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Author : Anonim
Publisher : London ; New York : Methuen
Page : 88 pages
File Size : 47,7 Mb
Release : 1985
Category : Literary Criticism
ISBN : UOM:39015013232874
Author : Glenda Leeming
Publisher : London ; New York : Methuen
Page : 67 pages
File Size : 50,7 Mb
Release : 1985
Category : Drama
ISBN : 0413536602
Author : Reade W. Dornan
Publisher : Routledge
Page : 298 pages
File Size : 55,6 Mb
Release : 2014-05-01
Category : Performing Arts
ISBN : 9781135541385
The only collection of essays on one of Britain's Angry Young Men, this book contains discussions of most of Wesker's published plays with an emphasis on the more recent works. Essays reevaluate the plays that made Wesker a household name in Britain (the Trilogy, The Kitchen , and Chips with Everything). Clive Barker, co-director of Centre 42, gives a fresh account of that movement, and playwright Paul Levitt provides a previously unrecorded history of Caritas, Blood Libel, and Shylock. A personal profile of Wesker by novelist Margaret Drabble is reprinted from an earlier article. Original essays cover the theory and practice of theatre-Wesker's in-text stage directions, British television's adaptation of his plays, and an actor's and a director's perspectives on working with the playwright. Major international Weskerian critics are assembled here: Klaus Peter Mÿller and Heiner Zimmermann from Germany; Rossana Bonadei, Angela Locatelli, and Alessandra Marzola from Italy; Keith Gore, Glenda Leeming, Martin Priestman, Jeremy Ridgman, Margaret Rose, and Robert Wilcher from Great Britain; Menakshi Ponnuswami from India; Robert Gross, Kimball King, and Robert Skloot from the United States. These essays take a wide range of critical approaches from an exploration of gender, to semiotics, biography, and the New Historicism. This is the most comprehensive collection of criticism on Arnold Wesker to date. Every major Weskerian scholar writing in English has contributed a piece to this casebook. Originating in Germany, Italy, Great Britain, India, and the United States, their essays create an international cultural context for Wesker's plays. They also position his work among his contemporaries, in his historical era, and in the political and theatrical environment that defines his world. Furthermore, they form a biographical profile of Wesker, often giving us firsthand accounts of turning points in his career. Finally, some essays evaluate and interpret the major plays, dissecting and scrutinizing the formal elements that make them distinct. Their critical approaches are varied in that they make liberal use of semiotics, Bakhtinian and communication theory, cultural studies, and traditional readings. Their contributions compose a multi-faceted view of Wesker's life and work setting out fresh arguments for all his plays.
Author : Arnold Wesker
Publisher : Taylor & Francis
Page : 308 pages
File Size : 42,9 Mb
Release : 1998
Category : English drama
ISBN : 0815311788
A broad reference on London Jewish playwright Wesker (b. 1932) and his work, considering the politics in his plays, biographical aspects, historical perspectives, critical approaches, and the critical response. The 18 original essays discuss the failure and promise of socialism as personal contact in Roots, writing for radio in Yardsdale, the modernity of The Kitchen, women in his later plays, and other topics. Annotation copyrighted by Book News, Inc., Portland, OR
Author : Sorrel Kerbel
Publisher : Routledge
Page : 1394 pages
File Size : 51,7 Mb
Release : 2004-11-23
Category : History
ISBN : 9781135456078
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
Author : William W. Demastes
Publisher : Bloomsbury Publishing USA
Page : 515 pages
File Size : 43,7 Mb
Release : 1996-10-23
Category : Literary Criticism
ISBN : 9781567507430
The year 1956 marked a point when British drama and theater fell into the hands of a group of young playwrights who revolutionized the stage. During that time, playwrights such as Samuel Beckett and Harold Pinter made the British theater as rich, varied, and vital as any national theater in history. This reference chronicles the history of British theater from 1956 to 1995 by providing detailed information about the playwrights of that period. Included are entries for some three dozen British playwrights active between 1956 and 1995. Entries are arranged alphabetically to facilitate use. Each entry supplies biographical information, the production history for particular plays, a survey of the playwright's critical reception, an assessment of the dramatist's work, and primary and secondary bibliographies. A selected, general bibliography at the end of the volume directs the reader to important sources of additional information about this period in theater history.
Author : Michael Patterson
Publisher : Cambridge University Press
Page : 252 pages
File Size : 46,6 Mb
Release : 2003-05-22
Category : Drama
ISBN : 9781139434997
This volume provides a theoretical framework for some of the most important play-writing in Britain in the second half of the twentieth century. Examining representative plays by Arnold Wesker, John Arden, Trevor Griffith, Howard Barker, Howard Brenton, Edward Bond, David Hare, John McGrath and Caryl Churchill, the author analyses their respective strategies for persuading audiences of the need for a radical restructuring of society. The book begins with a discussion of the way that theatre has been used to convey a political message. Each chapter is then devoted to an exploration of the engagement of individual playwrights with left-wing political theatre, including a detailed analysis of one of their major plays. Despite political change since the 1980s, political play-writing continues to be a significant element in contemporary play-writing, but in a very changed form.
