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Alexandria, 51 BC: When Cleopatra VII assumes the throne of Egypt, the Roman empire rules the Mediterranean with an iron fist. But Cleopatra has an audacious plan to change the course of history. Allied first with Caesar and then with his protégé Marc Antony, she dares to challenge the might of Rome. What follows is a bloody game of thrones, in the palaces and on the battlefields of Greece, Syria and Egypt.
"The most complete woman ever to have existed, the most womanly woman and the most queenly queen, a person to be wondered at . . . whom dreamers find always at the end of their dreams." -- Theophile Gautier, 1845 Arrestingly beautiful and fiercely intelligent, Cleopatra VII of Egypt was barely more than a teenager when she inherited the richest empire in the world--one that stretched from the scorching deserts of lower Egypt to the shining Mediterranean metropolis of Alexandria, with its famed libraries, storehouses, and treasuries. Imperiled at every turn by court conspiracies and Roman treachery, the young queen was forced to flee Alexandria and live in exile while a foreign army overran her city and her own siblings plotted her downfall. With nothing to lose, Cleopatra brazenly sought a partnership with the only man who could secure Egypt's safety: Julius Caesar, a wily politician and battle-hardened general with a weakness for women. The result was a passionate love affair that scandalized Rome and thrust Cleopatra into the glittering but deadly world of imperial intrigue and warfare-- a world that she would mesmerize and manipulate even after Caesar was gone. At the height of her power and fame, Cleopatra fell in love with Caesar's protégé and successor, Marc Antony, a handsome general known as much for his drunken hedonism as for his victories in battle. Brash, irresistible, and fatally unreliable, Antony's once-strong hold on the Roman Empire was slipping fast, and with it slipped Cleopatra's fortunes. When the tide had finally, irrevocably turned against her, the proud queen plotted a last, spectacular maneuver that was to save her children, her empire, and her place in the pantheon of gods. Colin Falconer's bold, sensuous prose takes the reader inside the walls of Alexandria's great palaces and into Cleopatra's very heart, creating a vivid portrait of an unforgettable woman who thrived and triumphed in a world ruled by men. This is the story of a legendary woman's most glorious time, a story that blazes through thousands of years of history to capture the imagination of readers today.
Between 1970 and 1974 ten million Americans abandoned the city, and the commercialism, and all the inauthentic bourgeois comforts of the Eisenhower-era America of their parents. Instead, they went back to the land. It was the only time in modern history that urbanization has gone into reverse. Kate Daloz follows the dreams and ideals of a small group of back-to-the-landers to tell the story of a nationwide movement and moment. And she shows how the faltering, hopeful, but impractical impulses of that first generation sowed the seeds for the organic farming movement and the transformation of American agriculture and food tastes. In the Myrtle Hill commune and neighboring Entropy Acres, high-minded ideas of communal living and shared decision-making crash headlong into the realities of brutal Northern weather and the colossal inconvenience of having no plumbing or electricity. Nature, it turns out, is not always a generous or provident host—frosts are hard, snowfalls smother roads, and small wood fires do not heat imperfectly insulated geodesic domes. Group living turns out to be harder than expected too. Being free to do what you want and set your own rules leads to some unexpected limitations: once the group starts growing a little marijuana they can no longer call on the protection of the law, especially against a rogue member of a nearby community. For some of the group, the lifestyle is truly a saving grace; they credit it with their survival. For others, it is a prison sentence. We Are As Gods (the first line of the Whole Earth Catalog, the movement's bible) is a poignant rediscovery of a seminal moment in American culture, whose influence far outlasted the communities that took to the hills and woods in the late '60s and '70s and remains present in every farmer's market, every store selling Stonyfield products, or Keen shoes, or Patagonia sportswear.
The powerful true story of a spiritual awakening, this is the saga of an ordinary woman who goes to a hypnotherapist for help with weight control and inadvertently connects with the fabulous world of Atlantis. Powerful spiritual guides appear with messages for humanity.
