Download Full eBooks in PDF
Western Drama Through The Ages Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Western Drama Through The Ages book. This book definitely worth reading, it is an incredibly well-written.
Author : Kimball King
Publisher : Greenwood
Page : 624 pages
File Size : 46,8 Mb
Release : 2007
Category : Literary Criticism
ISBN : UCSC:32106019056404
An overview of drama focusing on Western countries covers the history of theater from 500 B.C. to the present, the contributions of different countries, specific plays, and theatrical techniques.
Author : Kimball King
Publisher : Bloomsbury Publishing USA
Page : 645 pages
File Size : 48,8 Mb
Release : 2007-06-30
Category : Literary Criticism
ISBN : 9780313090240
The West has a long and rich dramatic tradition, and its dramatic works typically reflect the social and political concerns of playwrights and spectators. This book surveys the Western dramatic tradition from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Entries are written by leading authorities and cite works for further reading. Students of literature and drama will appreciate the book for its convenient overview of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions. Designed for students, the book overviews Western drama from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Each chapter is written by an expert contributor and offers an extended consideration of its topic and cites works for further reading. Students of drama and literature will value the book for its exploration of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions.
Author : Various
Publisher : Bramblekids Limited
Page : 48 pages
File Size : 41,9 Mb
Release : 2018-06-01
Category : Juvenile Nonfiction
ISBN : 9781913882181
The Living Arts Library is specially designed to stimulate children's interest and imagination in all aspects of the international arts. The activity-based approach encourages readers to try for themselves a variety of skills and techniques.
Author : Anonim
Publisher : BRILL
Page : 264 pages
File Size : 42,6 Mb
Release : 2019-05-07
Category : Drama
ISBN : 9789004394711
Edward Albee as Theatrical and Dramatic Innovator explores this three-time Pulitzer prize-winning playwright’s innovations as a dramatist and theatrical artist and his contributions to the evolution of modern American drama.
Author : Önder Çakırtaş
Publisher : Vernon Press
Page : 165 pages
File Size : 47,5 Mb
Release : 2023-10-17
Category : Literary Criticism
ISBN : 9781648897931
Literature does have an aspect that drags the readers, habitually burying them in its pages and blindly attaching them to itself. Blind devotion stems from the factors that are effective in determining the readers' faith. Theories of literature, similarly, might bring about the generation of blind adherence and dogmatic approaches. This book explores the existence of dogma in literature and some cult texts and writers and how dogmas in literature are conveyed to various audiences as a mission by some literary readers, experts, and academics. Generally, dogma is a word related mostly to religion. In this frame, Mathew Arnold's 'Dogma in Religion and Literature' is of great importance as far as religion is concerned. However, there are dogmas in every field, literature being no exception. Virginia Woolf, for instance, wrote stupendous works that turned out to be well-known, and in 1928, she delivered a lecture at Cambridge University, where women were once not allowed, that formed the basis for the celebrated 'A Room of One's Own' (1929). Roland Barthes' 1967 'La mort de l'auteur' ('The Death of the Author') essay might be another text that some of its literary readers have developed a dogmatic commitment to. In addition to revealing how dogma finds its place in literature, this book also discusses how literary writers and readers often unwittingly embrace 'literary missionary.' Focusing on the dogmatic elements of literature and the dogmatized literary theory and criticism through cult works of various authors, the book offers a striking and interesting contribution to literary theory and criticism and literature readings.
Author : Arnab Banerji
Publisher : University of Alabama Press
Page : 144 pages
File Size : 42,8 Mb
Release : 2016-07-19
Category : Architecture
ISBN : 9780817370114
At a time when so many options exist for access to theatrical entertainments, it is no surprise that theatre practitioners and scholars are often preoccupied with the role of the audience. While space undoubtedly impacts the rehearsal and production processes, its greater significance seems to rest in the impact a specific location has on the audience. This volume delves into issues of theatre and space, traversing traditional theatre spaces such as the African Grove Theater discussed by Gregory Carr, Tony Gunn's examination of Edward Gorey's theatrical designs, and George Pate's reflections on Beckett's stage directors. Also highlighted are some decidedly innovative spaces, like those described by J. K. Curry in her examination of "Theatre for One" and modern uses of medieval sacred spaces as detailed by Carla Lahey. Whether positive or negative in scope, meanings generated within theatre spaces are impacted by the cultural context from which they emerge--the ways in which space is conceived, scrutinized, and experiences. As a result, the relationship between space, theatre, and audience is diverse, complex, and ever changing in practice.
