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In 1962 Robin is forced by the Phillips Exeter Academy in New Hampshire to undergo psychiatric treatment in order to be cured of his homosexuality. Instead of turning him into a heterosexual, his psychiatrist turns him into a schizophrenic. He has a beatific vision and gives a written account of it to the German theologian Paul Tillich, who then proclaims in Harvard's Memorial Church: The Son of Man is in our presence. Robin thereupon goes in search of the Second Coming and discovers Mark Frechette, who will later have the star role in Michelangelo Antonioni's film Zabriskie Point. Mark is later crucified in prison at the age of twenty-seven.
A number of texts in the Hebrew Bible consistently command attention and yet defy easy explanation: Why did God try to kill Moses? Why did God kill the man who touched the ark to keep it from falling? Why did God put a tree in the middle of the Garden? David Penchansky tackles these tough questions and in so doing opens up for readers a new understanding of how the Hebrew Bible portrays God. Penchansky examines six biblical narratives that depict God negatively, outlining their social, political, and theological ramifications. He believes the stories provide an important key to the Israelites' understanding of their God. He also believes the stories provide a structure for understanding experiences of evil and suffering within our own century, and for accepting the ambiguity that permeates all human existence. - Christian Book Center.
Analog SF called the first two books in the series: "Fine thrillers with many resonances for today’s world." In a bombastic, thrilling ride Johnston's new book brings war to space. The sequel to The Widening Gyre and Blood-Dimmed Tide praised by Locus, ScienceFiction.com, Booklist, Library Journal and more! As the Zhen Empire descends into civil war, Tajen, Liam, and Katherine each have their own part to play in the final conflict between the human race and the Zhen Empire. As Tajen searches the outer regions in an attempt to find and recruit Zhen deserters to his side, Katherine heads for Marauder space to seek out technology their Tabran allies need. Liam, believing his two best friends dead, must keep the human fleet alive as it is pursued across the Empire by Zhen forces. As the final battle approaches, each of them will be tested to their limits. FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress
“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.
The Rough Beast: Psychoanalysis in Everyday Life by Denise Cullington Pdf
The past continues to operate powerfully, wordlessly, in that less conscious part of our human mind and can trip us up unexpectedly. We can perceive and respond to situations in ways which are more to do with early experiences than the present. We can push from mind what we would rather not know. Feelings such as doubt and sadness can seem too weak; envy and anger, too bad; feeling small and in any way in need, could leave us too vulnerable. Though most will never have their own experience of psychoanalysis (or less intensive psychoanalytic psychotherapy), psychoanalytic ideas can be profoundly helpful in making sense of ourselves. Having some access to those more hidden parts of our human mind, we can feel more alive, more real and less likely to act out in unexpected ways. An accessible, sympathetic and challenging guide, The Rough Beast: Psychoanalysis in Everyday Life is for all those who are curious and sceptical as to what, why and how psychoanalytic understanding is useful in everyday life.
It's 1903. Harry Houdini, the great escape artist, seeks the help of Sir Arthur Conan Doyle, creator of Sherlock Holmes, to discredit Maximillian Cairo, an infamous occultist and the most debauched man in London. But the two men get more than they bargained for when they interrupt a magic ritual. That night, they set something loose - something no one can face and stay sane. Something that runs amok, spreading death and madness throughout an unsuspecting Edwardian London. Both men are tortured by self-doubt for the first time in their lives. Have their logical minds been tainted by this brush with frenzy? Their sole hope to understand what is happening to them lies with the only witness to the first murder. But the man refuses to reveal what he's seen, even to save his life. All Houdini's talents and all Conan Doyle's powers of deduction combined may not be enough to save them from what they have unleashed on the world.
A genocidal experiment by the governemt went horribly wrong, with tragic and terrifying results for the Hazzards, a normal, unsuspecting family in a small Massachusetts town. Every day, their son gradually became more of a feral, uncontrollable, and very dangerous thing. The governemtn was determined to do whatever was necessary to eliminate the evidence of their dark secret and protect the town. But it's already too late.
In this New York Times bestselling book, Robert H. Bork, our country's most distinguished conservative scholar, offers a prophetic and unprecedented view of a culture in decline, a nation in such serious moral trouble that its very foundation is crumbling: a nation that slouches not towards the Bethlehem envisioned by the poet Yeats in 1919, but towards Gomorrah. Slouching Towards Gomorrah is a penetrating, devastatingly insightful exposé of a country in crisis at the end of the millennium, where the rise of modern liberalism, which stresses the dual forces of radical egalitarianism (the equality of outcomes rather than opportunities) and radical individualism (the drastic reduction of limits to personal gratification), has undermined our culture, our intellect, and our morality. In a new Afterword, the author highlights recent disturbing trends in our laws and society, with special attention to matters of sex and censorship, race relations, and the relentless erosion of American moral values. The alarm he sounds is more sobering than ever: we can accept our fate and try to insulate ourselves from the effects of a degenerating culture, or we can choose to halt the beast, to oppose modern liberalism in every arena. The will to resist, he warns, remains our only hope.
An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity. In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind. Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.
What Rough Beasts? Irish and Scottish Studies in the New Millennium by Shane Alcobia-Murphy Pdf
What Rough Beasts presents an innovative and diverse collection of new research papers which investigate key literary and historical issues in Irish and Scottish Studies, providing a view onto the range of current research interests both within and across the two disciplines. From a selection of papers presented at an AHRC-sponsored conference held at the University of Aberdeen, the volume showcases original material by both emergent and established scholars. Opening up illuminating conversations between often diverse areas of study, this book covers issues including: poetry and violence; film and drama; history and historiography; ethnography and literature; the politics of representation.
We have entered the gateway to the apocalypse. This theological concept is the best metaphor to describe the world in which we are already living. Chaos is all around us: political folly, economical delirium, ecological catastrophe, intellectual cynicism, technological simulation of life. This is what Franco ‘Bifo’ Berardi suggests in this wry, dark, disconcerting but also brilliant and invigorating journey through the main events that we have witnessed in recent years. One century after the Communist revolution, the very idea that the world could be changed for the better seems dead once and for all. Every time that a new change occurs nowadays, it seems to be a change for the worse. But the fact that nothing can save us any more shouldn’t be seen as a form of fatality or a reason for surrender. On the contrary, if our world is dead, then the space is open for another to appear – a world where apocalypse can shake us out of our zombie-like contemporary existence. The second coming of Communism will have nothing to do with 1917. Apocalypse has to be conceived of as a metaphor, and Communism is a metaphor too: the metaphor of the possible deployment of the potentials of the mind.
The fundamental difference between rhetoric and poetry, according to Yeats, is that rhetoric is the expression of ones quarrels with others while poetry is the expression of ones quarrel with oneself. Through exquisite attention to outer and inner forms, Vendler explores the most inventive reaches of the poets mind.
The sequel to the New York Times bestseller Rosemary's Baby: a thrilling, cautionary tale of the troubling forces that war within each of us. The modern master of suspense Ira Levin returns to the horror of his 1967 groundbreaking novel Rosemary's Baby with this darkly comic sequel set at the dawn of the millennium. Thirty-three years ago, Rosemary gave birth to the Devil's child while under the control of a satanic cult of witches. Now the year is 1999, and humanity dreads the approaching twenty-first century, desperately in search of a savior for this troubled world. in New York City, rosemary's son Andy is believed to be that savior. But is he the force of good his followers accept him to be? Or is he his father's son? Rosemary and Andy will be reunited in a battle of wills that shall decide the fate of humanity—and keep readers on the edge of the seats until the final page.