Author : Jinnie Schiele
Publisher : Univ of Hertfordshire Press
Page : 262 pages
File Size : 50,6 Mb
Release : 2005
Category : Drama
ISBN : 1902806433
Relating the histories of two important London fringe theaters--the Round House and the Open Space--with the use of rare archives, this text offers a detailed look at these pioneering companies and answers key questions about performance space and its influence on the types of productions successfully presented. The work of maverick American playwright and director Charles Marowitz, who founded the Open Space Theater, is fully detailed, as is that of political playwright Arnold Wesker, who founded the Round House. Also explored is the role Thelma Holt played in the development of both theaters. Rare photographs of productions and a complete list of plays and events staged at the two venues are included.
Author : P. Jackson
Publisher : Routledge
Page : 772 pages
File Size : 53,5 Mb
Release : 2003-09-02
Category : History
ISBN : 9781135794934
This comprehensive and versatile reference source will be a most important tool for anyone wishing to seek out information on virtually any aspect of British affairs, life and culture. The resources of a detailed bibliography, directory and journals listing are combined in this single volume, forming a unique guide to a multitude of diverse topics - British politics, government, society, literature, thought, arts, economics, history and geography. Academic subjects as taught in British colleges and universities are covered, with extensive reading lists of books and journals and sources of information for each discipline, making this an invaluable manual.
Author : Michael Dobson,Estelle Rivier-Arnaud
Publisher : Cambridge Scholars Publishing
Page : 195 pages
File Size : 46,6 Mb
Release : 2017-06-23
Category : Art
ISBN : 9781443878708
Why have contemporary playwrights been obsessed by Shakespeare’s plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. Across the world, new writers have questioned the political implications and cultural stakes of repeating Shakespeare with and without a difference, finding inspiration in their own national experiences and in the different ordeals they have undergone. How have our contemporaries carried out their rewritings, and with what aims? Can we still play Hamlet, for instance, as Dieter Lesage asks in his book bearing this title, or do we have to “kill Shakespeare” as Normand Chaurette implies in a work where his own creative process is detailed? What do these rewritings really share with their sources? Are they meaningful only because of Shakespeare’s shadow haunting them? Where do we draw the lines between “interpretation,” “adaptation” and “rewriting”? The contributors to this collection of essays examine modern rewritings of Shakespeare from both theoretical and pragmatic standpoints. Key questions include: can a rewriting be meaningful without the reader’s or spectator’s already knowing Shakespeare? Do modern rewritings supplant Shakespeare’s texts or curate them? Does the survival of Shakespeare in the theatrical repertory actually depend on the continued dramatization of our difficult encounters with these potentially obsolete scripts represented by rewriting?
Author : Susan Mandala
Publisher : Routledge
Page : 241 pages
File Size : 53,8 Mb
Release : 2016-12-05
Category : Literary Criticism
ISBN : 9781351877244
In this book, Susan Mandala offers a series of in-depth investigations into how the dialogue of four modern plays 'works' with respect to the pragmatic and discoursal norms postulated for ordinary conversation. After an account of the often-heated debates between linguists and critics concerning the analysis of drama dialogue as talk, four plays are considered: Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves. For readers unfamiliar with linguistic approaches to talk, a chapter outlining the major frameworks used in the analysis of the plays is also included. By considering both linguistic and literary perspectives, this book extends the boundaries of traditional criticism and shows how the linguistic study of conversation can contribute to our understanding of dramatic dialogue.
Author : David Pattie
Publisher : A&C Black
Page : 294 pages
File Size : 52,9 Mb
Release : 2012-12-06
Category : Literary Criticism
ISBN : 9781408129272
A critical study of the theatre produced in the 1950s with an in-depth analysis of the work of four key playwrights from the decade.
Author : Dan Rebellato
Publisher : Routledge
Page : 288 pages
File Size : 48,5 Mb
Release : 2002-03-11
Category : Performing Arts
ISBN : 9781134657827
It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama.
Author : Arnold Wesker
Publisher : Bloomsbury Publishing
Page : 112 pages
File Size : 43,8 Mb
Release : 2012-06-08
Category : Drama
ISBN : 9781849433761
Wesker On Theatre is a collection of essays by one of Britain's most well-known, prolific and controversial writers, which explores his thoughts on drama and the theatre gained from a writing career that spans fifty years. Wesker brings together for the first time an assortment of theatre pieces exploring such subjects as The DNA of a Play; The Nature of Dialogue; The Nature of Development; Can Playwrights be Taught to Write Plays; Interpretation - To Explain or Impose, and many others that attempt to elucidate the shifts of thought he has negotiated throughout his long career. Often controversial, Wesker On Theatre is a challenging and thought-provoking volume.
Author : Kathryn Ann Berney,N. G. Templeton
Publisher : Saint James Press
Page : 920 pages
File Size : 41,8 Mb
Release : 1994
Category : Biography & Autobiography
ISBN : UOM:39015032200639
Concise discussions of the lives and principal works of contemporary British playwrights, written by subject experts.
