological ideas of the concept of strategic culture on basis of a constructivist ontology, this book explores the causal mechanisms sufficient for the origin and adaptation of a pacifist turned "normal" German strategic culture.
A Short History of the Weimar Republic by Colin Storer Pdf
It is impossible to understand the history of modern Europe without some knowledge of the Weimar Republic. The brief fourteen-year period of democracy between the Treaty of Versailles and the advent of the Third Reich was marked by unstable government, economic crisis and hyperinflation and the rise of extremist political movements. At the same time, however, a vibrant cultural scene flourished, which continues to influence the international art world through the aesthetics of Expressionism and the Bauhaus movement. In the fields of art, literature, theatre, cinema, music and architecture not to mention science Germany became a world leader during the 1920s, while her perilous political and economic position ensured that no US or European statesman could afford to ignore her. Incorporating original research and a synthesis of the existing historiography, this revised edition will provide students and a general readership with a clear and concise introduction to the history of the first German Republic.
Rethinking the Weimar Republic by Anthony McElligott Pdf
“McElligott's impressive mastery of an enormous body of research guides him on a distinctive path through the dense thickets of Weimar historiography to a provocative new interpretation of the nature of authority in Germany's first democracy.” Sir Ian Kershaw, Emeritus Professor of Modern History at the University of Sheffield, UK This study challenges conventional approaches to the history of the Weimar Republic by stretching its chronological-political parameters from 1916 to 1936, arguing that neither 1918 nor 1933 constituted distinctive breaks in early 20th-century German history. This book: - Covers all of the key debates such as inheritance of the past, the nature of authority and culture - Rethinks topics of traditional concern such as the economy, Article 48, the Nazi vote and political violence - Discusses hitherto neglected areas, such as provincial life and politics, the role of law and Republican cultural politics
The term "Weimar culture," while generally accepted, is in some respects unsatisfactory, if only because political and cultural history seldom coincides in time. Expressionism was not born with the defeat of the Imperial German army, nor is there any obvious connection between abstract painting and atonal music and the escape of the Kaiser, nor were the great scientific discoveries triggered off by the proclamation of the Republic in 1919. As the eminent historian Walter Laqueur demonstrates, the avant-gardism commonly associated with post-World War One precedes the Weimar Republic by a decade.It would no doubt be easier for the historian if the cultural history of Weimar were identical with the plays and theories of Bertolt Brecht; the creations of the Bauhaus and the articles published by the Weltbühne. But there were a great many other individuals and groups at work, and Laqueur gives a full and vivid accounting of their ideas and activities. The realities of Weimar culture comprise the political right as well as the left, the universities as well as the literary intelligentsia. It would not be complete without occasional glances beyond avant-garde thought and creation and their effects upon traditional German social and cultural attitudes and the often violent reactions against "Weimar" that would culminate with the rise of Hitler and the fall of the republic in 1933.This authoritative work is of immense importance to anyone interested in the history of Germany in this critical period of the country's life.
Cultural Chronicle of the Weimar Republic by William Grange Pdf
The Weimar Republic began at 2:00 PM on November 9, 1918 when Philip Scheidemann declared from a second-story window in the Reich Chancellery to his hearers below that the German Reich was now a republic. It ended at 11:00 AM on January 30, 1933 when President Paul von Hindenburg named Adolf Hitler Chancellor. The Cultural Chronicle of the Weimar Republic is an account of significant cultural events in Germany during the time of the Weimar Republic. Weimar, already a German cultural mecca because Goethe and Schiller had lived and worked there 120 years earlier, emerged as a unique and experimental culture. Weimar culture was responsible for producing such icons as actress Marlene Dietrich, novels like All Quiet on the Western Front, musicals like The Threepenny Opera, the political cabaret, the Bauhaus School, and films like The Cabinet of Dr. Caligari and Metropolis. There were hundreds of premieres, performance debuts, exhibitions, works of fiction, and other cultural events that marked the Republic as Western Civilization's first modernist society. Modernism took many forms: the Einstein Tower in Berlin, the symphonies of Paul Hindemith, the paintings of Max Beckmann, the drawings of K the Kollwitz, the novels of Alfred D blin, the industrial designs of Ferdinand Porsche, the choreography of Mary Wigman, the acting of Ernst Deutsch, the plays of Expressionism. The Cultural Chronicle of the Weimar Republic presents these and scores of other modernist inscriptions worthy of note, while providing notations that inform readers of connections among individuals, art works, related cultural activities, and significant political and economic developments.
The Oxford Handbook of the Weimar Republic by Nadine Rossol,Benjamin Ziemann Pdf
The Weimar Republic was a turbulent and pivotal period of German and European history and a laboratory of modernity. The Oxford Handbook of the Weimar Republic provides an unsurpassed panorama of German history from 1918 to 1933, offering an indispensable guide for anyone interested in the fascinating history of the Weimar Republic.
Classical Music in Weimar Germany by Brendan Fay Pdf
From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany.
This essential text provides a clear and engaging introduction to the history of modern Germany. The updated and expanded new edition now takes the story back to 1789 and brings it right up to the present day, adopting a controversy-led approach throughout. Visual evidence, maps, documents and key event boxes support the text and aid learning.
German Modernities From Wilhelm to Weimar by Geoff Eley,Jennifer L. Jenkins,Tracie Matysik Pdf
What was German modernity? What did the years between 1880 and 1930 mean for Germany's navigation through a period of global capitalism, imperial expansion, and technological transformation? German Modernities From Wilhelm to Weimar brings together leading historians of the Imperial and Weimar periods from across North America to readdress the question of German modernities. Acutely attentive to Germany's eventual turn towards National Socialism and the related historiographical arguments about 'modernity', this volume explores the variety of social, intellectual, political, and imperial projects pursued by those living in Germany in the Wilhelmine and Weimar years who were yet uncertain about what they were creating and which future would come. It includes varied case studies, based on cutting-edge research, which rethink the relationship of the early 20th century to the rise of Nazism and the Third Reich. A range of political, social and cultural issues, including citizenship, welfare, empire, aesthetics and sexuality, as well as the very nature of German modernity, are analyzed and placed in a global context. German Modernities From Wilhelm to Weimar is a book of vital significance to all students of modern German history seeking to further understand the complex period from 1880 to 1930.
Babylon Berlin, German Visual Spectacle, and Global Media Culture by Hester Baer,Jill Suzanne Smith Pdf
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture. Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital. Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts-Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts-the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture. Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes.
Jelavich examines Alfred Döblin's 1929 novel 'Berlin Alexanderplatz', which questioned the autonomy & coherence of the human personality in the modern metropolis, & traces the discrepancies that radically altered the work when it was adapted for radio & as a motion picture.