A highly entertaining novel set in North London, where the Greek gods have been living in obscurity since the seventeenth century. Being immortal isn’t all it’s cracked up to be. Life’s hard for a Greek god in the twenty-first century: nobody believes in you any more, even your own family doesn’t respect you, and you’re stuck in a dilapidated hovel in North London with too many siblings and not enough hot water. But for Artemis (goddess of hunting, professional dog walker), Aphrodite (goddess of beauty, telephone sex operator) and Apollo (god of the sun, TV psychic) there’s no way out... until a meek cleaner and her would-be boyfriend come into their lives and turn the world upside down. Gods Behaving Badly is that rare thing, a charming, funny, utterly original novel that satisfies the head and the heart.
During a dire battle against the fearsome Skinners, Daine and her mage teacher Numair are swept into the Divine Realms. Though happy to be alive, they are not where they want to be. They are desperately needed back home, where their old enemy, Ozorne, and his army of strange creatures are waging war against Tortall. Trapped in the mystical realms Daine discovers her mysterious parentage. And as these secrets of her past are revealed so is the treacherous way back to Tortall. So they embark on an extraordinary journey home, where the fate of all Tortall rests with Daine and her wild magic.
AN ACCLAIMED, EMMY-NOMINATED TV SERIES ON AMAZON PRIME VIDEO WINNER OF THE HUGO, LOCUS AND BRAM STOKER AWARDS 'To give him his full title: Neil Gaiman, Architect of Worlds, Svengali of Plot, Shaman of Character, Exploder of Cliché, Master Craftsman of Style, Dreamer Laureate of the Republic of Letters' DAVID MITCHELL 'Original, engrossing, and endlessly inventive' GEORGE R.R. MARTIN 'Brilliant and unique' GUARDIAN --- 'This is about the soul of America, the idea that everyone came here from somewhere' NEIL GAIMAN --- After three years in prison, Shadow Moon is free to go home. But hours before his release, his beloved wife is killed in a freak accident. Numbly, he boards a plane where he meets an enigmatic stranger who seems to know Shadow and claims to be an ancient god - and king of America. Together they embark on a profoundly strange road trip across the USA, encountering a kaleidoscopic cast of characters along the way. But all around them a storm of unnatural proportions is gathering. War is coming, an epic struggle for the very soul of America. And Shadow is standing squarely in its path. NEIL GAIMAN. WITH STORIES COME POSSIBILITIES.
The stunning sequel to instant New York Times bestseller, Wicked Saints Nadya doesn’t trust her magic anymore. Serefin is fighting off a voice in his head that doesn’t belong to him. Malachiasz is at war with who--and what--he’s become. As their group is continually torn apart, the girl, the prince, and the monster find their fates irrevocably intertwined. Their paths are being orchestrated by someone...or something. The voices that Serefin hears in the darkness, the ones that Nadya believes are her gods, the ones that Malachiasz is desperate to meet—those voices want a stake in the world, and they refuse to stay quiet any longer. In their dramatic follow-up to Wicked Saints, the first book in their Something Dark and Holy trilogy, Emily A. Duncan paints a Gothic, icy world where shadows whisper, and no one is who they seem, with a shocking ending that will leave you breathless. This edition uses deckle edges; the uneven paper edge is intentional.
David Bentley Hart offers an intense and thorough reflection upon the issue of the supernatural in Christian theology and doctrine. In recent years, the theological—and, more specifically, Roman Catholic—question of the supernatural has made an astonishing return from seeming oblivion. David Bentley Hart’s You Are Gods presents a series of meditations on the vexed theological question of the relation of nature and supernature. In its merely controversial aspect, the book is intended most directly as a rejection of a certain Thomistic construal of that relation, as well as an argument in favor of a model of nature and supernature at once more Eastern and patristic, and also more in keeping with the healthier currents of mediaeval and modern Catholic thought. In its more constructive and confessedly radical aspects, the book makes a vigorous case for the all-but-complete eradication of every qualitative, ontological, or logical distinction between the natural and the supernatural in the life of spiritual creatures. It advances a radically monistic vision of Christian metaphysics but does so wholly on the basis of credal orthodoxy. Hart, one of the most widely read theologians in America today, presents a bold gesture of resistance to the recent revival of what used to be called “two-tier Thomism,” especially in the Anglophone theological world. In this astute exercise in classical Christian orthodoxy, Hart takes the metaphysics of participation, high Trinitarianism, Christology, and the soteriological language of theosis to their inevitable logical conclusions. You Are Gods will provoke many readers interested in theological metaphysics. The book also offers a vision of Christian thought that draws on traditions (such as Vedanta) from which Christian philosophers and theologians, biblical scholars, and religious studies scholars still have a great deal to learn.