Author : Eric Csapo,Hans Rupprecht Goette,J. Richard Green,Peter Wilson
Publisher : Walter de Gruyter GmbH & Co KG
Page : 590 pages
File Size : 52,7 Mb
Release : 2014-06-18
Category : History
ISBN : 9783110337556
Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.
Author : Dra. Diani Syahputri, M.Hum,Ratna Sari Dewi, SS, MA
Publisher : umsu press
Page : 128 pages
File Size : 50,6 Mb
Release : 2022-07-20
Category : Drama
ISBN : 9786234081466
The book "Drama" that is in front of readers today can be said to be a book produced from the results of research provided and prepared as teaching materials. So overall this book consists of 14 main sections. Overall talking about an integral part of the elements of the drama itself. For example about the concept of drama, the development of drama, drama terms, prominent figures, characters, plot, setting, dialogue, monologue, soliloquay, side, action and actor, audience and theatre, performing drama and ends with a discussion on review journals
Author : C. C. Barfoot,Cobi Bordewijk
Publisher : Rodopi
Page : 232 pages
File Size : 46,7 Mb
Release : 1993
Category : Drama
ISBN : 9051834675
Most of the essays in this volume developed from a series of lectures on the forms and functions of theatre in different cultures, and correspondences between them, organized by the Leiden University Department of Theatre and Film Studies. Some contributions to this volume discuss origins, forms and functions of theatre in the Far and in the Middle East, as well as how in some cases the contemporary theatre in these cultures have managed to incorporate Western theatrical elements into their local traditions. Other articles consider how such twentieth-century Western dramatists as Yeats, Brecht and Beckett have been inspired by Asian theatre forms; how Western theatre-goers have misunderstood the true nature of Russian drama; how the inspiration of the best known of those Russian playwrights has manifested itself in the work of an American film-maker; and how African dance has helped to reshape North Atlantic modern and post-modern choreography. Thus this collection is arranged to take the reader on a journey of discovery, or possibly recovery, from China to Japan, from India to Africa, from Iran to Turkey, to Russia and finally from Moscow to Manhattan. Theatre Intercontinental will be of value to scholars, teachers and students with an interest in how theatre manifests itself in various cultures, how it originated, what needs it fulfils and how it is affected by cross-cultural influences. It provides a few tentative conclusions, some thought provoking questions and, we hope, the stimulus to compare the issues raised here with theatrical cultures not covered by this book.
Author : Anna A. Lamari
Publisher : Walter de Gruyter GmbH & Co KG
Page : 207 pages
File Size : 42,6 Mb
Release : 2017-10-23
Category : Literary Criticism
ISBN : 9783110561166
An inexplicably understudied field of classical scholarship, tragic reperformance, has been surveyed in its true dimension only in the very recent years. Building on the latest discussions on tragic restagings, this book provides a thorough survey of reperformance of Greek tragedy in the fifth and fourth centuries BC, also addressing its theatrical, political, and cultural context. In the fifth and fourth centuries, tragic restagings were strongly tied to cultural mobility and exchange. Poets, actors, texts, vases, and vase-painters were traveling, bridging the boundaries between mainland Greece and Magna Graecia, boosting the spread of theater, facilitating theatrical literacy, and setting a new theatrical status quo, according to which popular tragic plays were restaged, by mobile actors, in numerous dramatic festivals, in and out of Attica, with or without the supervision of their composers. This book offers a holistic examination of ancient reperformances of tragedy, enhancing our perception of them as a vital theatrical practice that played a major part in the development of the tragic genre in the fifth and fourth centuries BC.
Author : Anderson Araujo
Publisher : Liverpool University Press
Page : 496 pages
File Size : 50,6 Mb
Release : 2018-01-18
Category : Literary Collections
ISBN : 9781942954392
Araujo masterfully guides readers through one of Pound's most densely allusive texts, demonstrating its centrality to his poetic theory and practice.
Author : Michael Hughes
Publisher : Routledge
Page : 230 pages
File Size : 52,6 Mb
Release : 2017-08-15
Category : Religion
ISBN : 9781317179641
Randall Davidson was Archbishop of Canterbury for quarter of a century. Davidson was a product of the Victorian ecclesiastical and social establishment, whose advance through the Church was dependent on the patronage of Queen Victoria, but he became Archbishop at a time of huge social and political change. He guided the Church of England through the turbulence of the Edwardian period, when it faced considerable challenges to its status as the established Church, as well as helping shape its response to the horrors of the First World War. Davidson inherited a Church of England that was sharply divided on a range of issues, and he devoted his career as Archbishop to securing its unity, whilst ensuring that its voice continued to be heard both nationally and internationally. A modest and pragmatic man, he was widely respected both within the Church of England and beyond, helping to find solutions to a range of political and ecclesiastical problems. This book explores Davidson’s role within the Church and in the life of Britain more broadly during his time at Canterbury. It includes a large selection of documents that help to reveal the Archbishop’s character and cast light on the way in which he carried out his varied and demanding duties.
