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The Wife Drought is about women, men, family and work. Written in Annabel Crabb's inimitable style, it's full of candid and funny stories from the author's work in and around politics and the media, historical nuggets about the role of 'The Wife' in Australia, and intriguing research about the attitudes that pulse beneath the surface of egalitarian Australia.
“Fans of The No. 1 Ladies’ Detective Agency may have a new hero: Detective Inspector Darko Dawson.”—The Wall Street Journal Introducing Detective Inspector Darko Dawson: dedicated family man, rebel in the office, ace in the field—and one of the most appealing sleuths to come along in years. When we first meet Dawson, he’s been ordered by his cantankerous boss to leave behind his loving wife and young son in Ghana’s capital city to lead a murder investigation: In a shady grove outside the small town of Ketanu, a young woman—a promising medical student—has been found dead under suspicious circumstances. Dawson is fluent in Ketanu’s indigenous language, so he’s the right man for the job, but the local police are less than thrilled with an outsider’s interference. For Dawson, this sleepy corner of Ghana is rife with emotional land mines: an estranged relationship with the family he left behind twenty-five years earlier and the painful memory of his own mother’s inexplicable disappearance. Armed with remarkable insight and a healthy dose of skepticism, Dawson soon finds his cosmopolitan sensibilities clashing with age-old customs, including a disturbing practice in which teenage girls are offered to fetish priests as trokosi, or Wives of the Gods. Delving deeper into the student’s haunting death, Dawson will uncover long-buried secrets that, to his surprise, hit much too close to home. Praise for Wife of the Gods “An absolute gem . . . mystery fans have an important new voice to savor.”—Los Angeles Times “Full of suspense, humor and plot twists . . . Quartey’s remarkable characters give the reader a worthy whodunit.”—Ebony “[A] winning debut . . . Dawson is a wonderful creation, a man as rich with contradictions as the Ghana Quartey so delightfully evokes.”—Publishers Weekly “Engrossing . . . [Quartey] renders a compelling cast of characters. . . . Fans of McCall Smith’s No. 1 Ladies’ Detective Agency will relish the opportunity to discover yet another intriguing area of Africa.”—Booklist (starred review)
"A smart, sparkling novel that is one part social satire, one part travelogue . . . Comical and cool.” —Oprah Daily In Katie Crouch's thrilling novel Embassy Wife, two women abroad search for the truth about their husbands—and their country. Meet Persephone Wilder, a displaced genius posing as the wife of an American diplomat in Namibia. Persephone takes her job as a representative of her country seriously, coming up with an intricate set of rules to survive the problems she encounters: how to dress in hundred-degree weather without showing too much skin, how not to look drunk at embassy functions, and how to eat roasted oryx with grace. She also suspects her husband is not actually the ambassador’s legal counsel but a secret agent in the CIA. The consummate embassy wife, she takes the newest trailing spouse, Amanda Evans, under her wing. Amanda arrives in Namibia mere weeks after giving up her Silicon Valley job so her husband, Mark, can have his family close by as he works on his Fulbright project. But once they’re settled in the sub-Saharan desert, Amanda sees clearly that Mark, who lived in Namibia two decades earlier, has other reasons for returning. Back in the safety of home, the marriage had seemed solid; in the glaring heat of the Kalahari, it feels tenuous. And the situation grows even more fraught when their daughter becomes involved in an international conflict and their own government won’t stand up for her. How far will Amanda go to keep her family intact? How much corruption can Persephone ignore? And what, exactly, does it mean to be an American abroad when you’re not sure you understand your country anymore? Propulsive and provocative, Embassy Wife asks what it means to be a human in this world, even as it helps us laugh in the face of our own absurd, seemingly impossible states of affairs.
When New Zealand’s prime minister, Jacinda Ardern, announced her pregnancy, the headlines raced around the world. But when Scott Morrison and Josh Frydenberg became the first prime minister and treasurer duo since the 1970s to take on their roles while bringing up young children, this detail passed largely without notice. Why do we still accept that fathers will be absent? Why do so few men take parental leave in this country? Why is flexible and part-time work still largely a female preserve? In the past half-century, women have revolutionised the way they work and live. But men’s lives have changed remarkably little. Why? Is it because men don’t want to change? Or is it because, every day in various ways, they are told they shouldn’t? In Men at Work, Annabel Crabb deploys political observation, workplace research and her characteristic humour and intelligence to argue that gender equity cannot be achieved until men are as free to leave the workplace (when their lives demand it) as women are to enter it.
Despite her family's threat to disown her, Idil, a young Somali woman, rejects her high Bliss status to marry Sidow, a poor Boon man. Her decision transforms her life, forcing her to face harsh and sometimes even deadly consequences for her defiance of a strict tribal hierarchy. Set in the fifteen-year period before Somalia's 1991 Civil War, Idil's journey is almost too hard to bear at times. Her determination to follow her heart and to pursue love over family and convention is a story that has been told across time and across cultures.
"Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a 'dramatic reversal.' [This book presents a] portrait of contemporary American life and how we got here, through the lens of the single American woman, covering class, race, [and] sexual orientation, and filled with ... anecdotes from ... contemporary and historical figures"--
“Round-heeled” is an old-fashioned label for a woman who is promiscuous—someone who nowadays might be called “easy.” It’s a surprising way for a cultured English teacher with a passion for the novels of Anthony Trollope to describe herself, but then that’s just the first of many surprises to be found in this poignant, funny, utterly unique memoir. Jane Juska is a smart, energetic divorcée who decided she’d been celibate too long, and placed the following personal ad in her favorite newspaper, The New York Review of Books: Before I turn 67—next March—I would like to have a lot of sex with a man I like. If you want to talk first, Trollope works for me. This closing reference was a nod to her favorite author, of course. The response was overwhelming, and Juska took a sabbatical from teaching to meet some of the men who had replied. And since her ad made it clear that she wasn’t expecting just hand-holding, her dates zipped from first base to home plate in record time. Juska is a totally engaging, perceptive writer, funny and frank about her exploits. It’s high time someone revealed the fact that older single people are as eager for sex and intimacy as their younger counterparts. Jane Juska’s brave, honest memoir will probably raise eyebrows and blood pressure, but it will undoubtedly appeal to the very large audience of grown-up readers who will be fascinated and inspired by her daring adventure.