NAMED A BEST BOOK OF THE YEAR BY ESQUIRE, THE IRISH TIMES AND THE TIMES LITERARY SUPPLEMENT A provocative history of men who were worshipped as gods that illuminates the connection between power and religion and the role of divinity in a secular age Ever since 1492, when Christopher Columbus made landfall in the New World and was hailed as a heavenly being, the accidental god has haunted the modern age. From Haile Selassie, acclaimed as the Living God in Jamaica, to Britain’s Prince Philip, who became the unlikely center of a new religion on a South Pacific island, men made divine—always men—have appeared on every continent. And because these deifications always emerge at moments of turbulence—civil wars, imperial conquest, revolutions—they have much to teach us. In a revelatory history spanning five centuries, a cast of surprising deities helps to shed light on the thorny questions of how our modern concept of “religion” was invented; why religion and politics are perpetually entangled in our supposedly secular age; and how the power to call someone divine has been used and abused by both oppressors and the oppressed. From nationalist uprisings in India to Nigerien spirit possession cults, Anna Della Subin explores how deification has been a means of defiance for colonized peoples. Conversely, we see how Columbus, Cortés, and other white explorers amplified stories of their godhood to justify their dominion over native peoples, setting into motion the currents of racism and exclusion that have plagued the New World ever since they touched its shores. At once deeply learned and delightfully antic, Accidental Gods offers an unusual keyhole through which to observe the creation of our modern world. It is that rare thing: a lyrical, entertaining work of ideas, one that marks the debut of a remarkable literary career.
Evil always seeks a foothold. We must not give it one. The electrifying conclusion to the New York Times and Indiebound bestselling Serpent & Dove trilogy is perfect for fans of Sarah J. Maas and Kendare Blake. Lou has spent her whole life running. Now, after a crushing blow from Morgane, the time has come to go home—and claim what is rightfully hers. But this is no longer the Lou her friends knew. No longer the Lou who captured a chasseur’s heart. A darkness has settled over her, and this time it will take more than love to drive it out. From Serpent & Dove to Blood & Honey and concluding with Gods & Monsters, Shelby Mahurin's stunning fantasy trilogy delivers thrills and romance.
Here, archaeologically documented,is the story of the religion of the Goddess. Under her, women’s roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women’s status.
In the texts of Genesis 18 and 32, God appears to a patriarch in person and is referred to by the narrator as a man, both times by the Hebrew word īsh. In both texts, God as īsh is described in graphically human terms. This type of divine appearance is identified here as the "īsh theophany". The phenomenon of God appearing in concrete human form is first distinguished from several other types of anthropomorphism, such as divine appearance in dreams. The īsh theophany is viewed in relation to appearances of angels and other divine beings in the Bible, and in relation to anthropomorphic appearances of deities in Near Eastern literature. The īsh theophany has implications for our understanding of Israelite concepts of divine-human contact and communication, and for the relationship to Ugaritic literature in particular. The book also includes discussion of philosophical approaches to anthropomorphism. The development of philosophical opposition to anthropomorphism can be traced from Greek philosophy and early Jewish and Christian writings through Avicenna, Averroes, Maimonides and Aquinas, and into the work of later philosophers such as Hume and Kant. However, the work of others can be applied fruitfully to the problem of divine anthropomorphism, such as Wittgenstein's language games.
