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Thomas Knight is faced with a centuries-old mystery when he comes to be in possession of a priceless literary treasure, Shakespeare's Love's Labour's Won, a discovery that leads him all over the world, through the rarefied air of academia and into the heart of danger. Original.
Thomas Knight is faced with a centuries-old mystery surrounding a long-lost, and now priceless, Shakespearean play. To find it, Thomas will have to enter a story which drags loss and death after it like one of Shakespeare's tragedies, a story bound to time and all it devours.
Proverbial Language in English Drama Exclusive of Shakespeare, 1495-1616 by R. W. Dent Pdf
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.
When youth and maturity are combined, it is difficult to tell an intuitive feeling. It may be that her tender face is born with a little cuteness, or a little charm caused by a casual glance at her smart eyes. But now, it seems to be the touch of her lips, a little arrogance
In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian worldview. Until this historical moment, as Berger illustrates in his analysis of Bach's St. Matthew Passion, music was simply "in time." Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. But after the shift, as he finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period.
Martin Buber on Myth (RLE Myth) by S. Daniel Breslauer Pdf
This book, first published in 1990, summarizes and evaluates the contribution of Martin Buber as a theorist of myth. Buber provides explicit guidelines for understanding and evaluating myths. He describes reality as twofold: people live either in a world of things, to which they relate as a subject controlling its objects, or in a world of self-conscious others, with whom one relates as fellow subjects. Human beings require both types of reality, but also a means of moving from one to the other. Buber understands myths as one such means by which people pass from I-It reality to I-You meeting. In studying myths, he focuses on the myths in the traditions he knows best, but offers his advice and interpretation of mythology and scholarship about mythology generally.
Sartor resartus.- v. 2-4. French revolution.- v. 5. Life of Schiller.- v. 6-11. Miscellaneous essays.- v. 12. Heroes and hero worship.- v. 13. Past and present.- v. 14-18. Cromwell's letters and speeches; with elucidations.- v. 19. Latter-day pamphlets.- v. 20. Life of Sterling.- v. 21-30. Frederick the Great.- [v. 31] General index.- [v. 32-33] Goethe's Wilhelm Meister's apprenticeship and travels, tr. from the German by Carlyle.- [v. 34] Tales of Musaeus, Tieck, Richter, tr. from German by Carlyle by Thomas Carlyle Pdf