A mother's greatest fear. A wife's worst nightmare. What would you do? When two technology-related disasters hit within days of each other, Paula knows her comfortable suburban life has been irrevocably blown apart. One involves the public shaming of her teenage daughter, the other is a discovery about her husband that shocks her to her core. With her world unravelling around her, Paula does the only thing that makes any sense to her: she runs away from it all. She pulls her children out of school and takes off on a trip across Australia with her elderly father and his caravan. The only rule is No Technology - no phones, no Facebook, no Instagram, no tablets, games or computers. It's time to get back to basics and learn how to be a family again. It all sounds so simple - and for a while, it is. But along the way Paula will meet new, exciting complications, and realise that running away is only a temporary solution. The past has to be faced before the future can begin. A thrilling, tender and hugely entertaining story of loss, love and discovery from the bestselling author of The Mothers' Group.
In the lawless, drought-ridden lands of the Arizona Territory in 1893, two extraordinary lives collide. Nora is an unflinching frontierswoman, alone in a house abandoned by the men in her life. Lurie is a man haunted by ghosts--he sees lost souls who want something from him. The way in which Nora and Lurie's stories intertwine is the surprise and suspense of this brilliant novel.ovel.
In an isolated fortress, the Master of Crows battles an ancient god for possession of his soul. Renegade and heretic, he dreams of ways to defeat the god and destroy the priesthood who would execute him. Sent by her masters to betray him, a woman comes who possesses a weapon he can use to triumph over both...but only at the ultimate sacrifice. A tale of love and allegiance. --------------- This fantasy romance was previously published with a different cover in 2009 by Amber Quill Press. This is the second edition.
In Late Wife, a woman explores her disappearance from one life and reappearance in another as she addresses her former husband, herself, and her new husband in a series of epistolary poems. Though not satisfied in her first marriage, she laments vanishing from the life she and her husband shared for years. She then describes the unexpected joys of solitude during her recovery and emotional convalescence. Finally, in a sequence of sonnets, she speaks to her new husband, whose first wife died from lung cancer. The poems highlight how rebeginning in this relationship has come about in part because of two couples’ respective losses. The most personal of Claudia Emerson’s poetry collections, Late Wife is both an elegy and a celebration of a rich present informed by a complex past.
A WRY AND HILARIOUS ACCOUNT OF LIFE AT A BOOKSHOP IN A REMOTE SCOTTISH VILLAGE "Among the most irascible and amusing bookseller memoirs I've read." --Dwight Garner, New York Times "Warm, witty and laugh-out-loud funny..."—Daily Mail The Diary of a Bookseller is Shaun Bythell's funny and fascinating memoir of a year in the life at the helm of The Bookshop, in the small village of Wigtown, Scotland—and of the delightfully odd locals, unusual staff, eccentric customers, and surreal buying trips that make up his life there as he struggles to build his business . . . and be polite . . . When Bythell first thought of taking over the store, it seemed like a great idea: The Bookshop is Scotland's largest second-hand store, with over one hundred thousand books in a glorious old house with twisting corridors and roaring fireplaces, set in a tiny, beautiful town by the sea. It seemed like a book-lover's paradise . . . Until Bythell did indeed buy the store. In this wry and hilarious diary, he tells us what happened next—the trials and tribulations of being a small businessman; of learning that customers can be, um, eccentric; and of wrangling with his own staff of oddballs (such as ski-suit-wearing, dumpster-diving Nicky). And perhaps none are quirkier than the charmingly cantankerous bookseller Bythell himself turns out to be. But then too there are the buying trips to old estates and auctions, with the thrill of discovery, as well as the satisfaction of pressing upon people the books that you love . . . Slowly, with a mordant wit and keen eye, Bythell is seduced by the growing charm of small-town life, despite —or maybe because of—all the peculiar characters there.
A FINALIST FOR THE GOVERNOR GENERAL'S LITERARY AWARD: The true story of one indomitable woman caught in the tumult of an extraordinary century in Ethiopia, The Wife's Tale has the sweep and lyrical power that captivated readers of Abraham Verghese's Cutting for Stone. A hundred years ago, a girl was born in the northern Ethiopian city of Gondar. Before she was ten years old, Yetemegnu was married to a man two decades her senior, an ambitious poet-priest. Over her lifetime her world changed beyond recognition. She witnessed Fascist invasion and occupation, Allied bombardment and exile from her city, the ascent and fall of Emperor Haile Selassie, revolution and civil war. She endured all these things alongside parenthood, widowhood and the death of children. The Wife's Tale is an intimate memoir, of both a life and a country. In prose steeped in Yetemegnu's distinctive voice and point of view, Aida Edemariam retells her grandmother's stories of a childhood surrounded by proud priests and soldiers, of her husband's imprisonment, of her fight for justice--all of it played out against the rhythms of the natural world and an ancient cycle of religious festivals. She introduces us to a rich cast of characters--emperors and empresses, scholars and nuns, Marxist revolutionaries and wartime double agents--and through these encounters takes us deep into the landscape and culture of this many-layered, often mischaracterized country.