Author : Dawn Langman
Publisher : Temple Lodge Publishing
Page : 324 pages
File Size : 51,9 Mb
Release : 2014-04-07
Category : Language Arts & Disciplines
ISBN : 9781906999599
This book will be invaluable to teachers, acting students and practitioners alike. Langman’s inspired methods, fed by some 45 years of teaching and practice, ensure the highest outcomes for the integration of voice, speech and language as a central ingredient of the actor’s craft. She is the most unique and brilliant master teacher in this area I have ever encountered.’ – Rosalba Clemente, Head of Acting, Drama Centre, Flinders University ‘A rite de passage – working with Langman’s book is an initiation into the practice of “Future Theatre”.’ – Dr Jane Gilmer, Assistant Professor of Drama, VPA, National Institute of Education, Singapore A remarkable achievement that communicates a lifetime of teaching artistry with grace and depth, and, most significantly, reveals the profound spiritual impulses at the heart of Michael Chekhov’s original impulse. A gift for the generations.’ – Dr Diane Caracciolo, Associate Professor of Educational Theatre, Adelphi University Over the past decades there has been a resurgence of interest in Chekhov’s acting technique. The original publishers of his fundamental text, To the Actor, removed most of the author’s references to Rudolf Steiner, but recent studies acknowledge Chekhov’s personal interest in anthroposophy as the source of his artistic inspiration. Dawn Langman explores the fundamentals of Chekhov’s psycho-physical technique and the metaphysical principles on which it is based. She examines this technique in relation to the specific challenges and gifts provided by the actor’s constitution of body, soul and spirit, and in the context of the canon of great poetic and dramatic texts – illuminated by Steiner’s insights into humanity’s evolving consciousness. The Art of Acting lays the foundation for the second and third books in her series, in which Langman explores Rudolf Steiner’s art of speech and its integration with Michael Chekhov’s methodology. Together, these books offer a contemporary, spiritually-enlivened path of development for the actor, in which the combined insights of Steiner and Chekhov lead to new possibilities for the performing arts.
Author : Kenneth Womack
Publisher : Bloomsbury Publishing USA
Page : 1333 pages
File Size : 41,5 Mb
Release : 2008-10-30
Category : Literary Criticism
ISBN : 9780313071577
There's a strong interest in reading for pleasure or self-improvement in America, as shown by the popularity of Harry Potter, and book clubs, including Oprah Winfrey's. Although recent government reports show a decline in recreational reading, the same reports show a strong correlation between interest in reading and academic acheivement. This set provides a snapshot of the current state of popular American literature, including various types and genres. The volume presents alphabetically arranged entries on more than 70 diverse literary categories, such as cyberpunk, fantasy literature, flash fiction, GLBTQ literature, graphic novels, manga and anime, and zines. Each entry is written by an expert contributor and provides a definition of the genre, an overview of its history, a look at trends and themes, a discussion of how the literary form engages contemporary issues, a review of the genre's reception, a discussion of authors and works, and suggestions for further reading. Sidebars provide fascinating details, and the set closes with a selected, general bibliography. Reading in America for pleasure and knowledge continues to be popular, even while other media compete for attention. While students continue to read many of the standard classics, new genres have emerged. These have captured the attention of general readers and are also playing a critical role in the language arts classroom. This book maps the state of popular literature and reading in America today, including the growth of new genres, such as cyberpunk, zines, flash fiction, GLBTQ literature, and other topics. Each entry is written by an expert contributor and provides a definition of the genre, an overview of its history, a look at trends and themes, a discussion of how the literary form engages contemporary issues, a review of the genre's critical reception, a discussion of authors and works, and suggestions for further reading. Sidebars provide fascinating details, and the set closes with a selected, general bibliography. Students will find this book a valuable guide to what they're reading today and will appreciate its illumination of popular culture and contemporary social issues.
Author : Min Tian
Publisher : Springer
Page : 313 pages
File Size : 51,8 Mb
Release : 2018-11-27
Category : Performing Arts
ISBN : 9783319971780
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.
